Mercy

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by Andrea Dworkin


  things nice, I put something here or there, little touches, but

  especially I washed things— I washed floors, dishes, clothes,

  anything could be washed I fucking washed it; and I would o f

  course keep thinking; I’d be doing laundry but I’d think I was

  thinking— housework wasn’t what I was doing, not me, no, I

  was thinking. I shared the fruits o f all this labor with him,

  clean clothes, clean dishes, clean floors, my thinking, which

  has always been first-rate in some senses, and I saw him put the

  thinking I had done into action so I felt like some pretty major

  player, running dope and making money all over Europe, and

  I kept thinking, and I saw the thinking go into political

  actions, so I felt pretty major, and I just kept washing and

  thinking; washing, ironing, and thinking; washing, shopping,

  and thinking; washing, cooking, and thinking; washing,

  scrubbing, and thinking; washing, folding, and thinking. I

  saw the consequences o f m y thinking; it was us out there, not

  just him. I was important; he knew; you don’t need

  recognition in a revolutionary life. Increasingly he incarnated,

  freedom, I dreamed it; especially he was the one who got to be

  free outside the four walls, and I got to be what he rolled over

  on when he got home, dead tired and mean as madness. He

  did— he got on top, he fucked me, he went to sleep. I was

  incredulous. In the aftershock I ironed, I washed, I scrubbed, I

  cooked. I’d lie there awake after he rolled o ff me, on m y back,

  not m oving, for hours— outraged, a pristine innocence,

  stunned in disbelief; this was me; me. We’d entertain too, the

  revolutionary couple, the subversives— I learned to do it. It’s

  like you see in all those films where the bourgie wife slinks

  around and makes the perfect martini amidst the glittering

  furniture; well, shit, honey, I made the most magnificent joint

  a boy could sit down to on a beanbag chair. I mean, I made a

  joint so gorgeous, so classic and yet so full o f savagery and

  bite, so smooth and so deadly, so big and so right, yo u ’d leave

  your wife and fam ily and kill your fucking mother ju st to sit

  on the floor near it. I was the perfect wife, illegally speaking; I

  mean, I learned how to be a stoned sweet bitch, the new good

  housekeeping. Y ou r man comes to visit m y man and he

  don’t walk home; I am dressed fine and mostly I am quiet

  except for an occasional ironic remark which establishes me, at

  least in m y own mind, as smart, and I roll a fine joint, and in

  this w ay I’ve done m y man proud; he’s got the best dope and a

  fine wom an— and a clean house, I mean, a fucking clean

  house; and I ain’t som ebody’s dumb wife except in the eyes o f

  the law because I defy society— I defy society— I roll joints, I

  have barely seen a martini, there’s nothing I ain’t done in bed,

  including with him, except anal intercourse, I w o n ’t have it,

  not from him, I don’t know w hy but I just w o n ’t, I don’t want

  him in me that way, I think it’s how I said he’s m y husband;

