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by Sharon Webb


  A musc­le pul­sed over his jaw as he sta­red at the scre­en. He had an in­na­te dist­rust of the va­gue, the ine­xact. Was that why he had tem­po­ri­zed over this so long? Sta­tis­ti­cal me­asu­re­ments we­ren't pu­re math tho­ugh. Too much mar­gin for er­ror, yet-

  She to­ok the tho­ught from his mind, "What's the al­ter­na­ti­ve, Kurt?"

  He le­aned back in his cha­ir, lo­oking at the scre­en, se­e­ing not­hing for a mo­ment, sa­ying not­hing.

  "It's dying, Kurt. May­be al­re­ady de­ad. We find it in the yo­ung child­ren, but when the pro­cess be­gins, the test sco­res, fall off. Then, in a few mo­re ye­ars it's go­ne." She pres­sed anot­her but­ton and the scre­en chan­ged. "You can't deny it any­mo­re. It's the­re in front of you."

  He didn't lo­ok at the scre­en; he didn't ha­ve to. It was the pro­cess. He had known it for so­me ti­me. Ca­me­ran Menc­ken's graphs and charts only ad­ded con­fir­ma­ti­on.

  "Kurt, the­re's be­en not­hing new in bi­oc­he­mistry sin­ce Ad­ler di­ed twenty ye­ars ago. And physics-no­body's left to carry on Car­mody's work, or Kraft's-no one for eigh­te­en ye­ars."

  His mind to­ok up the ref­ra­in. The last gif­ted sculp­tor di­ed thirty ye­ars ago, le­aving in her dust not­hing but a fe­eb­le imi­ta­ti­on of art. And mu­sic? Whe­re we­re the Snif­fens, the Ha­vi­lands, the Suc­ha­rit­kuls now? He lo­oked, at his hands, re­mem­be­ring a long ti­me ago when tho­se hands had mo­ved over a key­bo­ard, over the keys of an oboe, with what had be­en cal­led ge­ni­us.

  Menc­ken's vo­ice in­ter­rup­ted his tho­ughts. "So­met­hing's got to be do­ne. The plan we dis­cus­sed. It-"

  "It will be my de­ci­si­on," he sa­id sharply.

  "But how can you-"

  "Do I ha­ve to re­mind you that I'm yo­ur su­pe­ri­or?" He watc­hed as the co­lor dra­ined from her fa­ce.

  She ra­ised her chin slightly. Her vo­ice chil­led the ro­om. "Of co­ur­se. I'll le­ave you with the­se fi­nal re­sults." She put a subt­le emp­ha­sis on "fi­nal" as she sto­od, stra­igh­te­ned her sho­ul­ders and wal­ked out.

  He to­ok a slow bre­ath when she'd go­ne. She didn't de­ser­ve that, he tho­ught. She was just do­ing her job. And she was right, of co­ur­se. It was easy to be right in her po­si­ti­on.

  He pres­sed his hands flat on the desk top and sta­red at his outst­retc­hed fin­gers for a mo­ment. Then, ab­ruptly, he stab­bed out a com­mu­ni­ca­tor co­de. In a mo­ment, prin­to­uts be­gan to sli­de in­to a ne­at stack. The pa­ges had a sing­le word at the top: RE­NAS­CEN­CE.

  * * *

  At twel­ve hund­red ho­urs, Kurt Kra­us to­ok the sub­lif to the un­derg­ro­und and step­ped in­to a so­lo. As he pres­sed a co­de, it ac­ce­le­ra­ted smo­othly. In three mi­nu­tes it stop­ped. In two mo­re, he wal­ked in­to the lobby of the Pe­op­les' Ho­tel.

  The high ce­iling glo­wed blue. Fully ho­lo clo­uds flo­ated in the sur­ro­ga­te sky over­he­ad. He to­ok a se­at and wa­ited. In a few mi­nu­tes, the sub­lif do­ors ope­ned aga­in, and a wit­he­red old man got out.

  Thro­ug­ho­ut the lobby, pe­op­le nod­ded and smi­led at the old man. He was a ce­leb­rity to them-the last mor­tal. Not the last re­al­ly, but less than a do­zen re­ma­ined now. All the ot­hers we­re go­ne. Dust and me­mo­ri­es.

  He wal­ked slowly, bent over his ca­ne, pa­using to fe­el his way with each fal­te­ring step. He he­si­ta­ted and lo­oked aro­und the lar­ge ro­om. His eyes we­re dim and pa­le.

