by James Agee
"Will you come up, Father?" she asked in a shut voice.
Without looking again at the children, he followed her upstairs.
They looked each other in the eyes; their mouths hung open; they listened. It was as they had begun to expect it would be: the steps of two along the upper hallway, the opening of their mother's door, their mother's strangely shrouded voice, the closing of the door: silence.
Taking great care not to creak, they stole up to the middle of the stairs. They could hear no words, only the tilt and shape of voices: their mother's, still so curiously shrouded, so submissive, so gentle; it seemed to ask questions and to accept answers. The man's voice was subdued and gentle but rang very strongly with the knowledge that it was right and that no other voice could be quite as right; it seemed to say unpleasant things as if it felt they were kind things to say, or again, as if it did not care whether or not they were kind because in any case they were right, it seemed to make statements, to give information, to counter questions with replies which were beyond argument or even discussion, and to try to give comfort whether what it was saying could give comfort or not. Now and again their mother's way of questioning sounded to the children as if she wondered whether something could be fair, could possibly be true, could be so cruel, but whenever such tones came into their mother's voice the man's voice became still more ringing and overbearing, or still more desirous to comfort, or both; and their mother's next voice was always very soft. Aunt Hannah's voice was almost as clear and light as always, but there was now in it also a kind of sweetness and of sorrow they had not heard in it before. Mainly she seemed only to agree with Father Jackson, to add her voice to his, though much more kindly, in this overpowering of their mother. But now and again it seemed to explain more fully, and more gently, something which he had just explained, and twice it questioned almost as their mother questioned, but with more spirit, with an edge almost of bitterness or temper. And on these two occasions Father Jackson's voice shifted and lost a bit of its vibrancy, and for a moment he talked as rapidly in a circle, seeming to assure them that of course he did not at all mean what they had thought he meant, but only, that (and then the voice would begin to gather assurance); they must realize (and now it had almost its old drive); in fact, of course-and now he was back again, and seemed to be saying precisely what he had said before, only with still more authority and still less possibility of disagreement. And then their Aunt Hannah murmured agreement in an oddly cool, remote tone, and their mother's voice of acceptance was scarcely audible at all.
Once in a while when these voices came to crises in their subdued turmoil Rufus and Catherine looked into each other's cold, bright eyes which brightened and chilled the more with every intensification of the man's voice, and every softening and defeat of their mother's voice. But most of the time they only stared at the knob on their mother's door, shifting delicately on the stairs whenever they became cramped. They could not conceive of what was being done to their mother, but in his own way each was sure that it was something evil, to which she was submitting almost without a struggle, and by which she was deceived. Rufus repeatedly saw himself flinging open the door and striding in, a big stone in his hand, and saying, "You stop hurting my mother." Catherine knew only that a tall stranger in black, with a frightening jaw and a queer hat, a man whom she hated and feared, had broken into their house, had been welcomed first by Aunt Hannah and then by her mother herself, had sat in her father's chair as if he thought he belonged there, talked meanly to her in words she could not understand, and was now doing secret and cruel things to her mother while Aunt Hannah looked on. If Daddy was here he would kill him. She wished Daddy would hurry up and come and kill him and she wanted to see it. But Rufus realized that his Aunt Hannah and even his mother were on Father Jackson's side and against him, and that they would just put him out of the room and punish him terribly and go right on with whatever awful thing it was they were doing. And Catherine remembered, with a jolt, that Daddy would not come back because he was down at Grandma's and Grandpa's and now they would see him again and then they would never see him any more until heaven.
