by James Agee
She looked at him intently (she did not yet realize that she was near-sighted), understood him, and smiled and then laughed softly in her embarrassment. He put his finger to her lips, jerking his head towards the crib. They turned and looked down at their son.
"So will I, Jay darling," she whispered. "So will I."
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His mother sang to him too. Her voice was soft and shining gray like her dear gray eyes. She sang, "Sleep baby sleep, Thy father watches the sheep," and he could see his father sitting on a hillside looking at a lot of white sheep in the darkness but why; "thy mother shakes the dreamland tree and down fall little dreams on thee," and he could see the little dreams floating down easily like huge flakes of snow at night and covering him in the darkness like babes in the wood with wide quiet leaves of softly shining light. She sang, "Go tell Aunt Rhoda," three times over, and then, "The old gray goose is dead," and then "She's worth the saving," three times over, and then "To make a featherbed," and then again. Three times over. Go tell Aunt Rhoda; and then again the old gray goose is dead. He did not know what "she's worth the saving" meant, and it was one of the things he always took care not to ask, because although it sounded so gentle he was also sure that somewhere inside it there was something terrible to be afraid of exactly because it sounded so gently, and he would become very much afraid instead of only a little afraid if he asked and learned what it meant. All the more, because when his mother sang this song he could always see Aunt Rhoda, and she wasn't at all like anybody else, she was like her name, mysterious and gray. She was very tall, as tall even as his father. She stood near a well on a big flat open place of hard bare ground, quite a way from where he saw her from, and even so he could see how very tall she was. Far back behind her there were dark trees without any leaves. She just stood there very quiet and straight as if she were waiting to be gone and told that the old gray goose is dead. She wore a long gray dress with a skirt that touched the ground and her hands were hidden in the great falling folds of the skirt. He could never see her face because it was too darkly within the shadow of the sunbonnet she wore, but from within that shadow he could always just discern the shining of her eyes, and they were looking straight at him, not angrily, and not kindly either, just looking and waiting. She is worth the saving.
She sang, "Swing low, sweet cherryut," and that was the best song of all. "Comin for to care me home." So glad and willing and peaceful. A cherryut was a sort of a beautiful wagon because home was too far to walk, a long, long way, but of course it was like a cherry, too, only he could not understand how a beautiful wagon and a cherry could be like each other, but they were. Home was a long, long way. Much too far to walk and you can only come home when God sends the cherryut for you. And it would care him home. He did not even try to imagine what home was like except of course it was even nicer than home where he lived, but he always knew it was home. He always especially knew how happy he was in his own home when he heard about the other home because then he always felt he knew exactly where he was and that made it good to be exactly there. His father loved to sing this song too and sometimes in the dark, on the porch, or lying out all together on a quilt in the back yard, they would sing it together. They would not be talking, just listening to the little sounds, and looking up at the stars, and feeling ever so quiet and happy and sad at the same time, and all of a sudden in a very quiet voice his father sang out, almost as if he were singing to himself, "Swing low," and by the time he got to "cherryut" his mother was singing too, just as softly, and then their voices went up higher, singing "comin for to carry me home," and looking up between their heads from where he lay he looked right into the stars, so near and friendly, with a great drift of dust like flour across the tip of the sky. His father sang it differently from his mother. When she sang the second "Swing" she just sang "swing low," on two notes, in a simple, clear voice, but he sang "swing" on two notes, sliding from the note above to the one she sang, and blurring his voice and making it more forceful on the first note, and springing it, dark and blurry, off the "l" in "low," with a rhythm that made his son's body stir. And when he came to "Tell all my friends I'm comin too," he started four full notes above her, and slowed up a little, and sort of dreamed his way down among several extra notes she didn't sing, and some of these notes were a kind of blur, like hitting a black note and the next white one at the same time on Grandma's piano, and he didn't sing "I'm comin' " but "I'm uh-comin," and there too, and all through his singing, there was that excitement of rhythm that often made him close his eyes and move his head in contentment. But his mother sang the same thing clear and true in a sweet, calm voice, fewer and simpler notes. Sometimes she would try to sing it his way and he would try to sing it hers, but they always went back pretty soon to their own way, though he always felt they each liked the other's way very much. He liked both ways very much and best of all when they sang together and he was there with them, touching them on both sides, and even better, from when they sang "I look over Jordan what do I see," for then it was so good to look up into the stars, and then they sang "A band of angels comin after me" and it seemed as if all the stars came at him like a great shining brass band so far away you weren't quite sure you could even hear the music but so near he could almost see their faces and they all but leaned down deep enough to pick him up in their arms. Come for to care me home.
