by Carla Cassidy, Evelyn Vaughn, Harper Allen, Ruth Wind, Cindy Dees
“Presidential candidate Gabe Monihan is expected to raise large crowds in Chicago tomorrow. The popular candidate will speak at 10 a.m. tomorrow at Loyola University. Traffic along the route is expected to be extremely heavy.”
The taxi driver snorted. “That means it will not move,” he said.
Kim chuckled “I’m sure.”
The television station appeared to be very quiet, which Kim supposed was not surprising, considering it was nearly 9 p.m. It seemed odd to find it so empty after the high security at the airport. If Kim was a terrorist, she’d pick news venues every time, but she couldn’t think of a single staging in a news station ever, in any country.
Hmm.
She paid the driver, hitched her duffel over her shoulder and went inside. A single woman sat in a bulletproof cubicle that seemed absurdly well lit in the dim quiet of the waiting room just beyond. She pressed a button and asked Kim, “May I help you?”
She flashed her NSA badge. “I called a couple of hours ago. I’m meeting John from Personnel.”
“Right. Just one minute.” The girl picked up the phone and spoke into it. She put it down and pushed a buzzer. “Go through the double doors at the end of the hallway and John will meet you.”
Kim found herself in a long hallway, hushed and empty. Discreet spots cast a thick amber light that left pyramids of shadow along the path.
She paused, struck by a sense of extreme uneasiness. The hair along the back of her arms rose the slightest bit. It was like the low growl of a dog who heard something before the humans in his realm—she stopped and listened carefully.
What was causing her discomfort? A sound just out of range? A scent that shouldn’t be there? Something more primeval? Her training had taught her to respect such ripples of warning.
She listened intently. The low rush of air blowing through furnace vents, a slight, faraway humming that sounded more or less electronic. Nothing else. It was a television station, after all. The walls had to be soundproofed.
The only scents were the slightly chemical odors of carpeting and glue and other industrial materials, the faint dustiness of forced-air heat, her own hair releasing a ghost of damp lemony conditioner.
Nothing.
Something.
She turned in a circle. Maybe it was just the shape and depth of the shadows, the extreme stillness.
The bang of swinging doors sent a jolt through her, and she forced herself not to show it.
“Ms. Valenti!” said a man coming through the doors at the far end of the hallway. He looked oddly out of place in his Dockers and pale orange button-down shirt, as if someone had cut him out of an ad in a Seattle newspaper and pasted him into the wrong background. The haircut, the glasses, even his body language were too casual for this area. “I’m John Hallam,” he said, extending his hand. “I’m afraid I don’t have much time to talk to you—we thought you’d be here much earlier.”
“My apologies,” Kim replied. “But I—”
“Right this way.”
His handshake was cool and strong, in contrast to his youth, but she picked up a distinct sense of nervousness. “Thanks,” she said. “Do you mind if I ask you a few questions?”
“Let’s do that in the office, shall we?” He gestured for her to proceed ahead of him through the doors, and Kim stepped into a dark, open space crisscrossed with wires and cords and hulking shadows of equipment she didn’t recognize. The ceiling stretched high into an area of steel girders, and Kim saw light shining from over a wall. Faintly, she heard voices.
At a second door, John paused. “They’re about to go live for the news, but we have a few minutes. I thought you might want to meet some of the anchors.” He smiled. “People generally do.”
What could she say? Not me? So she smiled and shook hands with a trio of toothy, small, ultraclean people, noticing the facade of desk and backdrop against the cavernous, overarching darkness stretching above. Unease made her look around again.
Nothing. A cameraman fiddled with knobs on his machine. A bank of monitors showed six different screen shots. One was animated—she assumed it was the actual broadcast stream.
“Have any of you had threats or any reason to suspect trouble with anyone on the set?” she asked suddenly.
“No!” The young woman’s eyes flew open. “John, is there a problem? Should we have guards again?”
