Mailer, Norman, Marilyn (London: Hodder & Stoughton, 1973)
Marilyn Monroe interviewed by Georges Belmont for Marie Claire, April 1960, full interview: http://www.youtube.com/watch?v=3wfMzdlMA00
Marilyn on Marilyn, BBC documentary based on interviews with Georges Belmont and Richard Meryman, 5 August 2012, http://www.youtube.com/watch?v=abuT3cKSWKo
McCarthy, Mary, The Group, 1963 (London: Virago, 2009)
Meryman, Richard, ‘Fame May Go By’, Life, 3 August 1962, reprinted in Edward Wagenknecht, Marilyn Monroe: A Composite View (New York: Chilton, 1969)
—, ‘A Last Long Talk with a Lonely Girl’, Life, 17 August 1962
Meyers, Jeffrey, The Genius and the Goddess: Arthur Miller and Marilyn Monroe (Illinois: University of Illinois Press, 2010)
Miller, Arthur, The Misfits (Harmondsworth: Penguin, 1957)
—, After the Fall, Plays, Vol. 2 (London: Methuen, 1988)
—, Timebends: A Life, 1987 (London: Minerva, 1990)
Miracle, Berniece, My Sister Marilyn (Chapel Hill: Algonquin, 1994)
Monroe, Marilyn, Fragments: Poems, Intimate Notes, Letters by Marilyn Monroe, edited by Stanley Buchthal and Bernard Comment (London: HarperCollins, 2010)
—, with Ben Hecht, My Story, 1974 (New York: Taylor Trade, 2007)
Mulvey, Laura, Fetishism and Curiosity (London: British Film Institute, 1996)
—, Death 24X a Second, Stillness and the Moving Image (London: Reaktion, 2006)
O’Neill, Eugene, Anna Christie, 1921 (London: Nick Hern, 2011)
Pepitone, Lena and William Stadiem, Marilyn Monroe Confidential (New York: Simon and Schuster, 1979)
Rosten, Norman, Marilyn: A Very Personal Story (London: Millington, 1974)
Sandburg, Carl, Carl Sandburg’s Abraham Lincoln, The Prairie Years and the War Years, 1925–39 (New York: Harcourt Brace, 1939)
Schneider, Michel, Marilyn’s Last Sessions, translated by Will Hobson (Edinburgh: Canongate, 2011)
Steffens, Lincoln, The Autobiography of Lincoln Steffens, 1931 (New York: Harcourt Brace, 1938)
Steinem, Gloria, Marilyn, text by Gloria Steinem, photographs by George Barrès (New York: Henry Holt, 1986; Harmondsworth: Penguin, 1987)
Stone, I. F., The Haunted Fifties 1953–1963, preface by Arthur Miller (New York: Little, Brown, 1963)
Strasberg, Susan, Marilyn and Me (London: Bantam, 1992)
Trilling, Diana, ‘The death of Marilyn Monroe’, Claremont Essays (London: Secker and Warburg, 1965)
Wagenknecht, Edward, Marilyn Monroe: A Composite View (London: Chilton, 1969)
Weatherby, W. J., Conversations with Marilyn (London: Robson, 1976; Sphere, 1989)
4. Honour-bound: Shafilea Ahmed, Heshu Yones and Fadime Sahindal
Abu-Lughod, Lila, ‘Seductions of the “Honor Crime”’, Saving Muslim Women (Cambridge: Harvard University Press, 2013)
Abu-Odeh, Lama, ‘Crimes of Honour and the Construction of Gender in Arab Societies’, in Feminism and Islam: Legal and Literary Perspectives, edited by Mai Yamani (London: Ithaca Press, 1996)
Aslam, Nadeem, Maps for Lost Lovers (London: Faber and Faber, 2004)
Brandon, James and Salem Hafez, Crimes of the Community: Honour-Based Violence in the UK (London: Centre for Social Cohesion, 2008)
Butler, Judith, Frames of War: When Is Life Grievable? (London: Verso, 2009)
Connors, Jane, ‘United Nations Approaches to “Crimes of Honour”’, in ‘Honour’: Crimes, Paradigms, and Violence against Women, edited by Lynn Welchman and Sara Hossain (London: Zed Books, 2005)
Coomaraswamy, Radhika, ‘Preface: Violence against Women and “Crimes of Honour”’, in ‘Honour’: Crimes, Paradigms, and Violence against Women, edited by Lynn Welchman and Sara Hossain (London: Zed Books, 2005)
Dundes Renteln, Alison, The Cultural Defense (Oxford: Oxford University Press, 2004)
