by James Axler
The Annunaki had spent the subsequent millennia observing from the shadows as man had grown bold, had proliferated at an alarming rate and learned how to tame his environment for his own ends. While the Annunaki had weaponry that had seemed magical in its capability, they had been fascinated to see how man developed his own terrible weaponry, things that could hurt and maim and kill.
Ultimately, the Annunaki had played their hand once more to begin the second great purging, utilizing fire this time where water had failed before. The brief nuclear war of 2001 had utterly changed the landscape of the planet Earth, creating vast tracts of irradiated land known as the Deathlands, and all but destroying the population. This was the world’s legacy that the Cerberus rebels inhabited.
But while the nuclear bombs had marked the end of civilization, they had not been the only means of destruction developed by man. In fact, in the centuries since the Annunaki had first tried to extinguish him, man had excelled in developing the means with which to kill his fellow man, and many and varied ways had been created that might be used to that terrible end.
Deep in the subterranean complex of Redoubt Mike, Ezili Coeur Noir had just uncovered one such terrible weapon. The queen of all things dead, Ezili Coeur Noir had an inherent ability, something like a homing instinct, that drew her to the things that would destroy life. She had sensed this thing down here, deep beneath the Louisiana bayou, and she found herself drawn to it. In her mind, it was like some almighty magnet drawing her down into the earth, down where the dead men lay.
MOVING STEALTHILY, Kane led the way into the corridor with Grant and Brigid just behind him. The undead thing that they had encountered had shaken them all up, and Kane felt unsettled as he trekked down the corridor.
The overhead lights flickered here, and though the motion sensors responded to the presence of the Cerberus rebels, several of the fluorescent tubes had blown. In places the lights flickered in staccato bursts, leaving the corridor in a sort of half-light of lightning flashes. Like the ones they had encountered on the lower levels of the redoubt, the corridor itself was painted off-white, with a boldly colored stripe lining the bottom third of the walls. This stripe was finished in a bright sky blue, and with the flickering illumination it gave Kane the eerie illusion of being below water.
There were no other corpse-things, but the corridor was littered with broken crates and boxes, with ancient paperwork strewed across the carpet tiles of the floor.
“Looks like they used this level as a dumping ground,” Grant muttered.
“Guess they wanted to get rid of this stuff,” Brigid pointed out, kicking at one of the stacks of paperwork with her toe. The topmost papers of the stack slid to the floor, and Brigid saw a bold red stamp marked Top Secret across several fluttering pages. “It’s just so much landfill now.”
Kane moved on, passing two open doorways to his left, both of them opening out into storerooms stacked with old furniture, chairs with broken backrests and wheels missing from their runners, computer desks stained with centuries’ old coffee.
This corridor proved much shorter than the ones he had explored on the preceding levels, and it ended in a solid wall on which hung a lone fire extinguisher painted a bright bloodred. Beneath the flickering light, the extinguisher seemed to flash like some fleshy cut in the wall, vying for Kane’s attention.
Off to the right, Kane saw a wide corridor set at a right angle to the one they were in. The corridor stood in darkness, and Kane peered into it trying to make out details. He could discern faint noises coming from its far end, distant shuffling sounds. With a swift hand gesture, Kane led the way silently down the corridor, his companions following at a wary distance, their guns ready.
The white-blue corridor ended in a sharp turn that opened directly into a large room the size of an aircraft hangar. The exit came so abruptly in the intermittent tube lighting that Kane very nearly stepped straight out into the open before he realized what he was doing. The sole of his boot scraped against the floor as he came up short and pulled back to the edge of the wall. He had managed just the briefest of glances ahead, but in that half second he had seen plenty, his regimented brain automatically taking in details from years of discipline.
It was a vast room, perhaps eighty feet square with scratched metal decking that glinted beneath harsh spotlights hanging on high catwalks. There were figures moving around the vast room—fleshy, shambling figures like the corpse-thing that his team had tangled with in the stairwell.
