by Richard Ford
Across the pond, seated on the opposite concrete wall, a man in a tan suit was having his photograph taken by another man. An expensive camera was being employed, and the second man kept moving around, finding new positions from which to see through his viewfinder. “Su-perbe,” Austin heard the photographer say. “Très, très, très bon. Don't move now. Don't move.” A celebrity, Austin thought; an actor or a famous writer—somebody on top of the world. The man seemed unaffected, not even to acknowledge that his picture was being taken.
Léo unexpectedly turned and looked at Austin, as if he—Léo—wanted to say something extremely significant and exciting about the little boats. His face was vivid with importance. Though when he saw Austin seated on the bench, the calculation of who Austin was clouded his pale little features and he looked suddenly deviled and chastened and secretive, and turned quickly back, inching closer to the water's edge as if he intended to wade in.
He was just a kid, Austin thought calmly, a kid with divorced parents; not a little ogre or a tyrant. He could be won over with time and patience. Anyone could. He thought of his own father, a tall, patient, goodhearted man who worked in a sporting goods store in Peoria. He and Austin's mother had celebrated their fiftieth anniversary two years before, a big to-do under a tent in the city park, with Austin's brother in from Phoenix, and all the older cousins and friends from faraway states and decades past. A week later his father had had a stroke watching the news on TV and died in his chair.
His father had always had patience with his sons, Austin thought soberly. In his father's life there'd been no divorces or sudden midnight departures, yet his father had always tried to understand the goings-on of the later generation. Therefore, what would he think of all this, Austin wondered. France. A strange woman with a son. An abandoned house back home. Lies. Chaos. He'd certainly have made an attempt to understand, tried to find the good in it. Though ultimately his judgment would've been harsh and he'd have sided with Barbara, whose success in real estate he'd admired. He sought to imagine his father's very words, his verdict, delivered from his big lounger in front of the TV—the very spot where he'd breathed his last frantic breaths. But he couldn't. For some reason he couldn't re-create his father's voice, its cadences, the exact tenor of it. It was peculiar not to remember his father's voice, a voice he'd heard all his life. Possibly it had not had that much effect.
Austin was staring at the man in the tan suit across the lagoon, the man having his photograph taken. The man was up on the concrete ledge now, with his back turned, the shallow pond behind him, his legs wide apart, his hands on his hips, his tan jacket in the crook of his elbow. He looked ridiculous, unconvincing about whatever he was supposed to seem convincing about. Austin wondered if he himself would be visible in the background, a blurry, distant figure staring from across the stale lagoon. Maybe he would see himself someplace, in Le Monde or Figaro, newspapers he couldn't read. It would be a souvenir he could laugh about at some later date, when he was where? With who?
Not, in all probability, Joséphine Belliard. Something about her had bothered him this afternoon. Not her reluctance to kiss him. That was an attitude he could overcome, given time. He was good at overcoming reluctances in others. He was a persuasive man, with the heart of a salesman, and knew it. From time to time, this fact even bothered him, since given the right circumstances he felt he could persuade anybody of anything—no matter what. He had no clear idea what this persuasive quality was, though Barbara had occasionally remarked on it, often with the unflattering implication that he didn't believe in very much, or at least not in enough. It always made him uneasy that this might be true, or at least be thought of as true.
He had believed that he and Joséphine could have a different kind of relationship. Sexual, but not sexual at its heart. But rather, a new thing, founded on realities—the facts of his character, and hers. With Barbara, he'd felt he was just playing out the end of an old thing. Less real, somehow. Less mature. He could never really love Joséphine; that he had to concede, since in his deepest heart he loved only Barbara, for whatever that was worth. Yet he'd for a moment felt compelled by Joséphine, found her appealing, considered even the possibility of living with her for months or years. Anything was possible.
But seeing her in her apartment today, looking just as he knew she would, being exactly the woman he expected her to be, had made him feel unexpectedly bleak. And he was savvy enough to know that if he felt bleak now, at the very beginning, he would feel only bleaker later, and that in all likelihood life would either slowly or quickly become a version of hell for which he would bear all responsibility.
