The CIA attained the same level of sophistication as Dr. Smirnov’s EEG approach by the mid-’60s. In 1974, Ed Sanders, poet and author of The Family, a book that explores the totalitarian fantasies of Charles Manson, wrote a letter to the late political researcher Mae Brussell, describing federally-sponsored mind control operations in Hawaii, Chapman’s home, conducted by the US military, most notably the creation of serial killers.8 Northern Califonia mass murderer Herbert Mullen, Sanders wrote, worked at a Holiday Inn and flew to Hawaii in 1970 with Patricia Brown, a much older woman, against the wishes of his family. She told him that they would stay with a “church group,” but Mullen was committed the day after his arrival to a mental hospital operated by the U.S. Army instead. He was given generous servings of LSD and other hallucinogenic drugs, not exactly standard therapeutic practice. In her December 20, 1980 broadcast, Brussell related that Sanders informed her how Lawrence Quong, a raving gunman who shot at a San Francisco radio personality while on the air, “was taken to Hawaii by a woman and brought back to San Francisco with a mysterious gun placed in his hand.” The gun was unregistered, its origin unknown. Quong “went to a private detective many times and said he’d been programmed with electrodes and he was directed to this radio station. He couldn’t control himself.” Others, Sanders insisted, did.
Mind control researchers have long pointed to Chapman’s relationship with World Visions, an evangelical charity that boasted John Hinckley, Sr., CEO of Vanderbilt Energy Corp., an oil exploration company, on its board. Hinckley was a close friend of George Bush, one path to the CIA.9 (As in the Chapman case, CIA psychiatrists were summoned to evaluate John Hinckley, Jr. after his assault on Ronald Reagan. The prosecution’s psychiatric expert was Dr. Sally Johnson, currently chief of psychiatric services at the Butner Federal Correctional Institute in North Carolina—for decades one of the foremost CIA mind control facilities in the country. Dr. Johnson surfaced in the news weeklies in January, 1998 when she examined accused Unabomber Theodore Kacynzski—a subject of Agency-sponsored mind control experimentation while a student at Harvard—for the court. Her appearance raises the distinct possibility that the Unabomber was programmed. Dr. Johnson was called after Kacynzski tried to fire his attorneys and represent himself in court.) World Visions has collaborated with the CIA in past black operations, including the use of a camp in the Honduras where the organization fronted for a contra recruiting drive for the Nicaraguan rebellion. In Cuba, World Vision camps concealed the agitations of Alpha 66, the anti-Castro brigands of Bay of Pigs fame. Phalange fascists butchered Palestinians at the World Vision camp in Lebanon. These evangelicals also turned up in Guyana after the Jonestown massacre to plan a re-population of the area with Laotian mercenaries still reeking of raw opium, refined by the CIA into heroin for distribution to American GIs stationed in Vietnam and to the States via Air America and other criminalized Agency tentacles.
Some researchers consider Chapman’s world travels suggestive of CIA support. In the summer of 1975, Chapman, then 19 years old, signed on to the YMCA’s International Camp Counselor Program (ICCP) and asked to be sent to the Soviet Union—an odd request, since Chapman was a strident anti-Communist. He was packed off instead for a stint in Beirut, where, it is postulated, he received instruction in the lethal arts at a CIA training camp, or, depending on one’s point of view, a school of terror (as did renegade Agency arms dealers Frank Terpil and George Korkola, and William Peter Blatty of Exorcist fame ran an experimental mind control unit for the Army in Lebanon10).
