Holding the gun in both hands, cops and robbers, he turned toward the gate, facing the house. He crouched, cops and robbers, and touched the trigger—
—and heard the whole world explode.
12:30 PM
Hastings took the microphone from beneath the dash, punched in the Command channel.
“Inspectors Eleven.”
From Communications, an unfamiliar female voice answered, “Inspectors Eleven, go ahead.”
“This is Lieutenant Hastings. Give me Lieutenant Friedman, please.”
“Yessir.”
A thirty-second pause. Then: “Friedman.”
“It’s Frank, Pete. What’s happening? Anything on the Hanchett homicide? Any reports?”
“I’m expecting prelims from the lab and the coroner by four o’clock. How about if you and Canelli plan on a meeting here at four-thirty?” Uncharacteristically, Friedman spoke brusquely, his voice tight. Downtown, things were happening.
“Four-thirty. Fine.”
“Okay. Gotta go. It looks like a couple of drug pushers are playing ‘Gunfight at the O.K. Corral’ out at Hunter’s Point.”
“Four-thirty. Where’s Canelli?”
“Here. You want him, for the Hanchett thing?”
Irritated, Hastings spoke sharply: “I’ve got him, for God’s sake. He’s the officer of record on this.”
“Okay. Calm down. I’ll switch you.” A long moment of dead air passed before Canelli came on the line.
“Leonard?”
“Wrong, Canelli. Guess again.”
“Oh, Jesus, Lieutenant. Sorry. These goddamn phones. I thought you were Leonard.”
“I want you to run three names for me. One of them—Fiona Hanchett—I want right now. She’s Hanchett’s first wife. She lives on Washington Street.”
“Okay—just a second.” On the other end of the line, the phone clattered as Canelli laid it on the desk. In the background Hastings heard the sounds of the squad room: typewriters clicking, a computer chirping, phones ringing, some voices mumbling, some voices raised. Finally: “Right. Got her.”
“Good. Go ahead.” Pen poised, Hastings waited.
“It’s forty-one-seventy-four Washington. Sounds like money.”
“I’ve got two more names. I don’t need them right now. One is a woman named Teresa Bell, who lives in the avenues, I think. The other is Paula Gregg. She lives in North Beach.” He spelled both names. “There’s a woman named Susan Parrish. A head nurse at BMC. You can—”
“Excuse me, Lieutenant. BMC?”
“Barrington Medical Center. Where Hanchett worked.”
“Oh, sure. Right.”
“Teresa Bell’s child died when BMC refused a liver transplant. Susan Parrish is an old friend of mine. Check with her to make sure we’ve got the right Teresa Bell. Susan and I have talked, so she’ll know what you’re talking about.”
“Oh. Good.”
Hastings could picture Canelli’s expression, his dark eyes anxious, his broad, swarthy face probably sweat-sheened. Taking orders from superiors, anxious to get the instructions precisely right, Canelli often perspired.
“Do you want me to take an interrogation, Lieutenant?”
“Not right now. You catch for me. After I’ve finished with Fiona Hanchett, I’ll get Teresa Bell’s address from you. I hope I’ll get some more names from her. There’s a meeting with Lieutenant Friedman at four-thirty.”
“Oh—okay.” Then, solicitously: “Good luck, Lieutenant.”
“Thanks.”
12:30 PM
Already, she knew, the afternoon papers would have been delivered to Jamison’s, only a block and a half away. By noon, most days, the Clarion was dropped off the truck—big, square bundles wired together, thudding on the sidewalk in front of the grocery store.
But they’d always taken the Sentinel, always had it delivered, early in the morning.
That morning, the Sentinel had been delivered at twenty minutes after seven. She’d been waiting for it, been ready for it, had her plans already made. Quietly—very quietly—she’d opened the front door and gotten the paper. She’d taken it into the kitchen. She’d put the paper, still secured by a thick rubber band, on the table. Then, as she always did, she’d put the kettle on for her tea. Next she’d put the toast on. And then she’d set out the breakfast things: the butter, the marmalade, the teabag, the sugar. All followed by the silverware.
