Mother and grandmother gave small, respectful curtsies to the Doge and the group of powerful men behind him, Sophia and her sisters following suit. The small bevy of men offered bows and nods in return.
“It is a great day for all Venetians.” Zeno’s wide mouth curled up in a ghost of a smile. “A day of compassion and understanding for us all, is it not?”
Viviana tugged on her husband’s arm, a stiff smile crinkling her plump, flushed cheeks.
Doge Donato nodded and smiled, agreeing, showing no outward response to the bitter undertone of Zeno’s words.
“Sì, sì, certamente, of course. I hope you enjoy the rest of this wonderful day.”
He bowed and the Fiolarios, recognizing their dismissal, bowed or curtsied in reply, happy to return to the merriment.
The family withdrew, merging into the rambunctious crowd.
“Their displeasure is palpable, don’t you think?” Donato asked of his obeisant entourage.
“The glassworkers are angrier than they have ever been,” an older man responded, stooped and gray, his bent body a shapeless form under his mantled black robe.
“All of them, Cesaro?” the Doge asked.
“For the most part, yes,” the statesman said with obvious hesitation. “There are a few who help us, who are as concerned as we that other lands will not develop the technique and take away some of their revenue, but they too grow leery of our methods.”
“If they unite, their power will grow,” said a simply robed, younger man, a member of the larger Maggior Consiglio. “We must pull the strings tighter.”
Doge Donato’s head spun to the fair-haired, fresh-faced man before him. “We are already a land divided by our difficulties with the Pope and the Empire. How many more confrontations can we balance at once?” Donato put his hands together, closing the long fingers, one upon the other. What looked like a clasp of prayer was, in truth, a gesture of impatience, an attempt to contain his growing frustrations. “What began with the sordidness of Saraceno, the Canon of Vicenza, now rages over two perverted clerics, but the essence of the dispute is the same. We must retain control of our citizens, clergy or no. We are Venetians first, Christians second.”
A short and husky man, robed liked his colleagues, shifted his gaze between his leader and the retreating flock of Fiolarios. “The divisions are distinct—those who align themselves with you and Father Sarpi and those who pledge devotion to Rome through the Papal Nuncio. It is no longer a secret who among the senators are on which side. There are meetings every moment of every day. It is clear who is with whom and who receives the couriers from Rome.”
“Sì, Pasquale.” Donato nodded solemnly. “I am besieged with their admonitions myself, and now I am castigated over the senatorial decree forbidding all gifts and bequests to churches and monasteries.”
“They see the loss of taxes, nothing more.” The man attempted to calm and soothe the disturbed Donato.
Pasquale da Fuligna was no longer young but not yet old. He had been a part of the large Grand Council, comprised of every nobleman over the age of twenty-five, for eleven years. He had learned much in that time and his loyalty and devotion for Doge Donato solidified in their like-minded beliefs. That Pasquale’s father, Eugenio, a council member for more than thirty years, hated the Doge and everything he stood for, added to Pasquale’s inducement to stand by Donato.
“It is not about the taxes, it is about what is decent and acceptable,” Donato barked, frustration peaking, raising his hands in agitation. He dropped them to his sides, regretting his sharp tongue for the curious stares it brought them. He spied another group of men. “Is that not signore Galileo with Father Sarpi?”
“It is, Your Honor,” answered more than one of the Doge’s entourage.
“Then by all means,” Donato straightened his shoulders as if to throw off the weight pushing down upon them, “let’s join them, shall we?”
Pasquale smiled his rough smile, bowing with mischievous acquiescence to the Doge. “By all means, Your Honor, it is a hot day, but not yet too hot.”
Zeno stopped and looked back, finding the glare of the nobleman still burning upon their backs. The small, beady black eyes continued to follow them, one of the young girls in particular, but which, Zeno couldn’t fathom.
“Come, Zeno, come.” Viviana plucked on her husband’s arm, alert to his wariness. “Let us stroll Le Mercerie and buy some trinkets for the girls.”