Chapman did in fact receive firearms training at the Atlanta Area Technical School after dropping out of Covenant College, a Presbyterian academy in Tennessee, and taking a job as a security guard. He passed the pistol-training course with flying colors. The job and course work were a marked departure from Chapman’s prior ambition to lead the life of a missionary. They were suggested to him by a new circle of friends, and accompanied by a drastic change in his personality. The happy, hard-working Christian fundamentalist went sour. He moved to Hawaii to start a new life, but sank into a period of deep depression and attempted suicide. He was admitted to Castle Memorial Hospital in 1977, where he was diagnosed as suffering from severe depressive neurosis. Chapman was not considered pathological, however, and was released two weeks later. He had proven so popular with doctors at the clinic that Chapman was hired on in August 1977 through November 1979 as a maintenance worker with a promotion to the customer relations office. But he impulsively quit the job with a modest loan from the hospital credit union in his pocket, Chapman claimed, and set off on a world tour.11
In August 1980, he surfaced in New York and mailed a letter to an Italian addressee. The Dakota was given as the return address. It was a breezy note, nothing momentous—with the exception of a reference to his “mission” in New York. The “mission” could be interpreted as a “command hallucination,” or possibly a boastful exaggeration if it weren’t for the mysterious path the letter followed after Chapman dropped it in the mailbox. The Italian acquaintance could not be found and it was returned to New York, where it moldered in the dead-letter bin for three years and was finally delivered to the Dakota. Yoko Ono glanced at the returned letter, dropped it in her DERANGED file and forgot about it. In June 1983, Dan Mahoney, the head of security at the Ono household, was sorting through the file and found the letter, postmarked 1980. This was evidence of premeditated murder and possible conspiracy. Mahoney intended to give it to Yoko Ono and ultimately the police. But shortly thereafter the Chapman letter vanished, only to reappear again on Yoko’s kitchen table, slightly altered. The postdate was now 1981. Turning the letter over to authorities was now out of the question. The revised letter was as breezy as the original, but now made no mention of Chapman’s “mission” in New York.12 (In conversation with Rev. Charles McGowan at Rikers Island a few days after the murder, the gunman also spoke of a “mission that I could not avoid.”13) An infiltrator in Yoko’s household had apparently altered the letter to protect the “lone” gunman’s accomplices—and they were up to their own nostrils in a black operation the conspirators called “Project Walrus.”
Elliot Mintz (last seen on this trail of murder and hypocrisy gathering information about the RFK assassination with his doomed friend Sal Mineo) was instrumental in exposing the Project. Mintz, Lennon’s chum and publicist since 1971 until the arrival of Mark David Chapman, pins primary responsibility for the exploition of Lennon on Fred Seaman, the Beatle’s chauffeur and author of The Last Days of John Lennon: A Personal Memoir. Mintz laid out the plot in the December 1991 issue of Instant Karma, a Beatles ’zine.
“In the opening pages of Fred’s book, he describes his arrest,” Mintz says. “Now understand what led up to the arrest was all the circumstances of the Project.” Fred’s college roommate, Bob Rosen, a controlling psychiatrist, and a New York diamond dealer “all got together and decided to engage in this ‘Project Walrus’ conspiracy. [This] involved setting up an apartment as well as a warehouse in Manhattan, have Fred steal as many things as he could—not just the journals, although the journals were the most important things—and for these four guys to: 1. sell the materials privately, because this was right after John’s death and obviously the sky was the limit in terms of what one could charge for those kinds of things, and; 2. write a book that would corner the gossip market on John Lennon . . . and Yoko.”13
Rosen, the project archivist, was nudged out of the operation. When entire filing cabinets stuffed with stolen Lennon material were discovered missing, the scheme came unraveled. Rosen turned evidence on Seaman and his accomplices in exchange for full immunity, Mintz recalls, “because now the district attorney’s office was involved, now the New York City police department was involved. Obviously Rosen was getting a little anxious.”
More than a little—Rosen told Ono that he feared for his life.14
Of his accomplices: “Fred was using drugs at the time [and] he was, I think, probably being manipulated by the psychiatrist,�
�� Dr. Francis DeBilio, a Brooklyn psychotherapist, “and the diamond dealer was feeding them cash.”15 Norman Schonfeld, the diamond trader and financier of Project Walrus, has refused to answer any questions about this coalition formed to destroy Lennon’s reputation, a plan conceived months before Chapman arrived at the Dakota to ask for an autograph. In August 1980, Rick Dufay, a guitarist for Aerosmith, was recruited by the Project. Like the others, Dufay strolled into the conspiracy fully conscious that it was morally repugnant. Rosen wrote in his diary that he, Seaman, and Dufay “know how contemptible the other one is. Interesting contest, who is the most contemptible among us.”16
Some insight into the operation might have been culled from Lennon’s diary for the months preceding his death, but it vanished and has never been recovered.
