Having hearkened to the words of Monsieur l’Abbé Mirabelle, Madame Doulce hastened back to the theatre. The rehearsal of La Grille was over. She found Pradel in his office with a couple of young actresses, one of whom was soliciting an engagement, the other, leave of absence. He refused, in conformity with his principle never to grant a request until he had first refused it. In this way he bestowed a value upon his most trifling concessions. His glistening eyes and his patriarchal beard, his manner, at once amorous and paternal, gave him a resemblance to Lot, as we see him between his two daughters in the prints of the Old Masters. Standing on the table was an amphora of gilt pasteboard which fostered this illusion.
“It can’t be done,” he was telling each of them. “It really can’t be done, my child —— Well, after all, look in to-morrow.”
Having dismissed them, he inquired, as he signed some letters:
“Well, Madame Doulce, what news do you bring?”
Constantin Marc, appearing with Nanteuil, hastily exclaimed:
“What about my scenery, Monsieur Pradel?”
Thereupon he described for the twentieth time the landscape, upon which the curtain ought to rise.
“In the foreground, an old park. The trunks of the great trees, on the north side, are green with moss. The dampness of the soil must be felt.”
And the manager replied:
“You may rest assured that everything that can be done will be done, and that it will be most appropriate. Well, Madame Doulce, what news?”
“There is a glimmer of hope,” she replied.
“At the back, in a slight mist,” said the author, “the grey stones and the slate roofs of the Abbaye-aux-Dames.”
“Quite so. Pray be seated, Madame Doulce; you have my attention.”
“I was most courteously received at the Archbishop’s Palace,” said Madame Doulce.
“Monsieur Pradel, it is imperative that the walls of the Abbaye should appear inscrutable, of great thickness, and yet subtilized by the mists of coming night. A pale-gold sky — —”
“Monsieur l’Abbé Mirabelle,” resumed Madame Doulce, “is a priest of the highest distinction — —”
“Monsieur Marc, are you particularly keen on your pale-gold sky?” inquired the stage manager. “Go on, Madame Doulce, go on, I am listening to you.”
“And exquisitely polite. He made a delicate allusion to the indiscretions of the newspapers — —”
At this moment Monsieur Marchegeay, the stage manager, burst into the room. His green eyes were glittering, and his red moustache was dancing like a flame. The words rolled off his tongue:
“They are at it again! Lydie, the little super, is screaming like a stoat on the stairs. She says Delage tried to violate her. It’s at least the tenth time in a month that she has come out with that story. This is an infernal nuisance!”
“Such conduct cannot be tolerated in a house like this,” said Pradel. “You’ll have to fine Delage. Pray continue, Madame Doulce.”
“Monsieur l’Abbé Mirabelle explained to me in the clearest manner that suicide is an act of despair.”
But Constantin Marc was inquiring of Pradel with interest, whether Lydie, the little super, was pretty.
“You have seen her in La Nuit du 23 octobre; she plays the woman of the people who, in the Plaine de Grenelle, is buying wafers of Madame Ravaud.”
“A very pretty girl, to my thinking,” said Constantin Marc.
“Undoubtedly,” responded Pradel. “But she would be still prettier if her ankles weren’t like stakes.”
And Constantin Marc musingly replied.
“And Delage has outraged her. That fellow possesses the sense of love. Love is a simple and primitive act. It’s a struggle, it’s hatred. Violence is necessary to it. Love by mutual consent is merely a tedious obligation.”
And he cried, greatly excited.
“Delage is prodigious!”
“Don’t get yourself into a fix,” said Pradel.
“This same little Lydie entices my actors into her dressing-room, and then all of a sudden she screams out that she is being outraged in order to get hush-money out of them. It’s her lover who has taught her the trick, and takes the coin. You were saying, Madame Doulce — —”
“After a long and interesting conversation,” resumed Madame Doulce, “Monsieur l’Abbé Mirabelle suggested a favourable solution. He gave me to understand that, in order to remove all difficulties, it would be sufficient for a physician to certify that Chevalier was not in full possession of his faculties, and that he was not responsible for his acts.”
“But,” observed Pradel, “Chevalier wasn’t insane. He was in full possession of his faculties.”
“It’s not for us to say,” replied Madame Doulce. “What do we know about it?”
“No,” said Nanteuil, “he was not in full possession of his faculties.”
Pradel shrugged his shoulders.
“After all, it’s possible. Insanity and reason, it’s a matter of appreciation. To whom could we apply for a certificate?”
Madame Doulce and Pradel called to mind three physicians in succession; but they were unable to find the address of the first; the second was bad-tempered, and it was decided that the third was dead.
Nanteuil suggested that they should approach Dr. Trublet.
“That’s an idea!” exclaimed Pradel. “Let us ask a certificate of Dr. Socrates. What’s to-day? Friday. It’s his day for consultations. We shall find him at home.”