Zeno nodded, his face remaining somber. He took a few steps and stopped short. “Where shall we go next?” he asked Viviana.
His wife started to laugh. “Along the marketplace, as you just agreed.”
“Yes…uh, yes, of course.” Zeno sputtered and faced the clock tower poised at the beginning of the long thoroughfare lined with stalls.
Viviana fell in step beside him, frowning at the confusion of her husband’s reply.
The day had become a late summer’s evening, and a glowing umber dusk fell upon them; the crowd began to thin as groups of friends and families returned to their homes to share a convivial cena, the last meal of the day. Oriana and Lia skipped with pleasure as their parents led them toward the marketplace; these younger girls rarely had the opportunity to shop along the colorful stalls that lined the cobbled walkway.
Unlike the Grand Canal that twisted far west then swerved back east to flow from the piazza to the Ponte de Rialto, Le Mercerie traversed a much straighter line from the same point to point. Though shorter, each side was crammed with booth after booth of the finest wares available on Venice. As soon as they entered the shop-lined lane, Oriana and Lia flitted from one side to the other like hummingbirds in a sumptuous garden, tempted by the silk ribbons, strands of gold, yards of embellished fabrics, and sweet treats on offer.
“Over here, Oriana, look at this.” Lia beckoned.
“No, this way, come see this,” her sister answered.
“Sophia, Sophia!” The trilling call reached out to them from the clocktower tunnel.
The family stopped, pivoting to the summons.
“Damiana!” Sophia called back with unbounded joy as she spied her friend rushing forward. The girls embraced, kissing each other with the great fondness of lifelong friends. “We have been looking for you all day.”
“And I you, but who could find anyone in that crowd.” Damiana’s lilting voice matched her countenance perfectly; petite and fair, her cornflower eyes sparkled under the mass of dyed strawberry-blond hair. Like so many other Venetian women, Sophia’s best friend had succumbed to the style raging through the land. “Buona sera, signore and signora Fiolario. Come stai? Have you been enjoying your day? Hello, Nonna.” The young girl offered her greetings to her friend’s family, with a special embrace for Sophia’s grandmother, chirping away like a small, excited bird, allowing them no chance to offer their own salutations.
Damiana continued with excitement. “My parents are not far behind.”
She pointed back toward the entrance to the Mercerie.
Following her gesture, the family spotted Franco Piccolomini, owner of the Colombina Bianca, the White Dove glassworks, and his wife, Ginevra. Zeno and Viviana waved, stopping to wait for the other couple with whom they had shared so much of life.
The enlarged, enthusiastic group continued their promenade through the brightly lit marketplace, ablaze as cubicle upon cubicle lit their rows of torches in the growing night. Damiana joined with Oriana and Lia as they rushed from stall to stall, ohhing and ahhing at each new fascination. Only Sophia remained with the older group who strolled unhurriedly along.
“Why do you not join them, cara?”
The voice of her father thrummed in her ear and Sophia found Zeno striding beside her.
“Is there nothing you want, no object you desire?”
Sophia smiled at her father, her wide, full-lipped mouth stretching from ear to ear. Her sooty, thick-lashed eyes studied the treasured face before her, then found those of her mother and grandmother laughing and talking wi
th the Piccolominis. Her attention shifted, enticed by the giggles and coos from her sisters and her dearest friend.
“There is nothing more I desire,” she said, her low voice full of emotion, opening her arms wide in an encompassing gesture. “I wish for no more than what I have right here.”
Zeno, touched by his daughter and her love, put an arm around Sophia’s shoulder and squeezed.
“Already? Must we return home already?” Lia whined like a little girl; she slumped her shoulders and twisted her little curved lips into a moue. This late at night, worn out by the stimulation and fullness of the day, she behaved more like a little girl than not.
“Yes, bambina, we must.” Viviana put her arm around her youngest daughter, her baby, soothing her with her pacifying tone. “We have celebrated, shopped, and eaten much more than we should. The stars glitter in the sky and even the moon begins to long for its bed. Let’s go home.”
