‘I—I tend my uncle’s house, and work in a veterans’ hospital outside Atlanta, and, as I told you, I read a good deal.’ The statement was so devoid of life that she was ashamed, and made up her mind to embellish it. ‘And then, of course, all sorts of famous people are always down to see Uncle Max, and I’m his hostess. We have too many dinners, too many late nights. I—I go out the usual amount, like all unattached women—I don’t care for nightclubs, but you know, the theatre, drives, private homes. It’s enough to keep one busy.’ She was more ashamed than ever, and wanted desperately to change the subject. ‘I’m reading one of your books now. I bought it for the boat.’
He was pleased, and showed it. ‘Which one?’
‘I’d read them all, I thought, and then I found I’d missed The Perfect State. I’m almost through. I believe it’s my favourite. I liked The Savage the least, because it’s brutal—’
‘Like our time.’
‘—yes, like our time, and that frightens me. Armageddon was exciting and moving, but it scared me, too. The Black Hole was almost a classic, I think, though I assure you it didn’t sell well in Georgia. I remember the bookdealer trying to talk me out of it. “That’s a No’thern book, ma’m,” he kept mumbling. But this one on Plato peddling his Utopia—I think it’ll live. Uncle Max was saying it came out not long ago in Scandinavia, and that’s what got you the prize. You deserve it.’
His instinctive affection for her had become adoration. ‘I’d like to bring you to my publisher’s next sales meeting.’
‘It’s not necessary. You don’t need puffs any longer.’ She stared at him. ‘It’s odd, meeting the author,’ she said, finally. ‘I couldn’t imagine what to expect. Two of the books, three actually, were so violent—no, I mean indignant—furious. You’re not like that at all.’
‘My gift for outrage is well hidden, and only brought out for special occasions, like when I write a book.’
‘Why? It’s a virtue, not a fault.’
‘Outrage is a red flag—it invites conflict—it invites grappling with life—and the obvious part of me is withdrawn and scared and wants no trouble. Do you understand?’
‘Completely.’
‘Maybe that’s why I retreat into history, where my real self won’t be spotted and forced to fight. It’s cosier. It’s a weakness, a kind of flight, but there you are.’
‘I understand that, too. I’d wondered.’
He looked about the salon, and realized that either he was myopic or a haze had fallen over the occupants. Too much to drink, he thought, far too much, and now he regretted the escape. He wanted to belong here, faculties intact, but it was too late. ‘Enough of this talk,’ he said to her, ‘the wrong note for the eve of the Royal Banquet.’ He drained his glass of champagne in a final flagellation. ‘Now,’ he said, setting the goblet on a marble-topped commode, ‘I want to show you something.’
He took her arm, but she held back. ‘Show me what?’
He pointed off. ‘See that chamber door down there? Count Jacobsson was telling me it leads to one of the historic state apartments—Sofia Magdalena’s state bedchamber—he said it’s worth seeing if I have a chance. Let’s look.’
She hesitated. ‘I don’t know—’
‘Be adventuresome.’ He divested her of her drink, and placed it on the commode, and then swiftly led her across the French rugs to the chamber entrance.
‘Follow me,’ he said, and she went after him through a dim passage into a tiny, bright drawing-room. He opened a door, peered inside, and announced, ‘Sofia Magdalena awaits within.’ She crossed into the state bedchamber, and then he stepped inside, shutting the door behind him.
The majestic bedchamber, dimly lit by a single lamp, was white and gold with a baroque ceiling. The pilasters bore the feminine touch of rose laurels. The ceiling represented an overwhelming allegory of the four continents. The rest was lost in the shadows.
Craig remained weak-kneed inside the door, his reddened eyes following Emily as she went directly to an alcove to examine two Gérard portraits of Eugène Beauharnais, Napoleon’s stepson, and Eugène’s wife, Princess Amalia Augusta of Bavaria. In the salon, Craig had been aware only of Emily’s face, but in these private quarters, he saw, as if for the first time, her slim body, accentuated by the black evening sheath slit up to the knee. Then, when she turned in profile, and next, three-quarters, he realized that she was not slim at all. The flesh of her shoulders, above the protruding breasts, appeared warm and soft, and the hips and thighs spread generously out from the tiny waist.
