I ducked into the 3 Central nursing station and called up Virgie’s census. A. Crawley should be on her way off it, heading to surgery. But you can’t take things like that for granted in the hospital, which is why transfers are dangerous; sometimes people fall into the cracks. I needed to check.
She was still on Virgie’s census, lodged inevitably in one of the rooms far down the hallway, at the end of a cul-de-sac. The back corner of 3 Central was not a good place to be. There was an old story in circulation about a patient on that hallway dialing 911: the nurse had ignored her call bell that long. The story was almost certainly apocryphal, but like most hospital legends it reflected a truth. The biggest threat to Ariel Crawley, stuck back in that corner with her gangrenous appendix, was that between scheduled vital signs no one would simply happen to walk by. I wondered when Virgie had last looked in on her, and as I clicked through the workstation to get at labs, I paged Virgie.
Crawley’s seven p.m. labs were coming up on the screen just as the telephone rang.
“Virgie,” I said. She said something very fast and incoherent in return.
Or maybe it was me. Certainly my own thoughts went suddenly too fast to follow as numbers outlined in red seemed to fill up the screen.
“I just got a page from Core Labs,” Virgie was saying. I was forcing my eyes to attend to the numbers, forcing them to make sense. Two of Crawley’s liver chemistries, her AST and ALT, were over ten thousand. The normal values are less than fifty.
“Her LFTs?” I said. “I’m looking at them right now.”
There was panic in Virgie’s voice. “What’s going on?”
The liver—that dense, strongly flavored organ that occupies the right upper quadrant of the belly—does a great many things, most of which I could not recall at that moment beyond a distinct sense that they were essential to life. The transaminases, AST and ALT, are chemicals the liver produces for use in its inscrutable tasks. When the liver is damaged, they leak into the blood. What A. Crawley was demonstrating, as her transaminases jumped from essentially normal levels on arrival at the ED the night before to these sky-high values now, was fulminant liver failure.
I scanned the other chemistries, but nothing else was out of line—yet: by morning, other numbers would start to waver and slide into the red; the bilirubin the liver is supposed to clear from the blood would wind up circulating instead, tinting her eyes a muddy yellow; the coagulation factors the liver produces would start to fail, and she would begin to bleed. Then she would slip into a coma. And not long after that she would die.
And in a flash I knew what was doing it, as certainly as I knew where it would end. The appendicitis was a distraction, irrelevant to the real issue. I knew what had destroyed her liver. I knew it as surely as I knew that, for all practical purposes, A. Crawley was already dead.
I STOOD UP INVOLUNTARILY, impelled by adrenaline. I had no purpose in mind, no notion of anything I could do to change the course of things. It was too late to help A. Crawley; in a jumble of ugly images I imagined what her next few days would be like. Just what I wanted as I stalked toward her room, I had no idea: I wasn’t trying to do anything, or to learn anything as banal as why. I think I just needed to see her.
The door at the end of the hall was ajar, light visible through the opening. I knocked once and went through. The bed in that room is wedged across the far end, the rest of the room a long architectural afterthought. She was awake, her bedding disheveled, the expression on her face inscrutable as she watched me traverse the floor. The boyfriend was not in evidence. The visitor chair was occupied by a well-dressed older woman I took for the mother. With a cursory nod at her, I knelt at the bedside.
“Ms. Crawley,” I said. I tried to sound calm.
“Hi,” she said. She did not giggle, but a smile flirted across her face, turning down at the end.
“How are you feeling?”
“Terrible. Those horrible doctors.”
“What doctors?” I remembered Sara Barnes and her intern. I wondered what they had said to her. If they had seen the labs yet.
The pout became a look of frank distaste. “The surgeons.”
I glanced at her mussed bedclothes and suppressed a smile. The surgical abdominal exam. “Mash on you pretty hard?”
“I thought they were going to cut me right here.” She attempted the smile again.
“Did they tell you—” I began, then stopped.
“Do I really need an operation?”
She looked puzzled, like someone who has been told out of the blue she needs surgery. Nothing more.
I could feel at my back the mother shifting in her chair. I glanced at her. She was leaning forward, worried: her daughter needed an operation.
“Ma’am?” I said finally. The mother cocked her head. “Would you mind excusing us for a moment? I’d like to talk to your daughter.”
The mother, now more worried but that couldn’t be helped, told her daughter she’d be right back, gathered up a large leather purse, and softly closed the door behind her.
I turned back to the patient.
“Ms. Crawley,” I said.
“Yes?” Still—unaccountably, maddeningly—a little coy.
“What did you do?”
The smile faded. Her eyes went elsewhere.
“You know what I’m talking about.”
“No.” She would not look up.
“When did you take it?”
No answer.
“It wasn’t last night, was it?”
No answer.
“When did you take it, Ariel?” I never first-name my patients. But I called her Ariel, and I wasn’t sure if I was pleading or threatening.
Her hand made an angry shoving gesture, pushing a wrinkle across the sheet.