Grant and Brigid caught up with Kane and he gave them a look, indicating that someone was on the other side of the wall. Brigid lowered herself behind Kane until she knelt in a crouch by the near wall. Grant, meanwhile, silently eased himself across the wide corridor until his back was flush against the far wall, just out of sight of the opening but with the gap firmly in the sights of his poised Sin Eater.
Kane inched forward, bringing himself in low to peer once more around the edge of the whitewashed wall. He saw now that the room beyond was lit in patches, but it was enough that he could make out even the far corners, where stacks of crates towered haphazardly against gray-licked walls. Three aging Army vehicles were parked off to the left of the room. Two were jeeps, their tires long since perished or removed, one with its engine on blocks in front of its open hood, and the third was a heavy artillery truck, its olive paintwork caked with mud that had dried there two centuries ago, its tires flat.
At the rear of the room, Kane spotted the twin metal doors of a goods elevator. They opened like jaws, and the elevator looked wide enough to hold a truck. This was doubtless how the vehicles had been brought here, Kane realized, and presumably they had been left when the redoubt had been closed down.
The central strip of the room was empty. Painted lines marked out a “road” and designated safe walkways. Corpselike figures wandered around this vast arena, some of them carrying bulky crates in what seemed to be an effortless manner despite their wasted musculature. Kane counted more than a dozen zombies, for want of a better term, before his attention was drawn to the far side of the room. There, off to the right, a large glass-walled area took up almost one-third of the floor space, and Kane could see movement within. A towering figure strode among the other corpses, rotting like them and yet somehow demanding Kane’s attention. As he watched, Kane realized it was a woman, her flesh almost entirely rotted away, what remained a dark shade of brown like licorice beneath scraps of clothing.
There was an incessant buzzing coming from the hangar, low but present all the same, from the insects that flew close to the dead things, drawn to their rotting stench. It was incessant, like the sound made by someone running a finger around the rim of a wineglass. But for the woman it was different. Nothing flew around her.
Kane stepped back from the opening, swiftly attracting the attention of his companions. “There’s something going on out there,” he told them in a sharp whisper, “but I need to get closer if we’re going to find out what it is.”
Grant nodded sternly once and, after a moment’s hesitation, Brigid did the same. Briefly, Kane outlined the layout of the room and explained where everyone was to go before he led the way on swift, silent tread, into the vast, hangarlike chamber.
All the while, Kane couldn’t shake the feeling that there was something very familiar about the corpselike woman he had spied in the glass-walled office. Emaciated and almost fleshless, she had a certain presence he recognized, a certain bearing he felt that he somehow knew.
Quickly, his head ducked low between his shoulders, Kane sprinted to the nearest wall of the glass-lined area, crouching where a bank of filing cabinets had been placed against the wall on the far side.
Across the hangar, Brigid and Grant made their way through the shadows at the edge of the room, posting themselves among a pile a dismantled crates atop which a crowbar had been discarded. From here, they could see the doorway to the glass-walled area, as well as most of the vast, hangarlike room without exposing themselves.
Now poised beside the glass wall, Kane edged himself up from his crouch and peeked through the glass. This close up he could see that it was smeared with dust and grime, but he could still see through it clearly enough to observe what was going on within. The room itself seemed to be some kind of office with a laboratory attached, and files of paper had been left haphazardly over several surfaces while the lab was now in an obvious state of disrepair. The spindly corpse woman who had drawn Kane’s attention continued flicking through the pages of the file she held in her clawlike hands as other undead figures wandered throughout the room.
Kane watched incredulously as a fly, its bloated black body like a blob of ink, left the gaping eye socket of its host, a dead child no taller than Kane’s navel. It flew around in that strange, hard-angled-turn manner that flies will until they find somewhere to go. Then, the inkblot fly seemed to spot the woman, darting in the air to buzz toward her. But as it neared her, attracted by her reeking decrepitude, the fly’s wings ceased moving and it simply dropped, plummeting to the ground where it landed with a sharp whisper, now just a dried-up husk. Kane saw another fly do the same thing a moment later, this one a fat bluebottle with body like shimmering glass. This, too, dropped in the presence of the corpse woman, falling to the floor as though in supplication.
