The Year's Best Science Fiction: Eighteenth Annual Collection

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The Year's Best Science Fiction: Eighteenth Annual Collection Page 57

by Gardner Dozois


  “In the phosphor light of the hanging flares,” he said, “I saw the bloodred ground spread out before me. Beyond the head-high hedgerows of coiled steel wire, black-clad men and women coursed from the jungle, myriad and quick as ants, and, inside the wire, emerging from their secret warrens, more sprouted from the earth like the demon yield of some infernal rain. All around me, my men were dying, and even in the midst of fear, I felt myself the object of a great calm observance, as if the tiny necklace-strung images of the Buddha the enemy held in their mouths when they attacked had been empowered to summon their ribbed original, and somewhere up above the flares, an enormous face had been conjured from the dark matter of the sky and was gazing down with serene approval.

  “We could not hold the position long—that was clear. But I had no intention of surrendering. Drunk on whiskey and adrenaline, I was consumed by the thought of death, my own and others’, and though I was afraid, I acted less out of fear than from the madness of battle and a kind of communion with death, a desire to make death grow and flourish and triumph. I retreated into the communications bunker and ordered the corporal in charge to call for an air strike on the coordinates of Firebase Ruby. When he balked I put a pistol to his head until he had obeyed. Then I emptied a clip into the radio so no one could countermand me.”

  The major bowed his head and spread his arms, as though preparing for a supreme display of magic; then his resonant voice sounded forth again, like the voice of a beast speaking from a cave, rough from the bones that have torn its throat. His eyes were chunks of phosphorous burning in the bark of a rotting log.

  “When the explosions began, I was firing from a sandbagged position atop the communications bunker. The VC pouring from the jungle slowed their advance, milled about, and those inside the wire looked up in terror to see the jets screaming overhead, so low I could make out the stars on their wings. Victory was stitched across the sky in rocket trails. Gouts of flame gouged the red dirt, opening the tunnels to the air. The detonations began to blend one into the other, and the ground shook like a sheet of plywood under the pounding of a hammer. Clouds of marbled fire and smoke boiled across the earth, rising to form a dreadful second sky of orange and black, and I came to my feet, fearful yet delighted, astonished by the enormity of the destruction I had called down. Then I was knocked flat. Sandbags fell across my legs, a body flung from God knows where landed on my back, driving the breath from me, and in the instant before consciousness fled, I caught the rich stink of napalm.

  “In the morning I awoke and saw a bloody, jawless face with staring blue eyes pressed close to mine, looking as if it were still trying to convey a last desperate message. I clawed my way from beneath the corpse and staggered upright to find myself the lord of a killed land, of a raw, red scar littered with corpses in the midst of a charcoaled forest. I went down from the bunker and wandered among the dead. From every quarter issued the droning of flies. Everywhere lay arms, legs, and grisly relics I could not identify. I was numb, I had no feeling apart from a pale satisfaction at having survived. But as I wandered among the dead, taking notice of the awful intimacies death had imposed: a dozen child-sized bodies huddled in a crater, anonymous as a nest of scorched beetles; a horribly burned woman with buttocks exposed reaching out a clawed hand to touch the lips of a disembodied head—these and a hundred other such scenes brought home the truth that I was their author. It wasn’t guilt I felt then. Guilt was irrelevant. We were all guilty, the dead and the living, the good and those who had abandoned God. Guilt is our inevitable portion of the world’s great trouble. No, it was the recognition that at the moment when I knew the war was lost—my share of it, at least—I chose not to cut my losses but to align myself with a force so base and negative that we refuse to admit its place in human nature and dress it in mystical clothing and call it Satan or Shiva so as to separate it from ourselves. Perhaps this sort of choice is a soldier’s virtue, but I can no longer view it in that light.” He tapped his chest with the tip of his staff. “Though I will never say that my enemies were just, there is justice in what I have endured since that day. All men sin, all men do evil. And evil shows itself in our faces.” Here he aimed the staff at the audience and tracked it from face to face, as if highlighting the misdeeds imprinted on each. “What you see of me now is not the man I was, but the thing I became at the instant I made my choice. Take from my story what you will, but understand this: I am unique only in that the judgment of my days is inscribed not merely on my face, but upon every inch of my body. We are all of us monsters waiting to be summoned forth by a moment of madness and pride.”