“Ariel, if you don’t tell me, you’re going to die. Do you understand that? You’re going to die. If you want any chance of living past the next three days, you have to tell me what you did.”
As if it matters, I said to myself, in that cynical inner voice that kept me company throughout my residency. But certainly it sounded like it mattered. I realized I was on the verge of shouting. I was shaking with something, some sensation so close to me I couldn’t identify it.
Did I really care? It is in the nature of the house staff to become uncaring (even though, in the hospital, not to care is to be brutal). There is so much death and suffering and grief, and in the midst of it we still need to fill out forms, subject the sick to indignities and pain, try to eat and sleep and keep all these needy people at some kind of distance. When I wasn’t too numb, I worried that I’d stopped caring.
And now I was berating a dying woman because she wouldn’t tell me exactly what she’d done. Maybe I had too many feelings. Or none at all.
She didn’t speak, but she stopped the restless motions of her hands and held still on the bed. I was still as well, and for a long moment neither one of us moved.
“I’m hurting,” she said finally.
Another silence, a vast empty space.
“Where?”
“In here.” She gestured at her abdomen. And then her eyes turned up to meet mine. “Is that what it does?”
I nodded. She dropped her gaze back to the bedsheet, the fingers of her left hand spread over the fabric. A tear fell from her cheek to spot the linen beside her thumb. “I didn’t know,” she said.
Didn’t know what? I wanted to ask, but there were more pressing questions, and I never found out what she didn’t know.
Instead I made her tell me how much Tylenol she had taken. Maybe thirty, maybe forty. She didn’t count. And not the night before. She’d said last night when they’d asked her, but it was Thursday she meant. Thursday night. Her voice was small, emotionless, tired. She had let her secret out, and it was much too late to matter. I think she knew that without being told.
But I had to tell her anyway. I quietly explained to her the difference that day made. It felt much more brutal than shouting. The Tylenol level
they had drawn in the ER was just a number. By itself, the number was meaningless. To interpret it, you had to know how much time had elapsed between the taking of the drug and the drawing of the blood. If it had been a matter of a few hours, her level was fine and all was well. If it had been more like thirty hours, then the number they drew was the tail end of a massive overdose.
And perhaps the worst of it was that it didn’t matter: her lie, her silence, made no difference to the story. It wouldn’t have mattered if she had confessed right away. She had come to the hospital too late. The antidote the ED had given, out of its characteristic pessimism, hadn’t been able to help her. Nothing could. The only difference her lie made was to something far outside the realm of medicine.
I knelt there beside her while she sniffled quietly and her shoulders shook.
I’d like to say that I held her, or said soothing words. But I don’t hold female patients, even when they cry, and I had no soothing words. I knelt there and watched her, and struggled to comprehend what I saw.
Ariel was suspended, here, in this room with me, between life and death. Her liver had failed. She would surely die. But just now, and for a while longer, she would lie here on her bed, her belly sore where Sara Barnes had poked it, and cry. She was alive and she was dead, somehow occupying both states at once until the passage of time would collapse them into one. And I knelt at her bed in some paralysis of awe, powerless and hollow at the core.
I HAD FELT THAT sensation once before. Long before I went into medicine, back when I still had hopes of making a living as a writer, my wife and I were invited to a dinner party one oppressively hot Saturday in July. Our host, a pleasant Swiss who taught German at my wife’s college, had prepared a meal of broiled fish preceded by a delicate, steaming soup—the kind of meal only a foreigner would think of preparing on a scorching Summer day. But he was proud of it, and we had the sense to appreciate his cooking, and praised especially the soup, which was the least dense of the evening’s offerings, even if it steamed.
“Wild mushrooms,” he said, explaining the subtle flavor of the broth. “My mother gathered them herself in the Alps.”
“Ah,” we said, and sipped the soup.
That night around two a.m. we both awoke, sharp pains in our bellies and a strange hollow sensation. “The soup,” we said at once, aghast at the possibility even while we laughed and dismissed it, lying down again to sleep. But sleep would not come. By half past two it was clear that something bad was going on, and ten minutes later it was equally clear that we could no longer laugh away the one idea that had seized our imaginations from the moment we had voiced it. I rose from bed to look up the number for poison control.
The voice at the other end of the line was professionally calm, faultlessly polite. After a brief discussion of our symptoms and the meal that had preceded them, the woman said to me, “It certainly does sound like the mushrooms. Unfortunately, if that’s the case, there’s very little that can be done: from the symptoms you describe, I’m afraid it’s too late to do anything.” A brief silence on the line, and then she spoke again. “But before you go to the hospital, you must call your host. He’ll need to contact anyone else who had the soup.”
I hung up the phone. I understand now that what the voice on the other end of the line had meant by “too late” was simply “it will have to run its course.” That the course could end in our deaths was another part of what she hadn’t said, but there are many kinds of mushrooms, and not all of them are deadly. At the time, I didn’t know that.
