“So,” Richards said, “either the Pontiac was dumped next to an empty car, or else the Pontiac and the switch car arrived at the most a few minutes apart. Which we think is probably how they did that. Because if they left another car there unattended, somebody might come along and spot it for a hot one, and have it towed away. And this group’s methodical. They time everything, and they execute it according to plan, and they don’t take any unnecessary chances. Unless you count threatening people with machineguns and shotguns and grenade launchers as taking chances, which I happen to, myself, but that’s another story. But anyway, now we’re up to six perpetrators, and we’ve still got to account for the man and the woman in the Buick.
“The Buick we found in Randolph this morning. Same kind of thing: secluded lane. No apparently useful prints. No witnesses to the switch. Therefore, same conclusion: at least one more driver who meets them there with the next car. We’re assuming, by the way, that the switch cars are both legal. That if you stopped them, all the papers are in order. We’re now up to seven participants.”
“So why do you say ‘eight’?” Fraley said.
“Because of the precision, Ralph,” Richards said. “For robbers, these are very careful people. What’s that line about genius? ‘An infinite capacity for taking pains’? That’s what these people show. There’s at least one genius involved, and the bastard’s not only giving us pains but he’s taking them himself. And he’s got his people drilled so that they don’t screw things up after he maps them out. Very good discipline. Which means, not so incidentally, that the rest of this bunch are no slouches either, when it comes to thinking and doing. We’re not dealing here with a group of retards, my friends. These are sharp minds we’ve got on our hands, making these withdrawals. We’re not going to catch them in the process of pulling their next job, two years or so from now, unless we happen to get awfully lucky. Which means we’d better catch them before, if that is possible. I’m not sure that it is.” He made eye contact with each of the other men before continuing.
“Anyway,” he said, “people like that’re not going to take a chance that someone might have their safe-house staked out by the time they get back. So that they walk into our fond embrace when they get back to it. They’re going to have somebody babysitting that place, listening to a scanner, and probably ready with a CB radio to warn them off if it sounds like we’ve got a tail as well. So there’s your eighth member.
“I’m not saying here,” Richards said, “I’m not saying here that eight’s the most that it could be. Could very possibly be more. But almost certainly it’s at least eight, at least two of whom are females. The rest we do not know.
“Which of course is also unusual,” Richards said. “I know we’ve all heard about Bonnie and Clyde, and all that stuff. Ma Barker, broads like that. But just the same, it’s not very often these days that we see women robbing armored trucks. They’ve got easier ways to get lots of money.”
“Unless,” Fraley said, “the one that’s the driver is as ugly as you say. Then she wouldn’t have.” The other five men laughed.
“Well, I didn’t see her myself, Ralph,” Richards said. “I’m just going on the driver’s, the truck driver’s word. But yeah, that could be, I suppose.
“Next thing that sort of sticks out in this one,” Richards said, “is that while we don’t know yet what denominations of bills they got this time, and we may never know, we were able at the time to reconstruct the deposits they swiped in the Danvers job. And that was a peculiar job from that point of view, because it included an unusually large number of fifty-dollar bills. About ten thousand dollars’ worth of brand-new fifties that the stores handed out in raffles to promote this early sale. Your cash receipt came out with a red star on it, and you’d spent at least fifty bucks, the purchases were free and you got a crisp new fifty, too. Which naturally the lucky customers spent just as fast as they could, before they left the mall. So they were in the bank’s deposits when the thieves showed up.
“Those fifties hadn’t been circulated,” Richards said. “The Federal Reserve had records of consecutive serial numbers. So naturally we said: ‘Aha,’ and put the usual guys who buy hot money under more surveillance’n the President gets. And we circulated the list to racetracks and casinos and other joints like that, where the big spenders go.