They sang it a little slower towards the end as if they hated to come to the finish of it and then they didn't talk at all, and after a minute their hands took each other across their child, and things were even quieter, so that all the little noises of the city night raised up again in the quietness, locusts, crickets, footsteps, hoofs, faint voices, the shufflings of a switch engine, and after awhile, while they all looked into the sky, his father, in a strange and distant, sighing voice, said "Well…" and after a little his mother answered, with a quiet and strange happy sadness, "Yes…" and they waited a good little bit longer, not saying anything, and then his father took him up into his arms and his mother rolled up the quilt and they went in and he was put to bed.
He came right up to her hip bone, not so high on his father.
She wore dresses, his father wore pants. Pants were what he wore too, but they were short and soft. His father's were hard and rough and went right down to his shoes. The cloths of his mother's clothes were soft like his.
His father wore hard coats too and a hard celluloid collar and sometimes a vest with hard buttons. Mostly his clothes were scratchy except the striped shirts and the shirts with little dots or diamonds on them. But not as scratchy as his cheeks.
His cheeks were warm and cool at the same time and they scratched a little even when he had just shaved. It always tickled, on his cheek or still more on his neck, and sometimes hurt a little, too, but it was always fun because he was so strong.
He smelled like dry grass, leather and tobacco, and sometimes a different smell, full of great energy and a fierce kind of fun, but also a feeling that things might go wrong. He knew what that was because he overheard them arguing. Whiskey.
For awhile he had a big mustache and then he took it off and his mother said, "Oh lay, you look just worlds nicer, you have such a nice mouth, it's a shame to hide it." After awhile he grew the mustache again. It made him look much older, taller and stronger, and when he frowned the mustache frowned too and it was very frightening. Then he took it off again and she was pleased all over again and after that he kept it off.
She called it mustásh. He called it must'ash and sometimes mush'tash but then he was joking, talkin like a darky. He liked to talk darky talk and the way he sang was like a darky too, only when he sang he wasn't joking.
His neck was dark tan and there were deep crisscross cracks all over the back of it.
His hands were so big he could cover him from the chin to his bath-thing. There were big blue strings under the skin on the backs of them. Veins, those were. Black hair even on the backs of the fingers and ever so much hair on the wrists, b
ig veins in his arms, like ropes.
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For some time now his mother had seemed different. Almost always when she spoke to him it was as if she had something else very much on her mind, and so was making a special effort to be gentle and attentive to him. And it was as if whatever it was that was on her mind was very momentous. Sometimes she looked at him in such a way that he felt that she was very much amused about something. He did not know how to ask her what she was amused by and as he watched her, wondering what it was, and she watched his puzzlement, she sometimes looked more amused than ever, and once when she looked particularly amused, and he looked particularly bewildered, her smile became shaky and turned into laughter and, quickly taking his face between her hands, she exclaimed, "I'm not laughing at you, darling!" and for the first time he felt that perhaps she was.