Dr. Trublet lived in an old house at the top of the Rue de Seine. Pradel took Nanteuil with him, with the idea that Socrates would refuse nothing to a pretty woman. Constantin Marc, who could not live, when in Paris, save in the company of theatrical folk, accompanied them. The Chevalier affair was beginning to amuse him. He found it theatrical, that is, appropriate to theatrical performers. Although the hour for consultations was over, the doctor’s sitting-room was still full of people in search of healing. Trublet dismissed them, and received his theatrical friends in his private room. He was standing in front of a table encumbered with books and papers. An adjustable arm-chair, infirm and cynical, displayed itself by the window. The director of the Odéon set forth the object of his call, and ended by saying:
“Chevalier’s funeral service cannot be celebrated in the church unless you certify that the unfortunate young man was not altogether sane.”
Dr. Trublet declared that Chevalier might very well do without a religious service.
“Adrienne Lecouvreur, who was of more account than Chevalier, did without one. Mademoiselle Monime had no Mass said for her after her death, and, as you are aware, she was denied ‘the honour of rotting in a nasty cemetery in the company of all the beggars of the quarter.’ She was none the worse off for that.”
“You are not ignorant of the fact, Dr. Socrates,” replied Pradel, “that actors and actresses are the most religious of people. My company would be deeply grieved if they could not be present at the celebration of a Mass for their colleague. They have already secured the co-operation of several lyric artists, and the music will be very fine.”
“Now that’s a reason,” said Trublet “I do not gainsay it. Charles Monselet, who was a witty fellow, was reflecting, only a few hours before his death, on his musical Mass, ‘I know a great many singers at the Opéra,’ he said, ‘I shall have a Pie Jésu aux truffes.’ But, as on this occasion the Archbishop does not authorize a spiritual concert, it would be more convenient to postpone it to some other occasion.”
“As far as I am concerned,” replied the director, “I have no religious belief. But I consider that the Church and the Stage are two great social powers, and that it is beneficial that they should be friends and allies. For my own part, I never lose an opportunity of sealing the alliance. This coming Lent, I shall have Durville read one of Bourdaloue’s sermons. I receive a State subsidy. I must observe the Concordat. Moreover, whatever people may say, Catholicism is the most acceptable form of religious indifference
.”
“Well then,” objected Constantin Marc, “since you wish to show deference to the Church, why do you foist upon her, by force or by subterfuge, a coffin which she doesn’t want?”
The doctor spoke in a similar strain, and ended by saying.
“My dear Pradel, don’t you have anything more to do with the matter.”
“Whereupon Nanteuil, her eyes blazing, her voice sibilant, cried:
“He must go to church, doctor; sign what is asked of you, write that he was not in possession of his faculties, I entreat you.”
There was not religion alone at the back of this desire. Blended with it was an intimate feeling, an obscure background of old beliefs, of which she herself was unaware. She hoped that if he were carried into the church, and sprinkled with holy water, Chevalier would be appeased, would become one of the peaceful dead, and would no longer torment her. She feared, on the other hand, that if he were deprived of benediction and prayers he would perpetually hover about her, accursed and maleficent. And, more simply still, in her dread of seeing him again, she was anxious that the priests should take good care to bury him, and that everybody should attend the funeral, so that he should be all the more thoroughly buried; as thoroughly buried, in short, as it was possible to be. Her lips trembled and she wrung her hands.
Trublet, who had long graduated in human nature, watched her with interest. He understood and took a special interest in the female of the human machine. This particular specimen filled him with joy. His snub-nosed face beamed with delight as he watched her.
“Don’t be uneasy, child. There is always a way of coming to an understanding with the Church. What you are asking me is not within my powers; I am a lay doctor. But we have to-day, thank God, religious physicians who send their patients to the ecclesiastical waters, and whose special function is to attest miraculous cures. I know one who lives in this part of the town; I’ll give you his address. Go and see him; the Bishop will refuse him nothing. He will arrange the matter for you.”
“Not at all,” said Pradel. “You always attended poor Chevalier. It is for you to give a certificate.”
Romilly agreed:
“Of course, doctor. You are the physician to the theatre. We must wash our dirty linen at home.”
At the same time, Nanteuil turned upon Socrates a gaze of entreaty.
“But,” objected Trublet, “what do you want me to say?”
“It’s very simple,” Pradel replied. “Say that he was to a certain extent irresponsible.”
“You are simply asking me to speak like a police surgeon. It’s expecting too much of me.”
“You believe then, doctor, that Chevalier was fully and entirely morally responsible?”
“Quite the contrary. I am of opinion that he was not in the least responsible for his actions.”
“Well, then?”
“But I also consider that, in this respect, he differed in nowise from you, myself, and all other men. My judicial colleagues distinguish between individual responsibilities. They have procedures by which they recognize full responsibilities, and those which lack one or more fractional parts. It is a remarkable fact, moreover, that in order to get a poor wretch condemned they always find him fully responsible. May we not therefore consider that their own responsibility is full — like the moon?”
