by O. Henry
Still the interminable succession of stretches of brush, cactus, and mesquite. Hollow after hollow, slope after slope--all exactly alike --all familiar by constant repetition, and yet all strange and new. If he could only arrive somewhere.
The straight line is Art. Nature moves in circles. A straightforward man is more an artificial product than a diplomatist is. Men lost in the snow travel in exact circles until they sink, exhausted, as their footprints have attested. Also, travellers in philosophy and other mental processes frequently wind up at their starting-point.
It was when Sam Webber was fullest of contrition and good resolves that Mexico, with a heavy sigh, subsided from his regular, brisk trot into a slow complacent walk. They were winding up an easy slope covered with brush ten or twelve feet high.
"I say now, Mex," demurred Sam, "this here won't do. I know you're plumb tired out, but we got ter git along. Oh, Lordy, ain't there no mo' houses in the world!" He gave Mexico a smart kick with his heels.
Mexico gave a protesting grunt as if to say: "What's the use of that, now we're so near?" He quickened his gait into a languid trot. Rounding a great clump of black chaparral he stopped short. Sam dropped the bridle reins and sat, looking into the back door of his own house, not ten yards away.
Marthy, serene and comfortable, sat in her rocking-chair before the door in the shade of the house, with her feet resting luxuriously upon the steps. Randy, who was playing with a pair of spurs on the ground, looked up for a moment at his father and went on spinning the rowels and singing a little song. Marthy turned her head lazily against the back of the chair and considered the arrivals with emotionless eyes. She held a book in her lap with her finger holding the place.
Sam shook himself queerly, like a man coming out of a dream, and slowly dismounted. He moistened his dry lips.
"I see you are still a-settin'," he said, "a-readin' of them billy- by-dam yaller-back novils."
Sam had traveled round the circle and was himself again.
THE RUBBER PLANT'S STORY
We rubber plants form the connecting link between the vegetable kingdom and the decorations of a Waldorf-Astoria scene in a Third Avenue theatre. I haven't looked up our family tree, but I believe we were raised by grafting a gum overshoe on to a 30-cent table d'hote stalk of asparagus. You take a white bulldog with a Bourke Cockran air of independence about him and a rubber plant and there you have the fauna and flora of a flat. What the shamrock is to Ireland the rubber plant is to the dweller in flats and furnished rooms. We get moved from one place to another so quickly that the only way we can get our picture taken is with a kinetoscope. We are the vagrant vine and the flitting fig tree. You know the proverb: "Where the rubber plant sits in the window the moving van draws up to the door."
We are the city equivalent to the woodbine and the honeysuckle. No other vegetable except the Pittsburg stogie can withstand as much handling as we can. When the family to which we belong moves into a flat they set us in the front window and we become lares and penates, fly-paper and the peripatetic emblem of "Home Sweet Home." We aren't as green as we look. I guess we are about what you would call the soubrettes of the conservatory. You try sitting in the front window of a $40 flat in Manhattan and looking out into the street all day, and back into the flat at night, and see whether you get wise or not--hey? Talk about the tree of knowledge of good and evil in the garden of Eden--say! suppose there had been a rubber plant there when Eve--but I was going to tell you a story.
The first thing I can remember I had only three leaves and belonged to a member of the pony ballet. I was kept in a sunny window, and was generally watered with seltzer and lemon. I had plenty of fun in those days. I got cross-eyed trying to watch the numbers of the automobiles in the street and the dates on the labels inside at the same time.
Well, then the angel that was molting for the musical comedy lost his last feather and the company broke up. The ponies trotted away and I was left in the window ownerless. The janitor gave me to a refined comedy team on the eighth floor, and in six weeks I had been set in the window of five different flats I took on experience and put out two more leaves.
