By the time that first episode ended, the image of Crockett, as portrayed by twenty-nine-year-old Fess Parker, was firmly ensconced in my psyche. I did not even consider staying up for Strike It Rich and I Got a Secret. I forgot about the promise of fresh snow and the good sledding sure to follow. Instead I headed straight to my room, where I pored over the World Book Encyclopedia entry for Crockett, dreaming of the swash-buckler with a proclivity for dangerous behavior, a most commendable quality for any red-blooded American kid.
As I would quickly learn, I was not alone. More than forty million others tuned in to Disneyland that Wednesday night. By the time the next episode, Davy Crockett Goes to Congress, aired (on January 16, 1955), followed, on February 23, by Davy Crockett at the Alamo, I, along with much of the nation—especially the growing ranks of what would later be called the baby boom generation—was swept up by the Crockett frenzy. We wanted more.
And more came in the form of an unprecedented merchandising whirlwind, in which Crockett was commercialized in ways that would have been unthinkable to the man himself. Every kid had to have a coonskin cap like Davy’s, and almost overnight the wholesale prices of raccoon pelts soared from twenty-five cents a pound to six dollars, with the sale of at least ten million furry caps. Within only months of the series premiere, more than $100 million was spent on at least three thousand different Crockett items, including pajamas, lunch boxes, underwear, comics, books, moccasins, toothbrushes, games, clothing, toy rifles, sleds, and curtains. The catchy theme song “The Ballad of Davy Crockett” sold more than four million copies and remained No. 1 on the Top Ten list for thirteen weeks. On May 7, 1955, I proudly wore my coonskin hat when Gisèle MacKenzie sang the top tune of the week on Your Hit Parade. Like every one of my pals, I knew the words were true. We sang Crockett’s ballad at the top of our lungs as we built forts from old Christmas trees and cardboard boxes, transforming the neighborhood into our own version of Crockett country.
Davy Crockett quickly became our obsession. Until he came into our lives, we had mostly played cowboys and Indians; other times, we went to war as pretend soldiers, using the helmets and canteens our fathers and uncles brought home from the war. The nearby woods where we skinny-dipped in the creek turned into our hunting ground for imaginary ferocious bears like the ones Davy stalked. The dusty hill topped by a stand of oaks on the edge of the playground became our Alamo, and every day we pretended that we were in pitched battle against the forces of Santa Anna. We became Davy Crockett, William Travis, and Jim Bowie, the trio of legendary Alamo heroes. No one wanted to be with the Mexican side, so our enemy, as if borrowing a page from the cold war, was largely invisible. In the end we died anyway, just as our heroes did so long ago, but we knew we would miraculously be resurrected and come back the next day for another round of combat.
The following year, in the summer of 1955, Walt Disney unveiled his fantasy world, Disneyland, in southern California. But our family, eager to introduce me to the historical origins of Davy Crockett, opted not to go west on Route 66 and visit the Magic Kingdom. Instead we headed due south out of St. Louis to the state of Tennessee. Proudly wearing my new coonskin hat, with Mom riding shotgun and Dad at the helm of our dark green 1952 Plymouth—dubbed the Green Dragon—we cruised into real Crockett country.
After crossing the Mississippi River and entering Tennessee, we skirted Reelfoot Lake, studded with cypress trees, not far from the last place that Crockett called home. In Nashville, we saw the regal Capitol and the cavernous Ryman Auditorium, at that time home of the Grand Ole Opry. We paused at the Hermitage, the residence and final resting place of President Andrew Jackson—a Crockett political mentor who was to become his student’s chief nemesis.
During those dozen or so days spent traversing my new hero’s old stomping grounds, we experienced southern culture—the South that carries on with its own state of mind. We dined on crunchy southern fried chicken, catfish and hush puppies, country ham, biscuits and gravy, and pecan pie. I even recall that we sampled those creamy grits that came on every breakfast plate whether ordered or not. When we tangled with succulent Delta barbecue I pretended it was bear steak. At Chattanooga, near the Tennessee–Georgia line, we obeyed the commands of the signs that seemed to be painted on every barn rooftop—see beautiful rock city and seven states—from atop Lookout Mountain.