  Kurt was wal­king to­ward him, re­ac­hing out, to­uc­hing his arm. "It's be­en a long ti­me." He gu­ided the old man, slo­wing his vi­go­ro­us stri­de to match the hal­ting one. "I'm ta­king you to lunch. And, happy birth­day to you."

  He ste­ered the old man to­ward the ho­tel res­ta­urant. They sat in soft whi­te cha­irs amid gre­en plants han­ging in con­fu­sed tumb­les. Elect­ric blue fish swam be­hind trans­pa­rent cur­ving walls. Kurt glan­ced at the me­nu that glo­wed from the tab­le top, then he stu­di­ed the old man ac­ross from him. He was ap­pal­led at the chan­ges he saw. He was so fra­il now, and his skin was as trans­lu­cent as parch­ment. "Ha­ve you be­en well?" he fi­nal­ly as­ked in a vo­ice as stil­ted as a com­pu­ter's. But he was thin­king, why did I bring you he­re? And why did you ac­cept? Why didn't you just stay in Tam­bay? That's whe­re you'd rat­her be.

  The old man pe­eped out of fa­ded eyes that ref­lec­ted, fle­etingly, the yo­uth of the ot­her. "Fi­ne, Kurt. And you?"

  "Oh, very well," he sa­id, and he tho­ught, this is what we say to each ot­her-"How are you?" "Fi­ne." We say the tri­vi­al things, the me­aning­less things, as if we we­re me­rely ac­qu­a­in­tan­ces or ne­igh­bors pas­sing in the halls. He re­mem­be­red the stack of let­ters, ye­ars of them, full of ide­as, com­mit­ments, hu­mor, pat­hos-full of to­uc­hing. He lo­oked at the old man. A stran­ger. Not li­ke his let­ters. Not li­ke his let­ters at all. One hund­red six­te­en to­day, he tho­ught. Only one ye­ar ol­der than he was, and fra­il, clin­ging to li­fe with fra­gi­le stick fin­gers and will. Eric-his brot­her.

  They or­de­red. The­ir fo­od ca­me, and then Kurt sa­id, "What are you re­mem­be­ring on yo­ur birth­day?"

  The old man star­ted from his re­ve­rie. "I was re­mem­be­ring be­ing ten."

  "Ten?"

  "I think I got to be ten and then sta­yed that way." A wisp of a smi­le tra­iled ac­ross his fa­ce. "I don't fe­el any ol­der now, re­al­ly. In­si­de." He lo­oked down then, as if he we­re as­ha­med of what he sa­id.

  Kurt re­ac­hed out and to­uc­hed the old man's arm. Eric had ne­ver be­en ten, he tho­ught. He had al­ways be­en ol­der. When they we­re boys, it was al­ways Eric who sto­od bet­we­en him and di­sas­ter, bet­we­en him and the world, bet­we­en him and his fat­her-I'm go­ing to watch you die. I'm go­ing to li­ve and watch you die. He blin­ked at the tho­ught and felt the dark ed­ge of gu­ilt sha­dow his so­ul.

  "A silly con­ce­it, isn't it?"

  Kurt sta­red, then sho­ok his he­ad and gently squ­e­ezed the thin arm.

  "When you're my age-" He stop­ped and lo­oked at Kurt, "That is, when you're old it's hard to ke­ep up the il­lu­si­ons. Yo­ur body has a way of bet­ra­ying you."

  Kurt's eyes nar­ro­wed in sympathy. He wan­ted to tell Eric abo­ut his work-abo­ut Re­nas­cen­ce. But how co­uld he tell him what Re­nas­cen­ce me­ant? Co­uld he say, "Eric, the world ma­de a mis­ta­ke. We ma­de every­body im­mor­tal and that kil­led cre­ati­vity. And now we ha­ve to chan­ge things. Now we ha­ve to ta­ke our brigh­test, most ta­len­ted child­ren and ask them to cho­ose bet­we­en lo­sing the­ir im­mor­ta­lity or lo­sing the­ir cre­ati­vity?" Co­uld he lo­ok at Eric and say that? Co­uld he lo­ok at him and say, "We'll be as­king our child­ren to cho­ose to be what you are?" Yet, sho­uldn't he? Wo­uldn't it ma­ke the old man less lo­nely to know that the­re wo­uld be ot­hers, to know that he wo­uldn't be the last mor­tal any­mo­re? Or wo­uld it re­al­ly mat­ter?