Miss Carruthers, of the refined comedy team--did you ever see her cross both feet back of her neck?--gave me to a friend of hers who had made an unfortunate marriage with a man in a store. Consequently I was placed in the window of a furnished room, rent in advance, water two flights up, gas extra after ten o'clock at night. Two of my leaves withered off here. Also, I was moved from one room to another so many times that I got to liking the odor of the pipes the expressmen smoked.
I don't think I ever had so dull a time as I did with this lady. There was never anything amusing going on inside--she was devoted to her husband, and, besides leaning out the window and flirting with the iceman, she never did a thing toward breaking the monotony.
When the couple broke up they left me with the rest of their goods at a second-hand store. I was put out in front for sale along with the jobbiest lot you ever heard of being lumped into one bargain. Think of this little cornucopia of wonders, all for $1.89: Henry James's works, six talking machine records, one pair of tennis shoes, two bottles of horse radish, and a rubber plant--that was me!
One afternoon a girl came along and stopped to look at me. She had dark hair and eyes, and she looked slim, and sad around the mouth.
"Oh, oh!" she says to herself. "I never thought to see one up here."
She pulls out a little purse about as thick as one of my leaves and fingers over some small silver in it. Old Koen, always on the lockout, is ready, rubbing his hands. This girl proceeds to turn down Mr. James and the other commodities. Rubber plants or nothing is the burden of her song. And at last Koen and she come together at 39 cents, and away she goes with me in her arms.
She was a nice girl, but not my style. Too quiet and sober looking. Thinks I to myself: "I'll just about land on the fire-escape of a tenement, six stories up. And I'll spend the next six months looking at clothes on the line."
But she carried me to a nice little room only three flights up in quite a decent street. And she put me in the window, of course. And then she went to work and cooked dinner for herself. And what do you suppose she had? Bread and tea and a little dab of jam! Nothing else. Not a single lobster, nor so much as one bottle of champagne. The Carruthers comedy team had both every evening, except now and then when they took a notion for pig's knuckle and kraut.
After she had finished her dinner my new owner came to the window and leaned down close to my leaves and cried softly to herself for a while. It made me feel funny. I never knew anybody to cry that way over a rubber plant before. Of course, I've seen a few of 'em turn on the tears for what they could get out of it, but she seemed to be crying just for the pure enjoyment of it. She touched my leaves like she loved 'em, and she bent down her head and kissed each one of 'em. I guess I'm about the toughest specimen of a peripatetic orchid on earth, but I tell you it made me feel sort of queer. Home never was like that to me before. Generally I used to get chewed by poodles and have shirt-waists hung on me to dry, and get watered with coffee grounds and peroxide of hydrogen.
This girl had a piano in the room, and she used to disturb it with both hands while she made noises with her mouth for hours at a time. I suppose she was practising vocal music.
One day she seemed very much excited and kept looking at the clock. At eleven somebody knocked and she let in a stout, dark man with towsled black hair. He sat down at once at the piano and played while she sang for him. When she finished she laid one hand on her bosom and looked at him. He shook his head, and she leaned against the piano. "Two years already," she said, speaking slowly--"do you think in two more--or even longer?"
The man shook his head again. "You waste your time," he said, roughly I thought. "The voice is not there." And then he looked at her in a peculiar way. "But the voice is not everything," he went on. "You have looks. I can place you, as I told you if--"
The girl pointed to the door without
saying anything, and the dark man left the room. And then she came over and cried around me again. It's a good thing I had enough rubber in me to be water-proof.
About that time somebody else knocked at the door. "Thank goodness," I said to myself. "Here's a chance to get the water-works turned off. I hope it's somebody that's game enough to stand a bird and a bottle to liven things up a little." Tell you the truth, this little girl made me tired. A rubber plant likes to see a little sport now and then. I don't suppose there's another green thing in New York that sees as much of gay life unless it's the chartreuse or the sprigs of parsley around the dish.
When the girl opens the door in steps a young chap in a traveling cap and picks her up in his arms, and she sings out "Oh, Dick!" and stays there long enough to--well, you've been a rubber plant too, sometimes, I suppose.