“Again?” Kim echoed.
“Last summer—” the blonde began.
“One minute!” cried a stagehand or whatever he was called, a man with a thick beard and liquid eyes, rushing through with jeans and a loosely flapping shirt. He looked more like Chicago, Kim thought distractedly. Mixed race. Ethnic, anyway.
“John!” the blonde prompted, even as she straightened the front of her red suit and adjusted her mike.
“We’ll talk about it later, Amber.” John grabbed Kim’s arm and hustled her toward another set of doors on the other side of the set. His hand settled at the small of her back, a firm pressure propelling her out of the room.
The hackles rose on her neck as they stepped through the doors. Kim instinctively took stock of her surroundings, noting exits—few—ceilings—high—windows—zero. It was like a fortress. It was curiously empty, as well. She would have imagined a television station to be a bustling, busy place, full of minions running around.
“Is it always so quiet around here?”
“Usually,” John said. “The nuts and bolts of television are pretty straightforward—you need a good crew, but not a large one particularly.” He opened a door halfway down a quiet corridor and waved her in ahead of him. “This is where we keep the personnel files.”
He flicked on the overhead light, and cool green neon flooded the room. There were no windows, only a low ceiling of acoustic tile. The walls were white, with a pair of motivational posters. The carpet was industrial brown and orange, endlessly forgiving and impossibly boring. A bank of television screens ran down one end, and John turned them on. They showed a series of different shots—a commercial frozen in place, a public-service announcement screen, and a logo for UBC. The last showed a live feed of the anchors they’d just left.
“If you want to spread out on the tables, you’re welcome to do it.” John unlocked the file cabinet closest to the door and swung open a drawer. “I’ve got to get back out there, but you should be able to find whatever you need right here. New-hires to the front, the rest alphabetized.”
“Thanks.”
“If you need anything, just dial 0 on that phone, and you’ll get the receptionist. She’ll find me.”
“Got it,” Kim said, and frowned as she looked around. The sense of things being a little off-kilter still hung at the back of her neck. She disliked the setup of the room at the end of a corridor, the lack of exits, the grim lighting. Maybe it was just the fact that there were no windows.
John still hung by the door, peering intently at one of the screens. Kim saw there were dots of perspiration on his top lip. “Big night, huh?” she ventured.
“What? Oh. Yeah, we have a new cameraman. I’m worried about it.”
“Go to it, then. I’ll be fine.”
He frowned at the screen, hurried out without answer. Kim looked at the bank of pictures to see what had bothered him, but nothing much seemed to have changed. Still the same three static pictures and the live feed of the news team. The woman was laughing as they made a switch, and suddenly a commercial blared into the room.
Kim winced and raced over to see if she could turn it down. There were several knobs and buttons and she experimented until she found the right one, turned it low, but not off. To avoid a repeat, she found the same buttons below each of the screens and turned each one down.
Still feeling uneasy, she went to the door and stepped into the hallway. There was an exit sign about five hundred feet down the corridor. At least she knew how to get out if she had to. Moving her head on a neck still prickling and somewhat stiff, she listened in the hallway, but there was no s
ound.
Going back into the office, she tugged open the drawer and started looking through the files, one at a time. Each one contained background information, a résumé if one had been submitted, photos obviously taken in the same spot with the same camera for some kind of station ID and whatever notes anyone had made on them. There were seven new-hires dating back one year. None appeared to be out of the ordinary. Two cameramen, including the one John was fretting over tonight, a nervous-looking redhead with freckles head to toe and big golden eyes. A fifty-five-year-old woman hired to do secretarial work, who looked far younger than her age. Three support staff for the dining room.
John himself.
“Interesting,” she said aloud, and flipped through his file. He’d been hired five months ago to take the place of the former station manager. An impeccable pedigree: a navy brat who had attended UCLA, done his time in the trenches as a reporter, and then drifted to the managerial side of the line. He’d come to Chicago via Florida.