  We sho­uld ha­ve kept it to let­ters, he tho­ught. If they had kept it to let­ters, it wo­uld ha­ve be­en easi­er. He lo­oked at his strong hand res­ting on Eric's arm, and he tho­ught of cont­rasts and of bet­ra­yals. Fi­nal­ly, he lo­oked at Eric, "Now, tell me. How has the we­at­her be­en in Tam­bay?"

  * * *

  He sto­od in the ho­tel lobby, watc­hing as Eric ma­de his hal­ting way to the sub­lif. When the do­ors ope­ned, the old man step­ped in­si­de and, le­aning on his ca­ne, tur­ned to­ward him. The prog­ram­med lights of the lobby ce­iling we­re dim­ming-fa­ding to black. As the vast ro­om plun­ged in­to to­tal dark­ness for a mo­ment, the lights of the sub­lif pla­yed on the old man's wispy whi­te ha­ir as he sto­od alo­ne. Ste­ad­ying him­self, he lif­ted one hand in a tremb­ling go­odb­ye.

&nbs
p; In the dark, Kurt's hand ro­se in a li­ke ges­tu­re, and when the ho­log­ram of Sa­turn with its whe­eling rings win­ked on, ligh­ting the ro­om on­ce mo­re, the sub­lif do­ors had clo­sed and Eric was go­ne.

  Sha­ken, Kurt sank in­to a cha­ir. The me­eting had jar­red lo­ose a part of him that he had loc­ked away-a por­ti­on of his yo­uth that he had for­got­ten un­til now: Eric's vo­ice was sa­ying "…we've got each ot­her. We'll al­ways ha­ve each ot­her…" Eric was only fif­te­en then… no, six­te­en.

  His brot­her's fa­ce shif­ted in his mind aga­in. He co­uld see it-see the brow fur­row as Eric strug­gled with a pi­ano pas­sa­ge that had co­me so easily to his yo­un­ger brot­her.

  So much ca­me back, so much, from so long ago… A hand re­ac­hing out, ste­ad­ying him, as they pla­yed that sum­mer in the cre­ek at Juni­per Springs, as he plun­ged in­to first one, then anot­her boy-si­zed spring, sin­king to his chest, then pop­ping up aga­in with the pres­su­re of the wa­ter. Shri­eks of "Qu­ick­sand!" …burb­ling, gig­gling scre­ams of "Help!"

  He re­mem­be­red the ti­me he had blac­ked Eric's eye. He re­mem­be­red the talks. Oh, the talks… abo­ut sex, abo­ut what it wo­uld be, must be, li­ke… the talks abo­ut what they wo­uld do with the­ir li­ves, whe­re they wo­uld go… the talk that ma­gic night as they lay in sle­eping bags un­der the stars. "We’ll go the­re so­me­day, Kurt. To the fart­hest star in the who­le uni­ver­se…"

  As pe­op­le pas­sed, Kurt le­aned back in his cha­ir and sta­red at the ce­iling, sta­red at the rings of the bo­gus Sa­turn mo­ving slowly abo­ve him, sta­red at the dim elect­ric stars that bur­ned be­yond. "We'll go the­re, Kurt. To the fart­hest star…"

  Wo­uld they?

  They had ope­ned the do­or to in­fi­nity; yet, as they sto­od on the thres­hold, they saw that no ot­her do­ors lay open to them. The pro­cess had gi­ven them ti­me-all the ti­me the­re was- and it had rob­bed them of the­ir dre­ams, in­di­vi­du­al­ly and col­lec­ti­vely.

  He re­mem­be­red a boy of fif­te­en stan­ding on the brink of it, a boy who tho­ught he had in­he­ri­ted the Earth. He had. And mo­re. He-all of them-had in­he­ri­ted a se­ri­es of mi­nor pla­nets re­vol­ving aro­und a se­con­dary sun-not­hing mo­re. Now, they had the rest of ti­me to con­temp­la­te how truly small, how truly in­sig­ni­fi­cant they wo­uld al­ways be.

  He co­uld he­ar his fifth-gra­de te­ac­her-what was her na­me? Mary Will Cha­se-tal­king abo­ut the pi­one­ers who fa­ced gre­at hards­hips as they cros­sed a hos­ti­le land in flimsy co­ve­red wa­gons. The old wo­man's fa­ce had glo­wed with an emo­ti­on he had ne­ver se­en the­re be­fo­re, and he had felt stir­rings wit­hin him­self. She tal­ked of die fron­ti­er of spa­ce-the last fron­ti­er-the one with no li­mits. "It's be­gin­ning," she had sa­id. "One day, the­re will be co­lo­ni­es in the as­te­ro­ids and mi­ning on the mo­ons of Jupi­ter and Sa­turn. Af­ter that, hu­man be­ings will tra­vel among the stars." He had lo­oked at her then with won­der. She won't go, he had tho­ught. She's too old. And then, so­me­how, he knew that this didn't mat­ter to her. It didn't mat­ter be­ca­use so­me­one wo­uld go.