Machinery whirred behind her within the glass-walled room, ancient lab technology that was being operated—perversely, it seemed to Kane—by another of the shambling undead figures, this one a short, stocky woman whose skin had wrinkled into a black smear that clung like tar to her dead flesh. She was operating some kind of mixing device, Kane realized, and he moved a little to his right so that he could see what the device was doing. He watched as test tubes spun, their luminous contents bubbling and frothing with each rotation of a spinner arm. There were four test tubes at each end of the arm, eight in total, each clamped there by holding pincers, a stopper cap preventing their contents from spilling free as the arm rotated.
“What the hell are they mixing up in there?” Kane mouthed, his voice something less than a whisper.
Kane watched as the eight glass tubes were whirled around once again within the centrifuge unit, like a tiny funfair ride. The spinner arm itself was located behind reinforced armaglass, like a little glass display cabinet at the side of the room. Presumably, the cabinet was designed to both dampen the noise of the machinery and to protect the user from dangerous chemicals, for the door could be sealed to prevent any leakage. However, Kane spotted a crack in the glass and the lock appeared to have been wrenched off, a brown smear across the front panel—the woman’s flesh, he acknowledged with a growing sense of nausea.
A digital timer at the top of the mixing unit glowed, proudly counting down from a little over twelve hours, its green numbers marching slowly toward an inevitable zero. Whatever it was that was being mixed there, it would be ready at sundown, Kane calculated.
His interest piqued, Kane shifted his position, turning his attention back to the taller, corpselike figure who seemed to dominate the room. The corpse woman was working through a file of papers, and Kane swallowed hard as he saw the pages begin to crumble in her hands, tiny flecks of paper sailing away on the air, now nothing more than dust. Wrapped in its brown cardboard sleeve, the file was marked U.S. Army and several notations appeared on its foremost page.
Kane edged closer to the glass, trying to make out the designation on the front cover where the corpse woman held it with vomit-yellow talons. RWI077-093-d.
Kane committed the number to memory as he watched the woman flick through the file, a rictus grin fixed on her hideous features. With each turn of the page, flakes of paper drifted from the file like ashes from a fire; it was literally rotting at her touch.
Kane turned at a nearby noise, ducking out of sight. Across the hangar, the animated corpse of a male was pacing toward the glass-walled room, rolling gait uncomfortable as he balanced a heavy metal cylinder in his outstretched arms. The man was wide-shouldered and must have been over six feet tall when he was alive. He still seemed formidable even with so much of his body rotted away beneath the ragged remains of his dark clothes. Despite himself, Kane smiled when he noticed that the corpse wore a leather patch over his left eye, even though the evidence of the right eye was just an empty socket now. Whatever it had worn in life, the man now wore in death, Kane realized.
Eye Patch stomped through the open doorway and into the glass-walled area, and he stopped in front of the woman, showing the cylinder for her approval like some mockery of an old-fashioned door-to-door salesman.
Kane hunkered down, watching the transaction from behind the concealing cabinets. The woman leader stared at the cylinder for a long moment, reading the coded markings there with lizardlike eyes yellow as egg yolks. There were several brightly colored haz-chem labels on its side, Kane saw, including one showing a cross through the black silhouette of a slope-sided beaker on a burned orange background—poison.
The woman ran her hand along the metal canister, her ragged nails playing across its surface like nails on a chalkboard. Kane gasped as he saw the paint begin to peel and flake away as if it had been prematurely aged by the elements.
Then the ex-Mag heard the corpse woman speak for the first time, in a voice like dried leaves. “Yes,” she told the figure with the eye patch. “Find more. Do this for your mistress. Do this for Ezili Coeur Noir.”