Faqir, Fadia, ‘Intrafamily femicide in defence of honour: the case of Jordan’, Third World Quarterly, 22, 1, 2001
—, My Name Is Salma (London: Doubleday, 2007)
Gilmore, David (ed.), Honour and Shame and the Unity of the Mediterranean, special publication of American Anthropological Association, 1987
Husseini, Rana, Murder in the Name of Honour: The True Story of One Woman’s Fight Against an Unbelievable Crime (Oxford: Oneworld, 2009)
Karmi, Ghada, ‘Women, Islam, and Patriarchalism’, in Feminism and Islam: Legal and Literary Perspectives, edited by Mai Yamani (London: Ithaca Press, 1996)
Khouri, Norma, Forbidden Love (New York: Random House, 2003)
Kressel, Gideon M., ‘Sororicide/filiacide: homicide for family honour’, Current Anthropology, 22, 2, 1981
Mojab, Shahrzad and Nahla Abdo (eds), Violence in the Name of Honour: Theoretical and Political Challenges (Istanbul: Bilgi University Press, 2004)
Onal, Ayse, Honour Killing: Stories of Men Who Killed (London: Saqi, 2008)
Pratt-Ewing, Katherine, Stolen Honor: Stigmatising Muslim Men in Berlin (Stanford: Stanford University Press, 2008)
The Qur’an, translated by M.A.S. Abdel Haleem (Oxford: Oxford University Press, 2004)
Sanghera, Jasvinder, Shame (London: Hodder & Stoughton, 2007)
Sen, Purna, ‘“Crimes of Honour”, value and meaning’, in ‘Honour’: Crimes, Paradigms, and Violence against Women, edited by Lynn Welchman and Sara Hossain (London: Zed Books, 2005)
Shafak, Elif, Honour (London: Viking, 2012)
Shakespeare, William, Much Ado about Nothing (New York: New American Library, 1964)
Siddiqui, Hannana, ‘“There is no ‘honour’ in domestic violence, only shame!” Women’s struggles against “honour” crimes in the UK’, in ‘Honour’: Crimes, Paradigms, and Violence against Women, edited by Lynn Welchman and Sara Hossain (London: Zed Books, 2005)
Webster, John, The Duchess of Malfi (Oxford: Oxford World’s Classics, 1996)
Welchman, Lynn and Sara Hossain, ‘Introduction: “Honour”, Rights and Wrongs’, in ‘Honour’: Crimes, Paradigms, and Violence against Women, edited by Lynn Welchman and Sara Hossain (London: Zed Books, 2005)
Wikan, Unni, Generous Betrayal: Politics of Culture in New Europe (Chicago: Chicago University Press, 2002)
—, In Honor of Fadime: Murder and Shame, translated by Anna Paterson (Chicago: Chicago University Press, 2008)
5. The Shape of Democracy: Esther Shalev-Gerz
Abess, Matthew and Esther Shalev-Gerz, ‘Neither Revelation nor the Thing Itself’, Describing Labor (Florida: The Wolfsonian, 2012)
Alter, Nora M., ‘Sampling the Past: An Aural History’, Esther Shalev-Gerz (Lausanne: Musée cantonal des Beaux-Arts, 2012)
Badiou, Alain, De quoi Sarkozy est-il le nom? (Paris: Lignes, 2007)
Bollas, Christopher, The Shadow of the Object: Psychoanalysis of the Unthought Known (London: Free Association Books, 1987)
Didi-Huberman, Georges, ‘Blancs Soucis de Notre Histoire’, Esther Shalev-Gerz (Lausanne: Musée cantonal des Beaux-Arts, 2012)
Gili, Marta, ‘Interview’, Esther Shalev-Gerz (Paris: Jeu de Paume, 2010)
Judt, Tony, Postwar: A History of Europe Since 1945 (London: Heinemann, 2005)
Jūrėnaitė, Raminta, untitled essay in Esther Shalev-Gerz, Still/Film (Vilnius: Vilnius Academy of Arts Gallery, 2009)
Lamonaca, Marianne, ‘Recontextualising Labor: A Curator’s Encounter’, Esther Shalev-Gerz, Describing Labor (Florida: The Wolfsonian, 2012)
Lanzmann, Claude, Shoah: An Oral History of the Holocaust (New York: Pantheon, 1985)
Lind, Ingela, ‘A Dialogue with Esther Shalev-Gerz’, Two Installations – White Out: Between Telling and Listening; Inseparable Angels: The Imaginary House of Walter Benjamin (Stockholm: Historical Museum, 2002)