I let my hand lie on the receiver while a minute passed. My hand looked as if it were something somebody had left there. It was three in the morning on a sullen July night. Out the kitchen window I could see the full moon floating in a brown sky. In a moment I would move again. In a moment I would go back down the hall and tell my wife what I had heard. In a moment.
I stood there for what seemed a long time, hearing nothing of the night noises, only a dull roaring in my ears, while I put off the moment when I would move and time would begin again.
I pulled my hand from the telephone and walked back through the darkened house, stopping at the door of what was going to be the baby’s room. It still smelled of fresh paint. I stood there a moment and thought, So this is how it feels.
That was all I could come up with: This is how it feels to be dead. I stood at the door of the empty room for a long time, feeling nothing.
We were not, of course, dead. Hans had been joking about his mother gathering mushrooms. He had bought them at the Pathmark that afternoon. He was somewhat testy about this, a little too annoyed with the three a.m. phone call to be properly remorseful (I felt) about the spoiled fish he had served us after the soup. My wife and I endured nothing worse than three days of nausea, a week of depressed appetite, and an aversion to mushrooms that lingers to this day.
Nothing worse than that.
AS FOR ARIEL CRAWLEY, after she told me the time of her overdose, she begged me not to tell her mother. Why not? I wanted to ask, but I restrained myself. It was of a piece with whatever hurt she had been trying to treat with Tylenol. And it no longer mattered. I told her that her medical condition was nobody’s business but her own, and that the hospital would respect her privacy. It was up to her to tell her mother as much or as little as she chose. Then I left the room.
I left under some sense of urgency, feeling there were things I should do. But other than placing a few phone calls, there wasn’t anything, really. The ED had already ordered the antidote, and it was clear that it wasn’t working. I let Virginia know what I had learned, and called the ICU to let them know they could be getting a transfer before the night was over. Then I remembered Sara Barnes, and called her as well. She was puzzled by the information, liver failure and Tylenol toxicity not fitting into her protocols any more than appendicitis fit into mine, but she concluded that it didn’t change anything. The patient’s appendix was still a surgical emergency; her attending was on his way in; Ariel Crawley was posted for the OR that evening. As for her liver, after a word or two about involving Hepatology post-op the conversation slid off into silence.
IT DIDN’T END THERE. Ariel Crawley fell off my radar later that evening as she was wheeled off to surgery. Her mother, looking no more concerned than any woman would following her daughter to an emergency appendectomy, followed down the hallway with an armful of Ariel’s belongings. I went home the next afternoon, hearing nothing more until several days later, when I learned that she had had her appendix successfully removed before midnight Saturday. And that two days later she had undergone a successful liver transplant. Her youth, her fundamental health, the abruptness of her failure, had all catapulted her to the head of the list, and through another stroke of luck a suitable donor came in, the helmetless passenger of a wrecked motorcycle, and now she was in the surgical ICU, holding her own.
Over the next several months I continued to hear of Ariel’s progress. There were the usual post-transplant problems, but the last I heard she was doing as well as can be expected. Life with someone else’s liver is never easy: episodes of rejection, toxicities of immune-suppressing drugs, the threat of infection. But I lost eight patients that month, and Ariel wasn’t one of them. She got a second chance. A victory of sorts.
I know I’m not really entitled to claim any kind of victory here: my contribution, in the end, was to order a CT that bought her an irrelevant surgery, and to force a confession, too late, to something that was obvious anyway. But I’ll claim my victories where I can, earned or not.
Did Ariel deserve hers? The question lingers, but I have no answers. Ariel’s out there somewhere, I hope, living her life somehow, while others sicken and die waiting for transplants that never come. Maybe no one earns a second chance. Who would be worthy of it? But we did have a baby, and even (God blessed us) another. I started writing again. Residency passed like a bad dream, and on awaking I found I cared again. Perhaps too much.
All victories are worth claiming, w
hen we consider the alternatives. And when we recognize that all such victories are temporary, forestalling that dead moment in the middle of the night.
THE
PERFECT
CODE
A FAINT CLICK OPENS THE AIR. A disembodied voice calls out, “Adult Code 100, Adult Code 100, 5 East. Adult Code 100, 5 East.” Or it might be “Code Blue, Code Blue 3C, Code Blue 3C.” From place to place the wording varies, but the message thinly hidden in the code is always the same: somewhere in the hospital, someone is dying.
The nature of the emergency varies as well. Hearts stop. Vital signs droop. We give up the ghost. But whatever the nature of the emergency, the response is the same: from all over the hospital the code team comes running, and the attempt at resuscitation begins.
The team is an invention of the 1960s, when evidence began to suggest that people suffering cardiopulmonary arrest had a much better chance of surviving if organized help reached them within two minutes. The “code” part was a response to public relations concerns that the laity might be upset by announcements of “Cardiac arrest on 4 North.” Hence the “Code”—100, blue, pick your meaningless term. Thanks to television, I doubt anyone is taken in by it these days. But it adds another element of insider status to a culture that values that sort of thing.
Internal Medicine: A Doctor's Stories Page 6