By that time the water was boiling, and the toast had popped up. Allowing her to sit down at the table, as she always did. Which, in turn, allowed her to slip the rubber band from the Sentinel, and unfold the paper.
It was then that the newspaper began to shake—at first only a quiver, not bad enough to prevent her from searching the paper’s first section. But then, when she learned that the Sentinel had not reported the monster’s death, the paper began shaking so violently that the type blurred.
Meaning that it would be best not to risk what could happen if she walked around the corner to Jamison’s and laid a quarter on the counter and took a copy of the Clarion in her hands. Because her hands, shaking, holding the Clarion, could betray her. She’d already had the warning.
But she had to know, had to see proof that the monster was dead.
Meaning that she must risk it, risk whatever awaited beyond the walls that had always sheltered her.
If rocks overturned exposed the wicked, then sunlight revealed the virtuous.
Brice Hanchett, dead.
At the thought, the trembling began again.
Virtue revealed—her own precious secret.
1:15 PM
“Mrs. Hanchett? Fiona Hanchett?”
Her face was bloated, her eyes pale and watery. Her hair, tinted a dusty blond, was in disarray. Her mouth moved uncertainly, as if the question confused her. Finally she nodded.
“Yes …”
“I’m Lieutenant Frank Hastings, Mrs. Hanchett.” He held up his shield, watched her labor to focus on it. As she studied the shield, her whole body swayed. Was it booze? Drugs? Grief?
All three?
“You’ve come about Brice.” Her voice was coarse, clogged by phlegm and roughened by too much liquor for too many years.
“That’s right, Mrs. Hanchett.” He looked past her, into the hallway of the two-story town house. The house was vintage Pacific Heights, market value more than a million dollars. Everything Hanchett touched, apparently, was gilded. Hanchett’s current wife, his current girlfriend, his ex-wife—all of them lived the life of privilege. Hanchett’s Jaguar cost more than most men earned in a year.
“Can we …?” He gestured. “Can we go inside? There’re a few things I have to ask you.”
“Is it John?” Her eyes were anxious. Repeating querulously: “John?”
“Is John—?” He frowned. “Is he your son?”
As if she feared to answer, she first shook her head, then nodded hesitantly. Finally she said, “I’m sorry, Lieutenant—” Confused, she broke off. “I’m sorry, but I’ve forgotten—” Once more, she shook her head.
“It’s Hastings. Frank Hastings.” He gestured again. “Can we go inside?”
“Oh—yes—please.” Hastily she drew back. “I—I’m sorry. It’s just that all this—Brice, dead, it’s made me—” Bemused, she waited for Hastings to step inside, then swung the heavy door closed. After an awkward moment, each deferring to the other, she preceded him into a large, sunny living room that had certainly been professionally decorated. She gestured him to a chair, and sat in a companion chair, facing him across a small antique cobbler’s bench. She wore a full kimono-style garment that covered her whole body, falling to her ankles.
“Is there anything I can do for you, Mrs. Hanchett? Do you need anything?”
As if the question puzzled her, she blinked, then refocused her gaze on him. “Need anything?”
“Information. Help.”
She began to smile, an ironic twisting of a mouth that age had begun to pucker. Or was it lipstick
imperfectly applied?
Circling her eyes, also imperfectly made up, a network of lines had begun to deepen, a complicated tracery of chronic defeat. Her eyes were round and vague, Little Orphan Annie eyes in a tired, withering face.
“Help …” Still smiling, she slowly shook her head. “No, Lieutenant, I don’t see how you can help me. I imagine you’ve come because you’re trying to find whoever killed him. But the truth is, I don’t care whether you find the murderer or not. Does that shock you?” Now the smile twisted, as if she’d experienced sudden pain. The watery eyes leered, a grotesque imitation of the flirtatious coquette.
“I’m looking for the truth, Mrs. Hanchett. That’s what police work is all about.”
“Well, then …” As if to encourage him, she nodded, an exhausted inclination of her head accompanied by a vague movement of her hand. The hand, Hastings saw, was a true extension of the body, flaccid and bloated, expensively bejeweled. “Well, then, we won’t have any trouble, you and I. Because the truth is, I hated Brice Hanchett. I rejoice that he’s dead. I rejoice because, wherever he is—wherever the fires of hell burn the hottest—he’s now incapable of causing the rest of us any more pain.”