Mintz recalls, “Some of Yoko’s bodyguards were at the time New York City police officers. This is not unusual because New York has the Sullivan Law, which is the strictest anti-gun law in the United States. In New York City, it is very difficult for a private citizen to [legally] possess a weapon and keep it on his or her person secretly. The people who are allowed to do it are off-duty New York City police officers. So it’s not unusual for a number of very well-known celebrities in New York to have this [bodyguard] arrangement. Naturally, some of the off-duty officers who were protecting Yoko and Sean at the time were aware of things that were disappearing. . . . You would go someplace to look for a file and the contents of whole file cabinets would be missing.”
Fred Seaman, says Mintz, claims that “one or both of the officers physically assaulted him, beat him up, held a gun to his head, took him for a ride, parked under a bridge somewhere and made clear threats, then brought him to the police station where he was booked, mug shots were taken and he confessed on videotape.... I’m here to tell you that one of the people who he names as a police officer who arrested him . . . was never part of Fred’s arrest, was never there that night. . . .”
Mintz accompanied police to the warehouse to identify Lennon’s stolen files. “There were boxes of them, all inventoried as part of the public record. I heard Fred say to Geraldo [Rivera] for the first time that some of these things were planted in his apartment and presumably planted in the warehouse. These are lies. John would have had to have told him to take all of these things and he didn’t. John didn’t tell him to steal his journals. And by the way, even if John had, even if John’s last wish to Fred if anything happened to him was to take the journals and bring them to Julian [Seaman’s claim], why didn’t he? He had traveled to Wales to see Julian. He had gone out to Cold Spring Harbor to spend some time with Julian. He had the journals in his possession for over a year and made no attempt to get them to Julian because that was not his intent. The intent in taking the journals was ‘Project Walrus.’ He lied about that.”17
But the plan went far beyond the theft of Lennon’s journals. Project Walrus was a full-blown surveillance, assassination and psychological operations program.
In March 1983, Mahoney found listening devices planted at the Dakota and swept the place clean. Another sweep a few days later detected more bugs. They had been quietly replaced when no one was looking, quite probably by someone on Ono’s staff.18
And there have been numerous attempts on Ono’s life. The first came on December 9, 1980, the day after Lennon was gunned down, with a call from a man in Los Angeles who announced that he was flying to New York to “finish the job that Chapman started.” At the Los Angeles airport, the man was arrested when he swore to “get” Yoko, and punched a police officer in the fray. In November 1981, two strangers were stopped and questioned by bodyguards at the Dakota. They cut and ran. One of them escaped, the other was tackled. He was taken into custody by police and shouted that he had come to “get” Yoko and Sean Lennon. Ono received a letter in February 1983, warning, “I am going to kill you. You were not supposed to have survived.” One of the two brothers responsible for the threat turned up outside the Dakota a few days later. He was arrested, admitted that he meant to “get” Yoko—and was released. A month later she received an anonymous call informing her that one of her bodyguards intended to kill her. In September, on a trip to San Francisco, she received a call at her hotel room from police. The officer told her that they’d arrested a sniper firing from his window a mile away. Police confiscated 700 rounds of ammunition and a collection of books about John Lennon and Yoko Ono.19
“I grew up afraid somebody was going to shoot my mom or me,” Sean Lennon told Newsweek in 1996.20 Two years later he informed New Yorker’s Rebecca Mead that he had a normal childhood, except, “I had two detectives with guns following me everywhere.” He also said that his father’s murder was a “government” conspiracy and attributed insanity, naiveté, or distorted thinking to anyone who didn’t fathom this self-evident historical fact.21
In 1965, Ono designed a conceptual art piece she called the “Danger Box,” a machine from which “you will never come back the same.” The Dakota became a danger box the day Lennon was shot. The assassination was followed by organized operations undertaken to discredit Lennon and Ono, symbols of a generation that denounced war and the geopolitical Frankenstein’s monster that American industry and government had created by merging and breeding rabid watchdogs in the intelligence establishment.