“Got nothing,” he said. “Came up as empty as a pail. Which means that the people who took the money either didn’t have or didn’t choose to use anybody’s cut-rate laundry service, and did have the self-control either to hold onto those fifties until they cooled off and the lists came down, dumped them in some country abroad, or maybe never parted with them at all. Or destroyed them. Which is also possible. Like I said, they don’t take risks.”
“So what?” Fraley said.
“So this,” Richards said. He began ticking off points on his fingers. “This gang does not include anybody with a record. If they’ve done this before, except for Danvers, using a different MO, they haven’t been caught doing it.
“Therefore,” he said, “we’re not going to get anyplace boiling informers and torturing the usual ham-and-eggers ’till they talk, because the usual ham-and-eggers don’t know these people either. Tendency we have — and I include myself in this — the tendency we have is to look at cops and robbers like it was a monopoly. Like the cops know all the robbers, and the robbers know the cops, and all you have to do when a robbery’s committed is figure out which robbers are the ones did it this time. We work like the linebackers in football: when the ball’s snapped, charge right in and start picking up bodies until you find the one that’s got the ball. Throw that one on the ground, and then your job is done until the next play begins. No trick to it at all.
“Usually we’re right,” he said. “Which is why we are complacent, and why a bunch of amateurs — in our terms, that is — why a bunch of amateurs can pull off one of these raids every couple or so years, and then sit back and laugh. We may say we’re looking for the robbers, but we’re not. What we’re doing, what we generally do, is inspecting the selection of robbers we know to see if any of them look like the particular robbers that we want. And these characters don’t. If we saw them on the street, walking right outside this building, we’d ignore them unless they carried signs confessing.”
“If they’re not robbers,” the District Attorney said, “just what are they, John?”
“Longhairs,” Richards said. “They’re a bunch of goddamn longhairs that got bored with protesting the war and branched out. That’s the only way you can account for all of it. The descriptions: fatigue jackets, hiking boots, beards, the granny glasses, the presence of females — no self-respecting chap from Charlestown’d get himself up like that, even to confuse us. And if he did, he’d give it away. Wear a couple gold chains around his neck. And he wouldn’t show his face, either. He’d wear some sort of mask. And he would fence the money, and he’d blow it on a horse and a couple high-priced whoors. And furthermore, it has to be, this has to be the explanation, because it’s also the only way you can account for the planning, the precision. These are novices. They’re at most in their middle twenties or so, and so far as we know, yesterday’s job was only their second. But they pulled it off just like they did the first one. Split-second execution. Got to have brains for that, gentlemen. Got to be intelligent. And where do bright young minds go these days to learn about fascist dictatorships and capitalist dogs? To colleges is where they go, and that’s where ours came from.”
“So what do we do, John?” the District Attorney said. “Plug the NCIC computers into the College Board records and pick out the brightest ones?”
Richards laughed. “Yeah,” he said, “we could do that. See if they’ve started testing for aptitude in military tactics. Those will be our friends. But, no, Ward, that won’t work. What we have got to do is sit down and do something that we don’t enjoy that much, which is think very hard about how they manage to schedule these jobs to the second. How long befo
re the cars roll up and the guns come out do they start collecting information? How do they go about it? Are they staking out these banks, timing the deliveries? That’s what we’ve got to do.”
“That isn’t going to be easy, John,” Fraley said. “You’re not saying what I came here to hear you say, that we will catch these bastards, no matter how long that may take. What you’re saying is that they’ll not only probably, but certainly, commit the third one before we figure out the second.”
“Oh,” Richards said, “if I gave you a different impression, I certainly didn’t mean to. That’s exactly what I’m saying. But look at it this way, all right? We’ve got two years to think.”
Late in the afternoon of October 19, 1972, Florence Amberson Walker in a seminar room at Marble Preparatory School in Manhattan addressed nineteen young men and women responding to an invitation to discuss “International Vistas in Music.”
