"When are we landing?" Albert asks her.
She looks at her watch and forces a smile as the name Weldon Winn shocks her. "Not too much longer," she says to the boy.
"Yes, ma'am, I can just imagine signs all over Louisiana: It's Win-Win with Winn. Get it? And Go with the Winner. Maybe I'll be lucky and have an opponent named Miracle. So Winn Needs No Miracle. How 'bout that? And when Mr. Miracle slides hopelessly downhill in the polls, he'll be called Miracle-Whipped. "He winks again.
"I suppose there's no chance you might run against a she," Scarpetta comments without looking up from her magazine, pretending she doesn't have a clue that Weldon Winn is the Middle District U.S. Attorney for Louisiana that Nic Robillard complained about.
"Hell. No woman would take me on."
"I see. So what kind of politician are you?" Scarpetta finally asks him.
"One in spirit only at the moment, pretty lady. I'm the U.S. Attorney for Baton Rouge."
He pauses to let the importance of his position sink in, finishing his screwdriver and craning his neck in search of a flight attendant. Spotting one, he holds up an arm and snaps his fingers at her.
It can't be chance that Weldon Winn just happens to be sitting next to her on a plane when she just happens to be on her way to assist in a suspicious death that, according to Dr. Lanier, just happens to have captured Weldon Winn's interest, after she just happens to have left Jean-Baptiste Chandonne.
She tries to figure out how Winn would have had time to intercept her in Houston. Maybe he was already there. She has no doubt whatsoever that he knows who she is and why she's on this flight.
"Got a getaway in New Orleans, quite a cozy little palace in the French Quarter. Maybe you can visit while you're in the area. I'll be around for just a couple nights, got business with the governor and a few of the boys. I'd be more than happy to give you a personal tour of the capital, show you the bullethole in a pillar where Huey Long was shot."
Scarpetta knows all about the notorious Huey Long's assassination. When the case was reopened in the early nineties, the results of the new investigation were discussed at various forensic science academy meetings. She's had enough of the pompous Weldon Winn.
"For your own edification," she tells him, "the so-called bullethole in the marble pillar was not caused by a bullet intended for Huey Long or anyone else, but more likely from an imperfection in the stone or a chiseled facsimile of a bullethole to attract tourism. As a matter of fact," she adds, as Winn's eyes flatten and his smile freezes, "since the assassination, the Capitol was restored, and that particular pillar s marble panels were removed and never returned to their original location. I'm surprised you spend a lot of time at the state capital and don't know all this," she concludes.
"My aunt's supposed to pick me up and if I'm late, what if she isn't there?" Albert asks Scarpetta, as if the two of them are traveling together.
He has lost interest in his trading cards, which are neatly stacked next to a blue cell phone. "Do you know what time it is?" he says.
"Almost six," Scarpetta says. "If you're sleepy, take a little nap and I'll let you know when we're about to land."
"I'm not sleepy."
She recalls noticing him at the gate in Houston, playing with his cards. Because he was sitting next to other adults, she assumed he was accompanied and that his family or whoever he is traveling with were seated elsewhere on the plane. It never occurred to her that any parent or relative would allow a young child to travel alone, especially these days.
"Now isn't that something. Not too many people are experts on bulletholes," the U.S. Attorney comments as the flight attendant serves him another drink.
"No, I don't suppose too many people are." Scarpetta's attention is focused on the lost little boy next to her. "You aren't by yourself, are you?" she asks him. "And why aren't you in school?"
"It's spring break. Uncle Walt dropped me off, and a lady at the airport met me. I'm not tired. Sometimes I get to stay up really late, watching movies. We get a thousand channels." He pauses and shrugs. "Well, maybe not that many, but a lot. Do you have any pets? I used to have a dog named Nestle because it was brown like chocolate chips."
"Let's see," Scarpetta says. "I don't have a dog the color of chocolate, but I have an English bulldog who's white and brown with very big lower teeth. His name is Billy. Do you know what an English bulldog is?"
