“Beaver.”
“Quite right, and all that magnificent esprit you lot are so justly famous for, but you haven’t brought down many rockets lately have you, haha!” gurning his most spiteful pursed smile up against wrinkled nose and eyes, “any more than I, any more than Pointsman, well who’s that make purer than whom these days, eh mylove?” bouncing up and down in the leather seat.
By now her hand’s reaching out, about to touch his shoulder. She rests her cheek on her own arm, hair spilling, drowsy, watching him. Can’t get a decent argument going with her. How he’s tried. She uses her silences like stroking hands to divert him and hush their corners of rooms, bedcovers, tabletops—accidental spaces. . . . Even at the cinema watching that awful Going My Way, the day they met, he saw every white straying of her ungauntleted hands, could feel in his skin each saccade of her olive, her amber, her coffee-colored eyes. He’s wasted gallons of paint thinner striking his faithful Zippo, its charred wick, virility giving way to thrift, rationed down to a little stub, the blue flame sparking about the edges in the dark, the many kinds of dark, just to see what’s happening with her face. Each new flame, a new face.
And there’ve been the moments, more of them lately too—times when face-to-face there has been no way to tell which of them is which. Both at the same time feeling the same eerie confusion . . . something like looking in a mirror by surprise but . . . more than that, the feeling of actually being joined . . . when after—who knows? two minutes, a week? they realize, separate again, what’s been going on, that Roger and Jessica were merged into a joint creature unaware of itself. . . . In a life he has cursed, again and again, for its need to believe so much in the trans-observable, here is the first, the very first real magic: data he can’t argue away.
It was what Hollywood likes to call a “cute meet,” out in the neat 18th-century heart of downtown Tunbridge Wells, Roger motoring in the vintage Jaguar up to London, Jessica at the roadside struggling prettily with a busted bicycle, murky wool ATS skirt hiked up on a handle bar, most nonregulation black slip and clear pearl thighs above the khaki stockings, well—
“Here love,” brakes on in a high squeak, “it’s not backstage at the old Windmill or something, you know.”
She knew. “Hmm,” a curl dropping down to tickle her nose and put a bit more than the usual acid in her reply, “are they letting little boys into places like that, I didn’t know.”
“Well nobody’s,” having learned by now to live with remarks about his appearance, “called up the Girl Guides yet either, have they.”
“I’m twenty.”
“Hurrah, that qualifies you for a ride, in this Jaguar here you see, all the way to London.”
“But I’m going the other way. Nearly to Battle.”
“Oh, round trip of course.”
Shaking hair back out of her face, “Does your mother know you’re out like this.”
“My mother is the war,” declares Roger Mexico, leaning over to open the door.
“That’s a queer thing to say,” one muddy little shoe pondering on the running board.
“Come along, love, you’re holding up the mission, leave the machine where it is, mind your skirt getting in, I wouldn’t want to commit an unspeakable act out here in the streets of Tunbridge Wells—”
At which moment the rocket falls. Cute, cute. A thud, a hollow drumroll. Far enough toward the city to be safe, but close and loud enough to send her the hundred miles between herself and the stranger: long-swooping, balletic, her marvelous round bottom turning to settle in the other seat, hair in a moment’s fan, hand sweeping Army-colored skirt under graceful as a wing, all with the blast still reverberating.
He thinks he can see a solemn gnarled something, deeper or changing faster than clouds, rising to the north. Will she snuggle now cutely against him, ask him to protect her? He didn’t even believe she’d get in the car, rocket or no rocket, accordingly now puts Pointsman’s Jaguar somehow into reverse instead of low, yes, backs over the bicycle, rendering it in a great crunch useless for anything but scrap.
“I’m in your power,” she cries. “Utterly.”
“Hmm,” Roger at length finding his gear, dancing among the pedals rrrn, snarl, off to London. But Jessica’s not in his power.