His thumb still vaguely ached. The women were laughing again on the tennis courts beyond the flowering rhododendrons. Austin could actually see a pair of woman's calves and tennis shoes, jumping from side to side as though their owner was striking a ball first forehand, then backhand, the little white feet dancing over the red surface. “Arrête! Stop!” a woman yelled, and sighed a loud sigh.
Frenchwomen, Austin thought, all talked like children: in high-pitched, rapid-paced, displeasingly insistent voices, which most of the time said, “Non, non, non, non, non,” to something someone wanted, some likely as not innocent wish. He could hear Joséphine saying it, standing in the living room of her little apartment the only other time he'd visited there—a week ago—speaking on the phone to someone, spooling the white phone cord around her finger as she said into the receiver, “Non, non, non, non, non, non. C'est incroyable. C'est in-croy-a-ble!” It was terrifically annoying, though it amused him now to think of it—at a distance.
Barbara had absolutely no use for Frenchwomen and made no bones about it. “Typical Froggies,” she'd remark after evenings with his French clients and their wives, and then act disgusted. That was probably what bothered him about Joséphine: that she seemed such a typical bourgeois little Frenchwoman, the kind Barbara would've disliked in a minute—intractable, preoccupied, entirely stuck in her French life, with no sense of the wider world, and possibly even ungenerous if you knew her very long (as her husband found out). Joséphine's problem, Austin thought, looking around for little Léo, was that she took everything inside her life too seriously. Her motherhood. Her husband's ludicrous book. Her boyfriend. Her bad luck. She looked at everything under a microscope, as if she were always waiting to find a mistake she could magnify big enough that she'd have no choice but to go on taking life too seriously. As if that's all adulthood was—seriousness, discipline. No fun. Life, Austin thought, had to be more lighthearted. Which was why he'd come here, why he'd cut himself loose—to enjoy life more. He admired himself for it. And because of that he didn't think he could become the savior in Joséphine's life. That would be a lifelong struggle, and a lifelong struggle wasn't what he wanted most in the world.
When he looked around again, Léo was not where he'd been, standing dreamily to the side of the older boys, watching their miniature cutters and galleons glide over the still pond surface. The older boys were there, their long tending sticks in their hands, whispering among themselves and smirking. But not Léo. It had become cooler. Light had faded from the crenellated roof line of the École Supérieure des Mines, and soon it would be dark. The man having his picture taken was walking away with the photographer. Austin had been engrossed in thought and had lost sight of little Léo, who was, he was certain, somewhere nearby.
He looked at his watch. It was six twenty-five, and Joséphine could now be home. He scanned back along the row of apartment blocks, hoping to find her window, thinking he might see her there watching him, waving at him happily, possibly with Léo at her side. But he couldn't tell which building was which. One window he could see was open and dark inside. But he couldn't be sure. In any case, Joséphine wasn't framed in it.
Austin looked all around, hoping to see the white flash of Léo's T-shirt, the careening red Cadillac. But he saw only a few couples walking along the chalky paths, and two of the older boys carrying their sailboats home to their
parents’ apartments. He still heard tennis balls being hit—pockety pock. And he felt cold and calm, which he knew to be the feeling of fear commencing, a feeling that could rapidly change to other feelings that could last a long, long time.
Léo was gone, and he wasn't sure where. “Leo,” he called out, first in the American way, then “Lay-oo,” in the way his mother said. “O êtes-vous?” Passersby looked at him sternly, hearing the two languages together. The remaining sailboat boys glanced around and smiled. “Lay-oo!” he called out again, and knew his voice did not sound ordinary, that it might sound frightened. Everyone around him, everyone who could hear him, was French, and he couldn't precisely explain to any of them what was the matter here: that this was not his son; that the boy's mother was not here now but was probably close by; that he had let his attention stray a moment.
