1965: The Most Revolutionary Year in Music

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1965: The Most Revolutionary Year in Music Page 40

by Andrew Grant Jackson


  Sam and Dave

  Sam the Sham and the Pharaohs

  Sanders, Ed

  Sanders, Farrell “Pharoah”

  Sanger, Margaret

  Saxon, Sky

  Schaffner, Nicholas

  Schulz, Charles

  Schwartz, Loren

  Scorsese, Martin

  Scott-Heron, Gil

  Seale, Bobby

  Sebastian, John

  Sedgwick, Edie

  Seeds

  Seeger, Pete

  Seekers

  Sellers, Peter

  Shankar, Ravi

  Shrimpton, Chrissie

  Shrimpton, Jean

  Simon, Paul

  Simon and Garfunkel

  Simone, Nina

  Sims, Speedo

  Sinatra, Frank

  Sinatra, Nancy

  Sir Douglas Quintet

  Skatalites

  Sledge, Percy

  Slick, Grace

  Sloan, P. F.

  Softley, Mick

  Sonics

  Sonny and Cher

  Sounds Orchestral

  Sovine, Red

  Spector, Phil

  Spector, Ronnie

  Spock, Benjamin

  Spokesmen

  Springfield, Dusty

  Springsteen, Bruce

  Stanley, Owsley

  Stanton, Frank

  Staples, Mavis

  Staples, Roebuck “Pops”

  Staple Singers

  Starr, Ringo

  Stax Records

  Steinbeck, John

  Stewart, Ian

  Stewart, Jim

  Stills, Stephen

  Streisand, Barbra

  Strieber, Anne

  Stubbs, Levi

  Sun Ra

  Supremes

  Talmy, Shel

  Tarplin, Marv

  Taylor, Derek

  Temptations

  Tex, Joe

  Them

  Thompson, Hunter S.

  Thurmond, Strom

  Tiegel, Eliot

  Toots and the Maytals

  Tork, Peter

  Tosh, Peter

  Townshend, Pete

  Tucker, Maureen

  Turner, Tina

  Turtles

  Tyner, McCoy

  Unterberger, Richie

  Valens, Richie

  Vandellas

  Van Dyke, Earl

  Van Gelder, Rudy

  Velvet Underground

  Vietnam War

  Vincent, Gene

  Viva

  Vivian, C. T.

  Volman, Mark

  Voormann, Klaus

  Wagoner, Porter

  Wailer, Bunny

  Wailers

  Walker Brothers

  Wallace, George

  Warhol, Andy

  Watts, Alan

  Watts, Charlie

  Watts riots

  Wayne Fontana and the Mindbenders

  Weavers

  We Five

  Weil, Cynthia

  Wein, Chuck

  Weinberg, Jack

  Weir, Bob

  Weller, Sheila

  Wells, Mary

  Wenner, Jann

  Westmoreland, William

  Wexler, Jerry

  White, Edward Higgins

  White, Ronald

  Whiteley, Sheila

  Whitfield, Norman

  Who

  Williams, Hank

  Williams, Larry

  Williams, Otis

  Williams, Paul

  Williams, Tennessee

  Wilson, Brian

  Wilson, Carl

  Wilson, Dennis

  Wilson, Harold

  Wilson, Mary

  Wilson, Murry

  Wilson, Tom

  Wilson, Wes

  Wilson, Woodrow

  Wolfe, Tom

  Wonder, Stevie

  Wrecking Crew

  Wright, Johnnie

  Wyman, Bill

  Yanovsky, Zal

  Yardbirds

  Yarrow, Peter

  Young, Faron

  Young, Neil

  Young Rascals

  Zamudio, Domingo “Sam”

  Zappa, Frank

  Zombies

  The Beatles pose as a marching band while filming their second feature film, Help!, in Obertauern, Austria, in March. From left: Paul McCartney, Ringo Starr, John Lennon, and George Harrison. (Courtesy of United Artists/Photofest)

  Bob Dylan and Joan Baez in Embankment Gardens, London, on April 27. Dylan’s tour of England would be captured in the documentary feature Don’t Look Back, directed by D. A. Pennebaker. (Courtesy of Bettmann/Corbis/Associated Press)

  James Brown warms up for the Los Angeles syndicated TV show Shivaree on June 26, three weeks after the release of “Papa’s Got a Brand New Bag.” (Courtesy of Photofest)

  Andy Warhol, taboo-bursting artist, filmmaker, and manager of the Velvet Underground, with model/actress Edie Sedgwick, muse to Bob Dylan and Lou Reed. (Courtesy of the Associated Press)