Rocking uncertainly, he realized with a pang that he had not been absorbed by a female body, as he was now, since the time of Harriet. Discounting, that is, his dream of Lilly last night, But that was different, fleeting. Now it was as if he had been revived from a long sleep of death. He wanted a claim on Emily’s physical comeliness, and the need, which was desire, and so long foreign to him, now was the strongest unreasoning part of him.
Drunkenly, he traversed the bedchamber, and planted himself in front of her. She looked up, with surprise, at his face. His head was a turmoil, and his heart pounded, and he felt wild and extravagant.
‘I wanted to be alone with you,’ he said.
Her eyes showed alarm, but she did not move. ‘We are alone.’
‘You’re so beautiful—it makes me shake inside—you’re beautiful—I have to say it—’
‘Thank you,’ she said, stiffening. ‘Now, I think we’d better—’
‘Emily, I want to kiss you. I haven’t touched a woman I cared for—someone beautiful—since—’
He placed his hands on her arms, felt their softness beneath his palms. He tried to draw her into him, but she was suddenly all resisting sinew and bone.
She tore free, and backed away. ‘Don’t you touch me!’
‘Emily, listen, I’m trying to tell you—’
‘Get away! Go away!’ She started past him, almost running, but he caught her shoulder and spun her to a halt.
He saw her then, as he had not seen her before, breathless, quivering, cornered and at bay, and then he perceived a secret damage in her that he had only known in himself. The enormity of the new hurt that he had inflicted overwhelmed him, and his shame was suicidal.
He released her. ‘I’m sorry, Emily. I apologize, believe me. I’m—I’m not like this at all—not at all—I had too much to drink. I lost my head. Can you forgive me—forget it? Please forget it. It was all the drinking—all day long—and now—and more than just that—’
A sudden, loud creak broke his plea, and a shaft of brighter light from the drawing-room laid them bare. As one, they whirled towards the doorway. It had been flung wide open, and in its frame stood Leah Decker, stern as conscience.
She advanced slowly, mouth compressed, looking from one to the other, until she was a few feet from them.
It was Craig whom she addressed coldly. ‘I saw you go in here. I thought I should tell you—you’ll be missed. The King is making his appearance.’
Craig inhaled, straining for composure. ‘This is Miss Emily Stratman—Professor Stratman’s niece—my sister-in-law, Miss Leah Decker.’
‘How do you do,’ said Emily, in a voice flat and dulled. She took several steps away. ‘If you’ll both excuse me—my uncle—’
She exited quickly, head high, not looking back.
Leah watched her speculatively, and then turned to Craig. ‘Well,’ she said.
‘Well what?’
‘Never mind . . . Good Lord, you’re a mess. Your eyes all bloodshot. Your tie. And you need a comb. Here’s mine.’
‘Don’t waste your time.’ He felt funereal, and wanted to chant a dirge. ‘ “All the King’s horses and all the King’s men—couldn’t put Humpty Dumpty together again.” Remember? Come on, let’s curtsy.’
As Count Bertil Jacobsson’s cane rapped three times on the floor, the occupants of the salon fell back against its walls, forming a long, irregular semi-circle, waiting. No sooner had the echo of Ja
cobsson’s cane ceased than the King of Sweden entered through the arch. Behind him came the elegant royal princesses and princes. While the retinue remained stationary, the King, in severe evening dress without ornament, moved ahead and surveyed the room with the briefest smile.
Jacobsson jumped forward, crossing the carpet towards his ruler. When he reached the King, he stamped to a halt, stood rigidly at attention. The King proffered his hand, and Jacobsson, inclining his head, took it—touched it, really, and no more.
Now the King moved towards the semi-circle of guests, with Jacobsson half a step behind, whispering introductions as His Royal Highness welcomed each guest, male and female, with a handshake, a nod, a muted word.
Andrew Craig, situated beside Leah in the first third of the semi-circle, had observed all of this through bleary eyes, steadying himself by leaning against the commode behind him. Just as the King had done, moments before, now Craig too surveyed the guests. The majority were counting the progress of His Royal Highness. The rest, mostly Scandinavians, stared straight ahead, as if soldiers at an inspection. Craig explored the visible faces of the women rising and falling from focus, seeking the one from which he wanted understanding and forgiveness. But Emily was nowhere in the range of his vision.
