The truck took an exceedingly tight curve, and the squirrel nearly lost his balance on the chain. He recovered himself with a small squeak of alarm and stared at the raven. "Birds are supposed to fly," he said a little querulously. "Do you mean you're never going to fly again?"
It had come very gradually to the raven's attention that the motion of a truck on a gravel road is quite different from flight. There was a faint murmur of discontent from his stomach, distant as heat lightning still. "Never," he said grandly. "From here on in, I'm a pedestrian."
The truck hit two ruts in succession, and the raven lay down quietly and glared at the squirrel, who had balanced himself twice with a graceful flick of his tail.
"Personally," the squirrel continued, "I don't know that I'd care to fly. Unnatural method of locomotion, after all. Tiring, dangerous, exposed to all manner of injuries. Oh, I can see your point in wanting to get out of the business. But, after all, it's what you were born for. Just as I was born to be a squirrel. Fish got to swim and birds got to fly. God made them, high and lowly, and ordered their estate." He coughed apologetically. "Those last two lines weren't mine, I'm afraid."
"You could have fooled me," said the raven.
"All lives are composed of two basic elements," the squirrel said, "purpose and poetry. By being ourselves, squirrel and raven, we fulfill the first requirement, you in flight and I in my tree. But there is poetry in the meanest of lives, and if we leave it unsought we leave ourselves unrealized. A life without food, without shelter, without love, a life lived in the rain—this is nothing beside a life without poetry."
The raven lifted his head from the floor of the truck. "If I was a hawk, I'd eat you in two bites," he said weakly.
"Certainly," agreed the squirrel promptly. "And if you were a hawk it would be your duty to eat me. That is the purpose of hawks, to eat squirrels, and I may add, gophers. But if you ate me without any appreciation of your own swift-plummeting stroke and without a certain tender understanding of my mad, futile flight toward my tree, where my wife and family dwell—well, you wouldn't be very much of a hawk, that's all I can say."
He drew himself erect on the tailgate, as if he were facing a firing squad, having just rejected blindfold and cigarette.
"It's people like you who make things tough for the noncombatants," said the raven bitterly. He got up and walked to the back of the truck to look over the tailgate. The truck was approaching the ungardened path that led to the Wilder mausoleum. Remembering the roast-beef sandwich, he went back and picked it up rather awkwardly in his beak.
"Are you getting off here?" the squirrel asked. The raven nodded.
"Well, it's been very interesting talking to you," the squirrel said earnestly. "Do drop in if you're ever in the neighborhood. We have little get-togethers every Saturday night. If you're ever free some night—"
But the raven was gone, flapping heavily on stiff wings down the narrow path to the mausoleum. Turning his head, he saw the truck careening on its way. As soon as it was out of sight, he dropped to the ground and began to walk determinedly along the path.
I didn't want to walk, he thought, with that furry little bastard yapping at me. Squirrels get so damn enthusiastic about things.
The gravel skidded under his feet, providing very little for his claws to grasp and making his legs ache. The casually dashing feeling he had enjoyed on the truck before the motion began to affect his stomach was gone, and in its place came a mental picture of a somewhat carsick black bird stumbling along a slippery road that hurt his feet. It was an utterly undignified image, and the raven winced and put it from his mind. The raven believed, grudgingly and inarticulately, in dignity.
But he kept walking. Once he looked up and saw a swallow coasting down the sky. His wings jerked involuntarily, tugging like children at his body, but he did not take off. He walked on the gravel road and thought about the squirrel.
Goddam organizers, he thought. You get something good going, and somebody comes along and organizes it. He told himself that this was inevitable, the way of the world, but it bothered him. The raven would have been in favor of a movement in the general direction of chaos, consternation, and disorganization, had he not known that such a project would require the most organization of all. Besides, there would undoubtedly be a squirrel running it.
"Saturday-night get-togethers," he muttered into the roast-beef sandwich as he limped along. "Tiny little hot dogs with toothpicks through them. Crap." His feet hurt quite a bit, and the sandwich was getting heavy again.