But suddenly there was a kind of creaking and soft thumping and the voices changed. Father Jackson's voice was even more strongly in charge, now, than before, although it did not seem that he was arguing, or informing, or trying to bring comfort, or even that he was speaking to either of the two women. Most of its theatrical resonance had left it, and all of its dominance. He seemed to be speaking as if to someone at least as much more assured and strong than he was, as he was more assured and strong than their mother was, and his voice had something of their mother's humbleness. Yet it was a very confident voice, as if it were sure that the person who was being addressed would approve what was said and what was asked, and would not rebuff him as he had rebuffed their mother. And in some way the voice was even more authoritative than before, as if Father Jackson were speaking not for himself but for, as well as to, the person he addressed, and were speaking with the power of that person as well as in manly humility before that person. Clearly, also, the voice loved its own sound, inseparably from its love of the sound and contour of the words it spoke, as naturally as a fine singer delights inseparably in his voice and in the melody he is singing. And clearly, although not one word was audible to the children, the voice was not mistaken in this love. Not a word was distinct from where they stood, but the shapes and rhythms and the inflections were as lovely and as bemusing as any songs they had ever heard. In general rhythm, Rufus began to realize, it was not unlike the prayers that Dr. Whittaker said; and he realized, then, that Father Jackson also was praying. But where Dr. Whittaker gave his words and phrases special emphasis and personal coloring, as though they were matters which required argument and persuasion, Father Jackson spoke almost wholly without emphasis and with only the subtlest coloring, as if the personal emotion, the coloring, were cast against the words from a distance, like echoes. He spoke as if all that he said were in every idea and in every syllable final, finished, perfected beyond disquisition long before he was born; and truth and eternity dwelt like clearest water in the rhythms of his language and in the contours of his voice; his voice accepted and bore this language like the bed of a brook. They looked at each other once more; Rufus could see that Catherine did not understand. "He's saying his prayers," he whispered.
She neither understood him nor believed him but she realized. with puzzlement, that now the man was being nice, though she did not even want him to be nice to her mother, she did not want him to be anything, to anybody, anywhere. But it was clear to both of them that things were better now than they had been before; they could hear it in his voice, which at once enchanted and obscurely disturbed them, and they could hear it in the voices of the two women, which now and again, when he seemed to pause for breath, chimed in with a short word or two, a few times with whole sentences. Both their voices were more tender, more alive, and more inhuman, than they had ever heard them before; and this remoteness from humanity troubled them. They realized that there was something to which their mother and their great-aunt were devoted, something which gave their voices peculiar vitality and charm, which was beyond and outside any love that was felt for them; and they felt that this meant even more to their mother and their great-aunt than they did, or than anyone else in the world did. They realized, fairly clearly, that the object of this devotion was not this man whom they mistrusted, but they felt that he was altogether too deeply involved in it. And they felt that although everything was better for their mother than it had been a few minutes before, it was far worse in one way. For before, she had at least been questioning, however gently. But now she was wholly defeated and entranced, and the transition to prayer was the moment and mark of her surrender. They stared so long and so gloomily at the doorknob, turning over such unhappy and uncertain intuitions in their souls, that the staring, round white knot became all that they saw in the universe except a subtly beating haze pervaded with magnificen
t quiet sound; so that when the doorbell rang they were so frightened that their hearts contracted.
Then, with almost equal terror, they realized that they would be caught on the stairs. They started down, in haste as desperate as their efforts to be silent. The door burst open above them. She can't see, they realized (for it was Hannah who came out), and in the same instant they realized: but she can hear better than anybody. A stair creaked loudly; terror struck them; against it, they continued. "Yes," Hannah called sharply; she was already on the stairs. The doorbell rang again. On the last stair, they were hideously noisy; they wanted only to disappear in time. They ducked through the sitting-room door and watched her pass; they were as insane with excitement as if they could still dare hope they had not been discovered, and solemnly paralyzed in the inevitability of dreadful reprimand and of physical pain.
Hannah didn't even glance back at them: she went straight to the door.
It was Mr. Starr. Usually he wore suits as brown and hairy as his mustache, but this morning he wore a dark blue suit and a black tie. In his hand he carried a black derby.
"Walter," Aunt Hannah said, "you know what all you're doing means to us."
"Aw now," Walter said.