Watching her carefully, listening to her, Hastings realized there was more to Fiona Hanchett than a bleary-eyed, self-pitying woman who lived alone and ate too much and probably drank too much. The longer she talked, the more sense she made. Her words were crisp now, and she spoke in sentences. Her eyes were sharp-focused, her gestures decisive.
Therefore, Hastings decided to challenge her with a smile as he said, “You’re talking like a pretty fair suspect, Mrs. Hanchett. I don’t suppose you’ll mind if I ask where you were last night between the hours of ten and midnight.”
Encompassing the room and the house, she raised both arms, hands poised in a self-mocking imitation of a ballerina’s turn. “I was here, Lieutenant. I was right here. I was drinking expensive white wine and watching cheap TV. Is that when he was killed? Between ten o’clock and midnight?”
Hastings nodded.
“It was a street killing, I understand. Is that right?”
Still smiling, Hastings raised a hand. “Wait, Mrs. Hanchett. I’m supposed to ask the questions. You’re supposed to answer.”
“I’ve already answered. I was here last night. Alone. I was watching a TV movie. Two TV movies, in fact.” She smiled ruefully. “A double feature.”
“Okay, I’ve got another question for you. Or, rather, a request.”
“A request?”
“I’d like you to tell me about Brice Hanchett. Tell me everything—his history, his enemies, his friends, his career, anything you can think of.” He let a moment pass, watching her. Frowning now, she was watching him in return. Had he gained her confidence?
“To me,” he said, “you seem like a pretty good talker. So talk. Start at the beginning, and talk to me.”
Her answering smile was bitter. Her eyes were sharper, as if the memory of ancient hatreds had concentrated her attention. “A good talker, you say.” She nodded wearily. “That’s nice. I take that as a compliment.”
“And so it was meant, Mrs. Hanchett.”
“You seem like a thoughtful man. Do you like your work?”
Once more, he raised a hand. “Remember—I’m not here to answer. I’m here to ask.”
“Yes. Well …” She sighed, shifted her bloated body. Her voice dropped to a lower, more introspective note. Her eyes softened reflectively as she said, “Well, there was a time, Lieutenant, before I met Brice, when I was considered a very good conversationalist. I was a good musician, too. I’m still a good musician, I think. But, unhappily, my opinion isn’t the one that counts.”
“A musician, eh? What’s your instrument?”
“The cello.”
“With what orchestra?”
“I played in the Boston Symphony.” Her voice was soft. “I was only twenty-two when I got the chair. And then, two seasons later, I got an offer from San Francisco. San Francisco excited me, so I took the offer.” She let her voice die, let her memory-clouded eyes wander away. “I’ve often wondered what would have happened if I hadn’t taken the offer. I can’t tell you how many times I’ve wondered.”
“So you met Hanchett,” Hastings prompted.
With what seemed infinite regret, she nodded. “Yes, I met Brice. I’d just come to town. I hadn’t been here a month when I met him. We were married six months later. And a year later I had John.” She pronounced her son’s name tentatively, her voice shaded.
John …
Is it John? she’d asked anxiously.
Could John have killed his father, to avenge his mother? What was the ancient Greek play? Oedipus? No.
“John lives here,” he said. “With you. Is that correct?”
She nodded. “He lives in back. There’s an in-law apartment in the rear of the house.” As she said it, the complex shading came back into her voice. “John’s a casualty, too.”
“A Brice Hanchett casualty, you mean.”
Her lips twisted. Her voice dropped, as if hatred had smothered the words at their source. “Yes—another casualty.”
“Tell me about Brice, Mrs. Hanchett. Tell me everything. It’ll help. It’ll help both of us. Start at the beginning. Take your time.”