There were other times when she seemed to have almost no interest in him, but only to be doing things for him because they had to be done. He felt subtly lonely and watched her carefully. He saw that his father's manner had changed towards her ever so little; he treated her as if she were very valuable and he seemed to be conscious of the tones of his voice. Sometimes in the mornings Grandma would come in and if he was around he was told to go away for a little while. Grandma did not hear well and carried a black ear trumpet which was sticky and sour on the end that she put in her ear, but try as he would they talked so quietly that he could hear very little, and none of it enlightened him. There were special words which were said with a special kind of hesitancy or shyness, such as "pregnancy" and "kicking" and "discharge," but others, which seemed fully as strange, such as "layette" and "basinette" and "bellyband," seemed to inspire no such fear. Grandma also treated him as if something strange was going on, but whatever it was, it was evidently not dangerous, for she was always quite merry with him. His father and his Uncle Andrew and Grandpa seemed to treat him as they always had, though there seemed to be some hidden kind of strain in Uncle Andrew's feeling for his mother. And Aunt Hannah was the same as ever with him, except that she paid more attention to his mother, now. Aunt Amelia looked at his mother a good deal when she thought nobody else was watching, and once when she saw him watching her she looked quickly away and turned red.
Everyone seemed either to look at his mother with ill-concealed curiosity or to be taking special pains not to look anywhere except, rather fixedly and cheerfully, into her eyes. For now she was swollen up like a vase, and there was a peculiar lethargic lightness in her face and in her voice. He had a distinct feeling that he should not ask what was happening to her. At last he asked Uncle Andrew, "Uncle Andrew, why is Mama so fat?" and his uncle replied, with such apparent anger or alarm that he was frightened, "Why, don't you know?" and abruptly walked out of the room.
Next day his mother told him that soon he was going to have a very wonderful surprise. When he asked what a surprise was she said it was like being given things for Christmas only ever so much nicer. When he asked what he was going to be given she said that she did not mean it was a present, specially for him, or for him to have, or keep, but something for everybody, and especially for them. When he asked what it was, she said that if she told him it wouldn't be a surprise any more, would it? When he said that he wanted to know anyway, she said that she would tell him, only it would be so hard for him to imagine what it was before it came that she thought it was better for him to see it first. When he asked when it was coming she said that she didn't know exactly but very soon now, in only a week or two, perhaps sooner, and she promised him that he would know right away when it did come.
He was aflame with curiosity. He had been too young, the Christmas before, to think of looking for hidden presents, but now he looked everywhere that he could imagine to look until his mother understood what he was doing and told him there was no use looking for it because the surprise wouldn't be here until exactly when it came. He asked where was it, then, and heard his father's sudden laugh; his mother looked panicky and cried, "Jay!" all at once, and quickly informed him, "In heaven; still up in heaven."
He looked quickly to his father for corroboration and his father, who appeared to be embarrassed, did not look at him. He knew about heaven because that was where Our Father was, but that was all he knew about it, and he was not satisfied. Again, however, he had a feeling that he would be unwise to ask more.
"Why don't you tell him, Mary?" his father said.
"Oh, Jay," she said in alarm; then said, by moving her lips, "Don't talk of it in front of him!"
"Oh, I'm sorry," and he, too, said with his lips-only a whisper leaked around the silence, "but what's the good? Why not get it over with?"
She decided that it was best to speak openly. "As you know, Jay, I've told Rufus about our surprise that's coming. I told him I'd be glad to tell him what it was, except that it would be so very hard for him to imagine it and such a lovely surprise when he first sees it. Besides, I just have a feeling he might m-make see-oh-en-en-ee-see-tee-eye-oh-eness, between-between one thing and another."
"Going to make them, going to make em anyhow," his father said.
"But Jay, there's no use simply forcing it on his att-eigh-ten-ten, his attention, now, is there? Is there, Jay!"
She seemed really quite agitated, he could not understand why.
"You're right, Mary, and don't you get excited about it. I was all wrong about it. Of course I was." And he got up and came over to her and took her in his arms, and patted her on the back.
"I'm probably just silly about it," she said.