"Like a pit bull?"
"Not anything like a pit bull."
Weldon Winn butts into the conversation. "Might I ask where you're staying while you're in town?"
"Nestlй used to miss me when I wasn't home," Albert wistfully says.
"I'm sure he did," Scarpetta replies. "I think Billy misses me, too. But my secretary takes good care of him."
"Nestlй was a girl."
"What happened to her?"
"I don't know."
"My, my, if you aren't a mysterious little lady," the U.S. Attorney says, staring at her.
Scarpetta turns to him, catching a cold glint in his eyes.
She leans close to him and whispers in his ear, "I've had enough of your bullshit."
104
THE LEARJET 35 BELONGS TO Homeland Security, and Benton is the only passenger on it.
Landing at Louisiana Air in Baton Rouge, he hurries down the steps, carrying a soft-sided bag, not looking at all like the Benton his people once knew: facial hair, a black Super Bowl baseball cap and tinted glasses. His black suit is off the rack from Saks, where he blitzed through the men's department yesterday. Shoes are Prada, black, rubber soles. His belt is also Prada, and he wears a black T-shirt. None of the clothes, except the shoes and T-shirt, are a perfect fit. But he hasn't owned a suit in years, and it did cross his mind in the dressing room that he missed the soft new wools, cashmere and polished cotton of the past, when tailors made chalk marks on sleeves and cuffs that needed to be hemmed.
He wonders who Scarpetta gave his expensive clothes to after his alleged death. Knowing her as well as he does, aware of her great powers of denial, he suspects that either she didn't clean out his closets at all and had someone else do it, or she was assisted, possibly by Lucy, who would have had an easier time disposing of his personal effects since she knew he wasn't dead. Then again, it depends on how much of an actress Lucy felt she should or could be at the time. Pain crushes him as for an instant he feels Scarpetta's pain, imagines the unimaginable, her grief and how poorly she probably handled it.
Stop! A waste of time and mental energy to speculate. Idle thoughts. Focus.
As he walks briskly across the tarmac, he notices a Bell 407 helicopter, dark blue or black with pop-out floats, a wire strike, and bold, bright stripes. He notes the tail number: 407TLP.
The Last Precinct.
A flight from New York to Baton Rouge is about a thousand miles. Depending on the winds and fuel stops, she could have made it here in ten hours if she was unlucky with a headwind, and much less time than that with a tailwind. In either scenario, if she left early this morning, she should have gotten here by late afternoon. He contemplates what she's been doing since and wonders whether Marino is with her.
Benton's car is a dark red Jaguar, rented in New Orleans and delivered here to the parking lot, one of the privileges for those who fly private. At the front desk of the FBO, or fixed base operation, as small private airports with only a unicorn are called, he speaks to a young lady. Behind her is a monitor showing the status of other incoming flights. There are few, his listed with the update that it has just landed. Lucy's helicopter isn't on the screen, indicating she arrived some time ago.
"I have a rental car that should be here." Benton knows it will be.
The senator will have made sure that all details have been handled.
The clerk looks through rental car folders. Benton catches the news and turns around to observe pilots watching CNN in a small corner lounge. On the screen is an old photograph of Jean-Baptiste Chandonne. Benton isn't surprised. Chandonne escaped early this
afternoon after disguising himself as one of the two corrections officers he killed.
"God, talk about an ugly bastard," one of the pilots comments.
"You gotta be kidding me! No human being looks like that."
The photograph is a mug shot taken in Richmond, Virginia, where Chandonne was arrested three years ago. He was not clean-shaven at the time, and his face, even his forehead, was horrifмcally covered with baby-fine hair. Showing the old photograph is a shame. Chandonne could not have escaped from prison unless he is clean-shaven. When he is hairy, he is a conspicuous freak. For the public to see this old mug shot isn't helpful, especially if he wears caps or sunglasses, or employs other means of disguising his grotesquely deformed face.
The clerk is frozen behind the desk, staring with her mouth open at the TV across the room.
