“Care to tell me why you’re dismissing?” the judge asked.
“You know that Derrick Barclay, Arnold Pope Sr.’s assistant, was arrested while he was burying Tony Rose on forest land owned by one of Pope’s companies.”
The judge nodded. The arrest of Arnold Pope and Derrick Barclay was the talk of the county.
“Barclay has been cooperating since his arrest and he’s told us a lot we didn’t know about Senior’s involvement in this case. Twelve years ago, Senior pressured Karl to prosecute Mr. Marsh and his daughter-in-law. Karl had no intention of charging Mrs. Pope until Senior turned the screws. Barclay also says that Pope wanted Rose murdered because he believed that Rose killed his son.
“I’ve had a chance to study our evidence and I see a number of serious problems with the case. I had no idea how weak it was until I went through the file after Karl was murdered. Our biggest problem is that Werner Rollins has retracted his statement that he saw Mr. Marsh shoot Congressman Pope. Rollins was the only witness who put the murder weapon in Mr. Marsh’s hand. Rollins tells us that he said he saw Mr. Marsh shoot the congressman because Karl threatened to prosecute him for the assault on the security guard if he didn’t. Without Rollins’s testimony, we don’t have a case. Any number of people, including Tony Rose, could have shot the congressman. Now that Rose is dead we’ll never know if he’s guilty, but he’s now as viable a suspect as Mr. Marsh and several other people who were standing near Mr. Marsh when the fatal shot was fired.
“Then there’s the problem of the note and the photographs. Twelve years ago, when Sally Pope was prosecuted, it was the state’s theory that Mrs. Pope and Mr. Marsh lured the congressman to the Westmont by sending him several scandalous photographs showing the two of them in situations that suggested that they were lovers, and an anonymous note saying that Mr. Marsh and the congressman’s wife would be at the Westmont for one of Mr. Marsh’s seminars. Frank Jaffe developed proof that Senior was behind the photographs and the anonymous note that lured Junior to the Westmont.”
“I never knew that,” Judge Berkowitz said.
“It’s not public knowledge. In fact, the evidence and the transcript of the hearing where the information was revealed were sealed. Amanda told me about the evidence soon after I was given Mr. Marsh’s case.
“I’ve given this matter a lot of thought and I’ve decided that I would have a reasonable doubt about Mr. Marsh’s guilt if I was on his jury. I can’t go forward in good conscience feeling that way.”
“AM I FREE?” Charlie asked as soon as he and Amanda were alone in her car.
“It’s over, Charlie. Of course, there’s no statute of limitations on a murder charge. Theoretically you could be indicted again if new evidence implicating you turned up. But I doubt that will ever happen, since we both know what really took place at the Westmont.”
“What’s going to happen now?” Charlie asked.
“Whenever you’re ready, Brice’s corporate jet will fly you and Levy to New York so you can work on the book.”
“Levy is going to be pissed when he hears the case is over,” Charlie said with a smile. “He was counting on my trial and dramatic acquittal for the last chapter.”
CHARLIE’S EUPHORIA LASTED as long as it took for Nathan Tuazama to slip into the elevator when it arrived in the hotel lobby.
“Good evening, Charlie,” Tuazama said as the steel doors sealed Marsh in with the assassin.
Charlie’s heart rocketed into his throat. He had been so distracted by the day’s events that he’d forgotten the Batangan. With Tuazama a knife blade away, Charlie was too frightened to speak. Tuazama sensed his terror and smiled as he pressed a button that stopped the car between floors.
“Did you think I’d forgotten you?”
“What do you want?”
“I want the diamonds. You will give them to me now.”
“Why should I?” Charlie asked with unconvincing bravado.
“If you choose to keep them, Charlie, I will kill you. I assume that argument is very convincing. I will call you tomorrow to tell you where to bring the stones.”
Tuazama started the car again. The door opened on the floor below Charlie’s.
“Wait,” Charlie said.
“The time for waiting is over,” Tuazama said as the doors closed and he disappeared from view.