“All of you were invited,” she said, “because each of you has shown not only special ability in one or another of your academic fields, but because each of you has also shown that you have talent in music as well. One or two of you, in fact — and I think this is ironic — have so much musical talent that, your teachers tell me, now and then it’s interfered a little with your regular studies.
“I am not here to tell you that you should forget about your plans — you, for example, Rodney, to attend Caltech; you, Jane, to go to Vassar — or in any way relinquish the great opportunities you have before you in your fields. In fact I will be the first to say that unless you have musical talents bordering on genius, it would be folly for you or anyone else to follow them exclusively.
“What I am here to tell you, to make you aware of, is that there are programs available that can enable you to enjoy and make use of your talents in music while interfering only slightly, if at all, with your studies and career plans. Programs that will let you use your abilities to enrich your intellectual lives, expand your knowledge of the world, make friends you’d never have. And I’m not speaking here just about the various university choral groups and orchestras, the bands and the other organizations that will certainly be recruiting you when you matriculate next fall. I am talking about an organization that probably few of you have heard of, that can and will provide to some, perhaps to some of you, a year of travel, cultural refreshment and excitement you’ll remember a long time.
“This is not,” she said, “this is not a program primarily intended for people who expect to make their careers in music. How many of you know who Tom Oates is?” Nine hands were raised. “Of course,” she said. “Probably one of the most provocative young personalities in television today. Tom makes all of us think, every night that he comes on. But we who support the Ipswich Ensemble, well, we like to think perhaps some of his awareness, whatever you may think of his position on Vietnam, that some of his fire and conviction come from the year he spent with the orchestra, while he was at Dartmouth. Music, well, I’m sure Tom would be the first to admit that music was not his métier. But he was good enough, and bright enough, to qualify for the Ensemble, and it broadened his outlook. And that’s what I’m talking about. If my daughter does end up teaching music, her life will have been enhanced by her year. And that’s what we’re offering to you.
“Now I know,” she said, “I know that many of your parents have made sacrifices, big sacrifices, to get you to this point. And I know that no matter how many scholarships you may have, how many loans there are, you have to think, they have to think, about the cost of things. And some of you might say: ‘Well, Mrs. Walker, that’s all well and good for you, to talk about a year off and go around the world, but there are other things, you know, we have to think about.’ And I want to answer that.
“The organization I’m referring to is called the Ipswich Ensemble. It exists to find, attract, and support, young people like yourselves. Young people who have more to offer themselves and the world than just the intelligence they can bring to engineering, or chemistry, or medicine, or physics, or literature — whatever you’d care to name. It’s under the auspices of the University of Ipswich, in England. If you’re lucky, and are chosen, it provides you with a year of study there — with credits you can transfer to virtually any American college or university, so you won’t lose any time — and, without any expense to you, travel throughout the world, for one simply glorious year. Next year’s tour, starting in March, has visits scheduled to Vienna, Milan, Madrid, Bermuda, Miami, California, Mexico City, Caracas, Melbourne, and then a stop in Hong Kong before returning home.” The students exchanged grins. “When Christina toured,” Walker said, “well, if you’re excited, hearing about it, you can imagine how she felt, appearing as a soloist in Toronto, Chicago, Mexico City, all along the West Coast, Manila, Canberra and then Cairo.
“But I’m sorry to say you’re all too late for next year’s trip,” she said, smiling. “And you’re probably, unless you’re taking early admission in the second semester this year, probably too late for the tour we’re already planning for Nineteen-seventy-four.” They looked crestfallen. “But don’t be discouraged,” she said. “We’ve, well, the Ensemble’s been doing this now for twenty-seven years, and the only comment I’ve ever heard any of the musicians make, when they visit New York or the East, is that whatever trip they’ve happened to be on, it was ‘the best one yet.’ If you’re chosen, well, you may not get to Tehran, in your particular year, but that will be only because Frankfurt, or Brussels, or Oslo or Kyoto, or maybe even Rio, made that impossible.”
