The Chicago Way

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The Chicago Way Page 23

by Michael Harvey


  “So is Favre all done?” I said.

  They smiled and started in. I listened and nodded. In the distance I could hear sirens. That would be Rodriguez, followed probably by Masters. They’d get here soon enough.

  Chapter 58

  It was the day before Thanksgiving. The city was quiet. The holiday season beckoned.

  I picked up Rodriguez downtown. We headed west on Madison. It had been more than a week since we last spoke. He had a lot to take care of. I had even more to avoid.

  “Getting any better?” I said.

  The media storm was finally settling. Dateline and 60 Minutes had taken their shots, done their profiles. As had The New York Times, Newsweek, CNN, and the BBC.

  Most of the coverage centered on Grime, Pollard, and Bennett Davis. Some of it focused on two sisters from Kansas and a third they needed to avenge. Time magazine ran a piece on the hidden costs of sexual assault. I actually read that one.

  None of the coverage mentioned me. For that, I had Rodriguez and Masters to thank.

  “Only two media requests this morning,” Rodriguez said. “This afternoon I’m on live with Australia. They love Grime Down Under. By the way, your buddy Masters says to go fuck yourself.”

  “Tell him I said hello back.”

  “Yeah. Eventually we’re going to have to get a statement from you. Probably take a couple of days.”

  “After the holidays?”

  “Sure. By the way, she asked to see you.”

  Diane Lindsay had been in custody for nine days and tried to kill herself three times. The first was in a holding area after she discovered her sister had shot herself. Used a shard of Plexiglas to open up one of her wrists. Lost two pints of blood and took twenty-three stitches. The two times after that were in the hospital. Pills.

  My brother had taught me all I needed to know. About prisons. About suicide. About how appealing death could sometimes seem.

  “Think I’ll take a pass,” I said.

  Rodriguez shifted in the seat beside me, pulled his gun off his belt, and laid it on the floor next to his feet.

  “Probably a good idea. They got her pretty doped up. Pull in and let’s get coffee.”

  We stopped at a Dunkin’ Donuts and loaded up. Back in the car, I continued west, back to my childhood. Rodriguez sipped at his coffee and did a little reminiscing of his own.

  “Let me ask you something, Kelly.”

  “Go for it.”

  “What put you onto the sisters? I mean, why did you ever think of taking it back to Kansas?”

  I shrugged. Like any cold case, the answer was in the evidence box. You just had to know where to look.

  “All those people in the street file,” I said. “All dead. All, save Belmont, shot with a nine. Just didn’t seem right. Then I remembered that first morning Mary Beth showed up at my house. With a nine. Another coincidence.”

  “That makes two.”

  “Yes, indeed. I talked to a detective out of Phoenix. Guy named Reynolds. He ran down a hotel receipt for me. From 2002.”

  “The year the ER nurse was shot?”

  “A Ms. Remington, no first name, paid cash for her room, two miles and one day removed from the Gleason murder. That’s when I knew I had to go to Kansas.”

  “How about Diane?”

  “Didn’t see that coming,” I said. “Not even a bit.”

  We let it sit for a minute. Listened to my tires rumble over Chicago asphalt.

  “Funniest thing about the whole case,” I said. “Diane gave me the street file. Gave me the lead that hung her and her sister.”

  “Stupid,” Rodriguez said.

  I nodded and thought maybe not. Maybe it was the sort of ending she needed.

  We drove west on Grand, took a right on Central, drove a bit farther, and parked. Most of the neighborhood was gone, replaced by strip malls and weeds. The rail yards, however, were still there. As were the train tracks beyond.

  “This where you grew up?” Rodriguez said.

  “About a mile east of here. This is the spot, though.”

  We walked around to the back of the car and popped the trunk.

  “By the way,” Rodriguez said, “your boy Grime is a little nervous these days.”

  “How so?”

  “Seems the protection money that kept him alive has dried up.”

  “It came from Bennett?”