“Sì, Mamma.” Lia capitulated with a shrug of resignation.
The northern tip of the Mercerie ended at the foot of the Rialto Bridge. The family and their friends, satiated by the late night supper they’d shared, crossed the short distance to the Grand Canal and waited to board a gondola for the journey back to Murano. A popular boarding point in the city, many of the slim vessels waited for passengers, the party-going population having dwindled as the night morphed into morning. They bobbed fluidly on the torch-lit waterway, the lamps’ lights like twinkling stars upon the black, shimmering surface. Oriana and Lia checked each face, but Pietro, their handsome gondolier from earlier in the day, was not among the oarsmen. This time an older man piloted them home, not quite as dashing, in a jerkin that bulged precipitously around the middle, but with a surprising and clear baritone that soothed the weary revelers.
As they passed under the Rialto Bridge, Zeno studied every detail of the structure in the dim light. This latest version of the single dry crossing point on the Grand Canal was still new, finished no more than a decade ago, but it far surpassed those that had come before it, and the Venetians considered it a wonder, no one more than Zeno himself. While the idea to rebuild it had begun as much as a century ago, the slow-moving administration of the Serenissima had taken their time in seeing the project completed.
“Do you know,” Zeno said, still looking up at the architectural wonder above him, “that Michelangelo himself submitted a design in the contest that would determine its form?”
“Is that right?” Franco replied, his large belly protruding over his stumpy legs. He knew the story, as did most Venetians, but for this friend he feigned interest, though he did so with his heavy lids almost closed.
“Sì, it’s true, but it was that of Antonio da Ponte that they chose after years and years of study.” Zeno marveled at the artistry of the architecture, appreciating da Ponte’s work as only one artist can for another’s.
The single span design that took seventeen years to fashion stretched more than forty-eight meters across and twenty-two meters wide, constructed out of the pure white Istria stone so favored in Venice. Each side ramp, distinctive with graceful arching arcades and sturdy columns, led up to the central kettledrum supported by Doric columns. On either side of the portico, along its massive ramps, shops of all kinds had sprung up, swelling the state’s coffers with their share of the revenue. Upon its carved façade, the reliefs of St. Mark and St. Theodore crowned the arch.
Their gondolier pushed them farther and farther along the canal, leaving behind supple ripples bouncing the shimmering torchlight onto the underside of the bridge.
“The great Michelangelo himself proposed a design. He entered it in the contest alongside the others,” Zeno said as the bridge diminished behind them.
Viviana tapped his arm lightly. “Don’t tease, Zeno, we are all tired. Hush now.”
Her eyes were closed as she half-dozed in the early morning hours, the gray-haired head of the slumbering Marcella resting upon her shoulder. She didn’t see the change on her husband’s face.
Sophia, still wide awake, watched and listened to her father’s every word; his face blank, his gaze vacant and confused. Unsure of what just happened, her stomach flopped and churned as if it knew a terrible secret she did not.
Four
She opened the door as furtively as possible, but the old wood, swollen from the high humidity habitually infesting the sea-bound islands, creaked and groaned. The men below, so intent upon their tasks, so conditioned to the sounds of straining, moist timber, did not look up. In truth, they exhibited not the slightest hint that they were aware of her presence. Sophia sighed with relief.
With quiet grace, she carried a large jug of fresh water and the old dented mugs down the turning flight of rickety steps. Standing before the furnaces for hours on end, much of the glassmaker’s bodily fluids evaporated through their heat-dilated pores. To drink liters of water whenever possible had become as much a part of the process as the turning of the ferri, a necessity. One had to replace the precious liquids or become weak. Placing her delivery on an unused table in the corner of the spacious fabbrica, she perched herself on a small stool, smoothing down the straight skirt of her plain wheat muslin gown as she had day upon day for years, whenever she watched them make the glass.
