Long Way Down

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Long Way Down Page 4

by Jason Reynolds


  of his children,

  awkward,

  amazing,

  tucked in his wallet

  for the world

  to see.

  But the world

  don’t wanna see

  no kids,

  and God ain’t

  no pushy parent

  so he just folds

  and snaps

  us shut.

  WHEN THEY SAID

  you were gone,

  I cried all night,

  I confessed.

  And the next morning,

  over hard-boiled eggs

  and sugar cereal,

  Shawn taught me

  Rule Number One—

  no crying.

  THE WAY I FELT

  when Dani was killed

  was a first.

  Never felt nothing like it.

  I stood in the shower

  the next morning

  after Shawn taught me

  the first rule,

  no crying,

  feeling like

  I wanted to scratch

  my skin off scratch

  my eyes out punch

  through something,

  a wall,

  a face,

  anything,

  so something else

  could have

  a hole.

  ANAGRAM NO. 2

  FEEL = FLEE

  IT’S COOL

  to see you, Dani,

  I said,

  feeling funny

  but meaning

  every word.

  She grew up

  gorgeous.

  At least

  she would’ve.

  Good to see

  you too, Will.

  She grinned.

  But you still haven’t

  answered my question.

  WHAT YOU NEED

  a gun for?

  09:08:20 a.m.

  MY FACE

  tightened

  hardened.

  They killed Shawn last night.

  Who killed Shawn?

  Shouldn’t you already know?

  Just tell me who killed him, Will.

  The Dark Suns. You remember

  Riggs, used to live around here?

  Think it was him. Had to be?

  Had

  to

  be.

  DANI WAS KILLED

  before she ever learned

  The Rules.

  So I explained them to

  her so she wouldn’t think

  less of me for following

  them

  like I was just another

  block boy on one

  looking to off one.

  So that she knew I had

  purpose

  and that this was about

  family

  and had I known

  The Rules when we

  were kids I would’ve

  done the same thing

  for her.

  THEN DANI ASKED,

  What

  if

  you

  miss?

  BUT

  I won’t,

  I said.

  But what if you do?

  she asked.

  I won’t,

  I said.

  But how you know?

  she asked.

  I just know,

  I said.

  But you ever even shot a gun?

  she asked.

  Don’t matter,

  I said.

  Don’t matter.

  DANI WAS DISAPPOINTED.

  Slapped her

  hands to her face,

  tried to wipe

  away worry.

  But she couldn’t.

  And I couldn’t

  expect her to.

  I LOOKED BACK AT BUCK

  for a bailout,

  some help,

  something,

  but he said

  nothing.

  Just slid the

  cigarettes

  from his pocket

  and extended it

  to Dani.

  BUCK OFFERED,

  Smoke?

  I guess this

  was his way

  of diffusing the

  situation.

  Thank you,

  Dani said,

  wiggling one

  from the box.

  You smoke?

  I asked.

  You shoot?

  she shot back,

  slipping it between

  shiny lips,

  leaning forward

  for the light.

  Buck struck

  a match.

  And again

  the elevator came to a stop.

  THE ELEVATOR,

  a smoke box,

  gray and thick.

  Buck and Dani

  puffed and blew

  everlasting cigs.

  Thought when the

  doors opened the

  smoke would rush out.

  But instead it

  became a still cloud

  trapped in a steel cube.

  CIGARETTE SMOKE

  ain’t supposed to be

  no wool blanket,

  ain’t supposed to be

  no blizzard, no

  snowy TV.

  Smoke   like spirit

  can be thick but

  ain’t supposed to be

  nothing solid

  enough to hold me.

  I FANNED AND COUGHED,

  expecting whoever was waiting

  to wait for the next one.

  Who wants to get on an elevator

  full of smoke?

  What if it wasn’t really

  full of smoke?

  Still,

  who wants to get on an elevator

  with a kid buggin’?

  Swatting and choking on

  the invisible thick.

  They’d probably think

  what you probably think

  right now.

  I TOOK A STEP BACK

  to make room

  for the silhouette to

  move through fog,

  to step in.

  Dani and Buck

  stood behind me,

  close enough to feel

  but I felt no breath.