‘On Two, 2009: Script of the Video Installation, Jacques Rancière and Rola Younes’, Esther Shalev-Gerz (Lausanne: Musée cantonal des Beaux-Arts, 2012)
Rancière, Jacques, ‘The Work of the Image,’ Menschendinge/The Human Aspect of Objects (Buchenwald
: Stiftung Gedenkstätten Buchenwald und Mittelbau-Dora, 2006)
Rose, Jacqueline, ‘Interview with Esther Shalev-Gerz’, Esther Shalev-Gerz: The Contemporary Art of Trusting, Uncertainties and Unfolding Dialogue (Stockholm: Art and Theory, 2013)
Schweizer, Nicole, ‘Foreword: Esther Shalev-Gerz: Between Listening and Telling’, Esther Shalev-Gerz (Lausanne: Musée cantonal des Beaux-Arts, 2012)
Shalev-Gerz, Esther, ‘Interview: Esther Shalev-Gerz and Dorothy von Drathen’, Irréparable (La Roche-sur-Yon: Musée de La Roche-sur-Yon, 1996)
—, Les portraits des histoires (Aubervilliers: Ecole nationale supérieure des beaux-arts de Paris, 2000)
—, Two Installations – White Out: Between Telling and Listening; Inseparable Angels: The Imaginary House of Walter Benjamin (Stockholm: Historical Museum, 2002)
—, Entre l’écoute et la parole: Derniers Témoins: Auschwitz-Birkenau 1945–2005 (Paris: Hotel de Ville, 2005)
—, First Generation, edited by Vendela Heurgren (Fittja, Sweden: Botkyrka Multicultural Centre, 2006)
—, Menschendinge/The Human Aspect of Objects (Buchenwald: Stiftung Gedenkstätten Buchenwald und Mittelbau-Dora, 2006)
—, The Place of Art, University of Gothenburg, Art Monitor, 2, 2008
—, Esther Shalev-Gerz, Retrospective (Paris: Jeu de Paume, 2010)
—, Describing Labor (Florida: The Wolfsonian, 2012)
—, The Contemporary Art of Trusting, Uncertainties and Unfolding Dialogue (Gothenburg: University of Gothenburg and Valand Academy, 2014)
Wik, Annika, ‘In-Between: The Cut’, Esther Shalev-Gerz (Lausanne: Musée cantonal des Beaux-Arts, 2012)
6. Coming Home: Yael Bartana
‘A Conversation between Yael Bartana, Galit Eilat and Charles Esche’, . . . And Europe Will Be Stunned (Berlin: Revolver, 2010)
Alexander, Sally, ‘Primary Maternal Preoccupation: D. W. Winnicott and Social Democracy in Mid-Twentieth-Century Britain’, History and Psyche: Culture, Psychoanalysis and the Past, edited by Sally Alexander and Barbara Taylor (London: Palgrave, 2012)
Arendt, Hannah, ‘We Refugees’, The Jew as Pariah: Jewish Identity and Politics in the Modern Age (New York: Grove Press, 1978); also in Arendt, The Jewish Writings (New York: Schocken, 2007)
Azoulay, Ariella, ‘“Come back! We need you!” On the video works of Yael Bartana’ (Tel Aviv: Short Memory Center for Contemporary Art and Rachel and Israel Pollack Gallery, The Teacher’s College of Technology, 2008), typescript
Bartana, Yael, . . . And Europe Will Be Stunned (London: Artangel, 2011)
Bartana, Yael, Emily Jacir, Lee Miller, Wherever I Am (Oxford: Museum of Modern Art, 2004)
Cichoki, Sebastian and Galit Eilat (eds), A Cookbook for Political Imagination (Warsaw: Zach?ta National Gallery of Art, 2011)
Decter, Joshua, ‘Yael Bartana: P.S. 1 Contemporary Art Center, New York’, Art Forum, 47:8, 2009
Gross, Jan T., Neighbors: The destruction of the Jewish Community in Jedwabne (Princeton: Princeton University Press, 2001)
—, Fear, Anti-Semitism in Poland after Auschwitz, An Essay in Historical Interpretation (Princeton: Princeton University Press, 2006)
Hoffman, Eva, Shtetl: The Life and Death of a Small Town and the World of Polish Jews (London: Secker & Warburg, 1998)
‘Interview with Yael Bartana’, ArtiT (Amsterdam: Annet Gelink Gallery; Tel Aviv: Sommer Contemporary Gallery, 2012)