Michael Morgan made no sound on the gravel, and when he said, "Good day, bird," the raven dropped the sandwich and sprang almost four feet straight up. He turned in the air so that he was facing Michael as he came down and he was cursing even before he hit the ground. "What a thing to do!" he cried furiously. "What a sonofabitching thing to do!" Michael slapped his thighs soundlessly, and from his throat came surfs of laughter as silent as lightning.
"I didn't know you'd take it that way." He gasped, putting out his hand to silence the angry bird. "Really I didn't. I'm sorry. I apologize." He looked closely at the dusty raven. "What makes you so touchy today?"
"I've had a tough morning," the raven said sullenly. He felt that he had acted foolishly. But he hated to be caught off guard.
"You dropped something," Michael said, pointing at the sandwich with a transparent foot. "And why in God's name are you walking?"
"I had a flat."
"Tell me why you're walking. I'm curious."
"Mind your own goddam business," the raven answered, but he said it absently and he did not seem to be thinking of Michael.
"Do you know what I think?" Michael folded his arms and grinned. "I think you've forgotten how to fly."
The raven looked at him in amazement. "I've what?"
"Of course," Michael went on cheerfully, "Like playing the piano. You know—you play beautifully, you don't even need sheet music. Then you look down at your hands and think, How did I do that, how am I doing this, what am I to do next? And then everything goes bang. You forget how to move your fingers, how to pedal, even how the piece goes. That's what's happened to you, my friend. You've thought too much, and now you don't remember how to fly."
"Go haunt a house," the raven said. He picked up the roast-beef sandwich once more and began to walk on. Michael matched his pace, talking as he did so.
"It comes from being around ghosts too much, lad. Very bad for you. You start becoming one, by osmosis, as it were. You start to forget things, the way they do. You move slowly, the way they do, because nothing in the world can rush you. Oh, you're well on the way, boy, forgetting how to fly. A few more days and you can join our chess club and have Mr. Rebeck push the pieces around for you."
The raven stopped walking and looked at Michael for a moment with something approaching pity. Then he put the sandwich on the ground and looked directly at Michael again.
"Watch me," he said. He took two quick steps and went into the air.
The wind dizzied him and made him a little drunk. He cleared a tree by a few inches, turned, and seemed to slide down an invisible tightwire to a smaller tree. Then he flew almost straight up for twenty or thirty feet. At the top of his climb he fell off on one wing and began to spiral gradually down like a sleepy leaf. He glided in small, angled circles without beating a wing until he was no higher than Michael's head. Then he made an ungraceful movement of his wings, seemed to skid a little, and was roosting in a tree off to the left, breathing hard, with his heart stuttering delightedly.
He shook his head slightly, winked maliciously at Michael, and rose from the branch with a jump that was very nearly a dance step. The air was as warm as wedding cake as he fell, volplaning directly at Michael's feet. Michael stepped back nervously, wondering if the ground would cleave before the strong beak like the Red Sea or if it wouldn't, and how the raven felt about the matter, if he gave a damn at all. And then there was a quick swirl in the gravel and pebbles scattering and a black fe
ather on the ground, and the raven was circling overhead with the roast-beef sandwich in his beak.
The sandwich had had a pretty tiring morning itself, and as the raven circled triumphantly the worn wrapping tore, and the sandwich fell from the raven's beak, turning over and over. Michael raised his hands to catch it, and then lowered them and held them behind his back.
But the raven fell beside the sandwich, turning his head to judge its descent so that they looked like two meteors comforting each other. Then a branch broke the sandwich's fall for a moment; the raven struck and was gone, over the trees and down the path. Michael smiled with just the right touch of casual sadness and followed.
Laura saw the raven first from where she sat with Mr. Rebeck on the grass in front of the mausoleum. She had been sitting there when he had come out to stand on the steps and yawn. He had been inordinately pleased to see her and had gone back into the mausoleum to dress as fast as he could, because he felt somehow that she might be gone when he returned.