All around her, as if she herself were the eye of a feral storm, the sweaty men toiled, intent upon their incessant and proficient motions, their pungent body odors blending with the tangy scent of burning wood. Most of the more than fifty men wore white cotton shirts—billowy-sleeved and high-buttoned—and tatty breeches; upon their chests lay leather aprons, and their hands were protectively encased in creased leather gloves. Stomping, booted feet thudded upon stone. Discarded pieces of molten glass hissed into buckets of water. Metal rods and tools clanged when dropped upon work tables. And behind the tumult, the deep masculine voices coalesced the disparate sounds into a symphony of diligence. The rhythm intoxicated Sophia; the pulse-beat of the only life she had ever known.
This factory—La Spada, The Sword—had belonged to the Fiolario family for centuries and, had she been born male, it would have been Sophia’s one day, but to be unmarried and in trade would be to be thought of as no more than a prostitute in disguise. Publicly she could do no more than marvel at her family’s legacy.
As large as a small field enclosed within stone walls, the workshop encompassed glass manufacture of all types. In clusters spread throughout the fabbrica, men and furnaces worked on their particular pieces: some created the canne, the long, thin rods of colored glass used as the basis for other glass products, while still more created blown vases and tableware or small intricate pieces for chandeliers and lamps. Sophia loved to watch those who made the delicate filigrana a retortoli, the simply-shaped glassware, most often vases and goblets, adorned with thread-like patterns of colored glass, creating an almost lace-like appearance.
Each station had its own set of crucibles; the first, called simply il fornace, served to heat the base material, the first kiss of fire. The second, named for its aperture, was the glory hole that reheated glass in the midst of formation or decoration, making it pliable between steps of the worker’s loving but dominating touch. The last was the long, tunnel-like oven used for annealing, the slow cooling process for finishing the glass. Called the lehr, this brick-lined furnace would house the piece for a few hours or a few days, depending on the type and size of a piece, cooling it slowly to protect it from harmful contraction.
Sophia poured three mugs of water and balanced them in her hands as she made her way down the center aisle of the factory, heading toward a grouping of men on the left side of the building.
More than one masculine, appreciative glance lit upon her passing figure. Her slim curviness flowed with sensual energy, an allure more efficacious for its very incognizance. The long folds of her gown, even this rough-hewn work gown, swayed seductively with each step, with each swing of her hips. Her exotic profile, angular and distinctive, began with the full, wide mouth, the strong Roman nos
e, and the tilted almond-shaped eyes. Despite her corporeal power, their glances were short, admiring yet respectful. Many thought of this young beauty as their daughter or their sister; it would be unseemly—perverse almost—to look upon her differently, regardless of her magnetic beauty.
Ernesto heeded her approach before the others in his team. He was a dear man and a cherished friend, like a beloved uncle to Sophia as she’d grown from a child to a young woman during his long years as a La Spada glassmaker. He smiled at her from beneath his close-cropped gray hair, splitting wide the tightly trimmed gray beard and mustache that gave him the wizened appearance of the maestro he was.
“Buongiorno, Sophi,” he called, his pale gray eyes lighting on her for a second as he turned back to the pontello, the four-foot-long metal rod in his hand, and the liquefied material at its end. As he spun the tool repeatedly, the honey-like liquefied glass gathered on the end of the rod.
“Come stai?” asked the two younger men who, with Ernesto, formed a gruppo, a typical glassworking team of three.
Dashing with burnished black hair and olive skin, Salvatore worked as the serventi, the assistant. Ernesto’s garzone, his apprentice Paolo, was physically a younger version of Salvatore and emulated much of the other worker’s mannerisms. Today they made the murrine, the multi-colored mosaic glass bowls that were so popular in Venice and abroad. Sophia awoke this day determined to learn more of this particular process and had sought them out with dogged, if covert, intent.
“Bene, bene,” Sophia answered softly.
She had no wish to disturb them or insinuate her presence unduly. She had learned the secrets of the glass in just this way, blending in with the surroundings of the factory, becoming a seamless part of its scenery.
The Secret of the Glass Page 4