  And they had tra­ver­sed and con­qu­ered the­se pla­nets, the­se circ­ling worlds, to the­ir li­mits. Now, the­re was only one pi­one­er left-go­ne be­fo­re he was born-a lit­tle un­man­ned ship that car­ri­ed on its hull a thin gold disc eng­ra­ved with the li­ke­ness of a man and a wo­man.

  A bit­ter smi­le crept on­to his lips. Spa­cec­raft mo­ved now at eight ti­mes the spe­ed of the lit­tle Pi­one­er-for bri­ef ti­mes, much fas­ter. And at this spe­ed, im­mor­tal man, se­aled in­si­de a tiny sur­ro­ga­te Earth, wo­uld ta­ke over eight tho­usand ye­ars to re­ach the ne­arest star-a star that had no worlds.

  He knew then the ter­rib­le le­gacy they all sha­red. It was as if the com­for­tab­le God who dwelt in the sto­lid brick Presby­te­ri­an church of his child­ho­od had cast asi­de his dis­gu­ise, had sud­denly burst in­to a ge­omet­ric growth so hu­ge, so all-encom­pas­sing, as to be comp­le­tely and fo­re­ver un­re­ac­hab­le. Only ec­ho­es we­re left, elu­si­ve sha­dows of un­gu­es­sab­le di­men­si­ons moc­king and ta­un­ting him.

  They had cre­ated the­ir own im­mor­ta­lity, and in the do­ing they had shrunk them­sel­ves in­to so­met­hing in­fi­ni­te­si­mal; as part of the de­sign, they had cast away the le­aven of the­ir own cre­ati­vity, the only God­li­ke to­uch hu­ma­nity held. They we­re left as tiny shells of pro­te­in and acid, col­lec­ti­ons of he­li­cal strands of be­ing that ra­ged at puny lon­ge­vity. And one day they wo­uld stand at the far re­ac­hes of a tiny system of circ­ling pla­nets; they wo­uld watch the gi­ant red disc of a dying sun and know that the­re was in­de­ed no pla­ce, no fu­tu­re, no ho­pe left to them.

  The uni­ver­se wo­uld ex­pand and then be­gin to fall back upon it­self, cont­rac­ting its gro­wing ener­gi­es in­to a tiny pri­mor­di­al mass un­til, full circ­le, it wo­uld on­ce aga­in exp­lo­de, aga­in cont­ract-a pul­sing, li­ving thing, a be­ating he­art. Whi­le im­mor­tal man wo­uld end in fu­ti­le ent­ropy; all his ener­gi­es dis­si­pa­ted by his aim­less, out­ward drift to a bo­un­dary he co­uld not cross, co­uld ne­ver le­arn to cross, wit­ho­ut the fu­el of a lost cre­ati­vity.

  The­ir ho­pe now-the­ir only ho­pe-lay in the­ir child­ren… at the cost of the­ir li­ves.

  * * *

  Back in his of­fi­ce, Kurt fo­und the mes­sa­ge light blin­king on his con­so­le. He pres­sed it. The com­mu­ni­ca­tor's silky vo­ice sa­id:

  Re re­qu­es­ted me­eting this da­te, 1400 ho­urs: Mi­nis­ter of Edu­ca­ti­on-ve­ri­fi­ed. Mi­nis­ter of Fi­nan­ce-ve­ri­fi­ed. Mi­nis­ter of Com­mu­ni­ca­ti­on-ve­ri­fi­ed.

  He glan­ced at the ti­me sig­nal 1342. He sta­red at the con­so­le, re­ac­hed out, pres­sed a but­ton.

  Wa­iting .

  "Add Ca­me­ran Menc­ken, Li­a­ison." He clic­ked off. He pic­ked up the stack of prin­to­uts be­si­de the con­so­le and re­ad the tit­le aga­in:

  RENASCENCE

  He had no cho­ice. Not any­mo­re. Child­ren in dor­mi­to­ri­es all over the world and in the spa­ce co­lo­ni­es wo­uld be re­ac­hing a cri­ti­cal pe­ri­od wit­hin we­eks. No child born wit­hin the last ele­ven ye­ars had be­en gi­ven the im­mor­ta­lity pro­cess.