"Come in," she said. "Mary'll be right down. Children, you know Mr. Starr…"
"Course we do," Mr. Starr said, smiling at them with his warm brown eyes through the lenses. He put the hand holding the derby on Rufus' shoulder and the other on Catherine's cheek. "You come on in and sit with me, will you, till your mother's ready."
He walked straight for their father's chair, veered unhappily, and sat on a chair next the wall.
"Well, so you're coming down and visit us," he said.
"Huh?"
"Coming down," Walter said. "Or ma-did your mama say anything about maybe you were coming down sometime, and pay us a visit?"
"Huh-uh."
"Oh, well, there's lots of time. Did you ever hear a gramophone?"
"She can't hardly hear when she does."
"Eigh?" He seemed extremely puzzled.
"Uncle Andrew says she's crazy even to try."
"Who?"
"Why, Granma." Mr. Starr had never before seemed stupid, but now Rufus began to think his memory was as bad as those of the boys at the corner. Could he be teasing? It would be very queer if Mr. Starr would tease. He decided he should trust him. "You know, when she phones, like you said."
Mr. Starr thought that over for a moment and then he seemed to understand. But almost the moment he understood he started to laugh, so he must have been teasing, after all. Rufus was deeply hurt. Then almost immediately he stopped laughing as if he were shocked at himself.
"Well now," he said. "I begin to see how we both got a bit in a muddle. You'd never heard of the thing I was talking about, and it sounds mighty like grandma phone, did you ever hear grandmaphone. Of course. Naturally. But what I was talking about was a nice box that music comes out of. Did you ever hear music come out of a box?"
"Huh-uh."
"Well down home, believe it or not, we got a box that music comes out of. Would you like to hear it sometime?"
"Uh-huh."
"Good. We'll see if that can't be arranged. Soon. Now would you like to know what they call this box?"
"Uh-huh."
"A gram-o-phone. See? It sounds very much like grandma phone, but it's just a little different. Gram-o-phone. Can you say it?"
"Gram-uh-phone."
"That's right. Can Baby Sister say it, I wonder?"
"Catherine? He means you."
"Gran-muh-phone."
"Gramm-uh-phone."
"Gramm-muh-phone."
"That's fine. You're a mighty smart little girl to say a big word like that."
"I can say some ever so big words," Rufus said. "Want to hear? The Dominant Primordrial Beast."
"Well now, that's mighty smart. But of course I don't mean smarter than Sister. You're a lot bigger boy."
"Yes, but I could say that when I was four years old. She's almost four and I bet she can't say it. Can you, Catherine? Can you?"
"Well, now, some people learn a little quicker than others. It's nice to learn fast but it's nice to take your time, too." He walked over and picked Catherine up and sat down with her in his lap. He smelled almost as good as her father, although he was soft in front, and she looked happy. "Now what does that word 'primordrial' mean?"
"I dunno, but it's nice and scary."
"Is it scary? Yes? Yes, spose it does have a sort of a scary sound. Now you can say it, you ought to find out what it means, sometime."
"What does it mean?"
"Not sure myself, but then I don't say it. Don't have occasion." He opened out one arm and Rufus walked across to him without realizing he was doing so. The arm felt strong and kind around him. "You're a fine little boy," Mr. Starr, said. "But it isn't nice of you to lord it over your sister."
"What's 'lord it'?"
"Brag about things you can do, that she can't do yet. That isn't nice."
"No, sir."
"So you watch, and don't do it."
"No siree."
"Because Catherine's a fine little girl, too."
"Yes, sir."
"Aren't you, Catherine?" He smiled at her and she blushed with delight. Rufus liked Catherine so well, all of a sudden, that he smiled at her, and when she smiled back they were both happy and suddenly he was very much ashamed to have treated her so.
"I want to tell you two something," they heard Mr. Starr's quieted voice. They looked up at him. "Not because you'll understand it now, but I have to, my heart's full, and it's you I want to tell. Maybe you'll remember it later on. It is about your daddy. Because you never got a real chance to know him. Can I tell you?"
They nodded.