“Lay-oo,” he called out again. “O êtes-vous?” He saw nothing of the boy, not a fleck of shirt or a patch of his dark hair disappearing behind a bush. He felt cold all over again, a sudden new wave, and he shuddered because he knew he was alone. Léo—some tiny assurance opened in him to say—Léo, wherever he was, would be fine, was probably fine right now. He would be found and be happy. He would see his mother and immediately forget all about Martin Austin. Nothing bad had befallen him. But he, Martin Austin, was alone. He could not find this child, and for him only bad would come of it.
Across an expanse of grassy lawn he saw a park guardian in a dark-blue uniform emerge from the rhododendrons beyond which were the tennis courts, and Austin began running toward him. It surprised him that he was running, and halfway there quit and only half ran toward the man, who had stopped to permit himself to be approached.
“Do you speak English?” Austin said before he'd arrived. He knew his face had taken on an exaggerated appearance, because the guardian looked at him strangely, turned his head slightly, as though he preferred to see him at an angle, or as if he were hearing an odd tune and wanted to hear it better. At the corners of his mouth he seemed to smile.
“I'm sorry,” Austin said, and took a breath. “You speak English, don't you?”
“A little bit, why not,” the guardian said, and then he did smile. He was middle-aged and pleasant-looking, with a soft suntanned face and a small Hitler mustache. He wore a French policeman's uniform, a blue-and-gold kepi, a white shoulder braid and a white lanyard connected to his pistol. He was a man who liked parks.
“I've lost a little boy here someplace,” Austin said calmly, though he remained out of breath. He put the palm of his right hand to his cheek as if his cheek were wet, and felt his skin to be cold. He turned and looked again at the concrete border of the pond, at the grass crossed by gravel paths, and then at a dense tangle of yew bushes farther on. He expected to see Léo there, precisely in the middle of this miniature landscape. Once he'd been frightened and time had gone by, and he'd sought help and strangers had regarded him with suspicion and wonder—once all these had taken place—Léo could appear and all would be returned to calm.
But there was no one. The open lawn was empty, and it was nearly dark. He could see weak interior lights from the apartment blocks beyond the park fence, see yellow automobile lights on rue Vaugirard. He remembered once hunting with his father in Illinois. He was a boy, and their dog had run away. He had known the advent of dark meant he would never see the dog again. They were far from home. The dog wouldn't find its way back. And that is what had happened.
The park guardian stood in front of Austin, smiling, staring at his face oddly, searchingly, as if he meant to adduce something—if Austin was crazy or on drugs or possibly playing a joke. The man, Austin realized, hadn't understood anything he'd said, and was simply waiting for something he would understand to begin.
But he had ruined everything now. Léo was gone. Kidnapped. Assaulted. Or merely lost in a hopelessly big city. And all his own newly won freedom, his clean slate, was in one moment squandered. He would go to jail, and he should go to jail. He was an awful man. A careless man. He brought mayhem and suffering to the lives of innocent, unsuspecting people who trusted him. No punishment could be too severe.
Austin looked again at the yew bushes, a long, green clump, several yards thick, the interior lost in tangled shadows. That was where Léo was, he thought with complete certainty. And he felt relief, barely controllable relief.
“I'm sorry to bother you,” he said to the guardian. “Je regrette. I made a mistake.” And he turned and ran toward the clump of yew bushes, across the open grass and the gravel promenade and careful beds in bright-yellow bloom, the excellent park. He plunged in under the low scrubby branches, where the ground was bare and raked and damp and attended to. With his head ducked he moved swiftly forward. He called Léo's name but did not see him, though he saw a movement, an indistinct fluttering of blue and gray, heard what might've been footfalls on the soft ground, and then he heard running, like a large creature hurrying in front of him among the tangled branches. He heard laughter beyond the edge of the thicket, where another grassy terrace opened—the sound of a man laughing and talking in French, out of breath and running at once. Laughing, then more talking and laughing again.
