by Eva Ibbotson
In the afternoon Ellie returned and sent Annika out into the crisp snow to get a newspaper, thinking some fresh air would do her good, but this turned out to be a mistake, because the lady in the paper shop told her that her mother’s stuffing for the carp at Christmas had always contained chopped prunes.
Annika was unsettled by this, but then she remembered that the paper-shop lady’s family had come from Czechoslovakia, where they probably ate all sorts of things, and she turned back to Ellie’s book.
There was now only one more day to go, and the professors began to quarrel about the best way to stop the tree from going up in flames if the candles set it alight. Professor Julius believed in a bucket of sand to stand beside the tree. Professor Emil thought that a bucket of water was better, and Professor Gertrude favoured a large blanket with which to smother the flames. They argued about this every year and could never agree, so this year as in other years they took all three into the dining room. Sigrid polished the knives and forks, the napkin rings, the candlesticks . . . Ellie put the finishing touches to the poppy-seed strudel, the chocolate mousse, the iced and marbled gugelhupf, which is the most famous cake in Vienna.
And Annika removed the carp from its bath and patted it dry and stuffed it with truffles and chopped celery and chestnut purée and lemon rind and grated honey cake and dark plum jam, and greased the gigantic roasting tin with clarified butter and laid the carp to rest on it until the following day, when it would go into the oven. There was only the sauce to make now, but there wasn’t anything ‘only’ about the sauce – which took up a page and a half in Ellie’s mother’s book.
Later that evening, Frau Bodek came over with a blouse for Annika which she had stitched in her spare time, though where she got spare time from was not easy to see. But she too unsettled Annika, for Frau Bodek’s aunt in Moravia had always added chopped walnuts to the sauce.
‘It gave it a lovely crunch,’ Frau Bodek said.
But Annika was determined to stick to the the recipe handed down from Ellie’s grandmother. Anything else would be cheating.
And yet that night, the last night before Christmas, she felt restless. A single word kept going round and round in her head, and the word was nutmeg.
Only why? Nutmeg was a lovely spice, but there wasn’t a word about nutmeg in the instructions for the sauce. Other spices, yes, and other herbs . . . but not that.
‘I mustn’t,’ said Annika again. ‘I mustn’t change anything or add anything. It’s got to be the way it always was.’
The bells woke her in the dark on the morning of the twenty-fourth. She shrugged on her clothes, and then she and Ellie and Sigrid went across the square to church for early-morning mass.
When she got back she knew with a deadly certainty that lunch was going to be a failure. The carp would come apart, the sauce would curdle, the stuffing would leak. Fighting down panic, she went to the larder to fetch the fish and put it in the oven.
Then, right at the last minute, she did something she knew she would regret.
The three professors were dressed in their best clothes, their starched napkins were ready round their necks, their eyes were expectant and the table was set with the gold-rimmed Meissen plates, which were only used on very special days. Then the door opened and Annika entered with the carp.
The professors smiled benevolently. Ellie brought the vegetables and the sauce. Professor Julius began to cut the fish into slices.
‘Delicious,’ they said. ‘Absolutely delicious. Just as always.’
But when Ellie and Sigrid and Annika sat down in the kitchen to their share of the fish, the worst happened.
Ellie put a helping of carp to her mouth. Her face clouded. Annika had seldom seen her look so angry.
‘What have you done?’ she asked, aghast. ‘What have you done, Annika? My mother would turn in her grave.’
She took another mouthful. An awful silence fell.
Then Sigrid said, ‘Just taste, Ellie, just taste, don’t lecture.’
Ellie speared another piece of fish in its dark sauce . . . and another . . . She closed her eyes. She still did not speak, but when the first course was finished she got up and fetched the black book from the dresser and with it a pen and a bottle of ink.
Then, ‘You can write it in,’ she said to Annika. ‘Don’t smudge it.’
Annika took the pen. ‘What do I write?’ she asked, bewildered.
Ellie pointed to the instructions for cooking the Christmas carp. ‘Here . . . Under the last line write: “A pinch of nutmeg will improve the flavour of the sauce.”’