  09:08:22 a.m.

  TWO LARGE HANDS,

  the largest I’d ever seen,

  rushed through the cloud

  hard and fast,

  snatched fistfuls of my shirt,

  yoking me by the neck,

  holding me there until

  the elevator door closed.

  Could barely breathe

  already and could breathe

  less and could see nothing

  behind this blanket

  of gray.

  THEN IN ONE SWIFT MOTION

  the hands released me and

  slapped me into a headlock,

  the kind that Shawn used to

  put me in, the kind that all little

  brothers hate.

  I COULD HEAR LAUGHING

  like being held under water

  by playful waves

  crashing down on my head

  laughing laughing

  laughing me under.

  How do you tell water

  ain’t nothing funny

  about drowning?

  WHEN I WAS FINALLY LET UP

  I looked

  for Buck,

  for Dani,

  for help.

  They moved

  to the corner,

  chuckling,

  blurry,

  puffing

  away.

  WHAT THE HELL?

  I

  yelped,

  one hand on my neck,

  one hand on my tucked

  untucked

  tail.

  WHAT YOU REACHIN’ FOR

  and why you reachin’ for it?

&nb
sp; the asshole

  who tried to mash

  the apple in my neck

  into sauce

  taunted.

  Nephew

  Nephew

  Nephew

  Nephew?

  Nephew,

  he chanted,

  After all this time

  you ain’t learned to

  fight back yet?

  THERE ARE

  so many pictures

  of Uncle Mark in

  our house.

  Hanging on the wall,

  hanging on the block, posing

  with my father, his shorter

  younger brother.

  Dressed blade sharp.

  Suits, jewelry.

  Cigarette tucked

  behind ear.

  Camera ready.

  Fly.

  Like Shawn.

  Foreshadowing the flash.

  UNCLE MARK?

  I let my hand fall

  to my side

  swallowed hard.

  Am I going insane?

  Come here, kid,

  Uncle Mark said.

  Lemme look at ya.

  I stepped closer.

  Taller than me.

  Taller than everyone.

  Six foot four,

  Six foot five.

  (Six feet deep.)

  Rested his hands

  on my shoulders,

  the weight of him

  bending me

  at the knees.

  Look like your damn daddy,

  he said.

  Just like him.

  MY MOTHER TOLD ME TWO STORIES ABOUT UNCLE MARK.

  NO. 1

  He videotaped everything

  with a camera his mother,

  my grandmother, bought him

  for his eighteenth birthday:

  dance battles,

  gang fights,

  block parties.

  But he dreamed of making a movie.

  SCRIPT IDEA:

  BOY: Mickey. No game. No girls. Meets

  GIRL: Jesse, the young girlfriend of

  BOY: Mickey’s landlord.

  GIRL: Jesse teaches

  BOY: Mickey everything he needs to know about

  GIRL: How to impress them. How to treat them. But

  BOY: Mickey uses what he learns to get

  GIRL: Jesse to fall in love with him, but her boyfriend,

  BOY: Mickey’s landlord, finds out and kicks him and

  GIRL: Jesse out of the building.

  So they’re in love,

  but they’re homeless,

  but they’re happy.

  Right.

  CASTING OF THE WORST, STUPIDEST MOVIE EVER

  BOY: Mickey to be played by Uncle Mark’s little brother,

  my father,

  Mikey.

  GIRL: Jesse to be played by the younger sister of a girl

  Uncle Mark used to date,

  Shari,

  my mother.

  UNCLE MARK PULLED ME IN

  for a hug,

  but how you

  hug what’s haunting you?

  AND YOU KNOW

  it’s weird to know

  a person you don’t know

  and at the same time

  not know

  a person you know,

  you know?

  09:08:25 a.m.

  WHY YOU HERE?

  I asked Uncle Mark,

  taking my turn,

  my time,

  looking him up

  and down.

  Sadness

  split his face

  like cold breeze

  on chapped lip

  after attempting

  to smile.

  I guess he expected me

  to be excited to see him.

  And I was, sorta,

  but still.

  WITH HIS HAND

  he brushed down the front

  of his shirt,

  smoothing out wrinkles,

  straightening himself out.