And Dr. Socrates proceeded to unfold before the astonished stage folk a comprehensive theory of universal determinism. He went back to the origins of life, and, like the Silenus of Virgil, who, smeared with the juice of mulberries, sang to the shepherds of Sicily and the naiad Aglaia of the origin of the world, he broke out into a flood of words:
“To call upon a poor wretch to answer for his actions! Why, even when the solar system was still no more than a pale nebula, forming, in the ether, a fragile halo, whose circumference was a thousand times greater than the orbit of Neptune, we had all of us, for ages past, been fully conditioned, determined and irrevocably destined, and your responsibility, my dear child, my responsibility, Chevalier’s, and that of all men, had been, not mitigated, but abolished beforehand. All our movements, the result of previous movements of matter, are subject to the laws which govern the cosmic forces, and the human mechanism is merely a particular instance of the universal mechanism.”
Pointing to a locked cupboard, he proceeded.
“I have there, contained in bottles, that which would transform, destroy, or excite to frenzy the will of fifty thousand men.”
“Wouldn’t be playing the game,” objected Pradel.
“I agree, it wouldn’t be playing the game. But these substances are not essentially laboratory products. The laboratory combines, it does not create anything. These substances are scattered throughout nature. In their free state, they surround and enter into us, they determine our will, they circumscribe our freedom of device, which is merely the illusion engendered within us by the ignorance of our determinations.”
“What on earth do you mean?” asked Pradel, taken aback.
“I mean that our will is an illusion caused by our ignorance of the causes which compel us to exert our will. That which wills within us is not ourselves, but myriads of cells of prodigious activity, of which we know nothing, which are unaware of us, which are ignorant of one another, but which nevertheless constitute us. By means of their restlessness they produce innumerable currents which we call our passions, our thoughts, our joys, our sufferings, our desires, our fears, and our will. We believe that we are our own masters, while a mere drop of alcohol stimulates, and then benumbs the very elements by which we feel and will.”
Constantin Marc interrupted the physician:
“Excuse me! Since you are speaking of the action of alcohol, I should like your advice on the subject. I am in the habit of drinking a small glass of Armagnac brandy after each meal. That’s not too much, is it?”
“It’s a great deal too much. Alcohol is a poison. If you have a bottle of brandy at home, fling it out of the window.”
Pradel was pondering. He considered that in suppressing will and responsibility in all human things Dr. Socrates was doing him a personal injury.
“You may say what you like. Will and responsibility are not illusions. They are tangible and powerful realities. I know how the terms of my contract bind me, and I impose my will on others.”
And he added with some bitterness:
“I believe in the will, in moral responsibility, in the distinction between good and evil. Doubtless these are, according to you, stupid ideas.”
“They are indeed stupid ideas,” replied the physician, “but they are very suitable to us, since we are mere animals. We are for ever forgetting this. They are stupid, venerable, wholesome ideas. Men have felt that, without these ideas, they would all go mad. They had only the choice between stupidity and madness. Very reasonably they chose stupidity. Such is the foundation of moral ideas.”
“What a paradox!” exclaimed Romilly.
The physician calmly proceeded:
“The distinction between good and evil in human societies has never emerged from the grossest empiricism. It was constituted in a wholly practical spirit and as a simple convenience. We do not trouble ourselves about it where cut-glass or a tree is concerned. We practise moral indifference with regard to animals. We practise it in the case of savage races. This enables us to exterminate them without remorse. That’s what is known as the colonial policy. Nor do we find that believers exact a high degree of morality from their god. In the present state of society, they would not willingly admit that he was lecherous or compromised himself with women; but they do think it fitting that he should be vindictive and cruel. Morality is a mutual agreement to keep what we possess: land, houses, furniture, women, and our lives. It does not imply, in the case of those who bow to it, any particular intelligence or character. It is instinctive and ferocious. Written law follows it closely, and is in more or less harmonious agreement with it. Hence we see that great-hearted men, or men of brilliant genius, have almos
t all been accused of impiety, and, like Socrates, the son of Phenaretes, and Benoît Malon, have been smitten by the tribunals of their country. And it may be stated that a man who has not, at the very least, been sentenced to imprisonment does little credit to the land of his fathers.”
“There are exceptions,” remarked Pradel.
“Few,” replied Dr. Trublet.
But Nanteuil, pursuing her idea, remarked.
“My little Socrates, you can very well certify that he was insane. It is the truth. He was not sane, I know it only too well.”
“No doubt he was mad, my dear child. But it is a question of determining whether he was madder than other men. The entire history of humanity, replete with tortures, ecstasies, and massacres, is the history of raving, demented creatures.”
“Doctor,” inquired Constantin Marc, “are you by chance one of those who do not admire War? It is nevertheless a magnificent thing, when you come to think of it. The animals merely eat one another. Men have conceived the idea of beautiful massacres. They have learnt to kill one another in glittering cuirasses, in helmets topped with plumes, or maned with scarlet. By the use of artillery, and the art of fortification, they have introduced chemistry and mathematics among the necessary means of destruction. War is a sublime invention. And, since the extermination of human beings appears to us the only object of life, the wisdom of man resides in this, that he has made this extermination a delight and a splendour. After all, doctor, you cannot deny that murder is a law of nature, and that it is consequently divine.”
Complete Works of Anatole France Page 190