A soft, almost subvocal whispering had been nagging her for several moments before she realized it. Kim lifted her head, frowning, and looked at the television screens. The news was back on, and it must be a sober story indeed, because the cheerleader was looking pretty grim. The camera angle was odd, too, and Kim shook her head. The cameraman was going to be in trouble.
Something wasn’t quite right. She frowned and looked at the screens again. The whispering continued, but Kim could see nothing to account for it. The blonde was reading the news. The commercials stayed frozen.
Then the sibilant whispering sank in. She jerked up her head. A single word of the whisper penetrated suddenly—the Arabic word for woman. Her head jerked up and she stared at the television screens, listening intently. The lyrical rise and fall of the language was unmistakable, even in whispers, but she couldn’t quite catch any other distinct words.
She peered at the screens. Where was it coming from? Moving to the bank of screens on the wall, she turned up the volume beneath each one. Silence greeted her on the first three. On the fourth, she heard a nonnative speaker brutalizing Arabic with harsh accents and dropped rolls. Maybe American, maybe German. Kim frowned and put her head down, listening closely. American. A man.
Two men spoke in quiet, hurried Arabic.
“We only have two choices,” the first—nonnative speaker—said. “Monihan will be at the airport and we can take care of that then. We only have to secure the station until Mustafa accomplishes his mission at the airport.”
“Her mission,” snickered a second voice, this one a native Arabic speaker.
Her mission. Kim glanced at her watch. Two hours till the plane arrived at the Chicago airport. What was happening then? What did they have planned? It seemed an odd time for a bombing if a terrorist wanted to take out as many people as possible. She strained to hear what else the second speaker said, but the voice was softer, more liquid, and Kim couldn’t hear it.
She raised her head. Where was the mike that was picking up the conversation? She glanced at the monitor, trying to tell if there were labels of any kind to guide her if she went back to the other room. The main screen said Camera One, predictably. Not much help. She’d have to take her chances.
From the set came a scream, and Kim jerked her attention back to the first screen. As she watched in horror, the set flooded with men who carried guns, running in what almost looked like formation. Quickly, she tried to count them: maybe five? Six?
From the midst of them came a dramatically tall and elegant man, obviously the head honcho. Kim recognized him immediately: Fathi bin Amin Mansour, the prodigiously intelligent Berzhaanian with degrees from Oxford. The man whose brothers and mother had been killed by Keminis four years ago. The man who was connected to several bombings.
The man she had been worried about leading a terrorist cell in Chicago.
He headed imperiously for the news desk, where the anchors cowered, stunned. One of the foot soldiers yanked the blond woman out of her chair on the set and shoved her roughly aside. She screamed, and her hands flew up protectively around her face, but another soldier simply shoved her to one side, out of sight of the camera.
“Damn,” Kim whispered.
Mansour settled himself in the center chair and gestured with one long-fingered hand at the camera, which came closer and focused in on a face that would have been handsome without the light of fanaticism burning in his eyes.
In crisp, British-accented English, he said, “We have overtaken this television station on behalf of the people of Berzhaan, to protest the American involvement in our country’s affairs. We have footage to show that the CIA has been involved in arms sales to the Kemini rebels, in order to keep our country in a state of unrest.” He cued someone in the room, and a fuzzy video began to play.
Kim ceased listening and ran to the doorway and closed the door silently, turning off the light. Little chance they didn’t know she was there, since it had only been ten minutes since she’d sashayed across the set. They’d come after her, but maybe she could figure something out in a minute or two. She tucked her hair under her collar.
On-screen, Mansour continued to talk, listing demands. A camera shot spun around and showed a line of station employees sitting in terror at one side of the set. A dark man with Arabic features stood over them, his face impassive, an assault weapon held loosely in his hands.
Behind them yawned the darkness of the cavernous studio. Kim glimpsed a man with a curiously expressionless face—this must the nonnative Arabic speaker—headed for a set of doors. With a jolt, she realized it was the doors toward the hallway that led to this office.