Everywhere we went we also saw flags and decals bearing the Confederacy’s stars and bars, as if the Civil War had not ended ninety years before. And, in every town we drove through, life-size stone likenesses of Confederate soldiers stood at ease in the tidy courthouse squares where old men in open-collar white shirts and straw hats sat cross-legged and traded yarns about the past. The tableau seemed endless.
From the car windows I watched harvest hands stooped in the fields, tending cotton that once was king when great plantations flourished. In Memphis, where Elvis was on the verge of stardom, we ate a picnic lunch in a city park near a huge bronze statue of Nathan Bedford Forrest, the planter and slave dealer who became a Confederate general and first imperial wizard of the Ku Klux Klan. To those who recall the South of the midtwentieth century, these icons were both all too familiar and hardly considered invidious.
In that distant summer of 1955, not only throughout the South but well beyond, we saw signs designating which toilets and drinking fountains people could use depending on their skin color. These were images that were likewise familiar and staunchly accepted. Six months after our trip, a bus boycott in Montgomery, Alabama, began after a resolute black seamstress refused to give her bus seat to a white man. But the summer of 1955 was before we knew of Rosa Parks and Martin Luther King Jr., or Medgar Evers and James Meredith.
In fact, nothing could distract me from my infatuation with Davy Crockett. I knew that a vaccine had been found to stem the polio epidemic that panicked every mother in the land, including mine. Although the tirades of a paranoid Joe McCarthy and frequent “duck and cover” drills at school kept much of the nation fearful, life was pretty good for a nine-year-old boy gliding through Davy Crockett’s stomping grounds in the Green Dragon.
The highlight of that summer vacation came when we neared the Davy Crockett birthplace, in eastern Tennessee, and the days that followed, in the nearby Smoky Mountains. We checked into a mom-and-pop motel in Gatlinburg, the resort town that billed itself as the “gateway to the Great Smoky Mountains.” We hit the pottery and souvenir shops in the nearby town of Pigeon Forge, and I ate my share of taffy and fudge from the sweetshops along Gatlinburg’s main drag. In a few years these mountain towns would mushroom in size, thanks to a commercial boom, as Gatlinburg and the Great Smoky Mountains National Park became important tourist destinations. But back then there was no Dollywood, nor were there discount shopping malls, theme parks, and hordes of tourists.
I dipped my bare feet in icy cold Little Pigeon River, rode with my dad on the new ski lift to the top of Crockett Mountain, and saw the first black bears I had ever glimpsed in the wild. I slept in my coonskin hat.
The woman who ran the motel where we stayed told my dad about a good place to gather blackberries, and one morning we walked up the road and found the patch just as she described. In no time we filled a big coffee can to the top and my coonskin hat overflowed with fat juicy berries. Back at the motel the woman generously made a batch of blackberry cobbler that was the best I ever put to my lips. I called it “Crockett Cobbler” and imagined it was just like the kind that my hero ate when he was nine years old. We went to the berry patch again, and when we left to drive back to Missouri, my dad put a couple of empty milk cartons of berries in the ice chest.
All the way home, I gazed out the windows of the Green Dragon and thought about what it must have been like to be Davy Crockett. Now, all these many years later, I still cherish the memories of that trip. I think of it whenever I take out a photograph of my father and me sitting on the living room sofa. He is clowning around and has me hold a napkin to my chin while spoon-feeding me Crockett Cobbler. On
my head is my coonskin hat. For the life of me, I cannot remember whatever happened to it.
MICHAEL WALLIS Tulsa, Oklahoma May 6, 2010
Author Michael Wallis (in coonskin cap) eating “Crockett Cobbler” with his father, Herbert Wallis, St. Louis, Missouri, 1956. (Wallis Collection)
PREFACE
THIS IS NOT ANOTHER straightforward chronological biography of Davy Crockett, nor is it a regurgitation of the many myths and lies perpetuated about Crockett over the years. Instead this book is for those people interested in learning the truth—or at least as much as can be uncovered—about the historical and fictional Crockett, and how the two often became one. I hope that readers will gain some new historical insight into the man and how he captured the imagination of his generation and later ones as well.