The partially decomposed male figure placed the canister on the floor, leaving it at Ezili Coeur Noir’s feet. Then he turned and made his way from the glass room before halting in the doorway. Kane got the impression that the broad-shouldered corpse was sniffing the air, as if he had sensed something. Kane crouched, pressing his back against the glass as the broad figure stood there, searching the room with his eyeless socket.
From his position, Kane could see only the figure’s boots—holed and wasting away. He felt his stomach turn as the dead thing made some hideous sound from the back of his throat, the noise of a man choking on his own blood.
Across the room, crouching among the stacked crates, Grant and Brigid watched furtively as Kane huddled closer to the wall, trying to keep out of the eye line of the dead thing standing in the doorway. They heard him make that terrible sound deep in his throat, and they watched with concern as three figures seemed to answer, moving toward him from their work at a stack of matériel near the glass office. Ungainly but purposeful, the figures made their way over to the area where Kane was crouching, one of them using an ebony walking cane to help balance the stride of his wasted legs.
Grant tapped on his Commtact. “Kane, you’ve been spotted,” he whispered. “Abort.”
Even as Kane heard Grant’s words amplified through his mastoid bone over the subdermal Commtact, the eye-patched figure at the doorway turned to face him, showing the fearsome remains of its broken teeth as it snarled at him. Kane’s eyes widened as three more rotting forms joined Eye Patch, standing in a semicircle at his back. As Kane began to push himself up from the wall, the figure with the eye patch raised his sickening, rotted hand and his bony index finger extended to point at the ex-Mag, like the accusing finger of judgment.
“Guess you’ve got me dead to rights,” Kane muttered as he stood in front of the four accusing, wasted figures.
Chapter 5
Kane took in the figures who faced him in an instant.
The one with the eye patch pointed at Kane with a skeletal index finger as if in accusation of the living.
Behind Eye Patch, three other forms loomed, rocking on their heels as they watched him with dead eyes. The one farthest to the left was tall and scarecrow thin, wearing tattered clothing. He was so unsteady that he used a crooked walking stick.
Beside Walking Stick, Kane saw an emaciated figure with the straggly remains of long dreadlocks. The wide hips of her pelvis confirmed that she had been a woman, and a powerfully built one at that. When the woman bunched her fists, a gob of discolored and rotting flesh hung down between her ragged fingers like a
teardrop. Mentally, Kane tagged the woman Dreadlocks before turning his attention to the last of the undead creatures.
This one was shorter than the others, a little over five feet tall, and had adopted a fighting stance, pitching his legs wide to lower his center of gravity. He had wispy hair, and his skull peeked through the rotted flesh of his long-dead face. Kane tagged this one Shorty, and figured him to be the least trouble if it came to a fight.
Pointing at Kane, Eye Patch curled an index finger, folding it inward, like the beckoning finger of fate. A twisting knot in his stomach, Kane recognized the movement; the corpse wasn’t pointing but was pulling the trigger of a gun, an old flinch reaction from whatever brutal life he had lived.
As the realization dawned, Kane took a quick step to his left, away from the glass wall. The tall corpse with the walking stick took a step to his right, holding the stick out to block the ex-Mag’s way. Behind the clutch of corpses, the twisted form of Ezili Coeur Noir had appeared, moving like a specter from the glass-fronted office into the main hangar. Her mouth opened, black tongue writhing amid rotting gums, as she spoke.
“Life.”
Kane heard the word, and felt the nagging at the back of his mind that somehow he knew this woman. The eye-patch-wearing corpse took another step toward Kane, so close now that Kane had to step back to avoid him. The corpse’s dead companions stepped forward, too, boxing Kane in. Behind them, more of the undead figures had begun amassing, acknowledging the perverted condemnation of the queen of death.
Taking another lurching step forward, the figure with the eye patch reached for Kane once more, and Kane found himself backed up against the wall.
“Back off, Eye Patch,” Kane snarled.