Charlie was shaking when he locked the door to his room. As soon as he settled down, he called Amanda and asked her to bring the diamonds to her office in the morning. She asked no questions, assuming that Charlie wanted to have the stones with him in New York and she was perfectly happy to have them out of her possession.
As soon as Charlie hung up on Amanda, he made a second call.
CHAPTER 48
Amanda handed over the diamonds an hour after Tuazama called Charlie with instructions. As soon as he had them, Charlie returned to his hotel and waited for midnight.
Washington Park, 130 acres of forest featuring attractions like the Oregon Zoo and the Japanese and Rose Gardens, overlooks downtown Portland from the West Hills. During the day, it is a feast of colors and a place for thousands of visitors to play. At night, it is deserted: a place for drugs to be dealt, lovers to meet, and the occasional act of violence. At midnight, it is no place for a law-abiding citizen but it is a perfect place to transfer diamonds worth several million dollars to a trained assassin without being seen.
Charlie had no idea where Tuazama was lurking when he parked his car in the deserted lot near the Rose Garden and walked along a shadow-shrouded path to the amphitheater, but he was certain that the Batangan was close enough to protect his property from the predators who roamed the park at night.
During the summer, concerts and plays were performed in a meadow surrounded by trees and shrubbery. Tonight, the only light illuminating the grassy field was from a half moon. Char lie stepped onto the platform that served as a stage, as he had been told to do. His heart was thudding in his chest. He closed his eyes for a moment in an attempt to control his breathing. When he opened them, Nathan Tuazama was standing a few steps away.
“I brought them,” Charlie said, his voice shaking.
“I knew you would,” Tuazama answered confidently as he started toward Charlie. He’d taken two steps when a man stepped out of the space between two trees. His first shot caught Tuazama in the chest. The Batangan stumbled backward and reached under his jacket for his gun. More shots hit him from behind as two other men materialized out of the shadows. The rebels had used silencers and the shots had been mere whispers in the night. Tuazama tumbled onto the grass and the three men surrounded him. Charlie joined them.
“Hello, Nathan,” Pierre Girard said. Tuazama stared at him but didn’t reply. Blood trickled from his lips. “Do you recognize me? I’m Bernadette’s brother and I’m sorry I don’t have time to make you suffer the way Bernadette must have suffered.”
Pierre turned to Charlie. “Would you like to finish him?” he asked.
Charlie shook his head. Pierre turned back to Tuazama and shot him between the eyes. Charlie shuddered. He was relieved that Tuazama was dead but he didn’t feel any sense of satisfaction. Killing Tuazama hadn’t brought Bernadette to life.
“Did you bring the diamonds?” Pierre asked.
Charlie handed him the box.
“Thank you,” Pierre said. “We will always be grateful to you for the risks you took for us.”
“I’m the one who should be thanking you for saving my life here and at Sally Pope’s mansion,” Charlie said.
“We had to protect you until you could bring us the diamonds. We need them to buy the weapons that will bring Baptiste down.”
“Good luck in Batanga.”
“Thank you, Charlie. We will escort you to your car, then we must go,” Pierre said. “I will always remember what you’ve done for us.”
A lump formed in Charlie’s throat and tears filled his eyes. “I did this for your sister, Pierre. I did this for Bernadette.”
; EPILOGUE. Moonbeam
The din of the noisy crowd in the living room of Martha Brice’s penthouse dissipated when Amanda Jaffe shut the sliding door to the terrace behind her and Brice. It was a cool night in Manhattan and the threat of rain was keeping the guests inside. The party was in honor of the publication of Violent Homecoming. The reviews had been ecstatic and there was already a buzz about the book that cast it as the next In Cold Blood and Helter Skelter combined.