"If I saw him, I'd die of a heart attack!" she exclaims. "Is he for real, or is that weirdo hair fake and everything?"
Benton glances at his watch, the successful businessman in a hurry. His protective law-enforcement instincts, however, are impossible to suppress.
"He's real, I'm afraid," he tells the clerk. "I remember hearing about his murders a few years back. I guess we'd better be on the lookout with him on the loose."
"You can say that again!" She hands him the rental envelope. "I guess I need to run your charge card."
He pulls a platinum American Express card out of his wallet, which also holds two thousand dollars, mostly in hundred-dollar bills. More cash is tucked into various pockets. Not knowing how long he'll be here, he has come prepared. He initials the rental car form and signs it.
"Thank you, Mr. Andrews. Drive carefully," the clerk says with a bright smile that goes with the job. "And I hope you enjoy your stay in Baton Rouge."
105
SCARPETTA'S TENSION MOUNTS AS SHE and Albert watch baggage go by on the carousel inside Baton Rouges main terminal.
The time is almost seven p.m., and she is beginning to entertain real worries that no one has come to meet him. He collects one suitcase and clings to Scarpetta's side as she reclaims her own bag.
"Looks like you found yourself a new friend." Weldon Winn is suddenly behind her.
"Come on," she says to Albert. They walk through automatic glass doors. "I'm sure your aunt will drive up any minute. She's probably having to circle because cars aren't allowed to park at the curb."
Armed soldiers in camouflage patrol inside the baggage area and outside on the sidewalk. Albert seems oblivious to the unsmiling military presence, to their fingers resting on the trigger guards of assault rifles. His face is bright red.
"You and me are going to talk, Dr. Scarpetta," U.S. Attorney Winn finally says her name and dares to wrap an arm around her shoulder.
"I think it would be a very good idea for you to keep your hands off me," she quietly warns him.
He removes his arm. "And I think it might be a good idea for you to learn how things are done down here." He watches cars pull up to the curb. "We're going to meet, all right. Any information about ongoing investigations is important. And if someone's an informant…"
"I am no informant," she interrupts his outrageous intimation that if she doesn't fully cooperate with him, he'll subpoena her for deposition. "Who told you I was coming to Baton Rouge?"
Albert begins to cry.
"Let me let you in on a little secret, pretty lady. Nothing much happens around here that I don't know about."
"Mr. Winn," she says, "if you have a legitimate need to talk to me at some point, I'll be happy to do so. But in an appropriate venue-which a sidewalk outside an airport clearly isn't."
"And I'll certainly look forward to that." He holds up a hand and snaps his fingers, signaling his driver.
She slings her bag over her shoulder and takes Albert's hand. "Don't worry. It's all right," she tells him. "I'm sure your aunt's on her way. But if she's been delayed for some reason, I'm not going to leave you all by yourself, okay?"
"But I don't know you. I'm not supposed to go anywhere with strangers," he whines.
"We sat together on the plane, didn't we?" she replies as Weldon Winn's white stretch limousine pulls up to the curb. "So you know me a little bit, and I promise you're safe, perfectly safe."
Winn climbs into the backseat and shuts the door, disappearing behind dark tinted glass. Cars and taxis stop for pickups, trunks popping open. People hug loved ones. Albert's wide, runny eyes dart around furtively, his fears quickly broaching hysteria. Scarpetta senses Winn looking out at her as the limousine drives off, and her thoughts are scattered like marbles dashed to the floor. It is hard for her to sort through what she should do next, but she starts with dialing directory assistance on her cell phone and finds out in short order that there is no listing for a Weldon Winn or anyone with the last name of Winn in New Orleans, where he claims to have a place in the French Quarter. His number in Baton Rouge is unlisted.
"Why am I not surprised," she mutters, and all she can suppose is that someone told the U.S. Attorney she was arriving here in the early evening, and he flew to Houston and made sure he was on her connecting flight and seated next to her.
