Yeah, right.
I finished the book without a problem, and Henry liked it, and he sent it over to Dell. (I think it was Dell.) While I’d been breezing along on the book, the editor who’d liked the idea had gone somewhere else, and her replacement didn’t like the idea—or the book, either. Henry took it back and sent it to Knox Burger at Gold Medal Books, who had published a number of books of mine, and who liked it just fine. I signed a contract and then I got a call from Henry.
“Knox was wondering,” he said, “if The Specialists is the first volume of a series. Shall I tell him yes, and that you’re already hard at work on the next installment?”
“God, no,” I said.
“Huh?”
“Tell him it’s complete in and of itself,” I said.
“But I thought—”
“So did I,” I said, “and it turns out we were both wrong. Because I like the book and I sort of enjoyed writing it, but when I finished it I realized something. I don’t want to write about those guys again, ever. I liked them as characters, and it’s the kind of book I like to read, but it turns out it’s not the kind of book I like to write.”
There was a pause. Then Henry said, “That’s really strange.”
“I know it is.”
“I was sure it was going to turn out to be a series.”
“So was I, and we were right. It’s a series. But it’s a very short series.”
“Just one book long.”
“Just one book long,” I agreed. “But a series nonetheless.”
And that’s what it is. I hope you enjoyed it. I like it, I must admit, and I’m happy to see it in print in such a handsome edition. I’m glad you’ve got it on your shelf, and I’m happy to have it on my shelf.
And who knows? Maybe someday I will want to write about those guys again . . .
Well now. Jim Cahill’s edition has long since gone out of print, and I still haven’t written further about the Colonel and his merry band. But The Specialists is available again, now as an ebook, and I’m not half chuffed to see my one-book series find a new cyberaudience for itself.
Hmmm. You know, maybe I should write more about the lads . . .
—Lawrence Block
Greenwich Village
Lawrence Block ([email protected]) welcomes your email responses; he reads them all, and replies when he can.
A BIOGRAPHY OF LAWRENCE BLOCK
Lawrence Block (b. 1938) is the recipient of a Grand Master Award from the Mystery Writers of America and an internationally renowned bestselling author. His prolific career spans over one hundred books, including four bestselling series as well as dozens of short stories, articles, and books on writing. He has won four Edgar and Shamus Awards, two Falcon Awards from the Maltese Falcon Society of Japan, the Nero and Philip Marlowe Awards, a Lifetime Achievement Award from the Private Eye Writers of America, and the Cartier Diamond Dagger from the Crime Writers Association of the United Kingdom. In France, he has been awarded the title Grand Maitre du Roman Noir and has twice received the Societe 813 trophy.
Born in Buffalo, New York, Block attended Antioch College in Yellow Springs, Ohio. Leaving school before graduation, he moved to New York City, a locale that features prominently in most of his works. His earliest published writing appeared in the 1950s, frequently under pseudonyms, and many of these novels are now considered classics of the pulp fiction genre. During his early writing years, Block also worked in the mailroom of a publishing house and reviewed the submission slush pile for a literary agency. He has cited the latter experience as a valuable lesson for a beginning writer.
Block’s first short story, “You Can’t Lose,” was published in 1957 in Manhunt, the first of dozens of short stories and articles that he would publish over the years in publications including American Heritage, Redbook, Playboy, Cosmopolitan, GQ, and the New York Times. His short fiction has been featured and reprinted in over eleven collections including Enough Rope (2002), which is comprised of eighty-four of his short stories.
In 1966, Block introduced the insomniac protagonist Evan Tanner in the novel The Thief Who Couldn’t Sleep. Block’s diverse heroes also include the urbane and witty bookseller—and thief-on-the-side—Bernie Rhodenbarr; the gritty recovering alcoholic and private investigator Matthew Scudder; and Chip Harrison, the comical assistant to a private investigator with a Nero Wolfe fixation who appears in No Score, Chip Harrison Scores Again, Make Out with Murder, and The Topless Tulip Caper. Block has also written several short stories and novels featuring Keller, a professional hit man. Block’s work is praised for his richly imagined and varied characters and frequent use of humor.
A father of three daughters, Block lives in New York City with his second wife, Lynne. When he isn’t touring or attending mystery conventions, he and Lynne are frequent travelers, as members of the Travelers’ Century Club for nearly a decade now, and have visited about 150 countries.
A four-year-old Block in 1942.
Block during the summer of 1944, with his baby sister, Betsy.
Block’s 1955 yearbook picture from Bennett High School in Buffalo, New York.
Block in 1983, in a cap and leather jacket. Block says that he “later lost the cap, and some son of a bitch stole the jacket. Don’t even ask about the hair.”
Block with his eldest daughter, Amy, at her wedding in October 1984.
Seen here around 1990, Block works in his office on New York’s West 13th Street with, he says, “a bad haircut, an ugly shirt, and a few extra pounds.”
Block at a bookstore appearance in support of A Walk Among the Tombstones, his tenth Matthew Scudder novel, on Veterans Day, 1992.
Block and his wife, Lynne.
Block and Lynne on vacation “someplace exotic.”
Block race walking in an international marathon in Niagara Falls in 2005. He got the John Deere cap at the John Deere Museum in Grand Detour, Illinois, and still has it today.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook onscreen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of the publisher.
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.
copyright © 1969 by Fawcett Publications, Inc.
cover design by Elizabeth Connor
ISBN: 978-1-4532-0854-0
This edition published in 2010 by Open Road Integrated Media
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