Penrose, Antony (ed.), Lee Miller’s War: Photographer and Correspondent with the Allies in Europe 1944–1945, foreword by David E. Scherman (London: Thames & Hudson, 1992)
Polonsky, Antony and Joanna B. Michlic, The Neighbors Respond: The Controversy over the Jedwabne Massacre in Poland (Princeton: Princeton University Press, 2004)
Steinlauf, Michael C., Bondage to the Dead: Poland and the Memory of the Holocaust (New York: Syracuse University Press, 1997)
7. Damage Limitation: Thérèse Oulton
Andreas-Salomé, Lou, The Freud Journal (London: Quartet, 1987)
Caygill, Howard, ‘The Destruction of Art’, The Life and Death of Images: Ethics and Aesthetics, edited by Diarmuid Costello and Dominic Willsdon (London: Tate, 2008)
Clark, T. J., Farewell to an Idea: Episodes from a History of Modernism (New Haven: Yale University Press, 1999)
Cork, Richard, ‘Between Two Worlds’, Lines of Flight (London: Marlborough, 2006)
The Diaries of Paul Klee 1898–1918, edited by Felix Klee (Berkeley: University of California Press, 1964)
Gidal, Peter, ‘Fugitive Theses re Thérèse Oulton’s The Passions No. 6 and Metals paintings (1984)’, in Thérèse Oulton, Fools’ Gold (London: Gimpel Fils, 1984)
Greer, Germaine, ‘Painting landscapes requires authority. Is this why so few women try them?’ Guardian, 28 February 2010
Kolbert, Elizabeth, Field Notes from a Catastrophe: Man, Nature and Climate Change (London: Bloomsbury, 2006)
Lampert, Catherine, ‘Following the Threads’, Thérèse Oulton, Fools’ Gold (London: Gimpel Fils, 1984)
Moorjani, Angel, ‘One Harmony Too Many’, Thérèse Oulton (New York: Hirschl & Adler, 1989)
Morgan, Stuart, ‘Sub Rosa’, Thérèse Oulton: Letters to Rose (Vienna: Galerie Krinzinger, 1986), reprinted in Britannia (Tampere, Finland: Sara Hildén Art Museum; London: The British Council, 1987)
O’Hara, Frank, ‘Cy Twombly’, 1955, in Writings on Cy Twombly, edited by Nicola del Roscio, Art Data (Munich: Schirmer/Mosel, 2002)
Oulton, Thérèse, ‘Double Vision: Thérèse Oulton in conversation with Stuart Morgan’, Artscribe International, 69, May 1988
—, ‘Notes on Painting’, Journal of Philosophy and the Visual Arts, special issue, Abstraction, 5, 1995
—, ‘Speaking of These Paintings’, Thérèse Oulton in discussion with Peter Gidal, Clair Obscur (London: Marlborough, 2003)
—, ‘Brief Notes on a Change of Identity’, Territory (London: Marlborough, 2010)
—, ‘Interview with Nicholas James’, Interviews-Artists (London: Cv Publications, 2010)
—, and Sarah Kent, ‘Interview with Thérèse Oulton’, Flash Art, 127, April 1987
Proust, Marcel, In Search of Lost Time, Vol. 1, Swann’s Way, and Vol. 4, Sodom and Gomorrah, translated by C. K. Scott Moncrieff and Terence Kilmartin, revised by D. J. Enright (London: Vintage, 1996)
Renton, Andrew, ‘Seaming’, Thérèse Oulton: Paintings and Works on Paper (Venice, California: L. A. Louver, 1991)
Rondeau, James, ‘Essay’, Cy Twombly: the Natural World, Selected Works 2000–2007 (Chicago: Art Institute of Chicago and Yale University Press, 2009)
Slyce, John, ‘Thérèse Oulton: Stillness follows’, Slow Motion Recent Paintings 1997–2000 (London: Marlborough, 2000)
Walters, Margaret, ‘Abstract with Memories’, Modern Painters, summer 1992
West, Rebecca, Black Lamb and Grey Falcon: A Journey Through Yugoslavia, 1942 (London: Canongate, 1993)
Winnicott, D. W., ‘Creativity and its Origins’, Playing and Reality (London: Tavistock, 1971)
Afterword
Wenders, Wim and Mary Zournazi, Inventing Peace – a dialogue on perception (London: I. B. Tauris, 2014)
Acknowledgements
