Uri wondered if years from now, if somehow they both survived, he and this captain might actually be friends. The fellow was unflappable, a trait Uri respected, and he seemed to see the misery that was marking the end of their world as more Chaplinesque than Wagnerian--which, most days, Uri did, too. But then he decided a postwar friendship was unlikely. Not because this Captain Hanke was anti-Semitic, though Uri supposed on some level he was. Rather, he had the sense that the two of them had been too lucky for too long, and it was absolutely inconceivable that they would both be alive when this steamroller was done lumbering over them. And if he, Uri, was indestructible, then the odds could not be especially good for this poor fellow beside him.
"The engineers are coming to destroy the ice now," the captain was saying. Then he motioned toward the teenage boys in their Jungvolk uniforms who were helping to keep order. "Send the children across the Vistula."
Uri nodded and approached the oldest of the group, one of the few who actually wasn't dwarfed by the rifle in his arms. "Son," he said, "take your squad to safety on the other side of the river. They're going to blow up the ice."
The boy saluted, and Uri had to restrain the reflexive urge to shake his head in bemusement.
"And then, sir?" the boy asked. He had almost periwinkle blue eyes and a movie star's aquiline nose. Perfect skin. Fifteen or sixteen years old now, Uri surmised. He could have modeled for those idiotic propaganda posters that so disturbed his mother and father when they were alive--he didn't know for a fact they were dead, but he had to presume that they were--and as early as the Olympics in '36 had made them scared for their son and their daughter.
"Wait for orders."
The boy seemed to want to say something more, and so Uri told him, "Go, go. The captain and I will handle the people here." We'll probably be run over, he thought, crushed in the last-ditch stampede that would occur the moment the engineers appeared with their satchels.
But still the boy stood there, his lips slightly parted. Little puffs of smoke with each exhalation.
"Yes?"
"My family, sir. They're in the line. Back there."
He nodded. He was fairly confident that he knew what the boy was driving at, but he wanted to be sure. "You want to join them?" he asked. A lesser boy, he knew, or most of the middle-aged Nazis he had dealt with lately, would have been hinting about some scheme to get his family across the Vistula before it became nothing more than a river of ice shavings and splinters. But not this one.
"May I, sir?"
"Yes. But do yourself--and them--a favor. Find another place to cross. Under no circumstances stop moving west."
Above them they heard the shriek of another approaching Soviet shell, and--as was frequently the case--it reminded Uri of the sound of a train whistle.
and uri singer knew the sound of train whistles well. He had heard them often as a boy, when he and his parents and his little sister would travel from Schweinfurt to Dresden to visit his aunt and uncle, or to the Alps to go hiking. But it was only in March of 1943, when he was finally deported and spent nearly three days in a cattle car, that he began to appreciate (and loathe) the subtle differences in ululation. He'd been at work at the ball-bearing factory, wondering in a vague sort of way how he and his family would be degraded next, when the SA came for him. He was twenty-four years old, and his life could not have been more different from the one he had anticipated a decade earlier. At fourteen, even in the first months after Hitler had come to power, he had still assumed he would start and finish at the university, and he would be a journalist by now. Perhaps he might even be writing a book. He ended up getting to spend a single year at the college before it was closed to the Jews.
It was midmorning when the SA had arrived at the factory. The two thugs in their greatcoats told him he would meet his parents and his sister at the train station. He didn't. He never saw them again, though God knew he had tried to find his sister. Nor had he ever been back to Schweinfurt. He had heard that first the RAF and then the Americans had started pummeling the city four months after he was taken away, and most of the place now was rubble.
Except, of course, for the factory where he had worked. It was damaged, people said, but still operating. That, he guessed, was pretty typical. The apartments and town houses and butcher shops that had been laid waste were rarely rebuilt, but the Nazis would try to find the resources to repair the factories. And so the war effort went on. Even the killing in the concentration camps. And the evacuations from the concentration camps. The Russians, last he'd heard, were approaching Auschwitz. And while there were rumors that most of the prisoners were being walked to the west, he understood that some were being wedged back into the boxcars. Imagine: While the enemies of the (and he heard these two words mordantly in his mind) Greater Reich were at the Rhine and the Vistula, someone somehow was still finding the rolling stock to expend upon the plan to exterminate the Jews. Rather than move troops or tanks or boxcars full ofpanzerfausts, they were moving the Jews. Just so they could kill them in Germany instead of Poland.
Maybe, he concluded, it was because they didn't have any troops or tanks or panzerfausts left to move. They only had Jews.
He watched this frightened but enthusiastic boy run back to his family and considered for a moment if the teen would be naive enough to try to stop a Soviet tank with that rifle of his. Probably. He shook his head: They didn't have a panzerfaust to give him.
Uri wondered, as he did often, whether he would be alive now if he hadn't jumped from that train nearly two years ago. Initially he'd presumed he would have died at Auschwitz, because even his youth and his strength would have bought him only so much time. But as he'd survived one normally fatal indignity after another in and out of the Wehrmacht, he'd begun to question this. It was as if he were being spared, his negligible soul cradled time after time by providence. For all he knew, if he'd stayed on that train going east two years ago, he'd be on another one right now going west.