Sociologist Fred Fago writes in a study of media responses to the killing of Lennon that it occurred in the “larger context of social disturbance that calls into question fundamental social meanings and relationships and sets visibly into conflict forces of stability and change. The United States in the 1960s experienced the onset of a social drama as the nation divided angrily, often violently, over the Vietnam war, the civil rights movement and the rise of libertine lifestyles.”22 In posthumous Lennon hatchet jobs, the sixties are also sundered and trashed. Fago writes that Albert Goldman’s The Lives of John Lennon, a book that depends almost entirely on defamations concocted by Project Walrus, “goes for the jugular of both the Lennons and the sixties generation in a dramatic refutation of the last happy image of Lennon presented in the media just before and just after his death.” Goldman’s is “one of a number of voices in the late 1980s that vilifies . . . the sixties generation.”23
Many conservative media pundits praised his book. A review in the London Times written by critic Robert Sandall excoriated the peaceniks that John Lennon inspired, “in reality a far darker, more destructive, turbulent and antisocial thing than we now care to admit. Goldman has touched a nerve in reminding us that Lennon was a child of the other 1960s that we are now trying so hard to forget.”24
The mewling, anorexic, irascible, weak-minded, heroin-addicted version of John Lennon depicted in Lives, Fago writes, is a deliberate historical revision, “what conservative voices of the 1980s characterized as the destructive permissiveness of the sixties. Both Lennon and the sixties counterculture stand discredited. If the group is seen, and sees itself, as being totally discredited, then reintegration would seem to require an open rejection of sixties identity,” a cynical exercise in molding mass opinion, discrediting a generation to rid the world of its “subversive” convictions. And what else is it when the gutting of Lennon’s reputation leads, argues Fago, to a ‘born again’ conversion from left-wing error to right-wing ‘enlightenment?’” The Goldman “revelations” spelled “the obliteration of sixties identity coordinates. Reentry into the social order would then be on terms dictated to the sixties generation by others, most prominently the voices of the conservative cultural and political revolution of the 1980s.” At stake in the Goldman “debate” was nothing less than “identity, in this case cultural/historical identity, and the counterculture’s sense of place in the social order.”25
Dead Lennons = $$$$$
That sense of place was largely influenced by cultural spokesmen like John Lennon. After his assassination, the first priority of “Project Walrus” was the decimation of his reputation. Mintz was in a position to observe the inner-workings of Project
Walrus more closely than anyone, and concluded that the assassination attempts, bugs, wiretaps, thefts, and forgeries were steps in the discrediting of Lennon and Ono. He does not speak about who was behind it, but allows that they are “extremely powerful.”26
The FBI and its sibling big brother agencies come to mind. Lennon was unaware of the nationalistic depths some in the federal bureaucracy were willing to plumb. Jon Weiner, author of Come Together: John Lennon in his Time, observed in a 1984 interview that the Lennons “didn’t realize what kind of a person Nixon was and the risks they were running in challenging him.” The same could be said of Lennon’s attitude toward the FBI. “John did believe that they were wiretapped and he complained about the aggressive surveillance that he was sometimes subject to in the spring of 1972,” Weiner comments, “but it was hard to prove it and he wondered whether maybe he was just being paranoid. You know, ‘don’t despair, paranoia is everywhere.’ After Watergate and after Nixon’s resignation, John filed a lawsuit claiming that he had been subject to illegal wiretapping and surveillance and made some progress with the suit. The Justice Department never would admit that it actually did carry out wiretapping, and in fact maintained that they didn’t, ‘it could be that it was somebody else that was doing it; it could be that it was the New York City police; maybe it was the Immigration Service or Army intelligence.’ So John had tried to find out with his lawsuit, but eventually after he got his green card, he gave up the suit. He could have filed a Freedom of Information Act request for his own files, but I think that once he got his permanent residency, that was enough.” Lennon was worn out: “He’d been fighting for four years and now it was over and I think he just wanted to go back to leading a normal life. It had taken enough out of him.”27
The Covert War Against Rock Page 17