by Kage Baker
“Look at the sissy way he’s doing it,” jeered Mr. Bright. “Hit it hard, you dumb son of a bitch.”
The padlock broke, however, and the chain dropped; it took three kicks to get the door open, to reveal inky blackness beyond. The developers stood looking in, uncertain. The spectators in the Chowder Palace all shuddered.
“There has got to be serious mildew in there,” said Charlie.
“And pipes rusted all to hell and gone,” said Mr. Bright, with a certain satisfaction. “Good luck, suckers.”
* * *
But the developers seemed to have luck. They certainly had money.
Work crews with protective masks came and stripped out the inside of the Hi-Ho Lounge. There were enough rusting fixtures to fill a dumpster; there were ancient red vinyl banquettes, so blackened with mold they looked charred, and clumped rats’ nests of horsehair and cotton batting spilled from their entrails.
When the inside had been thoroughly gutted, the outside was tackled. The ancient stucco cracked away to reveal a surprise: graceful arched windows all along both street walls, and a shell-shaped fanlight over the front door. Stripped to its framing, the place had a promise of airy charm.
Mr. Bright watched from behind the counter of the Chowder Palace, and wondered if there was any way he could sue the developers. No excuses presented themselves, however. He waited for rats to stream from their disturbed havens and attack his customers; none came. When the workmen went up on ladders and pried off the old HI-HO LOUNGE sign from the roof, he was disappointed, for no one fell through the rotting lath, nor did sharp edges of rusted tin cut through any workmen’s arteries, and they managed to get the sign down to the sidewalk without dropping it on any passers-by. Worse; they left the neon martini glass up there.
“It is going to be a bar,” said Leon in satisfaction, crumbling crackers into his chowder.
“Shut up,” said Mr. Bright.
“And a restaurant,” said Charlie. “My brother-in-law works at McGregor’s Restaurant Supply over in San Emidio. The developers set up this account, see. He says they’re buying lots of stuff. All top of the line. Going to be a seafood place.”
Mr. Bright felt tendrils of fear wrap about his heart and squeeze experimentally. He rolled himself back to his cubicle, took two aspirins washed down with a shot of bourbon, and rolled back out to make life hell for Julio, who had yet to clear the dirty dishes from booth three.
* * *
The place opened in time for the summer season, despite several anonymous threatening calls to the County Planning Department.
The new sign said CALAMARI CURLS, all in pink and turquoise neon, with a whimsical octopus writhing around the letters. The neon martini glass was repiped a dazzling scarlet, with its olive once again winking green.
Inside was all pink and turquoise too: the tuck-and-roll banquettes, the napkins, the linoleum tiles. The staff, all bright young people working their way through Cal State San Emidio, wore pink and turquoise Hawaiian shirts.
Calamari Curls was fresh, jazzy and fun.
Mr. Bright rolled himself across the street, well after closing hours, to peer at the menus posted by the front door. He returned cackling with laughter.
“They got a wine list!” he told Jesus, the dishwasher. “And you should see their prices! Boy, have they ever made a mistake opening here! Who the hell in Nunas Beach is going to pay that kind of money for a basket of fish and chips?”
Everyone, apparently.
The locals began to go there; true, they paid a little more, but the food was so much better! Everything was so bright and hopeful at Calamari Curls! And the polished bar was an altar to all the mysteries of the perfect cocktail. Worse still, the great radiant sign could be seen from the highway, and passers-by who would never before have even considered stopping to fix a flat tire in Nunas Beach, now streamed in like moths to a porch light.
Calamari Curls had a glowing jukebox. Calamari Curls had karaoke on Saturday nights, and a clown who made balloon animals. Calamari Curls had a special tray with artfully made wax replicas of the mouth-watering desserts on their menu.
And the ghostly little businesses along Alder Street sanded the rust off their signs, spruced up a bit and got some of the overflow customers. After dining at Calamari Curls, visitors began to stop into Nunas Book and News to buy magazines and cigarettes. Visitors peered into the dark window of Edna’s Collectibles, at dusty furniture, carnival glass and farm implements undisturbed in twenty years. Visitors poked around for bargains at the USO Thrift Shop. Visitors priced arrowheads and fossils at Jack’s Rocks.