No. Not likely. He'd have died. No one lived nearly two years at Auschwitz. It was why he'd hurled himself along with the slop bucket out the cattle car door that unusually balmy night when the opportunity had presented itself. He had, inevitably, just heard another of those stultifying train whistle blasts.
By 1943, the vast majority of the Schweinfurt Jews were gone, and Uri and his parents and their few remaining friends had a pretty good idea about what was going on at the concentration camps.
At least the ones in the east. In his opinion, anyone with eyes in Schweinfurt, Jew or Catholic or Lutheran, had to have figured it out. How could they not have had serious suspicions about the deportations? One afternoon he'd passed the train station and seen the Jews who were being transported that month. They had been rounded up from a different part of the city and so he hadn't known anyone who had been taken that particular day. He'd only wound up near the station because a friend from the factory lived in the neighborhood, and this buddy had an antenna he could attach to their pathetic Volksempfanger radio ("All Nazi, All the Time," his father would joke cryptically) that would allow them, when the weather was right, to receive the BBC. Still, he was wearing his star and so he didn't dare get too close: He could just imagine himself being accidentally herded onto the train by some Nazi moron, even though he clearly hadn't packed a suitcase and had brought none of his clothing or his valuables with him.
But even from the distance he saw something that caused him to stand perfectly still for a long moment, watching, as the cacophonic sounds of the city around him seemed to vanish. He could hear himself breathing, but nothing more. The Jews were being herded into the first three cars--far too many for each one, it was clear; dozens and dozens were going to be forced to stand--and their luggage was being loaded onto the fourth car. A freight car. And then, as Uri watched, that fourth car was uncoupled, and the first three pulled away. The luggage, he saw, wasn't going with them. Luggage, he realized, never went with them.
When his hearing returned he ran as f
ast as he could back to the ball-bearing factory. It would be three days before he would have the courage to venture once more to his friend's neighborhood for the special antenna.
Over the following months, more and more of the city's Jews were deported, including Uri's acquaintance who had helped him with the radio, and every evening he and his sister and his parents would crowd around the Volksempfanger in their cramped and dingy apartment--a single room in a shabby hotel that had been converted to Jewish housing--and wait for the four tones that signaled the start of a BBC broadcast. When the broadcast was in German, everyone listened; when it was in English, either Uri or his father would translate it, invariably missing some of the subtleties but usually understanding its gist.
Before the war, the family had lived in an elegant, three- bedroom town house with a yard that looked out upon the gazebo in the city's small park. Now? A dark room in a ramshackle hotel with a squalid bathroom at the end of the corridor that they shared with at least two dozen other evicted Jews crammed onto their floor. And they only had that because his father was a decorated veteran of the earlier world war, and now both he and his father were, more or less, slave labor in a factory the Nazis deemed critical to the war effort. Prior to that, his father had owned a not-insubstantial trucking company. Seven vehicles and twelve employees. The fascists had just drooled when they had forced him to sell it to them for next to nothing. No longer did anyone try to face this stoically or philosophically, to murmur how one didn't blame the ocean for tidal waves. Because, in fact, it wasn't a random act of nature behind this nightmare; it was their neighbors.
Slowly his parents' health began to fail. Somehow his father soldiered on at the factory, but both of his parents were weakened by their steadily diminished rations and the cold and the daily struggle to make do in their squalor. Their Shabbat dinner at sunset on Friday night--already shrunken because of curfews and the reality that as Jews they had almost no food to eat--grew even more intimate, because Uri's aunt and his uncle and his cousins were taken away. And then his grandmother. And, soon, another aunt who never had married. When this last woman--a nurse until the fact she was Jewish had cost her her job, a woman who even as a teenager had been an angel of mercy to wounded soldiers in the previous world war--was deported to the east, his own mother took him and his sister aside and with completely uncharacteristic melodrama told them that they had to live through this nightmare. No matter what, they had to survive. Someone had to let the world know what was going on. What the Nazis were doing.
When they came for him at the factory, he actually asked if he had time to run home to pack a suitcase, even though he knew it would never go with him to the camp. His escort, those two heavy- set men from the SA with eyebrows that reminded him of caterpillars and oddly similar wattles of flesh dangling under their chins, told him that his mother had packed one for him. Two, as a matter of fact. Uri had considered informing them that he only owned a single valise, but knew there wasn't a point. He tried to find his family at the station but they didn't seem to be there. Someone told him one train already had left for the east, and in all likelihood they were on it. Still, he searched for them in the mob, moving as best as he could among the throng and twice being struck in the back by different guards when inadvertently he had strayed too near to one of the exits.
