I shook hands with the worker.
„He's read all your books,“ my neighbor said.
„No shit,“ I said.
The worker smiled at me.
The we walked back into the house. My neighbor asked me, „How about a glass of wine?“ I told him, „No, thanks.“ Then explained the sore throat and the pain at the top of my head.
Linda and I walked back across the street and back to our place.
And, basically, that was about the day and the night.
11/22/91 12:26 AM
Well, my 71st year has been a hell of a productive year. I have probably written more words this year than in any year of my life. And though a writer is a poor judge of his own work, I still tend to believe that the writing is about as good as ever – I mean, as good as I have done in my peak times. This computer that I started using on Jan. 18 has had much to do with it. It's simply easier to get the word down, it transfers more quickly from the brain (or wherever this comes from) to the fingers and from the fingers to the screen where it is immediately visible – crisp and clear. It's not a matter of speed per se, it's a matter of flow, a river of words and if the words are good then let them run with ease. No more carbons, no more retyping. I used to neeed one night to do the work and then the next night to correct the errors and sloppines of the night before. Misspellings, screw-ups in tenses, etc. can now all be corrected on the orginal copy without a complete retype or write-ins or cross-outs. Nobody likes to read haphazard copy, not even the writer. I know all this must sound prissy and over-careful but it isn't, all it does is allow whatever force or luck you might have engendered to come out clearly. It's all for the best, really, and if this is how you lose your soul, I am all for it.
There have been some bad moments. I remember one night after typing a good 4 hours or so, I felt I had had some astonishing luck when – I hit something or other – there was a flash of blue light and the many pages of writing vanished. I tried everything to get them back. They were simply gone. Yes, I had it set on „Save-all,“ it still didn't matter. This had happened at other times but not with so many pages. Let me tell you, it is one hell of a hell of a horrible feeling when the pages vanish. Come think of it now, I have lost 3 or 4 pages at other times on my novel. A whole chapter. What I did then was simply rewrite the whole damn thing. When you do this, you lose something, little highlights that don't return but you gain something too because as you rewrite you skip some parts that didn't quite please you and you add some parts that are better. So? Well, it's a long night then. The birds are up. The wife and the cats think you've gone mad.
I consulted some computer experts about the „blue flash“ but none of them could tell me anything. I've found out that most computer experts aren't very expert. Confounding things happen that just aren't in the book. Now that I know more about computers I think I know one thing that might have brought the work back from the „blue flash“…
The worst night was when I sat down to the computer and it went completely crazy, sending out bombs, weird loud sounds, moments of darkness, deathly blackness, I worked and worked and worked but could do nothing. Then I noticed what looked like liquid that had hardened on the screen and around the slot near the „brain,“ the slot where you inserted the disks. One of my cats had sprayed the machine. I had to take it down to the computer shop. The mechanic was out and a salesman removed a portion of the „brain,“ a yellow liquid splashed on his white shirt and he screamed „cat spray!“ Poor guy. Poor guy. Anyhow, I left the computer. Nothing in the warranty covered cat spray. They had to take practically all the guts out of the „brain.“ It ook them 8 days to fix it. During that time I went back to my typewriter. It was like trying to break rock with my hands. I had to learn to type all over again. I had to get good and drunk to get the flow. And again, it was one night to write it and another night to straighten it out. But I was glad the typer was there. We had been toghether over 5 decades and had some great times. When I got the computer back it was with some sadness that I returned the old typer to its place in the corner. But I went back to the computer and the words flew like crazy birds. And there were no longer any blue flashes and pages that vanished. Things were even better. That cat spraying the machine fixed everything up. Only now, when I leave the computer I cover it with a large each towel and close the door.
Yes, it's been my most productive year. Wine gets better if it's properly aged.
