by Rawi Hage
What?
The gun!
I do not have it on me.
Can you teach me how to use it? Shohreh asked.
Yes.
When?
Wednesday. We will go far north and into the woods.
Good. I will rent a car. It will be only the two of us. We can go far and away from this city.
AT ELEVEN IN THE MORNING on Wednesday, Shohreh knocked at my door.
I opened it, and saw that she was wearing sunglasses and had a backpack over her shoulder. She entered. I slipped under the bed, crawled over to the middle of the mattress, and pulled out the gun.
We took Highway 15 north. At the beginning of our drive we passed many cars, houses, gas stations, and generic restaurants with large signs that stood like faux totems. The farther north we went, the fewer cars we encountered and the more hills appeared, the more curved roads, more trees, more wind, more sky, and more horizon.
In September, Shohreh said, the leaves are orange and gold. It is so beautiful. Just beautiful. Everything turns to gold here.
We stopped at a diner. The waitress, who was old and talked in a jolly tone, who smiled in spite of the absence of teeth, handed us menus. We both had eggs, toast, and coffee. Then Shohreh disappeared into the bathroom. The waitress smoked at the counter. A couple of truckers watched TV, hunched over white oval plates. I could hear noise coming from the kitchen, sizzling sounds and drumming on pots. The cook, a Native Indian, came out of the kitchen, went downstairs, and reappeared with a cart in his hands. He stopped and looked me in the eyes, and before I had the chance to bow my head, to thank him for the food, for the trees, the mountains, and the rivers, he disappeared again.
I followed him to the kitchen entrance. I stood there and asked if he had seen any cockroaches. Before he could be alarmed, I said: I am interested in these creatures and their history.
Come. Follow me, he said. I will tell you all about them.
We stood outside the kitchen’s back door and smoked peacefully. Listen, he said. After the Creator made the mountains and the sea and everything, he left behind a huge drum made from a white buffalo skin. He had used the drum when he was creating the world, but he warned all the creatures not to play the drum, or the sun would come closer to listen, and never go back to sleep, and melt all the snow. At this time the birds had never flown and they ate bugs from the ground.
Cockroaches, too, I asked?
Yes, those too. The birds didn’t need wings, because everything was available — fish in the sea and bugs on the land. The bugs were kept in good numbers, because the birds ate them every day for a long time. Then, one day, the coyote came to this land on a large ship. The coyote was curious and hungry from his lengthy travel. He was looking for food and anything that he could steal and take back with him to the other side of the sea. When he saw the large drum made from the white buffalo skin, he wanted to steal it. But the bugs were always crawling around the drum, protecting it. So the coyote trotted over to the birds and told them that the bugs around the drum were sweeter and tasted better than any other bugs. The birds were excited by this news, and they rushed over and ate all the bugs around the drum. The coyote stole the drum and took it onto his ship and sailed away with it. On his ship he played the drum, and this woke up the sun and made it shine. When the birds saw the sun they grew wings and flew towards it and left the earth. There was no one left to eat the bugs anymore. And the land was covered with bugs, and the bugs grew more and more numerous. They covered the land and ate everything.
I thanked the cook for his story, and when Shohreh came back, we paid and left. We drove for hours, and the farther north we drove the colder it got. The snow still covered the landscape in patches that were reluctant to melt into streams and slip under the rocks and the trees to form pools and lakes and sweeten the seas. The trees were bare. The sky looked bigger, endless, and Shohreh had a smile on her face. She was filled with joy, she was so happy to be behind the wheel. She gazed through the windshield at the flying-by landscape of trees, wolves, hills, and deer. After a while she flipped through the radio stations. She asked me what kind of music I liked, and before I answered she found a song that she liked. She told me how much she loved that song. It was a French song and she sang it in her heavy French accent. Suddenly she turned right and took an exit. She stopped the car on a little deserted and unpaved road, unbuckled her seatbelt, moved her palm to my hair, pulled my head towards her, and kissed me. We kissed for a long time. When I touched her breast, she pulled back and put her seatbelt back on and we drove north again.