For a long moment she made no reply, but simply sat motionless, staring down at her hands, loosely clasped in her lap. Then she began to speak. “Brice had an ego that drove him like a demon. His father and grandfather were both doctors. His grandfather made a fortune in real estate, too. A multi-, multimillion-dollar fortune. And his father doubled the fortune. Maybe that’s what drove Brice to excel as a doctor. I mean, there was already so much money, the only way he could distinguish himself, set himself apart from his father and grandfather, was medicine. So Brice went for it all: high-risk, high-profile surgery. And he succeeded, too. He was a first-class surgeon, there’s no question. But he was—he was insatiable. That’s the only word for it. Prestige, power, women, money—whatever it was, he could never get enough. Never.”
“But you married him.”
“Yes,” she answered, “I married him. I was dazzled, that’s the only word. I grew up in Grand Rapids. My father owned a lumberyard. A small lumberyard. I’d never met anyone like Brice. I was”—she paused, searching again—“I was mesmerized. That’s all I can say. My whole life was music. It was all I knew. I was a virgin, for God’s sake, when I met Brice. A twenty-four-year-old virgin.”
“Obviously, though, he was dazzled, too.”
“I was beautiful.” As she spoke, she looked him full in the face, as if she were confessing to something shameful. “It’s hard to imagine now, I know. But I was beautiful. And I was good at what I did. I was very good. I had a very good, very unique tone. My technique was sound, too. Looking back, I realize that I had class. And Brice could always recognize class, I’ll give him that.”
“How long were you married?”
“Almost twenty years. And all that time he was playing around. Always.”
“Did you call him on it?”
“No,” she answered. “I never did. Not for a long, long time.” She grimaced. “A lifetime, as it turned out.”
“Why’d you wait so long?”
“It was this.” Once more, she did the ballerina turn with her hands. “It was living here, in Pacific Heights. It was never having to think about money. Do you realize what that means, Lieutenant? Not to worry about money, that’s one thing. But not even to have to think about money, that’s something else.”
“So you kept quiet about his playing around.”
“I kept quiet about it—and I drank. So, of course, I lost my chair in the symphony. You can’t drink and play cello.”
“You have one child?”
As if she were confessing to another shameful secret, she nodded. “Some say—Brice, for one—some say I’ve spoiled John, made him a mama’s boy. And maybe they’re right. That’s one of those things,
it’s not for me to say. The more I try to defend myself, the worse it seems.”
“But you did ask for a divorce. Finally.”
She smiled bitterly. “He and Barbara Gregg were practically living together. He’d rented a goddamn love nest for them. They started going places together—out to dinner, out to the theater. Finally they went to an opera opening together. There was a picture of them together, on the society page. That’s what did it. I saw that picture and I called a lawyer.”
“And now Brice is playing around—was playing around—on Barbara. Did you know that?”
“And Barbara was playing around on him.” This time, smugness softened the bitterness of her smile. “Did you know that?”
“No,” Hastings answered. “Do you know his name?”
“His name is Clayton Vance.” The smile widened subtly. “He’s a car salesman. Jaguars, of course, very upscale. Still, I doubt that Brice was pleased, knowing Barbara was involved with a car salesman. He’d consider it a negative reflection on his status.”
“Do you think he knew his wife was seeing someone?”
“I’m sure he did. That’s the way Brice liked to play the game. Everything on the table, let the blood spatter where it may.”
“He drove a Jaguar. Brice, I mean.”
“He drove three cars. At least.”
Hastings wrote Clayton Vance in the notebook. When he reinterrogated Barbara Hanchett, he’d drop the name on her, watch for the reaction. Could he dent her composure, shake her up?
For a long moment Hastings sat silently, his eyes thoughtfully unfocused. In an investigation that was barely twelve hours old, the list of potential murder suspects was impressive. Jason Pfiefer, Carla’s estranged husband, still consumed by love, was a classic suspect. Barbara Hanchett could have been driven by a combination of jealousy and the prospect of gain, also classic motives. Teresa Bell, the woman who’d lost her child when Hanchett’s decision went against her, was still to be interrogated. Could Fiona Hanchett, embittered by her own ruined life, have pulled the trigger? What about their son? How much would John Hanchett inherit at his father’s death?
Those suspects, and perhaps many more …
A Death Before Dying (The Lt. Hastings Mysteries) Page 28