But Mr. Bright sat behind his counter and served chowder to an ever-dwindling clientele.
* * *
The last straw was the Calamari Curls Award Winning Chowder.
Ashen-faced, Mr. Bright rolled himself across the street in broad daylight to see if it was really true. He faced down the signboard, with its playful lettering in pink-and-turquoise marker. Yes; Award-Winning Chowder, containing not only fresh-killed clams but conch and shrimp too.
And in bread bowls. Fresh-baked on the premises.
And for a lower price than at the Chowder Palace.
Mr. Bright rolled himself home, into the Chowder Palace, all the way back to his cubicle. Julio caught a glimpse of the look on Bright’s face as he passed, and hung up his apron and just walked out, never to return. Mr. Bright closed the place early. Mr. Bright took another two aspirin with bourbon.
He put the bourbon bottle back in its drawer, and then changed his mind and took it with him to the front window. There he sat through the waning hours, as the stars emerged and the green neon olive across the street shone among them, and the music and laughter echoed across the street pitilessly.
* * *
On the following morning, Mr. Bright did not even bother to open the Chowder Palace. He rolled himself down to the pier instead, and looked for Betty Step-in-Time.
Betty Step-in-Time had a pink bicycle with a basket, and could be found on the pier most mornings, doing a dance routine with the bicycle. Betty wore a pink middy top, a little white sailor cap, tap shorts and white tap shoes. Betty’s mouth was made up in a red cupid’s bow. Betty looked like the depraved older sister of the boy on the Cracker Jack box.
At the conclusion of the dance routine, which involved marching in place, balletic pirouettes and a mimed sea battle, Betty handed out business cards to anyone who had stayed to watch. Printed on the cards was:
ELIZABETH MARQUES
performance artist
interpretive dancer
transgender shaman
Mr. Bright had said a number of uncomplimentary things about Betty Step-in-Time over the years, and had even sent an empty bottle flying toward his curly head on one or two occasions. Now, though, he rolled up and waited in silence as Betty trained an imaginary spyglass on a passing squid trawler.
Betty appeared to recognize someone he knew on board. He waved excitedly and blew kisses. Then he began to dance a dainty sailor’s hornpipe.
“Ahem,” said Mr. Bright.
Betty mimed climbing hand over hand through imaginary rigging, pretended to balance on a spar, and looked down at Mr. Bright.
“Look,” said Mr. Bright, “I know I never seen eye to eye with you—”
Betty went into convulsions of silent laughter, holding his sides.
“Yeah, okay, but I figure you and I got something in common,” said Mr. Bright. “Which would be, we like this town just the way it is. It’s a good place for anybody down on his luck. Am I right?
“But that place,” and Mr. Bright waved an arm at Calamari Curls, “that’s the beginning of the end. All that pink and blue stuff—Jesus, where do they think they are, Florida?—that’s, whatchacallit, gentrification. More people start coming here, building places like that, and pretty soon people like you and me will be squeezed out. I bet you don’t pay hardly any rent for that little shack over on the slough, huh? But once those big spenders start comin
g in, rents’ll go through the roof. You mark my words!”
He looked up into Betty’s face for some sign of comprehension, but the bright, blank doll-eyes remained fixed on him, nor did the painted smile waver. Mr. Bright cleared his throat.
“Well, I heard some stories about you being a shaman and all. I was hoping there was something you could do about it.”
Betty leaped astride his pink bicycle. He thrust his left hand down before Mr. Bright’s face, making a circular motion with the tip of his left thumb over the tips of his first and second fingers.
“You want to get paid?” said Mr. Bright, outraged. “Ain’t I just explained how you got a stake in this too?”
Betty began to pedal, riding around and around Mr. Bright in a tight circle, waving bye-bye. On the third circuit he veered away, pulling out a piece of pink Kleenex and waving it as he went.
“All right, God damn it!” shouted Mr. Bright. “Let’s do a deal.”