The tree did not catch fire. Sigrid had made Annika a brown velvet dress with a wide lace collar, and Ellie gave her a silver charm to add to her bracelet. Later the Bodeks came and Stefan lifted up the smaller ones to get their sugar mice and gingerbread hearts from the tree.
All in all it had been a wonderful Christmas; ‘the best ever,’ Annika said, as she said each year, and meant it. She had quite forgotten her doubts and sadness. Her future lay clear before her; she would learn to be the best cook in Vienna – perhaps even a famous cook who had dishes named after her. Certainly there was no better place to grow up than here in this familiar square in the most beautiful city in the world.
She opened her double windows, which she was not supposed to do, and held out a hand to catch a snowflake. Faintly, across the cobbles, there came the noise of a child screaming. Then the Eggharts’ door opened and Loremarie threw her new skating boots out into the street.
‘They’re the wrong colour,’ she yelled. ‘I told you, I wanted them to be blue!’
And Annika, who had prayed only that morning not to think unkind thoughts, felt that this was the perfect end to the day.
CHAPTER NINE
THE GIANT WHEEL
At the end of February the funfair in the Prater, which had been closed in the winter, prepared to open once again. This meant taking the tarpaulins off the roundabouts, reassembling the shooting booths and checking the machinery of the famous Giant Wheel with its large, closed carriages.
And on the last Saturday before the fair opened officially, the men who worked there, like Stefan’s father and the other groundsmen and mechanics and carpenters, were allowed to invite their family and friends to come to the Prater free.
Stefan went, but his elder brothers all had Saturday jobs, so Annika went with him. Pauline too was invited, but she knew that the day would mostly be spent on the Giant Wheel, which she found alarming and far too high, and her grandfather was expecting a new delivery of books, so she stayed at home.
Pauline was right. Annika and Stefan went round on the Giant Wheel three times, but then Stefan caught sight of the engineer who serviced it and went off to talk to him – so that the last time Annika went up, she was alone.
Perhaps it was because of this that she saw everything so vividly.
There is a moment when each carriage stops with a little click and just hangs there in space. The music ceases, one can hear the wind – and there beneath one lies the whole city. To the east, the Danube, to the north and west the Vienna Woods . . . and to the south (but one has to look very hard for this) just a glimpse of the white peaks of the Alps, where the snow is everlasting.
Everything she saw now seemed to be part of her own life. The spire of the cathedral where, on Easter Sunday, Aunt Gertrude had knelt on a dead mouse . . . The roofs of the palace where the emperor slept on his iron bed, and the Spanish Riding School where his Lipizzaners had danced for them . . .
The copper dome of the art museum where Uncle Emil had told her so many important things about the painting of human flesh, and the opera where he had picked Cornelia Otter out of a chorus of thirty well-covered village maidens and decided to adore her.
She ran from side to side, looking, looking . . . Here was the park of the Belvedere, where soon now she would go and search for the first violets . . . and the pond in the Volksgarten where they had found an injured duckling and brought it to Ellie to
heal. Beyond the marshy islands on the Danube ran the great plain which stretched all the way to Budapest and – nearer again – the graveyard where Sigrid’s uncle was buried after he ate twenty-seven potato dumplings in a row and fell senseless to the ground. And Annika, on a level with the clouds, thought of her friend, the Eggharts’ great-aunt, who had swung and strewn high over the stages of the world – and she had a great longing to break the windows of the carriage and strew something marvellous over the city: flowers, thousands and thousands of flowers, which would land in the wintry streets to please the people who lived in Vienna and had made it beautiful.
‘Oh, Stefan, we’re so lucky,’ she said, when she was down again. And as he looked at her puzzled she added, ‘To live here, I mean. To belong.’
Afterwards it seemed strange to her that she had said those words on that particular day.
They got off the tram a stop early because the snow was almost gone at last and the sun was shining.
‘Goodness,’ said Annika, as they turned into the square. ‘There seems to be a meeting.’
