Requiem has touched readers deeply. What are some of the more memorable reader reactions you have received?
After giving a public reading from Requiem, I was thrilled when a Japanese Canadian man stood up and told the audience that he had read my book and that as a child, he had lived every detail of my story of the camps. I have been pleased to have children of Nisei parents who were interned write to me or phone to tell me, “Now, I finally understand what my parents went through. Now, I understand why they refused to talk about what happened.”
I have been thanked many times by non-Japanese and Japanese Canadians, all of whom want the stories told. And I believe that the stories should be told. They should not die off with each generation. Sometimes, older Caucasian readers approach me at public events and tell me that they lived through the news of the period but had no idea what the interned families actually experienced. They did not know about the stripping down of dignity, the shame, the total humiliation.
Finally, I loved receiving a phone call from a person unknown to me who had just finished reading Requiem and left this message: “I read your book, and wept.”
About the book
The Writing of Requiem:
An Essay by Frances Itani
As early as the 1970s, I began to write about the Second World War removal, detention and imprisonment of North American citizens of Japanese ethnic origin. After Pearl Harbor, December 7, 1941, longstanding racism came to a head, especially up and down the West Coast. It was almost as if two governments were acting in concert, so aligned were the dates of the forced removal of citizens from their homes and businesses, from their farms and fishing villages, their schools and universities, and from their professions.
In Canada, under the War Measures Act, more than 20,000 people were moved to inland camps. In the United States, more than 114,000 were interned in ten camps stretching throughout six states from California to Arkansas. This was imprisonment based on ancestry. It was highly organized racism. No person of Japanese descent was ever charged with any act of sabotage or disloyalty in either country.
I recall trying to describe, during a class with W.O. Mitchell in the seventies, a visit to the site of a former camp beside the Fraser River in British Columbia, where my husband had been interned as a child for almost seven years—five years in the camp and two subsequent years of restricted movement, going from place to place while his father tried to find work.
The trip to the Fraser Valley was revelatory. When we reached the site of the camp, before my eyes my husband turned into someone I did not know. We were standing at the side of a mountain in the midst of a bulldozed, abandoned field where there was no proof of human habitation. No road, no path, no graves, no building fragments. And yet, he began to pace off the territory of his childhood. He was suddenly on his knees, digging in the earth. Although he had been only eight years old when he left the camp, he was able to recognize patterns in the grass, patterns of earth cellars below now-invisible shacks—sixty-three of them, the contours of which he held only in memory.
He continued to dig. I went to the woods and returned with branches, and the two of us scraped away at the location he insisted had been his own. Moments later, we began to find dishes. Splendid blue and white rice bowls, broken into large fragments that we were able to piece together. After that, we drove to the Okanagan Valley to visit his parents. We excitedly showed my mother-in-law our discovery. With dignity, she walked to her kitchen cupboard and opened a door. She pulled out a bowl that was identical to those we had found in the dirt, hundreds of miles away. A glued-together rice bowl, missing one triangular piece of rim, is now on a special shelf in our own dining room.
When our children were young, I wrote this experience into a poem called “The Camp Revisited—1976.” At the University of Alberta, I took a sociology course taught by Professor Gordon Hirabayashi, a former resident of Seattle who had been a student at the University of Washington when Japanese Americans were rounded up and detained in 1942. Hirabayashi v. United States (1943) became a landmark case. Hirabayashi defied the order to evacuate from the coastal area and was arrested, convicted and imprisoned. He later appealed to the U.S. Supreme Court, but it wasn’t until the 1980s that his conviction was overturned. In May 2012, Gordon Hirabayashi was posthumously awarded the Presidential Medal of Freedom by U.S. President Barack Obama.
I continued to write about this always-interesting betrayal of democracy: a book of poems, short stories, essays. I advertised in various papers asking to meet Canadian citizens of Japanese origin who wished to be interviewed. I was impressed with the dignity and resilience of those who came forward. I collected documents, hard-to-find histories and memoirs. I visited Neys Provincial Park in Ontario, a former POW and internment camp—barbed-wire enclosed—where my husband’s uncle was detained and required to wear a target depicting a large red sun on his back. I listened to documentaries and attended relevant film screenings. My extensive library on the subject includes both Canadian and American novels, poetry and photographic accounts, one of which is the beautiful book Manzanar, which contains photographs by Ansel Adams and commentary by John Hersey. These resources gave me unforgettable glimpses into a world I had already begun to know intimately.
I returned again to the site of the camp where my husband had lived during his childhood. As recently as 2009, I stayed in the town on the opposite side of the Fraser River, a town that Japanese Canadians had not been permitted to enter during most of the war years. I visited a museum and purchased copies of available documentation. I was told by the Caucasian attendant that two or three families from the camp had moved into town after the war. “That’s how good we were to them,” she said.
In fact, the camp detainees had few places to go. Having no vote in Canada, their own country, until 1949, they were not permitted to return to the West Coast until that time. Unbelievably, almost 4,000 were expelled and exiled to Japan in early 1946. An attempt at further expulsions—which in some circumstances could now be considered a crime against humanity—was stopped because of appeals to the newly formed United Nations. Most of the remaining camp occupants were dispersed to eastern parts of the country. The story was similar in the United States, although Japanese Americans left the camps earlier and were permitted an earlier return to the West Coast. Despite this, having lost everything they owned, they mainly dispersed to other parts of America.