"Some people have a hard, hard time. No money, no good schooling. Scarcely enough food. Nothing that you children have, but good people to love them. Your daddy started like that. He didn't have one thing. He had to work till it practicly killed him, for every little thing he ever got.
"Well, some of the greatest men start with nothing. Like Abraham Lincoln. You know who he was?"
"He was born in a log cabin," Rufus said.
"That's right, and he became the greatest man we've ever had."
He said nothing for a moment and they wondered what he was going to tell them about their father.
"Somehow I never got a chance to know Jay-your father-well as I wish. I don't think he ever knew how much I thought of him. Well I thought the world of him, Rufus and Catherine. My own wife and son couldn't mean more to me I think." He waited again. "I'm a pretty ordinary man myself," he went on. "Not a bad one. Just ordinary. But I always thought your father was a lot like Lincoln. I don't mean getting ahead in the world. I mean a man. Some people get where they hope to in this world. Most of us don't. But there never was a man up against harder odds than your father. And there was never a man who tried harder, or hoped for more. I don't mean getting ahead. I mean the right things. He wanted a good life, and good understanding, for himself, for everybody. There never was a braver man than your father, or a man that was kinder, or more generous. They don't make them. All I wanted to tell you is, your father was one of the finest men that ever lived."
He suddenly closed his eyes tightly behind his glasses, and swallowed; a long sobbing sigh fell from him. Deeply and solemnly touched, they moved closer to him, whether to comfort him or themselves they did not know. "There, there," he said, his eyes still closed. "There, there now. There, there."
Upstairs, they heard the door open.
Chapter 18
When grief and shock surpass endurance there occur phases of exhaustion, of anesthesia in which relatively little is left and one has the illusion of recognizing, and understanding, a good deal. Throughout these days Mary had, during these breathing spells, drawn a kind of solace from the recurrent thought: at least I am enduring it. I am aware of what has happened, I am meeting it face to face, I am living through
it. There had been, even, a kind of pride, a desolate kind of pleasure, in the feeling: I am carrying a heavier weight than I could have dreamed it possible for a human being to carry, yet I am living through it. It had of course occurred to her that this happens to many people, that it is very common, and she humbled and comforted herself in this thought. She thought: this is simply what living is; I never realized before what it is. She thought: now I am more nearly a grown member of the human race; bearing children, which had seemed so much, was just so much apprenticeship. She thought that she had never before had a chance to realize the strength that human beings have, to endure; she loved and revered all those who had ever suffered, even those who had failed to endure. She thought that she had never before had a chance to realize the might, grimness and tenderness of God. She thought that now for the first time she began to know herself, and she gained extraordinary hope in this beginning of knowledge. She thought that she had grown up almost overnight. She thought that she had realized all that was in her soul to realize in the event, and when at length the time came to put on her veil, leave the bedroom she had shared with her husband, leave their home, and go down to see him for the first time since his death and to see the long day through, which would cover him out of sight for the duration of this world, she thought that she was firm and ready. She had refused to "try on" her veil; the mere thought of approving or disapproving it before a mirror was obscene; so now when she came to the mirror and drew it down across her face to go, she saw herself for the first time since her husband's death. Without either desiring to see her face, or caring how it looked, she saw that it had changed; through the deep, clear veil her gray eyes watched her gray eyes watch her through the deep, clear veil. I must have fever, she thought, startled by their brightness; and turned away. It was when she came to the door, to walk through it, to leave this room and to leave this shape of existence forever, that realization poured upon and overwhelmed her through which, in retrospect, she would one day know that all that had gone before, all that she had thought she experienced and knew-true, more or less, though it all was-was nothing to this. The realization came without shape or definability, save as it was focused in the pure physical act of leaving the room, but came with such force, such monstrous piercing weight, in all her heart and soul and mind and body but above all in the womb, where it arrived and dwelt like a cold and prodigious, spreading stone, that she groaned almost inaudibly, almost a mere silent breath, an Ohhhhhhh, and doubled deeply over, hands to her belly, and her knee joints melted.