I'm not in contest with anybody, have no thoughts about immortality, don't give a damn about it. It's the ACTION while you're alive. The gate springing open in the sunlight, the horses plunging through the light, all the jocks, brave little devils in their bright silks, going for it, doing it. The glory is in the motion and the dare. Death be damned. It's today and today and today. Yes.
12/9/91 1:18 AM
The tide ebbs. I sit and stare at a paper clip for 5 minutes. Yesterday, coming in on the freeway, it was evening going into darkness. There was a light fog. Christmas was coming like a harpoon. Suddenly I noticed that I was driving almost alone. Then in the road I saw a large bumper attached to a piece of grill. I avoided it in time, then looked to my right. There was a pile-up of cars, 4 or 5 cars but there was silence, no movement, nobody around, no fire, no smoke, no headlights. I was going too fast to see if there were people in the cars. Then, at once, evening became night. Sometimes there is no warning. Things occur in seconds. Everything changes. You're alive. You're dead. And things move on.
We are paper thin. We exist on luck amid the percentages, temporarily. And that's the best part and the worse part, the temporal factor. And there's nothing you can do about it. You can sit on top of a mountain and meditate for decades and it's not going to alter. You can alter yourself into acceptability but maybe that's wrong too. Maybe we think too much. Feel more, think less.
All the cars in that pile-up seemed to be gray. Odd.
I like the way philosophers break down the concepts and theories which have preceded them. It's been going on for centuries. No, that's not the way, they say. This is the way. It goes on and on and seems very sensible, this onwardness. The main problem for the philosophers is that they must humanize their language, make it more accessible, then the thoughts light up better, are more intersting still. I think that they are learning this. Simplicity is the key.
In writing you must slide along. The words can be crippled and choppy but if they slide along then a certain delight lights up everything. Careful writing is deathly writing. I think Sherwood Anderson was one of the best at playing with words as if they were rocks, or bits of food to be eaten. He PAINTED his words on paper. And they were so simple that you felt rushes of light, doors openin, walls glistening. You could see rugs and shoes and fingers. He had the words. Delightful. Yet, they were like bullets too. They could take you right out. Sherwood Anderson knew something, he had the instinct. Hemingway tried too hard. You could feel the had work in his writing. They were hard blocks stuck together. And Anderson could laugh while he was telling you something serious. Hemingway could never laugh. Anybody who writes standing up at 6 a.m. in the morning has no sense of humor. He wants to defeat something.
Tired tonight. Damn, I don't get enough sleep. I would love to sleep until noon but with the first post at 12:30, add the drive and getting your figures ready, I have to leave here about 11 a.m., before the mailman gets here. And I'm seldom asleep until 2 a.m. or so. Get up a couple of times to piss. One of the cats awakens me at 6 a.m. on the dot, morning after morning, he's got to go out. Then too, the lonelyhearts like to phone before 10 a.m. I don't answer, the machine takes the message. I mean, my sleep is broken. But if this is all I have to bitch about then I'm in grand shape.
No horses for the next 2 days. I won't be up until noon tomorrow and I'l feel like a powerhouse, ten years younger. Hell, that's to laugh – ten years younger would make me 61, you call that a break? Let me cry, let me cry.
It's 1 a.m. Why don't I stop now and get some sleep?
1/18/92 11
:59 PM
Well, I move back and forth between the novel and the poem and the racetrack and I'm still alive. There isn't much going on at the track, I'm just struck with humanity and there I am. Then there's the freeway, to get there and back. The freeway always reminds you of what most people are. It's a competitive society. They want you to lose so they can win. It's inbred and much of it comes out on the freeway. The slow drivers want to block you, the fast drivers want to get around you. I hold it at 70 so I pass and am passed. The fast drivers I don't mind. I get out of their way and let them go. It's the slow ones who are the irritant, those who do 55 in the fast lane. And sometimes you can get boxed in. And you see enough of the head and the neck of the driver ahead of you to take a reading. The reading is that this person is asleep at the sould and at the same time embittered, gross, cruel and stupid.