  As Tranh and I led him from the tent, across the damp grass, the major was excited, almost incoherently so, not by the acclaim he had received, but because he had managed to complete his story. He plucked at my sleeve, babbling, bobbing his head, but I paid him no mind, concerned about Tan, whom I had seen talking to Phuong in the bleachers. And when she came running from the main tent, a windbreaker thrown over her costume, I forgot him entirely.

  “We’re not going directly back to the house,” she said. “She wants to take me to a club on the square. I don’t know when we’ll get to your father’s.”

  “Maybe this isn’t such a good idea. I think we should wait until morning.”

  “It’s all right,” she said. “Go to the house and as soon as you’ve dealt with your father, do exactly what I told you. When you hear us enter the house, stay out of sight. Don’t do a thing until I come and get you. Understand?”

  “I don’t know,” I said, perplexed at the way she had taken charge.

  “Please!” She grabbed me by the lapels. “Promise you’ll do as I say! Please!”

  I promised, but as I watched her run off into the dark I had a resurgence of my old sense of dislocation, and though I had not truly listened to the major’s story, having been occupied with my own troubles, the sound of him sputtering and chortling behind me, gloating over the treasure of his recovered memory, his invention, whatever it was, caused me to wonder then about the nature of my own choice, and the story that I might someday tell.

  My father’s house was on Yen Phu Street—two stories of pocked gray stone with green vented shutters and a green door with a knocker carved in the shape of a water buffalo’s head. I arrived shortly after midnight and stood in the lee of the high whitewashed wall that enclosed his compound. The fog had been cut by a steady drizzle, and no pedestrians were about. Light slanted from the vents of a shuttered upstairs window, and beneath it was parked a bicycle in whose basket rested a dozen white lilies, their stems wrapped in butcher paper. I imagined that my father had ridden the bicycle to market and had forgotten to retrieve the flowers after carrying his other purchases inside. They seemed omenical in their glossy pallor, a sterile emblem of the bloody work ahead.

  The idea of killing my father held no terrors for me—I had performed the act in my mind hundreds of times, I’d conceived its every element—and as I stood there I felt the past accumulating at my back like the cars of a train stretching for eighteen years, building from my mother’s death to the shuddering engine of the moment I was soon to inhabit. All the misgivings that earlier had nagged at me melted away, like fog before rain. I was secure in my hatred and in the knowledge that I had no choice, that my father was a menace who would never fade.

  I crossed the street, knocked, and after a few seconds he admitted me into a brightly lit alcove with a darkened room opening off to the right. He was dressed in a voluminous robe of green silk, and as he proceeded me up the stairway to the left of the alcove, the sight of his bell-like shape and bald head with the silver plate collaring the base of his skull … these things along with the odor of jasmine incense led me to imagine that I was being escorted to an audience with some mysterious religious figure by one of his eunuch priests. At the head of the stair was a narrow white room furnished with two padded chrome chairs, a wall screen, and, at the far end, a desk bearing papers, an ornamental vase, an old-fashioned letter open
er, and a foot-high gilt and bronze Buddha. My father sat down in one of the chairs, triggered the wall screen’s computer mode with a penlight, and set about accessing the Sony AI, working through various menus, all the while chatting away, saying he was sorry he’d missed our show, he hoped to attend the following night, and how was I enjoying my stay in Binh Khoi, it often seemed an unfriendly place to newcomers, but by week’s end I’d feel right at home. I had brought no weapon, assuming that his security would detect it. The letter opener, I thought, would do the job. But my hand fell instead to the Buddha. It would be cleaner, I decided. A single blow. I picked it up, hefted it. I had anticipated that when the moment arrived, I would want to make myself known to my father, to relish his shock and dismay; but I understood that was no longer important, and I only wanted him to die. In any case, since he likely knew the truth about me, the dramatic scene I’d envisioned would be greatly diminished.