  He ma­de up his mind. Ir­re­vo­cably. He en­te­red the co­de for the ope­ra­ti­on and sig­ned it with his own. Then he sta­red in si­len­ce at his fin­gers spre­ad be­fo­re him, tho­ught­ful­ly, as if he had ne­ver se­en them be­fo­re.

  He en­te­red the con­fe­ren­ce ro­om at 1400 ho­urs on the dot. Ca­me­ran Menc­ken was al­re­ady the­re. She lo­oked up. "Are you re­ady?"

  He nod­ded and fa­ced the ima­ger.

  She pres­sed the con­fe­ren­ce but­ton, and the li­fe-si­zed ho­log­ram of the Mi­nis­ter of Edu­ca­ti­on for­med. The tiny wo­man nod­ded af­fably in spi­te of the early ho­ur in Sungc­hi­ang.

  "Gre­etings, Yu Hsu­an-chi," he sa­id for­mal­ly.

  "Gre­etings, Kurt Kra­us," she ans­we­red.

  The ima­ger ro­iled in­to fo­cus a blus­tery red-fa­ced man with be­efy jowls. "Abo­ut ti­me," he grow­led. "I'm wa­iting din­ner for this."

  A wry smi­le cur­led the cor­ner of Kurt's lip. "Gre­etings, Ale­xei Ka­pov." It wo­uld be a short me­eting if Ka­pov's sto­mach was in­vol­ved.

  Ka­pov snap­ped a for­mal gre­eting in reply, then sta­red im­pa­ti­ently at Kurt.

  Se­ve­rin Jast­row, Mi­nis­ter of Com­mu­ni­ca­ti­on, sig­ned in. Her pa­le gray eyes and squ­are fa­ce ba­re of ma­ke­up, cont­ras­ted with her ca­re­ful­ly do­ne ha­ir. Jast­row, at le­ast, was ne­it­her sle­epy nor suf­fe­ring from a de­la­yed din­ner. Her ima­ge was trans­mi
t­ted from the Com­mu­ni­ca­ti­on of­fi­ce only blocks from Kurt's own. She en­te­red the me­eting with for­mal gre­eting to Kurt and nods to the ot­hers.

  Kurt shif­ted in his cha­ir and be­gan. "After ca­re­ful de­li­be­ra­ti­on, and af­ter in­put from all yo­ur de­part­ments, I ha­ve ins­ti­tu­ted the ope­ra­ti­on known as Re­nas­cen­ce. I know that you are all fa­mi­li­ar with this ope­ra­ti­on. I want to know from you now abo­ut any new de­ve­lop­ments that might af­fect this pro­j­ect."

  Ka­pov le­ve­led his bel­li­ge­rent gla­re to­ward Kurt. "Com­mer­ce and In­dustry are not rep­re­sen­ted."

  Kurt met his ga­ze, "Com­mer­ce and In­dustry ha­ve be­en no­ti­fi­ed of my de­ci­si­on. Tho­se de­part­ments are not rep­re­sen­ted be­ca­use they ha­ve no di­rect be­aring on Re­nas­cen­ce."

  "They ha­ve di­rect be­aring on my de­part­ment," snap­ped Ka­pov. "The­re are prob­lems now with the as­te­ro­id co­lo­ni­es-in par­ti­cu­lar, Ves­ta. The ta­il is trying to wag the dog. I sug­gest yo­ur pro­j­ect may ca­use tro­ub­le the­re."

  "For what re­ason?"

  'The Ves­tans are tech­ni­ci­ans, with a tech­ni­ci­an's ori­en­ta­ti­on. They pla­ce small va­lue on the arts and not much mo­re on the pu­re sci­en­ces. The cli­ma­te on Ves­ta is pro­vin­ci­al." Ka­pov's hand stab­bed the air to emp­ha­si­ze his po­int. "The Ves­tans be­li­eve that Earth is exp­lo­iting the Belt. Com­mer­ce fe­els that Re­nas­cen­ce will be in­terp­re­ted by Ves­ta as a skim­ming off of the­ir best po­ten­ti­al. They won't re­act well when the­ir most pro­mi­sing child­ren are ta­ken to Earth. I say, de­lay Re­nas­cen­ce."

  "Impos­sib­le," sa­id Kurt. "The prog­ram must start whi­le the child­ren are yo­ung eno­ugh to ma­ke a cho­ice."

  "Then pro­du­ce an al­ter­na­te si­te. One on Ves­ta wo­uld ta­ke the sting from the wasp."

 

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