  husband. But I don’t think he even knew about it. I’d be as

  perfect as I could according to his demands, gradually

  expressed, over time. Everything escalates. D idn’t matter

  how brilliant m y joints were once he started using a chellum, a

  Turkish pipe for hash, rare in Europe, not used because you,

  had to be so fucking aggressive to use it, the hashish and

  tobacco went in it, it was like a funnel, and you pulled it fast

  and hard into your lungs through a kind o f wind tunnel made

  by your hands clasped at the bottom o f the funnel and the

  bitter smoke hit your lungs with a burning punch, with the

  force o f an explosion, and your bloodstream was oxygenated

  with hash and nicotine. I didn’t like the chellum but I had to do

  it, keeping up with Mr. Jones as it were. C an’t find yourself

  being too delicate, too demure, unable to take the violence o f

  the hit; not if you are Mrs. Jones; have to run with the boy or

  the boy runs without you, he don’t slow down to wait, he

  don’t say, Andrea doesn’t like this, she likes that, so let’s do

  that. Same with sex. He pushes you down and does it. Y ou

  solicit his personal recognition. Y ou ask his indulgence. Y ou

  beg: remember me; me. It changes slow. He tied me up to fuck

  me more and more; tied me up to this nice little modern brass

  bed we got, we had a little money; he had from the beginning,

  in rented rooms, on mattresses, on floors, it doesn’t take

  much, but it was only sometimes; now he tied me up to fuck

  me invariably and I was bored, tired and bored, irritated and

  bored; but he wanted it which had to mean he needed it and I

  want him to do what he needs, I think every man should have

  what he needs, I think if he has it maybe he w on ’t need it in a

  bad w ay; and I love him— not in love but I love him; him; I’m

  with him because it’s him; him; I want him to want me; me. I

  said no or not now or let’s just make love and don’t tie me up,

  we don’t need it, or even I don’t want it now, I don’t like it, or

  trying to say that I didn’t want to anymore and it had to matter

  to him that I didn’t want to because this is me; me. I said in all

  kindness and with all tenderness that I didn’t want to but he

  did want to and so we did because it was easier to than not to

  and it wasn’t like we hadn’t before so it wasn’t like I had any

  grounds for saying no or any right and it was so fucking dull,

  and stupid and I’d want it to be over and I’d wait for it to be

  over, especially to be untied; I learned how to wait, not just

  when he was doing things to me but after when he’d leave me

  there while he’d putter around or watch television or do

  something, I’d never know what exactly. I’d get bad pains in

  my side from the fucking or really from every time he tied me

  to fuck me and I was so fucking bored it was like being back on

  the streets but still easier frankly, just awful in some tedious

  w ay: when will he be done, when’s he going, when’s it going

  to be over. I know I’m saying I was bored, not morally

  repelled, and you don’t have a right to nothing if you ain’t

  morally repelled, and I know I don’t deserve nothing, but I

  wanted us back being us, the wild us outside and free or

  stretched out together body to body and carnal, mutual; not

  this fucking tame stupid boring tie me up then fuck me. I don’t

  have some moral view. M y view was that I was on his side;

  that’s what being married meant to me; I was on his side the

  w ay a friend on the street, that rarest creature, is on your side;

  anything, any time, you need it, you got it, I don’t ask w hy, I

  don’t ask any Goddamn thing, I do it, I take any pain that

  comes with it or any consequences and I don’t blab about it or

  complain or be halfhearted, I just take it. That was it

  fundamentally for me. I’d think, when’s he going, except he

  w asn’t going; the husband gets
to stay. I started having this

  very bad pain in m y left side and I felt frustrated and upset

  because I hated this, it w asn’t anything for me; it was banal. I

  hated having to go through these routines and I’d see the rope

  coming out, or the movement toward the bed, or the belts, I’d

  see the shadow o f something that meant he wanted this now

  and I’d try to divert him to something else, anything else,

  football, sports, anything, or if I saw it was going to happen

  I’d try to seduce him to be with me; with me. M ore and more

  it was pretend, I had to pretend— the sooner he’d come, the

  sooner it’d be over, but he liked it, he really liked it, and it

  went on and on; afternoons, fading to dusk. After he’d be

  jubilant, so fucking high and full o f energy, jum ping and

  dancing around, and I’d have this pain in m y left side, acute

  and dreadful, and I wanted to crawl into a corner like some

  sick animal and he’d want to go visit this one and that one,

  married couples, his friends, his family; w e’d go somewhere

  and he’d be ebullient and shining and fine and dancing on air,

  he’d be golden and sparkling, and I’d be trying to stand the

  pain in m y side, I’d be quiet, finally quiet, a quiet girl, not

  thinking at all, finally not thinking, eyes glazed over, nothing

  to say, didn’t think nothing, just sit there, pale, a fine pallor,

  they like white girls pale, unwashed, he wouldn’t let me wash,

  dressed, oh yes, very well-dressed, long skirts, demure, some

  velvet, beautifully made, hippie style but finer, better,

  simpler, tailored, the one w ho’d been naked and tied, and he’d

  look over and he’d see me fucked and tied and I’d feel sticky

  and dirty and crazy and I’d feel the bruises between m y legs

  because he left them there and I’d feel the sweat, his sweat, and

  I’d be polite and refined and quiet while he strutted. The men

  would know; they could see. T h ey’d fuck me with their eyes,

  smile, smirk, they’d watch me. He liked ropes, belt, sticks,

  wooden sticks, a walking stick or a cane; cloth gags sometimes. I didn’t feel annihilated; I felt sick and bored. H e’d always do it to me but sometimes he’d have me do it to him as

  a kind o f prologue, a short prologue, and I hated it but I’d try

  to keep him occupied, excited, I’d try to get him to come, he’d

  want to get hard but I’d want to make him come, I’d do

  anything to make him come so the next part w ouldn’t happen

  but it always did, you put your heart into staying alive, acting

  like you’re in charge; married, a married woman, with what

  we been to each other, this is just a hard stretch, he’s having

  some trouble, it will change, I’ll love him enough, give him

  what he needs, it will change, I can do anything, absolutely

  anything. I’d go through the motions, tying him, doing what

  he wanted, m ostly light strokes o f a cotton wrap-around belt

  and fellating him and then he was ready and he’d tie m y wrists

  to the bed and I’d start waiting and soon the pain in m y side

  would come and I’d know it was going to last for hours and

  he’d use a leather belt, a heavy belt, with a big buckle, a silver

  buckle, or sticks, or he’d begin with his open hand, or he’d use

  a brush, and he’d do what he wanted and he’d take his time and

  then sometime he’d fuck me and I’d hope it was over and

  sometimes it was and sometimes he’d do more and after he

  would untie me and he wanted to visit folks and party, didn’t

  matter w ho or where, even his terrible fam ily, he’d play cards,

  the men would play cards, or i f it was real late at night he’d

  want an after midnight m ovie, a cow boy m ovie, an edge o f

  night crowd where there were always people he knew and

  deals he could make and he’d strut by them, circle around

  them, regale them, touch and poke them, tell vulgar jokes, sell

  hash or score and always, always he’d smoke; or w e’d go to an

  after-hours club and he’d deal and strut; and I’d sit there, the

  quiet, used thing; the pale, used thing. I’d moan and do

  everything you’re supposed to; I’d egg him on to try to get him

  to finish; I ju st hate the fucking feel o f rope around m y wrists; I

  hate it. We didn’t use mechanical things; you can use anything;