And the war, well, she is Roger’s mother, she’s leached at all the soft, the vulnerable inclusions of hope and praise scattered, beneath the mica-dazzle, through Roger’s mineral, grave-marker self, washed it all moaning away on her gray tide. Six years now, always just in sight, just where he can see her. He’s forgotten his first corpse, or when he first saw someone living die. That’s how long it’s been going on. Most of his life, it seems. The city he visits nowadays is Death’s antechamber: where all the paperwork’s done, the contracts signed, the days numbered. Nothing of the grand, garden, adventurous capital his childhood knew. He’s become the Dour Young Man of “The White Visitation,” the spider hitching together his web of numbers. It’s an open secret that he doesn’t get on with the rest of his section. How can he? They’re all wild talents—clairvoyants and mad magicians, telekinetics, astral travelers, gatherers of light. Roger’s only a statistician. Never had a prophetic dream, never sent or got a telepathic message, never touched the Other World directly. If anything’s there it will show in the experimental data won’t it, in the numbers . . . but that’s as close or clear as he’ll ever get. Any wonder he’s a bit short with Psi Section, all the definitely 3-sigma lot up and down his basement corridor? Jesus Christ, wouldn’t you be?
That one clear need of theirs, so patent, exasperates him. . . . His need too, all right. But how are you ever going to put anything “psychical” on a scientific basis with your mortality always goading, just outside the chi-square calculations, in between the flips of the Zener cards and the silences among the medium’s thick, straining utterances? In his mellower moments he thinks that continuing to try makes him brave. But most of the time he’s cursing himself for not working in fire control, or graphing Standardized Kill Rates Per Ton for the bomber groups . . . anything but this thankless meddling into the affairs of invulnerable Death. . . .
They have drawn near a glow over the rooftops. Fire Service vehicles come roaring by them, heading the same direction. It is an oppressive region of brick streets and silent walls.
Roger brakes for a crowd of sappers, firefighters, neighbors in dark coats over white nightclothes, old ladies who have a special place in their night-thoughts for the Fire Service no please you’re not going to use that great Hose on me . . . oh no . . . aren’t you even going to take off those horrid rubber boots . . . yesyes that’s—
Soldiers stand every few yards, a loose cordon, unmoving, a bit supernatural. The Battle of Britain was hardly so formal. But these new robot bombs bring with them chances for public terror no one has sounded. Jessica notes a coal-black Packard up a side street, filled with dark-suited civilians. Their white collars rigid in the shadows.
“Who’re they?”
He shrugs: “they” is good enough. “Not a friendly lot.”
“Look who’s talking.” But their smile is old, habitual. There was a time when his job had her a bit mental: lovely little scrapbooks on the flying bombs, how sweet. . . . And his irritated sigh: Jess don’t make me out some cold fanatical man of science. . . .
Heat beats at their faces, eye-searing yellow when the streams shoot into the fire. A ladder hooked to the edge of the roof sways in the violent drafts. Up top, against the sky, figures in slickers brace, wave arms, move together to pass orders. Half a block down, flare lamps illuminate the rescue work in the charry wet wreckage. From trailer pumps and heavy units, canvas hoses run fat with pressure, hastily threaded unions sending out stars of cold spray, bitter cold, that flash yellow when the fire leaps. Somewhere over a radio comes a woman’s voice, a quiet Yorkshire girl, dispatching other
units to other parts of the city.
Once Roger and Jessica might have stopped. But they’re both alumni of the Battle of Britain, both have been drafted into the early black mornings and the crying for mercy, the dumb inertia of cobbles and beams, the profound shortage of mercy in those days. . . . By the time one has pulled one’s nth victim or part of a victim free of one’s nth pile of rubble, he told her once, angry, weary, it has ceased to be that personal . . . the value of n may be different for each of us, but I’m sorry: sooner or later . . .
And past the exhaustion with it there is also this. If they have not quite seceded from war’s state, at least they’ve found the beginnings of gentle withdrawal . . . there’s never been the space or time to talk about it, and perhaps no need—but both know, clearly, it’s better together, snuggled in, than back out in the paper, fires, khaki, steel of the Home Front. That, indeed, the Home Front is something of a fiction and lie, designed, not too subtly, to draw them apart, to subvert love in favor of work, abstraction, required pain, bitter death.