I hear a voice now saying to me, „You are stupid to think like that. You are stupid one.“ There are always those who will defend the subnormals in society because they don't realize it is that they too are subnormal. We have a subnormal society and that's why they act as they do and do to each other what they do. But that's their business and I don't mind it except that I have to live with them.
I recall once having dinner with a group of people. At a nearby table there was another group of people. They talked loudly and kept laughing. But their laughter was utterly false, forced. It went on and on.
Finally, I said to the people at our table, „It's pretty bad, isn't it?“ One of the people at our table turned to me, put on a sweet smile and said, „I like it when people are happy.“ I didn't respon. But I felt a dark black hole welling in my gut. Well, hell.
You get a reading on people on the freeways. You get a reading on people at dinner tables. You get a reading on people on tv. You get a reading on people in the supermarket, etc., etc. It's the same reading. What can you do? Duck and hold on. Pour another drink. I like it when people are happy too. I just haven't seen very many.
So, I got to the track today and took my seat. There was a guy wearing a red cap backwards. One of those caps that the tracks give away. Giveaway Day. He had his Racing Form and a harmonica. He picked up the harmonica and blew. He didn't know how to play it. He just blew. And it wasn't Schoenber's 12 to scale either. It was a 2 or 3 tone scale. He ran out of wind and picked up his Racing Form.
In front of me sat the same 3 guys who were there all week. A guy about 60 who always wore brown clothes and brown hat. Next to him was a crooked neck and round shoulders. Next to him was an oriental about 45 who kept smoking cigarettes. Before each race they discussed which horse they were going to bet. These were amazing bettors, much like the Crazy Screamer I told you about before. I'll tell you why. I have sat behind them for two weeks now. And none of them has yet picked a winner. And they bet the short odds too, I mean between 2 to 1 and 7 or 8 to 1. That's maybe 45 races times 3 selections. That's amazing statistic. Think about it. Say if each of them just picked a number like 1 or 2 or 3 and stayed with it they would automatically pick a winner. But by jumping around they somehow managed, using all their brain power and know-how, to keep on missing. Why do they keep coming to the racetrack? Aren't they ashamed of their ineptness? No, there is always the next race. Someday they will hit. Big.
You must understand then, when I come from the track and off of the freeway, why this computer looks so good to me? A clean screen to lay words on. My wife and my 9 cats seem like the geniuses of the world. They are.
2/8/92 1:16 AM
What do the writers do when they aren't writing? Me, I go to the racetrack. Or in the early days, I starved or worked at gut-wrenching jobs.
I stay away from writers now – or people who call themselves writers. But from 1970 until about 1975 when I just decided to sit in one place and write or die, writers came by, all of them poets. POETS. And I discovered a curious thing: none of them had any visible means of support. If they had books out they didn't sell. And if they gave poetry readings, few attended, say from 4 to 14 other POETS. But they all lived in fairly nice apartments and seemed to have plenty of time to sit on my couch and drink my beer. I had gotten the reputation in town of being the wild one, of having parties where untold things gappened and crazy women danced and broke things, or I threew people off my porch or there were police raids or etc. and etc. Much of this was true. But I also had to get the word down for my publisher and for the magazines to get the rent and the booze money, and this meant writing prose. But these… poets… only wrote poetry… I thought it was thind and pretentious stuff… but they went on with it, dressed themselves in a fairly nice manner, seened well-fed, and they had all this couch-sitting time and time to talk – about their poetry and themselves. I often asked, „Listen, tell me, how do you make it?“ They just sat there and smiled at me and drank my beer and waited for some of my crazy women to arrive, hoping that they might somehow get some of it – sex, admiration, adventure or what the hell.
It was getting clear in my mind then that I would have to get rid of these soft toadies. And gradually, I found out their secret, one by one. Most often in the background, well hidden, was the MOTHER. The mother took care of these geniuses, got the rent and the food and the cloghing.