But she was there, sitting on the grass and looking curiously at the sun. He had not seen her since the time she had come with Michael, a week ago. June then, it was July now, a New York July, full of rust-colored mornings and shining noons that hurt the eyes. People came less often to the cemetery, and the roses went brown on the graves before they were replaced.
She had not come again, and he had wondered. Now he went over and sat down beside her.
"Hello, Laura," he said. "Where have you been?"
"Here and there." Laura moved her hand very slightly and was both here and there. Mr. Rebeck saw her so—sitting, with the sun shining through dress and bone and body, making her look like a pen-and-ink drawing; and walking among the olive-colored ferns that grew all around the cemetery, encircling it as cattails do a stagnant pond. She smiled at him now, and he saw her the night before, standing close to the snake-laced gate, smiling.
"I see," he said, and he did.
"I came to visit you," Laura said. "I came to sit and hear you talk to me."
"Delighted to have you. What should I talk about?"
"Something alive. The theater, or subway fares or labor unions, or books, or baseball, or foreign relations, or the going price of bananas. Talk to me, please, about anything at all, so long as it's alive."
Mr. Rebeck's brows consulted each other as he tried to think of a subject, but Laura interpreted the frown as an expression of puzzlement and went on, "Because I'm going to have to make a choice very soon, and I want to be sure it's the right one."
She paused, and her hands moved in her lap like captured butterflies. "Death has been very good to me," she said finally. "Do you know what I can do now?" Mr. Rebeck shook his head.
"I can think myself places. I can go back and forth across this cemetery seven times, from gate to gate, and be back here before you can snap your fingers. I can ride in the caretakers' truck, in a space barely big enough for two people, and hear the men talking. All I have to do is let my body drop from me as if it were a wet bathing suit, and then I'm me and I can go where I want to go."
"Except out of the cemetery," Mr. Rebeck said.
"How did you know?"
"It works that way for all ghosts. You can go anywhere, except away from the place where your body is buried. I suppose there's a reason for it."
"I thought it was just me," Laura said. "I thought perhaps you had to want to go back very badly before the gate would let you pass."
She looked past him, and he knew that she was staring at the lion-heads on the mausoleum door. "It doesn't matter. There's nothing I want to see. I like it better this way. Nobody can see me, you know. Not even you, unless I want you to. I've sat and watched you for hours"—Mr. Rebeck started—"and you read, and sometimes you have put your book down and looked at me and didn't know I was there. You were humming to yourself."
"I can see you now," Mr. Rebeck said.
"Sometimes I put my body back on. But not as often as I used to. It feels tight on me and makes me walk slowly. It always did. Someday, someday soon, I may just leave it and not come back."
"Where is the choice, then?"
Laura's hands stopped moving in her lap, and she looked away from Mr. Rebeck. "Because I might be wrong," she said softly, "and Michael might be a little bit right, even if he is a fool."
She turned back to Mr. Rebeck. "This is very much like the last minute before you fall asleep at night. You close your eyes and everything seems to be rushing away from you, and you're sinking backward and down—like a subway when you're in a local and an express goes by so fast that your train really appears to be going backward. You just let yourself fall with it, and it's easy and comfortable and quite wonderful. But you keep yourself awake until you make sure that everything's all right; that the lights are out and the door is locked, that you did everything you meant to do that day, that nothing's left unfinished.
"Well, I don't feel right. I keep thinking that I've left a door open somewhere." She put a hand out to touch his own, and Mr. Rebeck felt a cold breeze drying the July sweat on the back of his hand before she moved away.
"Do you want me to talk about live things now?" he asked. "I've remembered something."
"Yes, please," said Laura. And Mr. Rebeck sat with his legs tucked under him and his eyes holding the delicate tracings of iris and pupil and eyelash that had been Laura's eyes, and he told her about a zoo he had visited more than twenty years before. He told Laura about a hippopotamus that would munch on the same tiny square of chocolate for almost an hour, rolling it around in its mouth with its eyes shut tight; and an immensely fat orangutan that sat sleeping in a puddle of its own flesh; and a monkey that tossed itself carelessly around the cage like a spool of red ribbon; about two white wolves; and about the people that had been at the zoo. He made them up for her; they weren't too good because it had been a long time, but Laura seemed satisfied. Suddenly she pointed over his shoulder and said, "The raven's coming—and Michael."