He was coming for her. And he didn’t look as if he’d mind breaking a neck or a head or anything else.
Kim poked her head into the hallway, trying to gauge whether she had time to make it to the exit. But even as she stuck her head out, she heard the doors to the studio swoosh open. She dived back into the office, where at least the darkness could lend some surprise.
Through the crack, she could see down the hallway. He was a tall man with a shaved head and hard-looking eyes. He wore combat boots, and a desert camouflage shirt, and Kim wondered if he was military in some way. There was something wrong with his face, but she couldn’t quite pin down what.
She had no doubt he was headed for this office and her. She looked around for a weapon and prepared to take him down.
Chapter 6
With the light off and the door closed, Kim had at least a small advantage. She found a flashlight on top of a filing cabinet and tested it for heft and swing, then took a spot by the door. Poised. When he came through the door, she’d knock him down and make a run for the back exit.
The door opened slowly. Kim heard her heartbeat in her ears, and her breathing was too loud. She tried to make it more shallow, tried to imagine he was a horse, trying to find her by scent and sound, and raised the flashlight over her head. As he came into the room, she began to swing it downward.
The man anticipated her move and caught Kim’s wrist before she could bring the full weight of the flashlight onto his head. The grab was awkward but fierce. Kim centered herself in a split second and used her body weight to pull him off balance. Swinging her elbow hard in an arc, she whirled and managed to yank her arm free.
He flipped sideways and countered with a body slam, hurtling her into the wall behind her. Air whooshed out of her lungs and her shoulder took a hard blow from a picture frame. She shoved him, gaining enough space to lift her elbow and shove it into his solar plexus. She ducked down and started to spin away—
But not quite fast enough. The man whirled with her and caught a thick handful of hair. He yanked upward and Kim found her body airborne, with nothing to grab except his arms, and she clung there as hard as she could, but he was much larger. With what seemed to be little effort, he slammed her downward into the conference table. Her cheekbone smashed into the wood, and for a moment, she was stunned. He grabbed her throat with both hands.
> Kim gasped and with a sharp gesture flung her hands upward between his, then slammed her arms against the insides of his. His grip on her throat was broken, and Kim turned to scramble away, but he slammed her head against the table again, and she felt something cut into her upper ear with a vicious bite.
With a roar, she kicked backward, connected with what seemed to be his hip or upper leg, but there was no purchase on the slippery wood of the conference table. Before she could get away, he’d grabbed her hair, and slammed her face down again. Her lip and tooth hit the edge of the table and she tasted hot blood.
With a rebel cry, Kim kicked again, holding on to his arms to keep him off balance. Her left heel connected with his knee, and she kicked again, this time catching him in the gut, sending him off center enough that she could slide in his grasp, turn over on her belly and scramble across the polished surface of the table. He grabbed her foot. She kicked with the other and felt—heard—her heel crack against bone. Nose? Cheekbone? Chin?
“Bitch!” He grabbed her again, one hand around her neck, the other on her arm. She slid like a skater across the table. His hand scratched her neck. If he managed to get a hold on her in this position, there would be little she could do to keep him from strangling her to death.
With a cry, she turned toward him, catching him off guard enough that she could rear backward and, bracing herself with his arms, she slammed her forehead into his face. Something in her eyebrow gave as she connected with his jaw.
It knocked him, hard, and she did it again, slammed her forehead as hard as she could into his face. She hurt him. With a low guttural grunt, he let her go, and she stumbled backward.
It gave her a second to spring free. She bolted for the door.
Footsteps and voices in the hallway made her swing back toward the table, leaping instinctively for the top of the table, then to the file cabinets she’d been working from. No Expression was behind her, recovered, grabbing her ankle. She kicked at him and at the same time, banged a fist into the acoustic tile overhead and sucked in a breath when it flew out of its grid.