Added to that disturbing and enigmatic development is her responsibility for a child she doesn't know, whose family seems to have abandoned him.
"You have your aunt's phone number, don't you?" she says to Albert. "Come on, let's call her. And by the way," it occurs to her, "you haven't told me your last name."
"Dard," Albert says. "I have my own cell phone, but the battery's dead."
"I beg your pardon? What did you say your last name is?"
"Dard." He hunches a shoulder to wipe his face.
106
ALBERT DARD STARES DOWN AT the dirty sidewalk, focusing on dried gum, gray and shaped like a small cookie.
"Why were you in Houston?" Scarpetta asks him.
"To change planes." He begins to sob.
"But where were you first, where did you leave from?"
"Miami," he replies, increasingly distraught. "I was with my uncle for spring break, and then my aunt said I had to come home right away."
"When did she say that?" Having given up on his aunt, Scarpetta takes Albert's hand, and they walk back inside the baggage area, headed for the Hertz rental car desk.
"This morning," he replies. "I think I did something bad. Uncle Walt walked into my bedroom and woke me up. He said I was going home. I was supposed to be with him another three days."
Scarpetta squats and looks him in the eyes, gently holding his shoulders. "Albert, where's your mother?"
He bites his bottom lip. "With the angels," he says. "My aunt says they're around us all the time. I've never seen even one."
"And your father?"
"Away. He's very important."
"Tell me your home phone number, and let's find out what's going on," she says. "Or maybe you have your aunt's cell number? And what is her name?"
Albert tells her his aunt's name and his home number. Scarpetta calls. After several rings, a woman answers.
"Is Mrs. Guidon in, please?" Scarpetta asks as Albert holds her hand tightly.
"May I ask who's calling?" The woman is polite, her accent French.
"I'm not someone she knows, but I'm with her nephew, Albert. At the airport. It appears there is no one to pick him up." She hands the phone to Albert. "Here," she says to him.
"Who is it?" he asks, oddly. After a pause, he says, "Because you're not here, that's why. I don't know her name." He scowls, his tone snippy.
Scarpetta does not volunteer her name to him. Albert lets go of her hand and balls up his fist. He begins smacking it against his thigh, punching himself.
The woman talks fast, her voice audible but unintelligible. She and Albert are speaking French, and Scarpetta stares at Albert with renewed bewilderment as he angrily ends the call and returns the cell phone to her.
"Where did you learn French?" she asks him.
"My mom," he gloomily says. "Aunt Eveline makes me t
alk it a lot." Tears fill his eyes again.
"I tell you what, let's get my rental car, and I'll take you home. You can show me where you live, can't you?"
He wipes his eyes and nods his head.
107
BATON ROUGE IS A SKYLINE of black smokestacks of different heights, and a pearly smog hangs in a band across the dark horizon.
In the distance, the night is illuminated by the blazing lights of petrochemical plants.
Albert Dard's mood is improving as his new friend drives along River Road, not far from LSU's football stadium. Along a graceful bend in the Mississippi, he points to iron gates and old brick pillars up ahead.
"There," he says. "That's it."
Where he lives is an estate set back at least a quarter of a mile from the road, a massive slate roof and several chimneys rising above dense trees. Scarpetta stops the car, and Albert gets out to enter a code on a keypad, and the gates slowly open. They drive slowly to the classical-revival villa with its small, wavy glass windows and massive masonry front porch. Old live oak trees bend over the property as if to protect it. The only car visible is an old white Volvo parked in front on the cobblestone drive.
"Is your father home?" Scarpetta asks as her silver rental Lincoln bumps over pavers.
"No," Albert glumly replies as they park.
They get out and climb steep brick steps. Albert unlocks the door and deactivates the burglar alarm, and they enter a restored antebellum home with hand-carved molding, dark mahogany, painted panels and antique Oriental rugs that are threadbare and dreary. Wan light filters through windows flanked by heavy damask draperies held back with tasseled cords, and a staircase winds up to a second floor, where someone's quick footsteps sound against a wooden floor.
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