Mr. Rebeck turned his head and saw the raven in the sky and Michael coming slowly down the path, stepping on twigs and not breaking them.
The raven seemed reluctant to land, but he finally did, dropping a battered roast-beef sandwich into Mr. Rebeck's lap just before he touched the ground. He seemed a little unsteady on his feet, Mr. Rebeck thought, but his eyes glittered and he carried his head like the cocked hammer of a gun.
"All I could get," he said, gesturing at the sandwich with his beak.
"Just one?"
"Things are tough all over."
"I was joking." Mr. Rebeck unwrapped the torn waxed paper. "This will be fine." He pulled a strip of meat from the sandwich and offered it to the raven, who shook his head. "Uh-uh. Found a robin's nest this morning."
Mr. Rebeck ate the meat himself, but Laura made a small sound of horror. "You ate—" She could not finish.
The raven turned to look at her. "Morning," he said cheerfully. "Didn't notice you."
Laura remained still, but she seemed to have drawn miles away from the man and the bird. "You ate a robin's eggs—"
"Egg," said the raven. "More than one egg in the morning and I get the hiccups." He made a casual grab at a grasshopper, headed it off with his beak a couple of times, and then let it escape into the grass.
Laura's hands cupped around each other, as if she were shielding something blue and fragile. "But they're so pretty, and so harmless!"
"So?" The raven canted his head slightly to one side. "And a hen's Public Enemy Number One?"
"It's not the same thing. It's not the same thing at all."
"Damn right it isn't. Nobody ever says, 'Look, it's spring! I just saw the first hen.' You ever hear a song about when the red, red hen comes bob, bob, bobbing along? Hell, you give a smart bird like the buzzard half the publicity a robin gets, and he'd be the national bird inside of a year."
His voice dropped back to its normal range. "People root for the goddamnedest birds. You see a robin murdering a worm, and right away it's 'Hold t
he fort, redbreast! Help is on the way! Wait'll I find my old army rifle and we'll fight the monster off! You and me, bird! Shoulder to shoulder! To the death!' But you seen an owl having breakfast off a field mouse and you form a committee to march on Washington and make them pass a law saying from now on owls can only eat cabbage and apple pie.
"Take a worm now. All right, they aren't brilliant, but they work hard. Your average worm is a nice enough little guy, a kind of small businessman. He's quiet, he's good for the soil, he doesn't bother anybody, he leads a good, dull life—and the poor bastard is a three-to-one bet to wind up on the end of some kid's hook if the robins don't get him. And that's all right, because he's slimy and he can't sing either. But a kid shoots a robin with a slingshot and forty years later he writes in his autobiography how he didn't know the meaning of death till then. Or you take squirrels." His eyes brightened perceptibly. "The way I feel about shooting squirrels—"
"But you eat worms," Laura pointed out.
"Sure. But at least I don't call in the photographers." Michael reached them then, and Mr. Rebeck was suddenly aware of the disparity between his walk and Laura's. Laura moved like a dandelion plume on a day wrinkled with small winds, barely touching the ground. When she did, it seemed accidental and meaningless, for she left no footprints even in the softest earth, and no pebbles sprang aside from her feet. Whether she stood on the ground, on a tree limb, or on a rose's smallest thorn, she was separate from the ground or the branch or the thorn.
Now Michael, Mr. Rebeck thought, Michael walks slowly because he is busy remembering how it felt to walk. He must build his road as he walks along, and it cannot be pleasant for him to realize that the road rolls itself up behind him with every stop he takes. He steps hard, banging his feet against the ground, hoping to feel the pain that comes when you do that, as if you'd stepped on a lighted cigar. But there is no pain, and he leaves no footprint to tell where he has gone.
Aloud, he said, "Good morning, Michael."
"Hi," Michael said. He looked at Laura. "Hello, Laura."
A Fine and Private Place Page 9