They have found a house in the stay-away zone, under the barrage balloons south of London. The town, evacuated in ’40, is still “regulated”—still on the Ministry’s list. Roger and Jessica occupy the place illegally, in a defiance they can never measure unless they’re caught. Jessica has brought an old doll, seashells, her aunt’s grip filled with lace knickers and silk stockings. Roger’s managed to scare up a few chickens to nest in the empty garage. Whenever they meet here, one always remembers to bring a fresh flower or two. The nights are filled with explosion and motor transport, and wind that brings them up over the downs a last smack of the sea. Day begins with a hot cup and a cigarette over a little table with a weak leg that Roger has repaired, provisionally, with brown twine. There’s never much talk but touches and looks, smiles together, curses for parting. It is marginal, hungry, chilly—most times they’re too paranoid to risk a fire—but it’s something they want to keep, so much that to keep it they will take on more than propaganda has ever asked them for. They are in love. Fuck the war.
• • • • • • •
Tonight’s quarry, whose name will be Vladimir (or Ilya, Sergei, Nikolai, depending on the doctor’s whim), slinks carefully toward the cellar entrance. This jagged opening ought to lead to something deep and safe. He has the memory, or reflex, of escaping into similar darkness from an Irish setter who smells of coal smoke and will attack on sight . . . once from a pack of children, recently from a sudden blast of noiselight, a fall of masonry that caught him on the left hindquarter (still raw, still needs licking). But tonight’s threat is something new: not so violent, instead a systematic stealth he isn’t used to. Life out here is more direct.
It’s raining. The wind hardly flickers. It brings a scent he finds strange, never having been near a laboratory in his life.
The smell is ether, it emanates from Mr. Edward W. A. Pointsman, F.R.C.S. As the dog vanishes around the broken remnant of a wall, just as the tip of his tail flicks away, the doctor steps into the white waiting throat of a toilet bowl he has not, so intent on his prey, seen. He bends over, awkwardly, tugging loose the bowl from its surrounding debris, muttering oaths against all the careless, meaning not himself, particularly, but the owners of this ruined flat (if they weren’t killed in the blast) or whoever failed to salvage this bowl, which seems, actually, to be wedged on rather tight. . . .
Mr. Pointsman drags his leg over to a shattered staircase, swings it quietly, so as not to alarm the dog, against the lower half of a fumed-oak newel post. The bowl only clanks back, the wood shudders. Mocking him—all right. He sits on stairsteps ascending to open sky and attempts to pull the damned thing loose of his foot. It will not come. He hears the invisible dog, toenails softly clicking, gain the sanctuary of the cellar. He can’t reach inside the toilet bowl even to untie his fucking boot. . . .
Settling the window of his Balaclava helmet snug and tickling just under his nose, resolved not to give way to panic, Mr. Pointsman stands up, has to wait for blood to drain, resurge, bounce up and down its million branches in the drizzly night, percolate to balance—then limping, clanking, he heads back toward the car to get a hand from young Mexico, who did remember, he hopes, to bring the electric lantern. . . .
Roger and Jessica found him a bit earlier, lurking at the end of a street of row houses. The V-bomb whose mutilation he was prowling took down four dwellings the other day, four exactly, neat as surgery. There is the soft smell of house-wood down before its time, of ashes matted down by the rain. Ropes are strung, a sentry lounges silent against the doorway of an intact house next to where the rubble begins. If he and the doctor have chatted at all, neither gives a sign now. Jessica sees two eyes of no particular color glaring out the window of a Balaclava helmet, and is reminded of a mediaeval knight wearing a casque. What creature is he possibly here tonight to fight for his king? The rubble waits him, sloping up to broken rear walls in a clogging, an openwork of laths pointlessly chevroning—flooring, furniture, glass, chunks of plaster, long tatters of wallpaper, split and shattered joists: some woman’s long-gathered nest, taken back to separate straws, flung again to this wind and this darkness. Back in the wreckage a brass bedpost winks; and twined there someone’s brassiere, a white, prewar confection of lace and satin, simply left tangled. . . . For an instant, in a vertigo she can’t control, all the pity laid up in her heart flies to it, as it would to a small animal stranded and forgotten. Roger has the boot of the car open. The two men are rummaging, coming up with large canvas sack, flask of ether, net, dog whistle. She knows she must not cry: that the vague eyes in the knitted window won’t seek their Beast any more earnestly for her tears. But the poor lost flimsy thing . . . waiting in the night and rain for its owner, for its room to reassemble round it . . .