Earlier in the evening, Amanda had spotted Dennis Levy putting the moves on a stunning fashion model who had recently graced the cover of a sister magazine of World News. The girl appeared to be listening to Levy with rapt attention but Amanda suspected that she was only pretending to find him interesting. Dennis had been interviewed on network shows and written up as the next great writer of his generation, which meant that he was officially rich and famous, but fame and fortune did not miraculously transform a jerk into a decent human being. None of that mattered, of course. Amanda was certain that Levy would be in bed with the model before the night was through. A gorgeous woman could ignore unfortunate personality traits if a celebrity had enough money.
And maybe Dennis deserved to go to bed with a fashion model tonight, as his reward for doing the right thing. He had returned the photograph the morning after the custody hearing, even though Amanda could see that the decision had not been easy for the young reporter. But Levy’s virtue appeared to have been rewarded many times over and it was now Amanda’s turn to do a good deed.
“What did you want to talk about that we couldn’t have discussed inside?” Martha Brice asked Amanda.
“There are some things you need to see and I don’t think you’d appreciate my showing them to you if anyone else was around.”
“Why don’t you complete your show-and-tell so we can go back to the party? It’s chilly out here.”
“Okay, Moonbeam.”
Amanda expected a reaction and she wasn’t disappointed. The color drained from Brice’s face and she stared at Amanda for a moment before regaining her composure.
“Moonbeam? Why did you call me that?”
“Isn’t that the name you invented for yourself when you followed Charlie Marsh to Oregon from Yale?”
Amanda took two photographs out of her purse. The first was the picture of Charlie’s entourage that had been snapped at the Dunthorpe seminar. As soon as Amanda handed it to Brice, the editor’s shoulders sagged.
“I’m not crazy about the shaved head,” Amanda said.
“Where did you get this?”
“It was in Sally Pope’s case file. No one would have seen it if Charlie hadn’t come back to stand trial.”
“I look so young,” Brice said as she stared at the picture.
“How did it happen?”
“How did what happen?” Brice asked cautiously.
“To put your mind at ease, the authorities are half-convinced that Tony Rose shot Pope and I have no reason to change their mind. I can’t prove you killed the congressman, anyway, and I have no interest in telling my theory to the police now that Charlie’s case has been dismissed.”
“What about Charlie?”
“He’s going to keep his mouth shut, Delmar Epps is dead, and Werner Rollins didn’t see you. I don’t know what Gary Hass saw but no one would believe him, assuming that he even saw you shoot Pope. If he did, I doubt he’d ever make the connection between the hippie he saw in Oregon in the dark for a few minutes twelve years ago and the successful businesswoman who runs World News.”
“You think I killed Arnold Pope?”
Amanda smiled. “No one is listening to our conversation, and you don’t have to admit a thing, if you’re worried.”
“I have nothing to worry about. I’m just curious to know why you think I’m a murderer.”
“The gun has always been the key. If Delmar Epps had it when the fight started, any number of people could have shot Junior, but it had to be you if Epps left the gun in the limo. Mickey Keys, Charlie, Delmar Epps, and you drove to the Westmont in the limo. Mickey Keys remembers Epps dropping the gun during the ride to the country club. It freaked out Keys because the barrel was pointing at him when it hit the floor of the car and he thought he was going to be shot. He got very upset and yelled at Epps. Keys had a very clear memory of Epps putting the gun on a seat in the limo after he yelled at him, but he can’t remember what happened to it after that and no one else can say what happened to the gun once the limo stopped at the Westmont.
“Keys couldn’t have shot the congressman because he was behind him near the entrance to the Westmont.
“Epps is dead, so he can’t tell us whether he took the gun out of the car, but he acted instinctively to protect Charlie when Gary Hass opened the limo door and probably left the gun on the seat.
“Werner Rollins remembers you standing with Charlie, Gary Hass, and Delmar when Junior was shot. But no one has said where you were between arriving at the country club and the shooting.”
Amanda showed Martha Brice the other photograph she’d brought from Portland, a crime scene picture taken on the evening of the murder.