He was conscious of an extraordinary movement beside him. He investigated, and was amused to see his sister-in-law dipping and lowering herself, in what seemed jerky and convulsive motions made more awkward by the straight lines of her gown, and then he realized that this was her interpretation, recently acquired, of the curtsy. He saw her rise again, slowly, laboriously, like something reaching upward from a launching pad, and then she was once more perpendicular.
That moment, he heard his name distinctly spoken, and the words ‘literature’ and ‘laureate’, and like a Pavlov dog, without thought and by reflex, he pushed himself from the commode and straightened and faced the King of Sweden.
The King extended his hand. ‘Welcome to our country, Mr. Craig.’
Woodenly, Craig took the King’s hand and released it. ‘Thank you’—he was about to add the word ‘King’, banished it, sought frantically for the lesson of protocol, and found it—‘Your Majesty.’
The monarch lingered. ‘I enjoyed your novel, The Perfect State. Its sentiments coincide with my own.’
‘I appreciate that, Your Majesty.’
‘I look forward to the completion of your next work.’
Supported by the battalion of bottles consumed, Craig felt as reckless as a young Socialist. ‘Is that a command, Your Majesty?’
The King was amused. ‘If you wish so to regard it, Mr. Craig.’
‘I am sincerely flattered and inspired. You shall have the first copy, Your Majesty.’
The monarch moved on, to the continuous hand shaking and curtsying, and Craig realized that he had, indeed, been flattered by the ruler’s interest, but not inspired, not inspired at all, for the King’s sovereignty was temporal and earth-bound to this land, and Craig paid obesiance only to the Muse—once Clio, now Calliope. With regret, he resigned from his promise to the King of Sweden.
He heard Leah’s troubled whisper. ‘How could you joke with His Royal Highness like that?’
‘He didn’t seem to mind.’
‘How do you know? Oh, Andrew, I’m so mortified—’
‘He enjoyed it,’ said Craig between his teeth.
‘Even if he did, you’re so irresponsible when you drink—what’ll you do next?’
‘For Chrissakes, Lee, we’re the hit of the evening. I won’t criticize your curtsy, and don’t you knock my dialogue. Now, please behave.’
‘Everyone saw you go in that corridor to the bedroom—’
‘What of it? It’s not a whorehouse.’
Leah gasped, blushing and pulling back. Her eyes darted around the room, seeking to learn if Craig had been overheard. She saw that he had not been, and she started to speak again, and then held her tongue, and settled into sullen taciturnity.
Across the salon, the King had finished his social duty, and now, at the entry to the Charles XI’s Gallery, he waited for his royal entourage. Followed by the royal princesses and princes, he went into the dining-room. At once, the semi-circle of guests broke forward, unevenly, falling into a column at the entry, and marching into the Royal Banquet.
Presently, Craig found himself seated, by place card, between Leah and Ingrid Påhl, and perhaps thirty feet from the King, who was at the head table, quite isolated except for two princesses to one side of him, a prince and another princess at his other side, and a private uniformed waiter hovering nearby.
Befuddled by drink, Craig squeezed his eyes to make out his surroundings. He owed this careful inspection not to his writer’s memory file, but to Lucius Mack, his favourite pallbearer, as a conversation piece. Craig’s eyes studied the Gallery hall, and sorted out busts of a King and Queen of long ago on a shelf-like cornice, and several cabinets containing silverwork and amber and porcelain. The painted ceiling above—as he would later learn—recorded events in the reign of Charles XI and Ulrika Eleonora. From the ceiling hung a glittering chandelier, and immediately beneath it, on the table, a magnificent elevated vase, and before him, lustrous silver service.
He peered to see if the King had the same silver service, but something else beside the King’s plate caught his eye. It was a proletarian egg, curiously majestic, in a brilliant golden egg cup.
He shook Ingrid Påhl’s flabby arm, and pointed. ‘What’s that?’
‘Where?’
‘Next to the King’s plate. Looks like a plain ol’ egg.’