Do you have a place in mind? I asked her.
Yes, she said. It’s a little place that I know, a faraway place with a cabin. I was there once before. I spent a week there with an ex-lover. We came in the summer and we decided to live like two wild women in the woods, without anything. It was fun. She grew up in nature and loved nature. We fished and ate wild berries, we jumped naked in the river. We hiked and climbed. You should try dangling above a cliff with only a rope to hold you.
Oh, I might fall, I said. I have an attachment to ropes and dangling, but the cockroaches always cut it for me. I was silent for a moment. Then I said, I often think of you. Do you think of me?
Shohreh smiled, reach her hand over, caressed my hair, and didn’t answer. Then she smiled and said, You and your cockroach!
WE WALKED TOWARDS the cabin. Shohreh entered it and called me in. Look, she said. It is still the way we left it. We used to sleep on the floor and we made a fire over there.
Later I pulled out the gun, cranked it, and aimed it at a tree. I fired, and the echo of the shot rose from the other side of the mountain. The tree trunk released a little air from the spot the bullet hit.
Okay, Shohreh said, blowing warmth into the joints of her fingers. My turn.
I pulled the magazine out. I show her how to insert the bullets, how to push the magazine inside the gun’s butt. I showed her slowly how to crank it, cock it, lift it. I told her never to point it in someone’s face, always to point it to the floor or up to the sky. I showed her how to make an imaginary line that starts at the end of the gun and goes to the end of the barrel and extends to the target.
She grabbed the gun and stretched her arms.
Where are you aiming at? I asked her.
The stone, she said. The big stone at the edge of the water.
She fired and her hands swung a little. The bullet was far from the target.
I told her to hold her hand steady, and before she shot to hold her breath, focus, and then not to hesitate.
Once you decide to shoot, just do it. Do not think, and never hesitate.
The second shot was closer. Shohreh kept on shooting until she emptied the magazine. She hit the stone once and then she turned, bouncing, and asked me if I had seen the shot.
It was getting cold. Shohreh suggested we make a fire and stay inside the cabin for a while. But nature horrifies me and open spaces make me feel vulnerable. I wanted to leave and go back to the city before night came and the deer howled, and the wolves twittered, and the bears danced, and the moose and the beaver wrestled down by the river, and the trees bent down to watch me sleep. And what if early in the morning birds came and laid their giant claws on me, held me to the ground and dug their beaks into my chest and tore my flesh, threw me on my back and devoured me alive, with my feet dancing in the air under their big, monstrous eyes.
I need to go back, I told Shohreh.
Too soon, she said. Let’s stay a little longer. See how quiet it is? Smell the forest. Look, look there are birds in the sky.
I looked up and saw two black dots suspended in the air, floating under a blue sea. I rushed into the car and made sure all the windows and doors were locked. Shohreh stood there, her hand to her forehead, looking at the sky and squinting. Then she walked in circles and smiled, and I watched her through the glass, turning and dancing in worship of it all.
BACK IN THE CITY, Friday afternoon, I waited across the
street from the Artista Café. I smoked and paced, and when the professor stepped out I followed him. I caught up with him and held his elbow. When he saw me, he liberated his arm and stepped back, but before he could run or yell for help, I said to him: I just want to talk to you. No harm, everything is cool. I just want to talk.
I am busy, he said, and started to walk away.
I followed him, pulled out one of the stolen love letters, and started to read it.
He turned with his eyes open wide, and shouted, Where did you get that?
Let’s talk, I said. I need to talk to you.
Give me back that letter, he said, defiant. He looked ready for a fight.
His reaction surprised me. You are not going to fight with me, professor, I said. You are a little too old for that.
Un fou, t’es malade, mon ami, un homme malade, he replied, and he started to raise his voice again.
I just want to talk to you.
I will call the police if you follow me, he said, and he held his leather briefcase in his fist, ready to swing it at me.