I remembered once, on a rare sojourn from my place, I was sitting in this POET's apartment. It was quite dull, nothing to drink. He sat speaking of how unfair it was that he wasn't more widely recognized. The editors, everybody was conspiring against him. He pointed his finger at me: „You too, you told Martin not to publish me!“ It wasn't true. Then he went to bitching and babbling about other things. Then the phone rang. He picked it up and spoke guardedly and quietly. He hung up and turned to me.
„It's my mother, she's coming over. You have to leave!“ „It's all right, I'd like to meet your mother.“ „No! No! She's horrible! You have to leave! Now! Hurry!“ I took the elevator down and out. And wrote that one off.
There was another one. His mother bought him his food, his car, his insurance, his rent and even wrote some of his stuff. Unbelievable. And it had gone on for decades.
There was another fellow, he always seemed very calm, well-fed. He taught a poetry workshop at a church every Sunday afternoon. He had a nice apartment. He was a member of the communist party. Let's call him Fred. I asked an older lady who attended his workshop and admired him greatly, „Listen, how does Fred make it?“ „Oh,“ she said, „Fred doesn't want anybody to know because he's very private that way but he makes his money by scrubbing food trucks.“ „Food trucks?“ „Yes, you know those wagons that go about dispensing coffee and sandwiches at break time and lunch time at work places, well, Fred scrubs those food trucks.“ A couple of years went by and then it was discovered that Fred also owned a couple of apartment houses and that he lived mainly off the rents. When I found this out I got drunk one night and drove over to Fred's apartment. It was located over a little theater. Very arty stuff. I jumped out of my car and rang the bell. He wouldn't answer. I knew he was up there. I had seen his shadow moving behind the curtains. I went back to my car and started honking the horn and yelling, „Hey, Fred, come on out!“ I threw a beer bottle at one of his windows. It bounced off. That got him. He came out on his little balcony and peered down at me. „Bukowski, go away!“.
„Fred, come on down here and I'll kick your ass, you communist land owner!“ He ran back inside. I stood there and waited for him. Nothing. Then I got the idea that he was calling the police. I had seen enough of them. I got into my car and drove back to my place.
Another poet lived in this house down by the waterfront. Nice house. He never had a job. I kept after him, „How do you make it? How do you make it?“ Finally, he gave in. „My parents own property and I collect the rents for them. They pay me a salary.“ He got a damned good salary, I imagine. Anyhow, at least he told me.
Some never do. There was this other guy. He wrote fair poetry but very little of it. He always had his nice apartment. Or he was going off to Hawaii or somewhere. He was one of the
most relaxed of them all. Always in new and freshly pressed clothing, new shoes. Neved needed a shave, a haircut, had bright flashing teeth. „Come on, baby, how do you make it?“ he never let on. He didn't even smile. He just stood there silently.
Then there's another type that lives on handouts. I wrote a poem about one of them but never sent it out because I finally felt sorry for him. Here is some of it jammed together:
Jack with the hair hanging, Jack demanding money, Jack of the big gut, Jack of the loud, loud voice, Jack of the trade, Jack who prances before the ladies, Jack who thinks he's a genius, Jack who pukes, Jack who badmounts the lucky, Jack getting older and older, Jack still demanding money, Jack sliding down the beanstalk, Jack who talks about it but doesn't do it, Jack who gets away with murder, Jack who jacks, Jack who talks of the old days, Jack who talks and talks, Jack with the hand out, Jack who terrorizes the weak, Jack the embittered, Jack of the coffee shops, Jack screaming for recognition, Jack who never has a job, Jack who totally overrates his potential, Jack who keeps screaming about his unrecognized talent, Jack who blames everbody else.
You know who Jack is, you saw him yesterday, you'll see him tomorrow, you'll see him next week.
Wanting it without doing it, wanting it free.
The Captain Is Out to Lunch Page 5