The night, full of fine rain, smells like a wet dog. Pointsman seems to’ve been away for a bit. “I’ve lost my mind. I ought to be cuddling someplace with Beaver this very minute, watching him light up his Pipe, and here instead I’m with this gillie or something, this spiritualist, statistician, what are you anyway—”
“Cuddling?” Roger has a tendency to scream. “Cuddling?”
“Mexico.” It’s the doctor, sighing, toilet bowl on his foot and knitted helmet askew.
“Hello, doesn’t that make it difficult for you to walk? should think it would . . . up here, first get it in the door, this way, and, ah, good,” then closing the door again around Pointsman’s ankle, the bowl now occupying Roger’s seat, Roger half-resting on Jessica’s lap, “tug now, hard as ever you can.”
Thinking young prig and mocking ass the doctor rocks back on his free leg, grunting, the bowl wallowing to and fro. Roger holds the door and peers attentively into where the foot vanished. “If we had a bit of Vaseline, we could—something slippery. Wait! Stay there, Pointsman, don’t move, we’ll have this resolved. . . .” Under the car, impulsive lad, in search of the crankcase plug by the time Pointsman can say, “There isn’t time Mexico, he’ll escape, he’ll escape.”
“Quite right.” Up again fumbling a flashlight from his jacket pocket. “I’ll flush him out, you wait with the net. Sure you can get about all right? Nasty if you fell or something just as he made his break for the open.”
“For pity’s sake,” Pointsman thumping after him back into the wreckage. “Don’t frighten him Mexico, this isn’t Kenya or something, we need him as close to normative, you know, as possible.”
Normative? Normative?
“Roger,” calls Roger, giving him short-long-short with the flash.
“Jessica,” murmurs Jessica, tiptoeing behind them.
“Here, fellow,” coaxes Roger. “Nice bottle of ether here for you,” opening the flask, waving it in the cellar entrance, then switching on his beam. Dog looks up out of an old rusted pram, bobbing black shadows, tongue hanging, utter skepticism on his face. “Why it’s Mrs. Nuss
baum!” Roger cries, the same way he’s heard Fred Allen do, Wednesday nights over the BBC.
“You vere ekshpecting maybe Lessie?” replies the dog.
Roger can smell ether fumes quite strongly as he starts his cautious descent. “Come on mate, it’ll be over before you know it. Pointsman just wants to count the old drops of saliva, that’s all. Wants to make a wee incision in your cheek, nice glass tube, nothing to bother about, right? Ring a bell now and then. Exciting world of the laboratory, you’ll love it.” Ether seems to be getting to him. He tries to stopper the flask: takes a step, foot plunges into a hole. Lurching sideways, he gropes for something to steady himself. The stopper falls back out of the flask and in forever among the debris at the bottom of the smashed house. Overhead Pointsman cries, “The sponge, Mexico, you forgot the sponge!” down comes a round pale collection of holes, bouncing in and out of the light of the flash. “Frisky chap,” Roger making a two-handed grab for it, splashing ether liberally about. He locates the sponge at last in his flashlight beam, the dog looking on from the pram in some confusion. “Hah!” pouring ether to drench the sponge and go wisping cold off his hands till the flask’s empty. Taking the wet sponge between two fingers he staggers toward the dog, shining the light up from under his chin to highlight the vampire face he thinks he’s making. “Moment—of truth!” He lunges. The dog leaps off at an angle, streaking past Roger toward the entrance while Roger keeps going with his sponge, headfirst into the pram, which collapses under his weight. Dimly he hears the doctor above whimper, “He’s getting away. Mexico, do hurry.”
“Hurry.” Roger, clutching the sponge, extricates himself from the infant’s vehicle, taking it off as if it were a shirt, with what seems to him not unathletic skill.
“Mexico-o-o,” plaintive.
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