  “Probably. The boys at Menard make it sixty-forty Grime never sees the needle. Side bets are coming in on how he gets it. I got ten down on a shank to the stomach.”

  Rodriguez smiled, the one you earn from all the nights of closing eyelids and zipping up body bags. From calling parents and listening to the pain.

  “Anyway, that piece of shit is done,” Rodriguez said. He pulled a shovel out of the trunk and handed it to me.

  “Been meaning to ask you something,” I said.

  “Go ahead.”

  I leaned on my shovel. Rodriguez gave me a look as he pulled out the other spade.

  “Think you would have done it?” I said.

  “Done what?”

  “Pollard.”

  “Taken him out?”

  “That’s it.”

  The detective slammed the trunk shut and put his foot up on a fender.

  “Don’t know, Kelly. I mean, I would have liked to, but things never really got that far.”

  “Bullshit.”

  “Excuse me?”

  “Bullshit. The night in the industrial park. You could have done it. You thought about it. Thought about it hard.”

  “You think so?”

  “Yeah, but I knew you wouldn’t pull the plug. Not in your nature.”

  I moved off the car, stepped over a chain strung across the road, and started to walk across the rail yards. Rodriguez was a beat behind.

  “Nicole told me a little bit about this,” he said. “How you’re always talking about people’s nature, their way of being. She said you got it from Cicero or something.”

  “Changing the subject, Detective.”

  “Maybe I am. Maybe I’m not. You’re right. I thought about it. Came close.”

  I looked over.

  “But you stopped,” I said.

  “There’s a line there, you know. Once you step across … ”

  “You live with it.”

  “Guess I couldn’t do that. Still, there’s a part of me that wanted it, still wants it. Still thinks about it.”

  “That’s okay,” I said.

  “My nature?”

  “Yeah.”

  The detective shrugged and took a look around.

  “You know where we are here?”

  I thought back to that day twenty-one years ago. Fourteen years old, standing in the swamp. Seeing Nicole. Watching her rape. My first look at a live sexual act. Feeling the first hint of darkness. Surrendering to it.

  “Some things have changed,” I said. “But I got an idea.”

  I headed out across some old tracks and through the back of the yards, to an alley I had cruised three times in the past week. Best I could figure, this was the front end of the old swamp. Twenty yards behind it was the south end of the tracks. I remembered those. In between sat a depressed bit of ground, littered with beer bottles, condoms, and a couple of bums sleeping it off. The back end of the swamp. The end where Nicole was assaulted, where I might very well have killed a man.

  “You realize we aren’t too likely to find anything,” Rodriguez said.

  I hefted my shovel, picked out a spot, and started to dig.

  “I know,” I said.

  “But you have to try.”

  “I guess so.”

  “Let me ask you something,” Rodriguez said. “What if we do find something?”

  I stopped. There wasn’t much of a hole yet, but I could feel the pulse in my temple, the first flush of blood through my arms and shoulders. It was work. It made me feel better.

  “We call Homicide,” I said.

  “Yeah?”

&nbs
p; “Yeah.”

  Rodriguez put a foot to his shovel and turned over a layer of dirt that was more like dust. A fragment of ancient text ran through my head:

  It was Aristotle’s take on friendship:

  “One soul living in two bodies.”

  I dug into the hard ground again and waited for the sweat. Either way, my friend Nicole and I would get our answers. Either way, it was going to be okay.

  Author’s Note

  This is my first novel. As such, it is as much the product of good fortune and the beneficence of others as it is anything I might have done. The following people contributed their time, talent, and heart to this novel. I cannot thank them enough.

  Jerry Cleaver, Deborah Epstein, Laura Fleury, Anna Gardner, David Gernert, Garnett Kilberg-Cohen, Erinn Hartman, Bill Kurtis, Leslie Levine, Tania Lindsay, Diane Little, Maria Massey, Dan Mendez, Megan Murphy, Mary Frances O’Connor, Jordan Pavlin, Pegeen Quinn, Roel Robles, John Sviokla Jr., John Sviokla III, and Patrick Sviokla.