“This is the turnaround in front of the entrance to the country club.” She pointed to a section of the picture. “Someone trampled the flower beds on the far side. When the limo stopped at the front entrance to the Westmont, the driver went around to the passenger door to open it but Gary Hass beat him to it. Werner Rollins was also on the passenger side of the car. Delmar Epps got out on the passenger side when Gary Hass opened the door. Charlie and his agent got out on the passenger side right after Epps. No one saw you get out. I think that’s because you went out the rear door on the driver’s side while everyone was distracted by the commotion on the passenger side. I think you trampled the flower bed when you ran away from the fight.
“Charlie told me how concerned you were that someone would report him to his parole officer for handling the gun. I think you took the revolver with you to keep it from Charlie so he wouldn’t get in trouble when the fight between him and the congressman started. You joined Charlie and Gary Hass when they went to the far side of the turnaround. Then you heard Congressman Pope threaten Charlie and run toward him. I think you shot Pope to protect Charlie.”
“That’s an interesting theory,” Brice said.
“I always wondered why Charlie contacted you of all people when he needed money to escape from Batanga.”
“He knew I’d pay him for his story.”
“There’s that too. You sent him seventy-five thousand dollars as soon as he asked. That’s something you might do if you were worried that someone might expose a long-buried secret. But, as I said, you can put your mind at ease. Charlie has no intention of revealing your secret. He wants to put the past behind him. And I have no duty to solve the murder of Arnold Pope Jr. When Charlie’s case was dismissed I lost all interest in what happened twelve years ago at the Westmont Country Club.
“There’s no mention in any of the articles written about you of your brief disappearance from Yale and I assume few if any people know about your Oregon adventure. Killing Pope must have been a pretty sobering experience. You excelled at your studies after you returned and you’ve excelled in your professional life. Now that Charlie’s case is closed I intend to destroy these photographs, because I can’t think of a single reason to destroy the life you’ve made for yourself.”
Brice smiled. “If I had any doubts before, you’ve convinced me that I made the right decision when I told Charlie to hire you. You are one smart lady.”
CHARLIE MARSH WATCHED Amanda Jaffe and Martha Brice through the picture window. He knew why Amanda had brought Martha outside. When Martha came back in, he would tell her that she had nothing to fear from him.
Over the past few months, Charlie had thought a lot about his life and had come to the conclusion that he was at a crossroad. The murder charge had been dismissed and Amanda had gotten the IRS to agree that they wouldn’t pursue any federal charges if he paid the
taxes he owed. For the first time in years, Charlie was not in trouble with the law.
Two weeks ago, rebel forces had fought their way into Baptisteville and Jean-Claude had fled to Libya. Charlie had worried that the president would send someone after him to avenge Tuazama’s death, but no one had shown up and now Baptiste had more pressing matters to think about.
On paper, Charlie’s life looked pretty good. He was free of Baptiste and the law, he was a celebrity, and he was set financially. With the book royalties and the amount still sitting in his Swiss account he would be fine even after he paid off the IRS.
Charlie should have felt great. Instead, he felt like someone drifting in a lifeboat with no safe port in sight. What did you do when you had everything any rational person could want and it wasn’t enough, because you’d lost the one person who had made your life worth living? The riches and the notoriety Charlie had wallowed in a decade ago now left him cold. And he still grieved for Bernadette. He would never forget her and he hoped one day he would find someone he could love as much as he loved her. At least he knew that he was capable of love.
Charlie felt he’d been given a fresh start and he needed a plan for the rest of his life, only he didn’t have one right now. But he vowed to work on that, and this time it would be a good plan that didn’t involve lies and violence. He had no idea how the plan would look but hopefully it would be illuminated by the light he hoped he had inside him.
Acknowledgments
For me, writing a novel is a team effort. After I outline my novel, I make a list of areas where I need the help of an expert. I want to thank Chic Preston, Steve Perry, and Joe Copeland for educating me about subjects of which I knew nothing. Carolyn Lindsey and Robin Haggard researched questions on the Internet for me, because I remain a techno-idiot.
Pam Webb, Jay Margulies, Karen Berry, and Jerry Margolin read drafts of Fugitive, and I appreciate their input and the time they spent.
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