The students looked happy again. One young man with dark curly hair raised his hand. “Question?” she said. He stood up. “Darren Jefferson,” he said. “Mrs. Walker, I have two questions. First, I wondered whether Tom Oates, well, if his being Carl Oates’s son had anything to do with him being selected.”
She smiled. “Do you mean, Darren: ‘If your father’s Carl Oates, and you’re a famous broadcaster, does that give you an advantage?’ ”
He shrugged. “If you like,” he said.
“No,” she said, “it did not. Tom applied, and auditioned, and he was chosen. As I’ve tried to suggest, while some musical ability is necessary, it’s not the paramount concern. Nor is your family tree.”
Jefferson nodded. “Okay,” he said. “And the second thing is: I just wondered: Is there any chance this orchestra would go to Peking or Moscow? Because I’m thinking of specializing in Russian and Chinese studies, and something like that would help.”
“Where?” she said.
“I’m not sure,” he said. “U of Chicago, most likely.”
“We’ve had several Chicago students in the Ensemble,” she said. “One of them, from Boston — Alton Badger is his name — one of them’s a private investigator. Another of them’s a member of the Society of Jesus, and two have gone on to work with the Department of Defense. In various capacities. So it certainly wouldn’t do you any harm, a year with the Ensemble.”
“That isn’t what I meant,” Jefferson said. “I meant: I want to see those places. Visit them. And I’d like to know whether the Ensemble’s ever gone there. To Russia or China.”
“I don’t believe so,” she said.
“Why?” he said. “Do you think it ever might?”
She didn’t answer for a moment. Then she shook her head slightly. “There’s no,” she said, “there’s no policy I know of that would rule that out. But neither, so far as I know, has such a visit ever been made. Whether it’s because of visa problems, or language barriers, or what the reason is — I really don’t know.”
“So the orchestra just doesn’t travel to the Iron Curtain countries?” he said.
“It has not,” she said.
“And,” he said, “do you think it will?”
She sighed. “No,” she said, “I don’t.”
AUGUST 13, 1974
3
At 2:00 P.M., Atty. Gen. Colin Reese of Massachusetts suggested that the five executives representing Brinks, Wells Fargo and Purola
ter take chairs on the window side of the long conference table in his State House office. He placed his Deputy Attorney General, Paul Green, on his right, and the Chief of his Criminal Division, Andrew Boyd, on his left.
“And Lieutenant,” he said to John Richards, “why don’t you sit next to Andy, there. And you, Ward,” he said, “next to John.” He addressed the courier executives as his visitors took their seats. “I was unable to reach the District Attorney of Norfolk County after your call yesterday. Mister Osgood’s office informed my office that he’s attending the funeral of a relative out of state, and won’t be back until Wednesday. Peter Mahoney, District Attorney Peter Mahoney of Essex, would like very much to be with us today, but his wife’s having a baby, and he said if he knows what’s good for him, he’ll be in labor too. So he asked to be excused.” He grinned and the executives forced smiles. “Guess even dedicated public servants should get days off for stuff like that.”
Reese, at thirty-eight, two years before had parlayed his ability to use his physical presence (he was six-two and weighed a solid hundred and ninety pounds), his handsome features and resonant voice into an unexpected election victory over an incumbent Democrat who dismissed him as a “pretty boy” and campaigned listlessly. Disparaging Reese as a man whose chief accomplishment was “looking better in a blue suit than Ted Williams did in red socks,” he had given Reese the opening to unveil a ready wit. Reese took it, saying his opponent’s record for errors in office was the worst compiled in Massachusetts since Dick Stuart stopped playing first base for the Red Sox, and made himself a favorite politician among TV news reporters. Holding as the result the highest elective office of any Republican in the State, Reese was widely, publicly and correctly assumed to be planning not only his campaign for reelection as Attorney General in 1976, but a 1978 campaign for the US Senate.
Outlaws (Vintage Crime/Black Lizard) Page 2