Most of the time, the Nazis weren't even bothering with passenger cars by then, and so he was herded into an unheated cattle car that still had giant twinelike balls of straw in the corners and along one of the long walls. Though he recognized a half-dozen people in the car with him, it was mostly a surreal and kaleidoscopic pastiche of shapes and faces he might see on any given day on the street or in the park: surreal because the people were crowded--though not, as he would hear often occurred, packed so tightly that the victims could neither sit nor move, and some would actually asphyxiate-- and were constantly fidgeting and shuffling as they struggled to get comfortable, and so one moment he would spy a pretty young woman named Rivka in a spot across the car, and in the next he would see standing there a very old woman named Sarah; kaleidoscopic because in the variegated light from the slats high on the walls, light that changed as the day wore on and the train chugged its way (dear God, no) east, their eyes and lips and kerchiefs seemed constantly to be changing color. They were, he guessed, the very last Jews left in Schweinfurt: the labor, the technical help--Jews with some rare expertise--and their elderly parents and children.
He asked virtually everyone in the car whether his parents or his sister might be somewhere on the train and he might be reunited with them at their destination, but no one could say. Everyone agreed that there had been plenty of couples roughly his parents' age and a great many girls who looked fourteen at the station--even some who, roughly, matched his description of Rebekah. Still, he hadn't seen any of them there and it didn't appear that anyone else had, either. At least not for sure. And Rebekah was a hard girl to miss. She was tall for her age, womanly, and--partly because they were practically being starved to death and partly because the Singers were naturally slender--thin. She had gorgeous, creosote black hair that reflected the sun like glass. If she were anywhere on this train, the men, at least, would have noticed.
It was evident to Uri after the first day that they were not going to be released from the cars until they arrived at the camp. Periodically the train stopped and a pair of soldiers would slide open the doors to see if anyone inside had died (no one did, at least that first day, not even any of the older people), and to allow one of the passengers to empty the buckets of excrement over the side. The soldiers certainly had no plans to do it. There wasn't room to lie down in the car, but Uri could sit if he curled his knees against his chest-- though this, too, posed a certain hazard: It meant that his nose was close to the level of the arses and the pant legs of the people around him, and his own face and hair would brush up against the pee that had sopped into their wool trousers and the crap that had turned their underwear into unsalvageable diapers. Some of the people who had been brought to the train directly from their homes had a little food with them, and some were kind enough to share their crusts of pumpernickel or rye. But that was gone within hours. From then on, everyone grew more hungry and thirsty and frightened. And the smell from the buckets and, yes, from the people around him--the oldest people around him, he realized, were unable to squat to use the containers; others were simply too modest--grew unbearable. It wasn't merely the stench of sweat and fear, the acrid smell of the urine, or the feces that filled the pails, the pants, and the corners of the cattle car. It was the vomit. Increasingly, the stink alone was making people sick, and that was creating a vicious, malodorous circle.
During the second day, when the threshold of his own gag reflex had become downright heroic and he had grown inured to the touch of someone else's shit-soddened fabric, he would encourage the old people and the children to lean against him. Or sit against him. Or use his shoulders as a pillow or his knees as a hassock. And they did. No one, not even the children, had the energy to sing, but he would tell anyone who was interested stories about . . . anything. He would make up anecdotes about the ball-bearing factory, he would recall whatever he could about his aunt's service on the western front a quarter of a century earlier. Or his father's. There was an older fellow in the car who, it would turn out, had served in the same stretch of trenches as Uri's father, though the two men had never met. Sometimes people listened to Uri and he thought it might have helped a little bit. But he also knew he was merely throwing a glass of water on a house fire.
By the third day, he and some of the others were sure they were going to Auschwitz. Much to Uri's astonishment, there were actually grown-ups in the car who hadn't heard of the place. Oh, they knew of the concentration camps and the deportations. But they honestly believed--had, almost inconceivably, managed to reassure themselves--that this was all about resettlement. Not extermination.
It was this, he decided later, the fact that there were Jews--
And so when the train was starting to move once more (and, yes, there was that whistle), as a soldier was jogging beside the car and sliding the door shut--just as this middle-aged corporal of the Reich was using his own gimpy legs to jump back onto the train-- Uri acted as if he were merely tossing one more pail of waste into the woods and weeds that lined the tracks. But this time he allowed his body to follow his arms. He landed on his side, drenching his shirt and his face in diarrheic muck, and rolled into the brush. He heard the guard screaming at him, the train accelerating. Almost simultaneously he was aware of the crackle of gunfire and felt something stinging his arm. But he knew they weren't about to stop the train for one shit-covered Jew, and the guard wasn't about to remain behind and miss the trip east. And so he kept pinwheeling, spinning like a rolling pin amid shrubs and high grass and spring weeds and then, much to his relief, among actual trees. There he stood and he started to run, and he didn't stop until the sound of the train (and its infernal whistle) had receded far into the distance.
He had no idea where he was, but he was nowhere near a railway station or a town and that was probably a pretty good sign. He leaned against what he thought, in the dusk, was an oak tree, and looked at his arm. His shirtsleeve was sliced open and his upper arm was bleeding, but the bullet had just grazed him. It was actually his right hip that hurt like hell. And his knees. Clearly he had banged up his hip and his knees when he'd fallen. Well, he thought, that's what you get when you dive from a rolling, accelerating train.
Skeletons at the Feast (2008) Page 2