Betty circled back, stopped and looked at him expectantly. Glum and grudging, Mr. Bright dug into an inner coat pocket and pulled out a roll of greasy twenties. He began to count them off, slowly and then more slowly, as Betty looked on. When he stopped, Betty mimed laughing again, throwing his head back, pointing in disbelief. Mr. Bright gritted his teeth and peeled away more twenties, until there was quite a pile of rancid cabbage in his lap. He threw the last bill down in disgust.
“That’s every damn cent I got with me,” he said. “You better be worth it.”
Betty swept up the money and went through a routine of counting it himself, licking his thumb between each bill and sweeping his hands out in wide elaborate gestures. Apparently satisfied, he drew a tiny, pink vinyl purse from his bicycle’s basket and tucked away the money. Leaning down, he winked broadly at Mr. Bright.
Then he pushed his little sailor cap forward on his brow and pedaled off into the fog.
* * *
Three days later, Mr. Bright was presiding over a poker game at the front table with Charlie, Leon and Elmore Souza, who had lost both hands in an accident at the fish cannery but was a master at manipulating cards in his prostheses, to such an extent that he won frequently because his opponents couldn’t stop staring. Since they were only playing for starlight mints, though, nobody minded much.
Mr. Bright was in a foul mood all the same, having concluded that he’d been shaman-suckered out of a hundred and eighty dollars. He had just anted up five mints with a dip into the box from Iris Fancy Foods Restaurant Supply when he looked up to see Betty Step-in-Time sashaying into the Chowder Palace. His friends looked up to see what he was snarling at, and quickly looked away. A peculiar silence fell.
Betty was carrying a Pee Chee folder. He walked straight up to Mr. Bright, opened the folder with a flourish, and presented it to him. Mr. Bright stared down at it, dumfounded.
“We should maybe go,” said Leon, pushing away from the table. Charlie scuttled out the door ahead of him, and Elmore paused only to sweep the starlight mints into his windbreaker pocket before following them in haste.
Betty ignored them, leaning down like a helpful maitre d’ to remove a mass of photocopied paper from the folder and arrange it on the table before Mr. Bright.
The first image was evidently from a book on local history. It was a very old photograph, to judge from the three-masted ship on the horizon; waves breaking in the background, one or two bathers in old-fashioned costume, and a couple of little board and batten shacks in the foreground. White slanted letters across the lower right-hand corner read: Nunas Beach, corner of Alder and Stanford. Squinting at it, Mr. Bright realized that he was seeing the view from his own front window, a hundred years or more in the past.
Silently Betty drew his attention to the fact that the future site of Calamari Curls was a bare and blasted lot, though evening primrose grew thickly up to its edge.
“Well, so what?” he said. In reply, Betty whisked the picture away to reveal another, taken a generation later but from the same point of view. A building stood on the spot now—and there were the same arched windows, the same fanlight door, above which was a sign in letters solemn and slightly staggering: ALDER STREET NATATORIUM.
“A nata-what?” said Mr. Bright. Betty placed his hands together and mimed diving. Then he gripped his nose, squeezed his eyes shut and sank down, waving his other hand above his head.
“Oh. Okay, it was a swimming pool? What about it?”
Betty lifted the picture. Under it was a photocopied microfilm enlargement, from the San Emidio Mission Bell for May 2, 1922. Mr. Bright’s reading skills were not strong, but he was able to make out enough to tell that the article was about the Alder Street Natatorium in Nunas Beach, which had closed indefinitely due to a horrifying incident two days previous. Possible ergot poisoning—mass hallucinations—sea-creature—prank by the boys of San Emidio Polytechnic?—where is Mr. Tognazzini and his staff?
“Huh,” said Mr. Bright. “Could we, like, blackmail somebody with this stuff?”
Betty pursed his cupid’s bow and shook a reproving finger at Mr. Bright. He drew out the next paper, which was a photocopied page from the Weekly Dune Crier for April 25, 1950. There were three young men standing in front of the Hi-Ho Lounge, looking arch. The brief caption underneath implied that the Hi-Ho Lounge would bring a welcome touch of sophistication and gray-flannel elegance to Nunas Beach.
“So I guess they boarded the pool over,” said Mr. Bright. “Well?”