There were certainly a lot of people standing by the fountain: Josef from the cafe, with his mother wrapped in a shawl. Father Anselm from the church. The Eggharts’ maid, Mitzi. Frau Bodek, with the baby in the pram and the three-year-old Hansi clinging to her skirts, and not only Pauline but Pauline’s grandfather, who hadn’t been seen outside his shop in months.
And in the centre of the group was the coal-man, who had been delivering bags of fuel to the professors’ house, and to whom they were all listening.
‘I tell you,’ he was saying, ‘there was Ellie slumped at the kitchen table, crying her heart out, and Sigrid looking at me as though she’s never seen me before, when I’ve been to their house once a week for the past—’
He broke off. His listeners had turned and now everybody could see Annika and Stefan coming towards them. The coal-man fell silent. Everyone fell silent except Hansi, who wailed, ‘I don’t want Ellie to cry, I want her to make buns.’
Annika stopped.
‘What is it? What’s happened?’
‘You must go home, Annika, they’re waiting for you,’ said Pauline’s grandfather in a solemn voice.
Now she was very much afraid. ‘What’s happened?’ she asked again. And as no one answered her she said, ‘Will you come with me, Pauline?’
Pauline stepped forward, but her grandfather put a hand on her shoulder. ‘No. Pauline, you stay here. Annika’s family—’ He stopped himself. ‘They . . . will want to have Annika to themselves today.’
Annika was already running across the square. She threw open the kitchen door, and what the coal-man had said was true. Ellie was slumped at the kitchen table, her face was blotched and, most extraordinary of all, she wasn’t doing anything. Not beating something in a bowl, not kneading dough, not slicing vegetables. Sigrid sat in the wicker chair; her hands too were empty and she seemed to be staring at something no one else could see.
‘What is it – what’s happened? Why will no one tell me anything?’ said Annika, throwing her arms round Ellie. ‘Are the professors all right? Has someone died?’
Ellie managed to shake her head. ‘No one’s died.’ She loosened Annika’s arms. ‘You’re wanted in the drawing room.’
‘In the drawing room?’
So something serious was the matter. The servants never went into the drawing room except to dust or clean. As a matter of fact the professors did not go into it much themselves; it was a dark and formal room, not welcoming like the other rooms in the house.
Sigrid roused herself enough to lunge at Annika’s hair with the comb she kept in her overall pocket. Then she said, ‘Go on; you’ll do.’
Annika went through the green baize door, along the corridor, up the first flight of stairs. She knocked, entered and curtsied.
Professor Julius and Professor Emil stood on either side of the writing desk, which was covered in official-looking papers. They seemed somehow smaller than usual, and this was because, standing between them with her back to the door, was a very tall woman wearing a dark fur cloak and a hat with osprey feathers.
‘Come along in,’ said Professor Julius, and his voice seemed strange; a little husky. And then, ‘This is Annika.’
The woman turned. She had very blue eyes, but her brows were black and the crescent of hair showing under her hat was black also. With her strong features and her height, she looked to Annika like a queen.
The woman stood absolutely still and gazed at her. She lifted up her long arms so that her cloak spread out on either side like a pair of wings, blotting out the two professors. And only then did she say the words of Annika’s dream.
‘My child,’ said the tall woman, ‘my darling, darling daughter – have I really found you at last?’
And she stepped forward and took Annika into her arms.
CHAPTER TEN
HAPPINESS
There is nothing more amazing than walking into one’s own dream. Her mother was real, she had come, and Annika, from the moment she felt her mother’s arms round her, was in a daze of happiness. She could hardly bear to be separated from her even by the length of a room.
Annika had imagined an elegant and confident woman, but even in her wildest dreams she had not thought that her mother might be an aristocrat – a nobly born woman with a ‘von’ in front of her name and a family crest – yet it was so.
Her mother’s name was Edeltraut von Tannenberg and she lived in an ancient, moated house in the north of Germany which had been in her family for generations.