In the course of researching and writing this book, I came to know David Crockett. I scoured all the places he lived and journeyed—from throughout the breadth of his native Tennessee to Washington, D.C., and cities of the northeast and, finally, to Texas, where he spent but a few months before his much mythologized death at the Alamo. I learned about the man’s accomplishments and shortcomings, discovering that the Davy Crockett created by Walt Disney in 1954 was definitely not the David Crockett who actually lived, and that much of the distortion of truth about Crockett began in his own lifetime and only increased after his death.
The authentic David Crockett was first and foremost a three-dimensional human being—a person with somewhat exaggerated hopes and well-checked fears, a man who had, as we all do, both good points and bad points. He was somewhat idiosyncratic, possessed of often unusual views, prejudices, and opinions that governed how he chose to live his life. Crockett could be calculating and self-aggrandizing, but also as valiant and, indeed, as resourceful as anyone who roamed the American frontier. As a man, he was both authentic and contrived. He was wise in the ways of the wilderness and most comfortable when deep in the woods on a hunt, yet he also could hold his own in the halls of Congress, a fact that distinguished him from so many other frontiersmen. Remarkably, he enjoyed fraternizing with men of power and prestige in the fancy parlors of Philadelphia and New York. Crockett was, like none other, a nineteenth-century enigma. He fought under Andrew Jackson in the ruinous Indian Wars, only later to become Jackson’s bitter foe on the issue of removal of Indian tribes from their homelands. Crockett’s contradictions extended beyond politics. He had only a few months of formal education, yet he read Ovid and the Bard. He was neither a buffoon nor a great intellect but a man who was always evolving on the stage of a nation in its adolescence, a pioneer whose inchoate dreams aptly reflected a restless nation with a gaze firmly pointed toward the West.
Perhaps more than anyone of his time, David Crockett was arguably our first celebrity hero, inspiring people of his own time as well as a twentieth-century generation. The man David Crockett may have perished on March 6, 1836, in the final assault on the Alamo, but the mythical Davy Crockett, now an integral part of the American psyche, perhaps more so than any other frontiersman, lives powerfully on. In this way his story then becomes far more than a one-note Walt Disney legend, while his life continues to shed light on the meaning of America’s national character.
DAVID CROCKETT
Almanac cover, 1848. (Photograph by Dorothy Sloan, Dorothy Sloan Rare Books)
PART I
ONE
“KILT HIM A B’AR”
DAVID CROCKETT BELIEVED in the wind and in the stars. This son of Tennessee could read the sun, the shadows, and the wild clouds full of thunder. He was comfortable amid the thickets and canebrakes, the quagmires, and the mountain balds. He hunted the oak, hickory, maple, and sweet gum forests that had never felt an axe blade. He was familiar with all the smells—the odor of decaying animal flesh, the aroma of the air after a rain, and the pungent smell of the forest. He knew the rivers lined with sycamore, poplar, and willow that breached the mountains through steep-sided gorges with strange-sounding names, many with Indian influences like the Nolichucky, the French Broad, the Pigeon, the Tellico, the Hiwassee, the South Holston, the Watauga, the Coosa, the Obey’s, the Wolf, the Elk, and the Obion. He stalked the dimensions of lakes and streams studded with ancient cypress. He learned that dog days arrive not with the heat of August but in early July, when the Dog Star rises and sets with the sun. He carried his compass and maps in his head. He traversed the land when it was lush in the warm times and when it was covered with the frost that Cherokees described as “clouds frozen on the trees.”
The wilderness was, indeed, Crockett’s cathedral, and as the stress of his political and home life began to wear him down, it was the forest where he took refuge. Even with the debates that continue to rage today about who the real David Crockett was, no one disputes that this was a man who approached nature as a science and hunting as an art and who found excitement in combining the two. Crockett had a calling and was a hunter by trade, relying on black bears just as much to clothe and feed his family as for the rich fodder they provided for stories told around the campfires and when campaigning for political office.