"No, you're not one bit silly. Besides, if you're silly about that, so am I, some way. That just sort of caught me off my guard, that about heaven, that's all."
"Well, what can you say?"
"I'm Godd-I can't imagine, sweetheart, and I better just keep my mouth shut."
She frowned, smiled, laughed through her nose and urgently shook her head at him, all at once.
And then one day without warning the biggest woman he had ever seen, shining deep black and all in magnificent white with bright gold spectacles and a strong smile like that of his Aunt Hannah, entered the house and embraced his mother and swept down on him crying with delight, "Lawd, chile, how mah baby has growed!", and for a moment he thought that this must be the surprise and looked inquiringly at his mother past the onslaught of embraces, and his mother said, "Victoria; Victoria, Rufus!"; and Victoria cried, "Now bless his little heart, how would he remembuh," and all of a sudden as he looked into the vast shining planes of her smiling face and at the gold spectacles which perched there as gaily as a dragonfly, there was something that he did remember, a glisten of gold and a warm movement of affection, and before he knew it he had flung his arms around her neck and she whooped with astonished joy, "Why God bless him, why chile, chile," and she held him away from her and her face was the happiest thing he had ever seen, "ah believe you do remembuh! Ah sweah ah believe you do! Do you?" She shook him in her happiness. "Do you remembuh y'old Victoria?" She shook him again. "Do you, honey?" And realizing at last that he was specifically being asked, he nodded shyly, and again she embraced him. She smelled so good that he could almost have leaned his head against her and gone to sleep then and there.
"Mama," he said later, when she was out shopping, " Victoria smells awful good."
"Hush, Rufus," his mother said. "Now you listen very carefully to me, do you hear? Say yes if you hear."
"Yes."
"Now you be very careful that you never say anything about how she smells where Victoria can hear you. Will you? Say yes if you will."
"Yes."
"Because even though you like the way she smells, you might hurt her feelings terribly if you said any such thing, and you wouldn't want to hurt dear old Victoria 's feelings, I know. Would you, would you, Rufus?"
"No."
"Because Victoria is-is colored, Rufus. That's why her skin is so dark, and colored people are very sensitive about the way they smell. Do you know what sensitive means?"
<
br /> He nodded cautiously.
"It means there are things that hurt your feelings so badly, things you can't help, that you feel like crying, and nice colored people feel that way about the way they smell. So you be very careful. Will you? Say yes if you will?"
"Yes."
"Now tell me what I've asked you to be careful about, Rufus."
"Don't tell Victoria she smells."
"Or say anything about it where she can hear."
"Or say anything about it where she can hear."
"Why not?"
"Because she might cry."
"That's right. And, Rufus, Victoria is very very clean. Absolutely spic and span."
Spic an span.
Victoria would not allow his mother to get dinner and after they had eaten she also took entire charge of packing some of his clothes into a box, asking advice, however, on each thing that she took out of the drawer. Then Victoria bathed him and dressed him in clean clothes from the skin out, much to his mystification, and once he was ready, his mother called him to her and told him that Victoria was going to take him on a little visit to stay a few days with Granpa and Granma and Uncle Andrew and Aunt Amelia, and he must be a very good boy and do his very best not to wet the bed because when he came back, very soon now, in only a few more days, the surprise would be there and he would know what it was. He said that if the surprise was coming so soon he wanted to stay and see it, and she replied that that was just why he was going away to Granma's, so the surprise could come all by itself. He asked why it couldn't come if he was there and she said because he might frighten it away because it would still be very tiny and very much afraid, so if he really wanted the surprise to come, he could help more than anything else by being a good boy and going right along to Granma's. Victoria would come and bring him home again just as soon as the surprise was ready for him; "Won't you, Victoria?" And Victoria, who throughout this conversation had appeared to be tremendously amused about something, giving tight little cackles of swallowed laughter and murmuring, "Bless his heart," whenever he spoke, said that indeed she most certainly would.