"Good thing!" says I to myself. "This is livelier than scales and weeping. Now there'll be something doing."
"You've got to go back with me," says the young man. "I've come two thousand miles for you. Aren't you tired of it yet. Bess? You've kept all of us waiting so long. Haven't you found out yet what is best?"
"The bubble burst only to-day," says the girl. "Come here, Dick, and see what I found the other day on the sidewalk for sale." She brings him by the hand and exhibits yours truly. "How one ever got away up here who can tell? I bought it with almost the last money I had."
He looked at me, but he couldn't keep his eyes off her for more than a second. "Do you remember the night, Bess," he said, "when we stood under one of those on the bank of the bayou and what you told me then?"
"Geewillikins!" I said to myself. "Both of them stand under a rubber plant! Seems to me they are stretching matters somewhat!"
"Do I not," says she, looking up at him and sneaking close to his vest, "and now I say it again, and it is to last forever. Look, Dick, at its leaves, how wet they are. Those are my tears, and it was thinking of you that made them fall."
"The dear old magnolias!" says the young man, pinching one of my leaves. "I love them all."
Magnolia! Well, wouldn't that--say! those innocents thought I was a magnolia! What the--well, wasn't that tough on a genuine little old New York rubber plant?
OUT OF NAZARETH
Okochee, in Georgia, had a boom, and J. Pinkney Bloom came out of it with a "wad." Okochee came out of it with a half-million-dollar debt, a two and a half per cent. city property tax, and a city council that showed a propensity for traveling the back streets of the town. These things came about through a fatal resemblance of the river Cooloosa to the Hudson, as set forth and expounded by a Northern tourist. Okochee felt that New York should not be allowed to consider itself the only alligator in the swamp, so to speak. And then that harmless, but persistent, individual so numerous in the South--the man who is always clamoring for more cotton mills, and is ready to take a dollar's worth of stock, provided he can borrow the dollar--that man added his deadly work to the tourist's innocent praise, and Okochee fell.
The Cooloosa River winds through a range of small mountains, passes Okochee and then blends its waters trippingly, as fall the mellifluous Indian syllables, with the Chattahoochee.
Okochee rose, as it were, from its sunny seat on the post-office stoop, hitched up its suspender, and threw a granite dam two hundred and forty feet long and sixty feet high across the Cooloosa one mile above the town. Thereupon, a dimpling, sparkling lake backed up twenty miles among the little mountains. Thus in the great game of municipal rivalry did Okochee match that famous drawing card, the Hudson. It was conceded that nowhere could the Palisades be judged superior in the way of scenery and grandeur. Following the picture card was played the ace of commercial importance. Fourteen thousand horsepower would this dam furnish. Cotton mills, factories, and manufacturing plants would rise up as the green corn after a shower. The spindle and the flywheel and turbine would sing the shrewd glory of Okochee. Along the picturesque heights above the lake would rise in beauty the costly villas and the splendid summer residences of capital. The naphtha launch of the millionaire would spit among the romantic coves; the verdured hills would take formal shapes of terrace, lawn, and park. Money would be spent like water in Okochee, and water would be turned into money.
The fate of the good town is quickly told. Capital decided not to invest. Of all the great things promised, the scenery alone came to fulfilment. The wooded peaks, the impressive promontories of solemn granite, the beautiful green slants of bank and ravine did all they could to reconcile Okochee to the delinquency of miserly gold. The sunsets gilded the dreamy draws and coves with a minting that should charm away heart-burning. Okochee, true to the instinct of its blood and clime, was lulled by the spell. It climbed out of the arena, loosed its suspender, sat down again on the post-office stoop, and took a chew. It consoled itself by drawling sarcasms at the city council which was not to blame, causing the fathers, as has been said, to seek back streets and figure perspiringly on the sinking fund and the appropriation for interest due.