I suppose it was inevitable that I would write a novel about this period. These events happened on a continent celebrated for its democratic ideals. Could it all happen again?
Book Club Questions
When Bin and his family were forced from their home, they carried with them only a few belongings, including a rice pot and a dismantled stove. If you were ordered to abandon your home with only two hours’ notice, what would you take with you?
What did you discover about this period in Canadian history—both about the treatment of Japanese Canadians and about their strength and resilience in the face of it—through Bin’s memories of his time at the camp?
In what ways did Bin’s adoption by Okuma-san change his life’s course? What did he gain? What did he lose?
If you were to embark on a physical journey to a place important in your memory, where would it be? What answers would you seek there?
How accurate was First Father’s prediction of Bin’s fate? How might having your fate foretold affect your self-image, positively or negatively? How might it affect your life decisions?
If you had been through everything that Bin had, would you make the journey he did? Would you be able to forgive? Do you believe Bin ever forgives?
Read on
Suggested Reading
A Child in Prison Camp by Shizuye Takashima
Justice in Our Time by Roy Miki and Cassandra Kobayashi
Manzanar by John Armor and Peter Wright; photographs by Ansel Adams; commentary by John Hersey
Obasan by Joy Kogawa
Snow Falling on Ce
dars by David Guterson
Steveston by Daphne Marlatt and Robert Minden
Steveston Recollected edited by Daphne Marlatt
Teaching in Canadian Exile by Frank Moritsugu and the Ghost Town Teachers Historical Society
The Ghost Brush by Katherine Govier
The Jade Peony by Wayson Choy
The Politics of Racism by Ann Gomer Sunahara
Years of Sorrow, Years of Shame by Barry Broadfoot
The Art of Norman Takeuchi
For a look at some of the creations of Ottawa-based Japanese Canadian Norman Takeuchi, one of the artists I interviewed while writing Requiem, visit the following websites:
www.themilitarymuseums.ca/gallery-founders-past-exhibits
www.cubegallery.ca/artists/norman_takeuchi
Mela Constantinidi, former Director of the Ottawa Art Gallery, wrote the following about Norman Takeuchi’s 2012 exhibition Balancing Act, shown at the Karsh-Masson Gallery in Ottawa:
“Through this artistic investigation Norman Takeuchi is coming to terms with the history that has haunted him. Images from archival photographs relating to the evacuation of Japanese Canadians in British Columbia merge with the underlying anxiety apparent in the earlier works in this series…. These paintings express an intrinsic sadness, but through the integration of these scenes the artist appears to seek closure, putting his conflicting emotions to rest.”
Norman Takeuchi, “Hastings Park,” 2006, from the exhibition A Measured Act. Paper, acrylic, Conté crayon, oil pastel, photo transfer. 148 x 132 cm. With permission of Norman Takeuchi.
Web Detective
www.cbc.ca/archives/categories/war-conflict/second-world-war/relocation-to-redress-the-internment-of-the-japanese-canadians/topic—relocation-to-redress-the-internment-of-the-japanese-canadians.html
CBC has excellent digital archives; this site includes radio coverage of speeches reflecting the racism of the period during the Second World War.
www.cbc.ca/archives/categories/war-conflict/second-world-war/relocation-to-redress-the-internment-of-the-japanese-canadians/the-long-journey-home.html
This website is more recent, and this short video about a Japanese Canadian family finally returning to a location near their original home in B.C. is particularly moving.
http://www.pc.gc.ca/culture/ppa-ahp/itm1-/page03_e.asp
On Parks Canada’s website, read more about the Nikkei Internment Memorial Centre National Historic Site of Canada in New Denver, B.C., which helps to preserve the history of the internment camps in the B.C. interior.
www.najc.ca
The website for the National Association of Japanese Canadians focuses on human rights and community development.
www.jccc.on.ca/heritage/five_gen/resources.html
The website for the Japanese Canadian Cultural Centre in Toronto recounts the history of Japanese Canadians over one century.
www.japanesecanadianhistory.ca/Foreword.html
Readers will see in the Acknowledgements of Requiem that as part of my research, I read this excellent book by Ann Gomer Sunahara. You can read it online here.
Also by Frances Itani
FICTION
Remembering the Bones
Poached Egg on Toast
Deafening
Leaning, Leaning over Water
Man Without Face
Pack Ice
Truth or Lies
Missing
Listen!
POETRY
A Season of Mourning
Rentee Bay
No Other Lodgings
CHILDREN’S BOOKS
Linger by the Sea
Credits
COVER DESIGN: ROYCE M. BECKER
COVER PHOTOGRAPH: © JIM ZUCKERMAN / CORBIS
AUTHOR PHOTO: OTTAWA PUBLIC LIBRARY FOUNDATION
Copyright
Requiem
Copyright © 2011 by Itani Writes Inc.
P.S. section © 2012 by Itani Writes Inc.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
EPub Edition © OCTOBER 2012 ISBN: 978-1-443-40691-8
A Phyllis Bruce Book, published by Harper Perennial, an imprint of HarperCollins Publishers Ltd.
First published in Canada by HarperCollins Publishers Ltd in a hardcover edition: 2011
This Harper Perennial trade paperback edition: 2012
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