Yet, contrary to “The Ballad of Davy Crockett,” the popular tune from the mid-1950s, Crockett did not “kilt him a b’ar when he was only three.”1 For that matter, Crockett was not even “Born on a mountaintop in Tennessee.” Indeed, he most likely never signed his name Davy but always David, and only took to wearing the ubiquitous coonskin cap so much identified with him when he thought it would help boost his public image. To uncover the truth about Crockett, one must travel to the land he knew and loved most—the Tennessee that was America’s frontier. That was his training ground and the school in which he was to become a legendary student. For the authentic Crockett—the man with only a smattering of formal education—possessed uncanny woods wisdom. From his boyhood in eastern Tennessee to his adult years in the middle of the state and, finally, in western Tennessee, Crockett honed his outdoor skills and applied them to his everyday life.
Over the years, he came to understand his quarry and its ways in almost an existential way. He knew adult male bears, or boars, weighed as much as six hundred pounds and females, or sows, usually weighed no more than four hundred pounds. He learned that black bears could live twenty-five years or more and were solitary except during mating time, and that a cub weighed only about as much as an apple when born but quickly grew on its mother’s fat-rich milk. He understood, as his fellow pioneers did, that an angry sow with cubs, just like a “he-bear” when cornered, was a formidable adversary. He never forgot that the only thing predictable about black bears is that they are unpredictable.
Crockett’s remarkable woodsmanship saved his life many times. On a moonless January night in the rough country near Reelfoot Lake, in far western Tennessee, Crockett, thirty-nine, soaked to the bone and freezing, found himself locked in combat with a fully grown black bear. “I made a lounge [sic] with my long knife, and fortunately stuck him right through the heart,” he later explained in his autobiography.2 Exhausted from the struggle, he calmed his pack of panting hounds and managed to pull the bear from the crevice in the frozen ground where they had fought. After butchering the animal, he tried to kindle a fire but could find nothing dry enough to burn. His moccasins, buckskin breeches, and hunting shirt were frozen to his numb body and he knew that unless he kept moving he would die.
“So I got up, and hollered a while, and then I would jump up and down with all my might and throw myself into all sorts of motions,” Crockett wrote. “But all this wouldn’t do; for my blood was now getting cold, and the chills coming all over me. I was so tired, too, that I could hardly walk; but I thought I would do the best I could to save my life, and then, if I died, nobody would be to blame.”3
He found a stout tree about two feet in diameter without any limbs on it for thirty feet. Crockett locked his arms and legs around the trunk and shinned up the tree until he reached the limbs, and then he slid back down to the ground. “This would make the insides of my legs an
d arms mighty warm and good,” he wrote. “I continued this till daylight in the morning, and how often I clomb [sic] up my tree and slid down I don’t know, but I reckon at least a hundred times.”4
As the sun rose, Crockett set out to find his camp, where one of his sons and another hunting companion waited. After breakfast they salted all the dressed bear meat and secured it atop a high scaffold. Then they followed the dogs into the thick canebrake on the trail of more bear. By his own count, during that seven-month hunting season spanning 1825–1826, Crockett had killed 105 bears, including 47 in just one month.5
Crockett, like the other good hunters of the day, stalked bears by finding tracks fresh enough for dogs to follow and by reading signs. He looked for claw marks or hair on tree bark and checked the freshness of scat to see how long ago the bear had passed through the area. If the scat was dried out and colonized with insects it meant the bear was long gone. Scat also revealed what the bears had eaten. That diet included almost anything: carrion, animal matter, insects, wild honey, snakes, and plenty of vegetation, like squawroot in the spring, berries in the summer, and nuts and acorns in autumn. If the droppings were dark and runny it indicated the bear had eaten meat and might still be around for several days to feed off the carcass.
Savvy hunters were aware of the bears’ nonretractable curved claws that allowed them to bring down a deer or a hound with one powerful blow. Bears also used the claws to scramble up trees, especially when they spied wild grapevines or if snarling dogs were in close pursuit. For Crockett, bear hunting with dogs was like no other hunting. He loved the adrenaline rush as he fought for breath and tried to keep up behind a pack of baying hounds on the trail of a bear crashing through the brush. For a seasoned and passionate hunter like Crockett, the chorus of dog howls was sweet music.
David Crockett: The Lion of the West Page 2