So many people are associated for me with this book, some knowingly, some unknowingly, that it is hard to do them all justice. Each of them in their distinct ways has made their imprint on my thinking on feminist questions over the years. Sally Alexander continues to advise and inspire me through her dedication to feminist history as an ongoing, living project; Cora Kaplan, Laura Mulvey, Constance Penley and Marina Warner likewise for feminist cultural and critical thought. Judith Butler has for many decades been a key interlocutor. All of them have read parts of the manuscript and given advice I have much valued – even if I have not always followed it – surrounding me with a deep sense of feminist community and friendship. Mary-Kay Wilmers has continued to prompt me to take on difficult subjects – Honour Killing and Marilyn Monroe – which I may well not have otherwise re
alised that I wanted to write about. Chapters 1, 3 and 4 are substantially revised, extended, versions of articles first published in the London Review of Books (Nos. 33:12, June 16, 2011, 34:8, April 26, 2012, 31:21, November 5, 2009); Chapter 6 is a revised, extended version of a catalogue entry for Yael Bartana’s exhibition . . . And Europe Will Be Stunned (London: Artangel, 2012). Anne Wagner and T. J. Clark gave me some last-minute but much appreciated feedback on the essay on Thérèse Oulton. I owe special thanks to Esther Shalev-Gerz and to Yael Bartana for being so supportive of my engagement with their work, as I do to Thérèse Oulton, whose quality of attention has come to have a particular resonance for me.?
The various chapters of this book have enormously benefited from the contexts in which they were first delivered as talks. My thanks to Anne Phillips at the LSE for hosting the Ralph Miliband/Gender Institute lecture in May 2011 where I first talked about Rosa Luxemburg; to Mignon Nixon for providing me with the occasion to think about Charlotte Salomon when she invited me to deliver an Andrew Mellon Foundation/Friends of the Courtauld lecture, as part of the series she organised with Juliet Mitchell on ‘Art in the time of war’ at the Courtauld Institute in March 2012; to the London Review of Books for inviting me to give a Winter Lecture in May 2012 where I first spoke on Marilyn Monroe; and to Helena Kennedy for giving me the opportunity to talk of Rosa Luxemburg and Marilyn Monroe together for the first time at Mansfield College, Oxford, in October 2012. More than once Stuart Hall gave some of these pages the benefit of his unique attention. Thanks to Braham Murray, with whom I have been in dialogue for most of my life; and to Pat Weller, who went straight to the heart of the matter and made me think. I am indebted to Tracy Bohan at the Wylie Agency, whose faith in this book has been so important to me and who somehow managed to make every stage of its sometimes difficult negotiation a pleasure. I have appreciated Bill Swainson’s commitment and thoughtfulness, and the care of Elizabeth Woabank in seeing the book through press.
Jonathan Sklar has given me enormous support and encouragement throughout this project. Finally, my most important debt is once again to Mia Rose, to whom the book is dedicated, who for many years has accepted sharing our home with all the women discussed in these pages. I have come to rely on her for her organisational skills and to tell me when my sentences do, or rather don’t, work. She is now a woman and the times are dark, but, simply by being who she is, she makes them so much lighter.
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