  Special thanks to my mom and dad for sacrificing so much, and to my five sisters and brother for being the best people I know.

  Most of the action in this novel takes place in Chicago. I have, whenever possible, tried to be faithful to the city’s geography, buildings, and institutions. Where necessary, however, I have intentionally taken certain liberties to fit the needs of the story. My apologies in advance to those of you who live in the world’s greatest city and know full well where all the imperfections lie.

  A Note on the Author

  MICHAEL HARVEY is the author of two other Michael Kelly books, The Fifth Floor and The Third Rail, as well as a journalist and documentary producer. His work has won numerous national and international awards, including multiple Emmy Awards and an Academy Award Nomination. Harvey earned a law degree from Duke University, a master’s degree in journalism from Northwestern University, and a bachelor’s degree in classical languages from Holy Cross College. Additional information can be found at

  http://michaelharveybooks.com/

  Also Available By Michael Harvey

  THE FIFTH FLOOR

  ‘Wonderful … Michael Harvey has put his own unique touch on the crime novel’

  MICHAEL CONNELLY

  When Michael Kelly agrees to track the movements of an abusive husband, little does he know he is about to become embroiled in a murder investigation and a plot to re-write history. What Kelly thinks is a routine domestic case soon turns sour when he finds a body in an old house. As links with the City Hall’s notorious fifth floor and Chicago’s longest standing mystery start to emerge, it turns out the history books may not be quite what they seem. Plunged into a world of corruption and startling intrigue, Kelly struggles to unearth the truth before an unknown enemy can frame him for the murder.

  Michael Harvey’s tough-talking ex-cop turned PI returns in this urgent, stylish, ferociously absorbing follow up to his masterful debut, The Chicago Way.

  *

  ‘Harvey’s second novel confirms him as a modern-day Dashiell Hammett’

  DAILY MAIL

  ‘Impressive … a tangled, fascinating tale’

  CHICAGO TRIBUNE

  *

  ISBN 9781408819685 • PAPERBACK • £7.99

  By the Same Author

  The Fifth Floor

  The Third Rail

  THE THIRD RAIL

  ‘Harvey has created a great private investigator’

  DAILY MIRROR

  A woman is shot as she waits for her train to work. An hour later, a second woman is gunned down as she rides an elevated train through the Loop. And then a church is the target of a chemical weapons attack. The city of Chicago is under siege. Michael Kelly is tasked by Chicago’s mayor and the FBI to hunt down the killers. But as he gets nearer the truth, his instincts lead him to a retired cop, a shady train company and an unnerving link to his own past. Meanwhile, a weapon that could kill millions ticks away in the belly of the city…

  In The Third Rail, hard-boiled private investigator Michael Kelly returns in this flawless follow-up to the acclaimed The Chicago Way and The Fifth Floor.

  *

  ‘A knockout thriller. Harvey dispenses the pressure plays, cruel surprises and heartbreaking setbacks of his plot with crack timing, never allowing the reader a moment to unfasten his seat belt’

  WASHINGTON POST

  ‘Edgy, and delivered at a cracking pace’ * * * *

  MAIL ON SUNDAY

  *

  ISBN 9781408809679 • PAPERBACK • £7.99

  * * *

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  First published in Great Britain 2007

  Copyright © 2007 by Michael Harvey

  This electronic edition published 2011 by Bloomsbury Publishing Plc

  The right of Michael Harvey to be identified as the author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988

  All rights reserved. You may not copy, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or by any means (including without limitation electronic, digital, optical, mechanical, photocopying, printing, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages.

  Bloomsbury Publishing Plc, 36 Soho Square, London W1D 3QY

  A CIP catalogue record for this book is available from the British Library

  ISBN 978 1 4088 1977 7

  www.bloomsbury.com/michaelharvey

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