The youth of Okochee--they who were to carry into the rosy future the burden of the debt--accepted failure with youth's uncalculating joy. For, here was sport, aquatic and nautical, added to the meagre round of life's pleasures. In yachting caps and flowing neckties they pervaded the lake to its limits. Girls wore silk waists embroidered with anchors in blue and pink. The trousers of the young men widened at the bottom, and their hands were proudly calloused by the oft- plied oar. Fishermen were under the spell of a deep and tolerant Jjoy. Sailboats and rowboats furrowed the lenient waves, popcorn and ice- cream booths sprang up about the little wooden pier. Two small excursion steamboats were built, and plied the delectable waters. Okochee philosophically gave up the hope of eating turtle soup with a gold spoon, and settled back, not ill content, to its regular diet of lotus and fried hominy. And out of this slow wreck of great expectations rose up J. Pinkney Bloom with his "wad" and his prosperous, cheery smile.
Needless to say J. Pinkney was no product of Georgia soil. He came out of that flushed and capable region known as the "North." He called himself a "promoter"; his enemies had spoken of him as a "grafter"; Okochee took a middle course, and held him to be no better nor no worse than a "Yank."
Far up the lake--eighteen miles above the town--the eye of this cheerful camp-follower of booms had spied out a graft. He purchased there a precipitous tract of five hundred acres at forty-five cents per acre; and this he laid out and subdivided as the city of Skyland --the Queen City of the Switzerland of the South. Streets and avenues were surveyed; parks designed; corners of central squares reserved for the "proposed" opera house, board of trade, lyceum, market, public schools, and "Exposition Hall." The price of lots ranged from five to five hundred dollars. Positively, no lot would be priced higher than five hundred dollars.
While the boom was growing in Okochee, J. Pinkney's circulars, maps, and prospectuses were flying through the mails to every part of the country. Investors sent in their money by post, and the Skyland Real Estate Company (J. Pinkney Bloom) returned to each a deed, duly placed on record, to the best lot, at the price, on hand that day. All this time the catamount screeched upon the reserved lot of the Skyland Board of Trade, the opossum swung by his tail over the site of the exposition hall, and the owl hooted a melancholy recitative to his audience of young squirrels in opera house square. Later, when the money was coming in fast, J. Pinkney caused to be erected in the coming city half a dozen cheap box houses, and persuaded a contingent of indigent natives to occupy them, thereby assuming the role of "poulation" in subsequent prospectuses, which became, accordingly, more seductive and remunerative.
So, when the dream faded and Okochee dropped back to digging bait and nursing its two and a half per cent. tax, J. Pinkney Bloom (unloving of checks and drafts and the cold interrogatories of bankers) strapped about his fifty-two-inch waist a soft leather belt containing eight thousand dollars in big bills, and said that all was very good.
One last trip he was making to Skyland b
efore departing to other salad fields. Skyland was a regular post-office, and the steamboat, Dixie Belle, under contract, delivered the mail bag (generally empty) twice a week. There was a little business there to be settled --the postmaster was to be paid off for his light but lonely services, and the "inhabitants" had to be furnished with another month's homely rations, as per agreement. And then Skyland would know J. Pinkney Bloom no more. The owners of these precipitous, barren, useless lots might come and view the scene of their invested credulity, or they might leave them to their fit tenants, the wild hog and the browsing deer. The work of the Skyland Real Estate Company was finished.
The little steamboat Dixie Belle was about to shove off on her regular up-the-lake trip, when a rickety hired carriage rattled up to the pier, and a tall, elderly gentleman, in black, stepped out, signaling courteously but vivaciously for the boat to wait. Time was of the least importance in the schedule of the Dixie Belle; Captain MacFarland gave the order, and the boat received its ultimate two passengers. For, upon the arm of the tall, elderly gentleman, as he crossed the gangway, was a little elderly lady, with a gray curl depending quaintly forward of her left ear.