  you can do anything any time with anything. The bed was in a

  tiny middle room, a passageway really, no window s, and I’d

  lay there, m y wrists tied to the headboard, and the walls

  would be nearer each time, the room w ould get smaller each

  time; and sometimes, more and more, he’d leave me spread-

  eagle on the bed, m y ankles tied to the base o f the bed, and he’d

  be done, and he’d get up, he’d fuck me with m y legs tied

  spread apart and then he’d be dead weight on top o f me, he’d

  be done, and sometime he’d get up, when he wanted, and he’d

  stand there, his back to me, and he’d putter around, he’d find

  his pants, he’d pick out a new shirt to wear, he’d hum, and I’d

  want to reach out like this was still us, not just him, and he’d be

  only a few feet away, but I couldn’t and I’d say his name and

  he’d keep his back to me and I’d ask him to untie me and he’d

  keep his back to me and I’d tell him m y side hurt and he’d

  putter around and I’d see his back and then I’d close m y eyes

  and wait. Then, sometimes, he’d say we were going out, and

  I’d say I’m sick and I don’t want to, and then I’d get scared that

  he’d leave me there tied up and I’d say I wanted to go, I really

  did, and he’d sit down on the bed and he’d untie one rope

  around m y wrist and then he’d make it tighter to hurt me and

  then he’d untie it because I was shaking from fear that he’d

  leave me there and I’d put on clothes, what he liked, and I’d

  follow him, quiet. I never thought there was anything I

  couldn’t walk away from; not me. If I didn’t like being

  married I’d just leave. I didn’t care about the law. I wasn’t

  someone like that. This was a few fucking ropes; so what? I

  was getting nervous all the time; anxious; and he’d keep

  waking me up to do something to me; to fuck me; to tie me; I’d

  be sleeping, he’d be gone, he’d come in out o f nowhere, he’d

  be on me in the bed where I was sleeping, I just could never get

  enough sleep. It was ordinary life; just how every day went;

  I’d think I could do it one more day, I could last one more day,

  he’ll leave, he’ll change, he will go somewhere with someone,

  a girl, he’ll find a girl, he’ll go away to buy or sell drugs and

  he’ll get caught, he’ll go to jail, he’ll go back to running with

  his pack o f boys; a man will always leave, you can count on it,

  wait long enough, he’s gone, how long will long enough be?

  I’d be counting seconds, on the bed, waiting. He painted the

  bedroom a dark, shocking blue, all the walls and the ceiling; I

  screamed, I cried, I begged, I can’t stand it, the walls will close

  in on me, it makes the ceiling feel like it’s on top o f me, I’ll
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  smother, I can’t bear it, I screamed obscenities and I called him

  names and I could barely breathe from the tears and he hit me,

  hard, in the face, over and over; and I ran away; and I was

  outside in the cold a long time; I didn’t have m y coat; I was

  crying uncontrollably; I went to the park; men tried to pick me

  up; I was freezing; m y face was swelling; I couldn’t stop

  crying; I felt ashamed; I got scared; I went back; he wanted to

  make love; I was tied in the room. I knew he was capable o f

  frenzies o f rage; but not at me— he broke furniture, he

  punched his fist into walls, once he tore up a pile o f money,

  tore it into a million pieces— it was rage at things; not me; I

  don’t care about things. It was an internal agony, he was

  tormented, he was so distraught, and I thought I’d love him

  and it would help that I did. When the violence possessed him,

  it didn’t have anything to do with me; it didn’t; I was terrified

  by the magnitude o f it, like the w ay yo u ’re frightened o f a big

  storm with thunder that cracks the earth open and lightning

  that looks like the sk y’s exploding, you feel small and helpless

  and the drama o f it renders you passive, waiting for it to be

  over, hoping it w o n ’t hurt you by accident. The first time his

  frenzy landed on me— landed on me, a shower o f his fists

  pummeling me— I just didn’t believe it. It w asn’t something

  he would really do; not to me; me. It was some awful mistake;

  a mistake. I didn’t clean the refrigerator. I had never seen

  anyone clean one before— I mean, I never had, however stupid

  I am I hadn’t— and I didn’t see w hy I should do it and I didn’t

  want to do it and he told me to do it and I said no and he went

  mad, it was some seizure, something happened to him,

  something got inside him and took him over, and he beat me

  nearly to death, it’s a saying but I think it’s true, it means that

  some part o f you that is truly you does die, and I crawled into a

  corner, I crawled on the floor down low so he w ouldn’t kick

  me, I crawled, and I was sick in the corner but I didn’t m ove,

 

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