Quickly, Betty presented the next photocopy. It was an undated article from the San Emidio Telegraph noting briefly that the Hi-Ho Lounge was still closed pending the police investigation, that no marihuana cigarettes had been found despite first reports, and that anyone who had attended the poetry reading was asked to come forward with any information that might throw some light on what had happened, since Mr. LaRue was not expected to recover consciousness and Mr. Binghamton and Mr. Cayuga had not been located.
Mr. Bright shook his head. “I don’t get it.”
Betty rolled his eyes and batted his lashes in exasperation. He shuffled the last paper to the fore, and this was not a photocopy but some kind of astronomical chart showing moon phases. It had been marked all over with pink ink, scrawled notations and alchemical signs, as well as other symbols resembling things Mr. Bright had only seen after a three-day weekend with a case of Ten High.
“What the hell’s all this supposed to be?” demanded Mr. Bright. “Oh!.. I guess this is… some kind of shamanic thing?”
Betty leaped into the air and crossed his ankles as he came down, then mimed grabbing someone by the hand and shaking it in wildly enthusiastic congratulation. Mr. Bright pulled his hands in close.
“Okay,” he said in a husky whisper. He looked nervously around at his empty restaurant. “Maybe you shouldn’t ought to show me anything else.”
But Betty leaned forward and tapped one image on the paper. It was a smiling full moon symbol. He winked again, and backed toward the door. He gave Mr. Bright a thumbs-up, then made an OK symbol with thumb and forefinger, and then saluted.
“Okay, thanks,” said Mr. Bright. “I get the picture.”
He watched Betty walking primly away, trundling the pink bicycle. Looking down at the table, he gathered together the papers and stuffed them back in the Pee Chee folder. He wheeled himself off to his cubicle and hid the folder under his pillow, with the tire iron.
Then he rolled around to his desk, and consulted the calendar from Nunas Billy’s Hardware Circus. There was a full moon in three days’ time.
* * *
It was Saturday, and the full moon was just heaving itself up from the eastern horizon, like a pink pearl. Blue dusk lay on Nunas Beach. The tide was far out; salt mist flowed inland, white vapor at ankle level. Mr. Bright sat inside the darkened Chowder Palace, and watched, and hated, as people lined up on the sidewalk outside Calamari Curls.
Calamari Curls was having Talent Nite. The Early Bird specials were served, and senior diners went shuffling b
ack to their singlewides, eager to leave before the Goddamned rock and roll started. Young families with toddlers dined and hurried back to their motels, unwilling to expose little ears to amplified sound.
Five pimply boys set up their sound equipment on the dais in the corner. They were the sons of tractor salesmen and propane magnates; let their names be forgotten. The front man tossed his hair back from his eyes, looked around at the tables crowded with chattering diners, and said in all adolescent sullenness:
“Hi. We’re the Maggots, and we’re here to shake you up a little.”
His bassman leaped out and played the opening of “(I Can’t Get No) Satisfaction” with painful slowness, the drummer boy joined in clunk-clunk-clunk, and the front man leaned forward to the mike and in a hoarse scream told the audience about his woes. The audience continued biting the tails off shrimp, sucking down frozen strawberry margaritas and picking at Kona Coffee California Cheesecake.
When the music ended, they applauded politely. The front man looked as though he’d like to kill them all. He wiped sweat from his brow, had a gulp of water.
Betty Step-in-Time wheeled his bicycle up to the door.
“We’re going to do another classic,” said the front man. “Okay?”
Ka-chunk! went the drums. The keyboardist and the lead guitarist started very nearly in sync: Da da da. Dada. DA DA DA. Dada.
“Oh Lou-ah Lou-ah-eh, ohhhh baby nagatcha go waygadda go!” shouted the front man.
Betty Step-in-Time dismounted. Just outside the restaurant’s threshold, he began to dance. It began in time with the music, a modest little kickstep. A few diners looked, pointed and laughed.
“Nah nah nah nah asaya Lou-ah Lou-ah eh, whooa babeh saya whay-gachago!”
Betty’s kickstep increased its arc, to something approaching can-can immodesty. He threw his arms up as he kicked, rolling his head, closing his eyes in abandon. A diner sitting near the door fished around in pockets for a dollar bill, but saw no hat in which to put it.