  Stevie Wonder (foreground) with the Motown musicians known as the Funk Brothers: producer Clarence Paul (behind Wonder); back row, from left: Joe Hunter on piano, Larry Veeder on guitar, Benny Benjamin on drums, James Jamerson on bass, and Mike Terry on sax. (Courtesy of Photofest)

  Folk singer–turned–pop star Marianne Faithfull enjoyed a string of Top 10 U.K. hits throughout the year and was perhaps one of the inspirations for Dylan’s “Like a Rolling Stone.” (Courtesy of London Records/Photofest)

  The Rolling Stones perform in Münster, Germany, on September 11, four days after recording “Get Off My Cloud” in Hollywood. From left: Charlie Watts on drums, Brian Jones on guitar, and Mick Jagger. (Courtesy of the Associated Press/Schroer)

  A bondsman and a U.S. Marshal escort Johnny Cash from El Paso County Jail to the federal courthouse on October 5 after his arrest for crossing the Mexican border with 688 Dexedrine speed capsules and 475 Equanil downers. (Courtesy of the Associated Press)

  The Grateful Dead (at the time named the Warlocks) imitate the Beatles’ Help! album cover, wearing Beatle boots. On December 4 they changed their name when they began performing for Ken Kesey’s Acid Tests. From left: Jerry Garcia, Bill Kreutzmann, Bob Weir, Phil Lesh, and Ron “Pigpen” McKernan. (Courtesy of Photofest)

  The Byrds in New York for their December 12 appearance on The Ed Sullivan Show. From left: Chris Hillman, David Crosby, Jim McGuinn, Michael Clarke, and Gene Clark. (Courtesy of Photofest)

  Acknowledgments

  I am deeply grateful to my editor Rob Kirkpatrick for taking on the project, sharing his insights born of experience, helping to shape the narrative, and keeping it focused and moving forward.

  Infinite thanks to editorial assistant Jennifer Letwack for pulling all the pieces together. The efforts of copy editor Jenna Dolan were crucial in strengthening the piece. Thanks to jacket designer Rob Grom for capturing the spirit of Rubber Soul and the early Acid Test posters, to production editor David Lott, publicist Joe Rinaldi, and marketing manager Karlyn Hixson.

  It was a pleasure to work with freelance copy editor Laura Adiletta, who was vital in helping me see the forest for the trees. Many thanks to writers Morgan Hobbs, David Jenison, and Erick Trickey for their feedback, and to Jeff McCarty and Jay Burnley for going above and beyond the call of duty.

  My agent, Charlie Viney, encouraged the project from the very beginning and has always provided inestimable guidance. Thanks also to Sally Fricker of the Viney Agency.

  If I couldn’t live through 1965, at least I’m lucky enough to have YouTube to research the more obscure fringes of its music, along with the dusty bins of record conventions. Thanks to the night I heard “A Hard Rain’s A-Gonna Fall” on the porch for the first time just before dawn, while the rain hissed on trees silhouetted by lightning and the great breeze of the summer thunderstorm blew through the screen. Thanks to my parents for passing on a sense of the ’60s’ epic romanticism, to Barb for being such a grea
t mother to Keira, and to Keira for sharing her toys with me (sometimes).

  Also by Andrew Grant Jackson

  Still the Greatest: The Essential Songs of the Beatles’ Solo Careers

  Where’s Ringo?

  About the Author

  Andrew Grant Jackson is the author of Still the Greatest: The Essential Songs of the Beatles’ Solo Careers and Where’s Ringo? He has written for Rolling Stone, Yahoo!, Slate’s “Blogging the Beatles,” Baseline Studio System, music magazines Burn Lounge, Mean Street, and Dispatch, and has copyedited the Hollywood monthly magazine Ingenue. He directed and cowrote the feature film The Discontents, starring Perry King and Amy Madigan, and served as actor Jeff Bridges’s development associate at AsIs Productions. He lives in Los Angeles.

  THOMAS DUNNE BOOKS.

  An imprint of St. Martin’s Press.

  1965. Copyright © 2015 by Andrew Grant Jackson. All rights reserved. For information, address St. Martin’s Press, 175 Fifth Avenue, New York, N.Y. 10010.

  www.thomasdunnebooks.com

  www.stmartins.com

  Cover design by Rob Grom

  Cover lettering and illustration by Oscar Wilson

  eBooks may be purchased for business or promotional use. For information on bulk purchases, please contact Macmillan Corporate and Premium Sales Department by writing to [email protected].

  The Library of Congress Cataloging-in-Publication Data for the print edition is available upon request.

  ISBN 978-1-250-05962-8 (hardcover)

  ISBN 978-1-4668-6497-9 (e-book)

  e-ISBN 9781466864979

  First Edition: February 2015

 

 

 


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