Austin moved toward where he'd seen the flutter of blue and gray—someone's clothing glimpsed in flight, he thought. There was a strong old smell of piss and human waste among the thick roots and shrubby trunks of the yew bushes. Paper and trash were strewn around in the foulness. From outside it had seemed cool and inviting here, a place to have a nap or make love.
And Léo was there. Exactly where Austin had seen the glimpse of clothing flicker through the undergrowth. He was naked, sitting on the damp dirt, his clothes strewn around him, turned inside out where they had been jerked off and thrown aside. He looked up at Austin, his eyes small and perceptive and dark, his small legs straight out before him, smudged and scratched, his chest and arms scratched. Dirt was on his cheeks. His hands were between his legs, not covering or protecting him but limp, as if they had no purpose. He was very white and very quiet. His hair was still neatly combed. Though when he saw Austin, and that it was Austin and not someone else coming bent at the waist, furious, breathing stertorously, stumbling, crashing arms-out through the rough branches and trunks and roots of that small place, he gave a shrill, hopeless cry, as though he could see what was next, and who it would be, and it terrified him even more. And his cry was all he could do to let the world know that he feared his fate.
8
In the days that followed there was to be a great deal of controversy. The police conducted a thorough and publicized search for the person or persons who had assaulted little Léo. There were no signs to conclude he had been molested, only that he'd been lured into the bushes by someone and roughed up there and frightened badly. A small story appeared in the back pages of France-Dimanche and said the same things, yet Austin noticed from the beginning that all the police used the word “moleste” when referring to the event, as though it were accurate.
The group of hippies he'd seen from Joséphine's window was generally thought to contain the offender. It was said that they lived in the park and slept in the clumps and groves of yews and ornamental boxwoods, and that some were Americans who had been in France for twenty years. But none of them, when the police brought them in to be identified, seemed to be the man who had scared Léo.
For a few hours following the incident there was suspicion among the police that Austin himself had molested Léo and had approached the guardian only as a diversion after he'd finished with the little boy—trusting that the child would never accuse him. Austin had patiently and intelligently explained that he had not molested Léo and would never do such a thing, but understood that he had to be considered until he could be exonerated—which was not before midnight, when Joséphine entered the police station and stated that Léo had told her Austin was not the man who had scared him and taken his clothes off, that it had been someone else, a man who spoke French, a man in blue and possibly gray clothing w
ith long hair and a beard.
When she had told this story and Austin had been allowed to leave the stale, windowless police room where he'd been made to remain until matters could be determined with certainty, he'd walked beside Joséphine out into the narrow street, lit yellow through the tall wire-mesh windows of the gendarmerie. The street was guarded by a number of young policemen wearing flak jackets and carrying short machine pistols on shoulder slings. They calmly watched Austin and Joséphine as they stopped at the curb to say goodbye.
“I'm completely to blame for this,” Austin said. “I can't tell you how sorry I am. There aren't any words good enough, I guess.”
“You are to blame,” Joséphine said and looked at him in the face, intently. After a moment she said, “It is not a game. You know? Maybe to you it is a game.”
“No, it's really not,” Austin said abjectly, standing in the cool night air in sight of all the policemen. “I guess I had a lot of plans.”
“Plans to what?” Joséphine said. She had on the black crepe skirt she'd worn the day he'd met her, barely more than a week ago. She looked appealing again. “Not for me! You don't have plans for me. I don't want you. I don't want any man anymore.” She shook her head and crossed her arms tightly and looked away, her dark eyes shining in the night. She was very, very angry. Possibly, he thought, she was even angry at herself. “You are a fool,” she said, and she spat accidentally when she said it. “I hate you. You don't know anything. You don't know who you are.” She looked at him bitterly. “Who are you?” she said. “Who do you think you are? You're nothing.”
“I understand,” Austin said. “I'm sorry. I'm sorry about all of this. I'll make sure you don't have to see me again.”