I do not understand, I said, why you let her do this to you. She does not care about you. She only talks about herself in these letters. And why do you lie to us? You do not teach or work as a consultant. You are on welfare. Why do you deny it? Tell me, please, what is wrong with being poor and in need?
The professor snatched the letter from my hand and started to walk away fast, and like a madman he shouted, Police, police, un fou, un fou.
And that was the last glimpse I had of the lost exile in his long, pitiful coat, his stolen case swinging and rubbing against one of its large pockets. He looked like a goner, a little lost imposter, a lonely spy walking out into the cold of the world.
I walked home, taking a left turn on Prince-Arthur Street. Some restaurants had ventured to put tables and chairs outside. It was a sunny day, and if you wore a light jacket you could safely sit and have a drink and a smoke outside and look at all the young women eager to reveal their summer legs, uncover their shoulders for the sun, and walk without fear on the last few batches of slippery ice, through the noisy slush and the shivery cold. I decided to sit and have a coffee and smoke.
I chose the patio of a café that was marked off by ropes dangling from one pole to the next. I lifted the collar of my jacket, lit a cigarette, and waited for the waitress to come. I blew smoke in the air and listened to the sounds of female shoes clacking along the street. The sun hit me in the face, and I wondered what had happened to those days when all I had wanted was to escape the sun. Now the sun did not seem that bad. I recalled a choice passage from one of the professor’s letters: the morning his lady woke up early and walked with a towel to the sandy beach and noticed the birds. I wondered if people like that, always in a daze about beauty and sensuality, ever masturbate. What would their fantasies be like? Would they imagine a soft, handsome gentleman who walked around surrounded by flowers and floating smiles and deep and gentle voices? Were the colours more vivid in their dreams, the air just the right temperature, the towel and the sand the epitome of softness and delight? And yes, the songs they heard would all be good songs about mild suffering of the heart, nothing really tragic. I thought about how fantasies like that should rightly belong to poor girls with violent fathers and crazy mothers, but instead they were in the possession of the rich, the complacent, those who aspired to the old days of aristocracy and to chambermaids, swooning, and ballroom dancing.
Filth! I thought. I could shoot them all. I have a good aim. I never miss a shot. I could enter the professor’s lover’s dream and kill all those pretty boys, those older, sophisticated men with silk scarves around their necks. I could change the background music, halt the soft lapping of the ocean, shoot all the seabirds, and pull the towel from under sleeping swimsuits. I could also bring the professor with me and change him — make him look better and talk with arrogance, and give him better shoes, and lose his glasses and loosen his tie, and give him un regard so that he would always seem pensive, romantic, and suave, and of course rich. Then maybe that lover of his would be more attentive and loving to the old man.
THAT EVENING AT THE RESTAURANT, I knew that the man who had tortured my lover was about to arrive. The owner was looking nervous, and the cook pulled out his long knife to cut the good kind of lamb, and the waiter waited at the window.
Suddenly I remembered how, after my sister’s death, I had avoided windows. I remembered sitting in the dark for days, stretching and measuring the length of my beard, inviting fleas and other little creatures to invade my hair and feed on my dirty skin. I found darkness in my bathroom and a cradle in my bathtub. I wept until I heard echoes in the drain, like the fluttering of sails, telling me to leave. I shaved and then I sailed away from that room, that house, that land, thinking that all was past, all was buried, all would come to an end.
Now I walked over to Sehar and asked her if she needed bubble gum and gave her a small wink. Yes, she said, go. I will tell my father that I sent you.
I walked across the street to the depanneur and called Shohreh.
It seems like the man is coming tonight, I said.
She asked me if the girl was there. Then she said, I will be there in half an hour.