  Pants stopped

  just at the top of his

  dress shoes,

  dress shoes tied

  in perfect bows,

  leather shiny,

  uncreased

  like he ain’t

  been walking.

  Brushed and brushed

  down his chest

  to stomach,

  down his thighs,

  then squatting,

  dipped a finger in

  his mouth and scrubbed

  the toe of his shoe,

  a smudge

  not there.

  A BETTER QUESTION,

  he said,

  eyes up at me

  is, why are you here?

  RANDOM THOUGHT NO. 2

  Always

  always

  always

  be skeptical of a person

  who answers a question

  by asking a question.

  Usually

  usually

  usually

  it’s a setup.

  ANAGRAM NO. 3

  COOL = LOCO

  WHAT YOU MEAN?

  I asked,

  trying to avoid

  having to talk about

  the coldness

  in my heart

  and the heater

  in my waist.

  WHAT DO I MEAN?

  He stood up.

  What do I mean?

  he repeated,

  putting

  hands together,

  fingertips touching,

  cracking what sounded

  like all the knuckles

  in the world.

  Listen, kid,

  don’t play me and

  don’t play with me.

  It’s best you

  turn it loose before

  I tighten you up.

  OKAY, OKAY,

  I begged,

  trying to hold him off,

  trying to avoid being

  knotted up again.

  Look,

  they killed Shawn

  last night, Uncle Mark.

  And . . .

  And today

  you woke up ready

  to make things

  right, right?

  I nodded.

  And the reason why

  is because for the

  first time in your life,

  you realize, or at least

  you think you could

  kill someone,

  right?

  I nodded.

  RIGHT?

  he said,

  louder.

  Right.

  BUT TO EXPLAIN MYSELF

  I said,

  The Rules are

  the rules.

  UNCLE MARK HUFFED

  closed his eyes.

  I wondered if he

  was thinking

  about The Rules.

  He knew them

  like I knew them.

  Passed to him.

  Passed them to his little brother.

  Passed to my older brother.

  Passed to me.

  The Rules

  have always ruled.

  Past present future forever.

  UNCLE MARK SQUEEZED HIS LIPS

  like he was trying

  to rip them off.

  Then opened

  his eyes.

  Okay, Will,

  he said,

  all serious.

  Let’s set the scene.

  What you mean,

  set the scene?

  I mean, let’s play it out,

  how this whole thing is gon’

  go down. Play it out

  like a movie,

  Uncle Mark explained.

  We’ll go back and forth.

  I’ll start, from the top.

  THE SCENE

  Will stands over dead brother, Shawn.

  Two holes in his chest. Blood all over the

  gro
und.

  Will takes his mother inside.

  She cries. He looks for his brother’s

  gun.

  Will finds the gun. Lies down and thinks

  about The Rules. No crying. No snitching.

  And always get revenge.

  The next day, he decides to find

  who he knows killed his brother.

  A guy named Riggs.

  Will gets in the elevator. Goes down to the

  lobby. Walks outside, past his brother’s

  blood on the concrete.

  He continues for nine blocks,

  gets to Riggs’s house, sees Riggs,

  pulls the gun out, and . . .

  I GOT STUCK

  Couldn’t say

  nothing else. Couldn’t say

  it. Hoped Uncle Mark would say,

  cut.

  BUT HE DIDN’T (the scene, continued)

  Go ’head. Finish it.

  Up until that point

  things were running

  smoothly, but this

  stupid last part

  got me caught up.

  Finish it!

  Uncle Mark demanded.

  Dani whimpered.

  Buck razzed.

  Okay, okay,

  I said,

  trying to calm

  Uncle Mark down.

  Will pulls the gun out,

  and . . .

  I stalled.

  And . . . and . . .

  MY MOUTH

  dried out,

  words phlegm

  trapped in my throat,

  like an allergic reaction

  to the thought

  of it all.

  THE SCENE (completed)

  And . . .

  And shoots.

  Uncle Buck

  finished it for me,

  said it slowly,

  dragging out the

  shhhhhhhhhhhh.

  Then I could

  finally

  painfully

  hack it up.

  And shoots.

 

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