  “That’s Thai. Fifteenth century,” he said, nodding at the statue, then returned his attention to the screen. “Beautiful, isn’t it?”

  “Very,” I said.

  Then, without a thought, all thinking necessary having already been done, and the deed itself merely an automatic function, the final surge of an eighteen-year-long momentum, I stepped behind him and swung the statue at the back of his head. I expected to hear a crack but the sound of impact was plush, muffled, such as might be caused by the flat of one’s hand striking a pillow. He let out an explosive grunt, toppled with a twisting motion against the wall, ending up on his side, facing outward. There was so much blood, I assumed he must be dead. But then he groaned, his eyes blinked open, and he struggled to his knees. I saw that I’d hit the silver plate at the base of his skull. Blood was flowing out around the plate, but it had protected him from mortal damage. His robe had fallen open, and with his pale mottled belly bulging from the green silk and the blood streaking his neck, his smallish features knitted in pain and perplexity, he looked gross and clownishly pitiable. He held up an unsteady hand to block a second blow. His mouth worked, and he said “Wait …” or “What … .” Which, I can’t be sure. But I was in no mood either to wait or to explain myself. A clean death might not have affected me so deeply, but that I had made of a whole healthy life this repellent half-dead thing wobbling at my feet—it assaulted my moral foundation, it washed the romantic tint of revenge from the simple, terrible act of slaughter, and when I struck at him again, this time smashing the statue down two-handed onto the top of his skull, I was charged with the kind of fear that afflicts a child when he more or less by accident wounds a bird with a stone and seeks to hide the act from God by tossing his victim onto an ash heap. My father sagged onto his back, blood gushing from his nose and mouth. I caught a whiff of feces and staggered away, dropping the Buddha. Now that my purpose had been accomplished, like a bee dying from having stung its enemy, I felt drained of poison, full of dull surprise that there had been no more rewarding result.

  The penlight had rolled beneath the second chair. I picked it up, and, following Tan’s instructions, I used the computer to contact a security agency in Danang. A blond woman with a brittle manner appeared on the screen and asked my business. I explained my circumstances, not bothering to characterize the murder as anything other than it was—the size of my trust would guarantee my legal immunity—and also provided her with the number of Vang’s lawyer, as well as some particulars concerning the trust, thereby establishing my bona fides. The woman vanished, her image replaced by a shifting pattern of pastel colors, and, after several minutes, this in turn was replaced by a contract form with a glowing blue patch at the bottom to which I pressed the ball of my thumb. The woman reappeared, much more solicitous now, and cautioned me to remain where I was. She assured me that an armed force would be at the house within the hour. As an afterthought she advised me to wipe the blood from my face.

  The presence of the body—its meat reality—made me uncomfortable. I picked up the letter opener and went down the stairs and groped my way across the unlit room off the alcove and found a chair in a corner from which I could see the door. Sitting alone in the darkness amplified the torpor that had pervaded me, and though I sensed certain unsettling dissonances surrounding what had just taken place, I was not sufficiently alert to consider them as other than aggravations. I had been sitting there for perhaps ten minutes when the door opened and Phuong, laughing, stepped into the alcove with Tan behind her, wearing a blue skirt and checkered blouse. She kicked the door shut, pushed Tan against the wall, and began to kiss her, running a hand up under her skirt. Then her head snapped around, and although I didn’t believe she could see in the dark, she stared directly at me.