Shaheed entered with his bodyguard, and the owner rushed to meet him. Everyone got busy. After half an hour I went to the basement, opened the back door to the alley, and put a piece of wood against the frame to keep the door from closing behind me. I opened the lid of the dumpster just outside the building and perched at the edge of the big green metal bin. I had never looked inside it before. I balanced my feet on the rim, and somehow the old smells, the gooey liquid that stained the bin inside and out, felt familiar, a déjà vu of old smells and dark landscapes, like the abstract pattern inside small coffee cups after the black liquid has been sucked down the abyss of tongue and throat. And I suddenly remembered every slice of vegetable that I had swept, that I had carried in garbage bags and thrown over the rim and inside that green metal bin. And when I looked behind me at the ground, the stained ground, I felt like I was high up, hanging from a tree or on the edge of a cliff, balancing with two extended arms. I almost forgot why I had come here in the first place.
Then I remembered. I searched for the bag that my lover had left me, and soon I found it. The gun was inside a white plastic bag, wrapped in many folds. I looked down towards the end of the alley and saw Majeed’s taxi across the street, its signal light blinking like fear.
I hopped down and took the gun and went inside. I found some rope, cut it with a knife, and went straight to the bathroom. I tied the gun behind the toilet seat, wrapped it against the pipe, and left the knife on top of the tank.
I went back up to the kitchen. The owner was looking for me, and now he asked me to clean the kitchen floor with water and soap. I filled the bucket and got the mop and started to swing it like a slave in a dry field. I hummed and sang an old song that I had half forgotten. The smell of cooking onion rose from the stove. The cook was happily sprinkling spices, wiping his bloodstained fingers against his apron, chopping things on the counter, pouring water, covering the rice, and humming like a shepherd in a distant land. Through the opening that looked over the dining room, I kept my eye on the entrance.
Then I heard Shohreh’s knock on the glass.
The bodyguard stood up and walked towards the door.
Shohreh asked for Sehar.
When Sehar saw Shohreh, she ran to the door, took Shohreh’s hand, and pulled her to her table. The bodyguard went back and sat at the bar in his usual seat. He looked bored. He moved his head occasionally, mostly to look at his boss. The owner talked to his daughter in Farsi, and the daughter answered back in English. She is my teacher, Sehar said to her father about Shohreh.
Shohreh had kept her sunglasses on. She was preoccupied and not attentive to the girl’s talk. She kept glancing over at the table where the bald man ate. The man was oblivious to my lover’s scent, to her long, covered thighs, her larg
e, dark eyes. In the dungeon he had taken her from behind, on a metal desk that was cold in the winter and burned her skin in the summer. After he finished eating, he took a white napkin and wiped his dirty fingers, his wet mouth. He caught his breath, satisfied with the taste of the lamb.
I lifted my mop like a flag on a battlefield, and I heard the drums of Indians coming from the north. I bowed my head to the fire on the stove and circled around it. I said yes to the owner, and poured more water from my bucket onto the floor.
Shohreh released herself from Sehar’s grip and went downstairs. I did not hear her fluid cascading against porcelain. I did not hear her laugh, cry, sing, shake her hips. But I did hear the cutting of ropes, the swinging of arms, and I heard the gallop of Persian horses ascending the wooden stairs. I heard the clang of pots and swords, the long knives, the cries of slaughtered sheep. I heard nature’s stillness just before it sends its wind sweeping through the land.
Shohreh pointed the gun at the bodyguard and told him to stand still and to lift his hands in the air. It took a few seconds for the owner and the bald man to notice the gun, and in those moments Shohreh walked towards the table, calling the man by his name: Shaheed, she shouted. Shaheed! And she proceeded to talk to him in Farsi. She took off her sunglasses and laid them on the table and her eyes shone. Her hands stretched out and she pointed the gun at the man.
The owner mumbled and swung his head left and right, like a goat with its feet tied. Shaheed did not move. He did not look scared, or surprised. He was composed, calm, with an air of indifference. Arrogance showed on his face. He talked back to Shohreh and quickly glanced at his bodyguard.
Shohreh told the owner to move away from Shaheed, and the owner quickly hurtled towards the kitchen door, flying across carpets and tables. His daughter looked on, amused and unafraid, but her father grabbed her arm on the way out and she followed him. The cook dropped his big knife on the counter and peered through the kitchen opening.