‘But it is, Mr. Craig,’ said Ingrid Påhl gaily. ‘It is a tradition. A long time ago one of the earliest Swedish Christian rulers—possibly Olof Skötkonung or Erik Jedvardsson—sat down to dinner with a bellyache, and rejected his rich meal, and demanded one ordinary boiled egg. This was unheard of—the egg was fare of the peasantry—and for one hour, the kitchens of the palace were ransacked for the simple egg, while the King sat fuming with impatience. At last the egg was found and served, but by then the King was beside himself. He made a royal proclamation. From that day forward, there must always be one plain boiled egg beside the King’s plate, ready and waiting, should he ever desire it. For ten centuries the tradition has persisted. So now you see the royal egg.’
‘Charming,’ said Craig. ‘And over there, on the table behind him—?’
‘Yes, yes, his jewelled crown, his sceptre, his sphere and cross—power and justice—his horn holding the anointing oil. All symbols of his authority and prerogative. Again tradition, Mr. Craig. He does not wear the crown, and he does not brandish the sceptre. But they are there, you see, and he knows it, and the democratic government knows it, and the Swedish people know it—and for all, it is something to trust and hold onto in perilous times. I think, Mr. Craig, there can be worse virtues than secure knowledge of continuity existing from the distant past and offering reassurance for the future. It is something that atheists and republicans miss, I imagine.’
‘It is a knowledge many Americans miss,’ said Craig sadly. ‘I envy you what you have—something to believe in.’
By then the caviar had been served, and Craig picked at it without appetite. Glancing across the table, to see who was opposite, he recognized Stratman adjusting his bifocals, and next to Stratman, there was Emily, also picking at her caviar, eyes downcast.
Craig had no interest in the splendid dinner. All of his effort was concentrated on catching Emily’s eye, and somehow letting her know that he had been foolish and must have her pardon. From time to time, steadily, in the next hour and a half, he stared at her. Ingrid Påhl spoke to him, and Leah spoke to him, but he did not hear them. The hot dishes came and went—the consommé, the marinerad sill (which tasted like sweet smelts), the large cut of venison with currant jelly, the tender reindeer steak, the concoction of lettuce, fruit, peas, shrimps and sliced mushrooms identified as västkrustsallad, the traditional bombe with its regal crown of sugar
—but Craig left most untouched, and when he ate, he ate sparingly. He had requested more champagne, and this he drank through the entire feast. In all this time, as he stared at Emily, she refused to lift her head and acknowledge his existence. Since the table was wide, and the vase was a barrier, and Leah another, he could not address her.
Morosely, he drank, once responding to a formal toast to His Royal Highness, and another time toasting the memory of Alfred Nobel. His inner emotional barometer rose to self-righteousness and dropped to self-pity. For a short period, he resented the injustice of Emily. After all, he asked himself, what had he done that was so sinful and wrong? He had lured a pretty girl into a private room and had told her that she was beautiful and that he wanted to kiss her. Was that a crime? Hell, no, it was a compliment, and any other girl would have been proud of it—from a Nobel laureate, at that. The failure was her own, not his. Chrissakes, he hadn’t violated or hurt her, had he?
Then, for another period, he decided that he had, indeed, violated and hurt her. Every woman, he told himself, is vulnerable in different ways, and hurt has its many varieties. One woman you would injure and spoil by physical defilement—by forcible entry into her body. Another woman you would wound by mental defilement—by insult and disrespect through words or actions. Obviously, Emily Stratman was the second woman. Undoubtedly, she was shy of men, probably a virgin, who regarded even the small acts of coercion—words of seduction, a kiss, an embrace, a stray hand—as an attack on her private and individual womanhood and an act of ravishment. When he came to this understanding of her, Craig was once more depressed and mortified.
But then again, after yet another goblet of champagne, the barometer rose in his favour. What did he give a damn about her for anyway? There had been no real women since Harriet, and he had been spared emotional turmoil about other women because he had been so devoted to his personal turmoil and guilt. Under these conditions, this Emily person was an intruder. For a moment, finding her, he had been bold enough to cross the forbidden frontier back into reality, and it had been as unpleasant as he had always feared it might be, and now he was glad to go back to where he had come from. Women died with Harriet. To hell with them all. Good-bye, Emily.
(1961) The Prize Page 36