Not only that, but she was beautiful: tall with thick black hair that she wore in plaits round her head; long, narrow hands and feet, and a slender neck. The way she carried herself, the way she spoke – in her deep, serious voice and in an accent so different from the lilting speech of the Viennese – held Annika spellbound. Even the scent she wore was different: a dark, musky, exotic scent that smelt as though the flowers it was made of came from an unknown land.
Frau von Tannenberg had of course brought papers to show that she was truly the woman who had left her baby on the altar steps in the church at Pettelsdorf. Among these was a document witnessed by one of Vienna’s most famous lawyers, Herr Adolf Pumpelmann-Schlissinger. It was an affidavit signed by the midwife at Pettelsdorf, Amelia Plotz, swearing that she had assisted at the birth of a daughter to Frau Edeltraut von Tannenberg on the sixth of June 1896.
There could be no doubting a document witnessed by Herr Pumpelmann-Schlissinger. He was a small dapper man with a well-oiled moustache, who wore pointed shoes and purple cravats and could be seen at most fashionable gatherings in the city. The professors knew him well; he belonged to the same club as Professor Julius, collected silver salad servers, and was often called in by the university in their disputes with the council.
‘If Pumpelmann-Schlissinger’s put his name to it, then that’s the end of the matter,’ said Professor Julius sadly, and all hope that there had been a mistake or a misunderstanding had to be abandoned.
The afternoon was spent in business matters, but as supper time drew closer there were problems. Frau von Tannenberg obviously could not eat in the kitchen. On the other hand if she dined with the professors, Annika could not be expected so suddenly to eat upstairs. So most tactfully Annika’s mother invited her daughter to join her for supper at the Hotel Bristol, where she was staying, so that they could get to know each other quietly by themselves.
‘My God, the Bristol,’ said Ellie – and she and Sigrid pulled themselves together and washed Annika’s hair and buffed her nails and dressed her in the brown velvet dress that Sigrid had made for her for Christmas . . . And they were only just ready when the doorbell rang and it was Annika’s mother come to fetch her in a hansom cab.
The Bristol was Vienna’s most luxurious and expensive hotel. Even royalty stayed there when they visited the city and Frau von Tannenberg was pleased with it.
And her new daughter was going to be a credit to
her, she could see that. Watching Annika come towards her in the dining room, weaving her way between the tables with their starched damask and gleaming silver, seeing her smile at the waiter as he pulled out her chair, Frau von Tannenberg could only congratulate the cook and housemaid who had brought her up. She had been prepared gently to initiate Annika in to the art of managing the battery of knives and forks and showing her from which glass to drink, but there was no need. In Vienna’s most splendid dining room, Annika was perfectly at home.
Because she was still trying to match up her daydream with what was happening, Annika asked about a dog. ‘Did you bring one?’ she asked a little foolishly.
Annika’s mother shook her head. ‘Are you fond of dogs?’
‘Yes, I am. Very. I have always wanted one, all my life.’ ‘Well, there are plenty of dogs at Spittal. Plenty of animals altogether. There’s a farm attached to the house.’
Annika nodded. It sounded good. But of course it did seem as though her mother was going to take her away. Well, obviously, except that in her daydream her mother had just come and then the dream had stopped. It was a dream about coming not going. No one in her dream had gone.
Annika took a deep breath. ‘I kept wondering why . . . you left me.’
Her mother leaned forward and took both of Annika’s hands across the table.
‘Of course you wondered. Of course my poor child. And now that I’ve met you I know you will understand – you have such a sympathetic face. I’ll tell you exactly what happened, but I’m afraid you’ll have to face one thing, my dearest girl. Your father was a louse.’
Annika was startled. She knew that the aristocracy often used strong language, but it was strange to hear her father called a louse.
‘So good-looking – you take after him – but a louse just the same.’
And she told Annika what had happened all those years ago when she was a young and inexperienced girl.
‘I was so young – you must remember that. I was just eighteen years old. I had developed a bad cough and Spittal – my home – is very low-lying. So the doctors said I needed mountain air and they sent me – with my maid of course – to a hotel in the Alps.’