  Before I could react, before I could be sure that Phuong had detected me, Tan struck her beneath the jaw with the heel of her left hand, driving her against the opposite wall, and followed this with a kick to the stomach. Phuong rolled away and up into a crouch. She cried out my father’s name: “William!” Whether in warning or—recognizing what had happened—in grief, I cannot say. Then the two women began to fight. It lasted no more than half a minute, but their speed and eerie grace were incredible to see: like watching two long-fingered witches dancing in a bright patch of weakened gravity and casting violent spells. Dazed by Tan’s initial blows, Phuong went on the defensive, but soon she recovered and started to hold her own. I remembered the letter opener in my hand. The thing was poorly balanced and Phuong’s quickness made the timing hard to judge, but then she paused, preparing to launch an attack, and I flung the opener, lodging it squarely between her shoulderblades. Not a mortal wound—the blade was too dull to bite deep—but a distracting one. She shrieked, tried to reach the opener, and, as she reeled to the side, Tan came up behind her and broke her neck with a savage twist. She let the body fall and walked toward me, a shadow in the darkened room. It seemed impossible that she was the same woman I had known on the beach at Vung Tau, and I felt a spark of fear.

  “Are you all right?” she asked, stopping a few feet away.

  “All right?” I laughed. “What’s going on here?”

  She gave no reply, and I said, “Apparently you decided against using Mei’s herbs.”

  “If you had done as I asked, if you’d stayed clear, it might not have been necessary to kill her.” She came another step forward. “Have you called for security?”

  I nodded. “Did you learn to fight like that in Hue?”

  “In China,” she said.

  “At a private security company. Like Phuong.”

  “Yes.”

  “Then it would follow that you’re not Vang’s niece.”

  “But I am,” she said. “He used the last of his fortune to have me trained so I could protect you. He was a bitter man … to have used his family so.”

  “And I suppose sleeping with me falls under the umbrella of protection.” She kneeled beside the chair, put a hand on my neck, and gazed at me entreatingly. “I love you, Philip. I would do anything for you. How can you doubt it?”

  I was moved by her sincerity, but I could not help but treat her coldly. It was as if a valve had been twisted shut to block the flow of my emotions. “That’s right,” I said. “Vang told me that your kind were conditioned to bond with their clients.”

  I watched the words hit home, a wounded expression washing across her features, then fading, like a ripple caused by a pebble dropped into a still pond. “Is that so important?” she asked. “Does it alter the fact that you fell in love with me?”

  I ignored this, yet I was tempted to tell her, No, it did not. “If you were trained to protect me, why did Vang discourage our relationship?”

  She got to her feet, her face unreadable, and went a few paces toward the alcove; she appeared to be staring at Phuong’s body, lying crumpled in the light. “There was a time when I think he wanted me for himself. That may explain it.”

  “Did Phuong really accost you?” I asked. “Or was that …

  “I’ve never lied to you. I’ve deceived
you by not revealing everything I knew about Vang,” she said. “But I was bound to obey him in that. As you said, I’ve been conditioned.”

  I had other questions, but I could not frame one of them. The silence of the house seemed to breed a faint humming, and I became oppressed by the idea that Tan and I were living analogs of the two corpses, that the wealth I was soon to receive as a consequence of our actions would lead us to a pass wherein we would someday lie dead in separate rooms of a silent house, while two creatures like ourselves but younger would stand apart from one another in fretful isolation, pondering their future. I wanted to dispossess myself of this notion, to contrive a more potent reality, and I crossed the room to Tan and turned her to face me. She refused to meet my eyes, but I tipped up her chin and kissed her. A lover’s kiss. I touched her breasts—a treasuring touch. But despite the sweet affirmation and openness of the kiss, I think it also served a formal purpose, the sealing of a bargain whose terms we did not fully understand.

  Six months and a bit after my eighteenth birthday, I was sitting in a room in the Sony offices in Saigon, a windowless space with black walls and carpet and silver-framed photographs of scenes along the Perfume River and in the South China Sea, when Vang flickered into being against the far wall. I thought I must seem to him, as he seemed to me, like a visitation, a figure from another time manifested in a dream. He appeared no different than he had on the day he left the circus—thin and gray-haired, dressed in care-worn clothing—and his attitude toward me was, as ever, distant. I told him what had happened in Binh Khoi, and he said, “I presumed you would have more trouble with William. Of course he thought he had leverage over me—he thought he had Tan in his clutches. So he let his guard down. He believed he had nothing to fear.”

 

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