“The troglodytes seem to be rather in awe of her.”
“Aren’t you?”
Ketho glanced at the tall woman again, then reddened and laughed. “Well, in a way. I never saw such a beautiful alien type in eighteen years here on New South Georgia. I never saw such a beautiful woman anywhere, in fact. She looks like a goddess.” The red now reached the top of his bald head, for Ketho was a shy curator, not given to hyperbole. But Rocannon nodded soberly, agreeing.
“I wish we could talk to her without those tr—Gdemiar as interpreters. But there’s no help for it.” Rocannon went toward their visitor, and when she turned her splendid face to him he bowed down very deeply, going right down to the floor on one knee, his head bowed and his eyes shut. This was what he called his All-Purpose Intercultural Curtsey, and he performed it with some grace. When he came erect again the beautiful woman smiled and spoke.
“She say, Hail, Lord of Stars,” growled one of her squat escorts in Pidgin-Galactic.
“Hail, Lady of the Angyar,” Rocannon replied. “In what way can we of the Museum serve the lady?”
Across the troglodytes’ growling her voice ran like a brief silver wind.
“She say, Please give her necklace which treasure her blood-kinforebears long long.”
“Which necklace?” he asked, and understanding him, she pointed to the central display of the case before them, a magnificent thing, a chain of yellow gold, massive but very delicate in workmanship, set with one big hot-blue sapphire. Rocannon’s eyebrows went up, and Ketho at his shoulder murmured, “She’s got good taste. That’s the Fomalhaut Necklace—famous bit of work.”
She smiled at the two men, and again spoke to them over the heads of the troglodytes.
“She say, O Starlords, Elder and Younger Dwellers in House of Treasures, this treasure her one. Long long time. Thank you.”
“How did we get the thing, Ketho?”
“Wait; let me look it up in the catalogue. I’ve got it here. Here. It came from these trogs—trolls—whatever they are: Gdemiar. They have a bargain-obsession, it says; we had to let ’em buy the ship they came here on, an AD-4. This was part payment. It’s their own handiwork.”
“And I’ll bet they can’t do this kind of work anymore, since they’ve been steered to Industrial.”
“But they seem to feel the thing is hers, not theirs or ours. It must be important, Rocannon, or they wouldn’t have given up this time-span to her errand. Why, the objective lapse between here and Fomalhaut must be considerable!”
“Several years, no doubt,” said the hilfer, who was used to starjumping. “Not very far. Well, neither the Handbook nor the Guide gives me enough data to base a decent guess on. These species obviously haven’t been properly studied at all. The little fellows may be showing her simple courtesy. Or an interspecies war may depend on this damn sapphire. Perhaps her desire rules them, because they consider themselves totally inferior to her. Or despite appearances she may be their prisoner, their decoy. How can we tell? . . . Can you give the thing away, Ketho?”
“Oh, yes. All the Exotica are technically on loan, not our property, since these claims come up now and then. We seldom argue. Peace above all, until the War comes. . . .”
“Then I’d say give it to her.”
Ketho smiled. “It’s a privilege,” he said. Unlocking the case, he lifted out the great golden chain; then, in his shyness, he held it out to Rocannon, saying, “You give it to her.”
So the blue jewel first lay, for a moment, in Rocannon’s hand.
His mind was not on it; he turned straight to the beautiful, alien woman, with his handful of blue fire and gold. She did not raise her hands to take it, but bent her head, and he slipped the necklace over her hair. It lay like a burning fuse along her golden-brown throat. She looked up from it with such pride, delight, and gratitude in her face that Rocannon stood wordless, and the little curator murmured hurriedly in his own language, “You’re welcome, you’re very welcome.” She bowed her golden head to him and to Rocannon. Then, turning, she nodded to her squat guards—or captors?—and, drawing her worn blue cloak about her, paced down the long hall and was gone. Ketho and Rocannon stood looking after her.
“What I feel . . .” Rocannon began.
“Well?” Ketho inquired hoarsely, after a long pause.
“What I feel sometimes is that I . . . meeting these people from worlds we know so little of, you know, sometimes . . . that I have as it were blundered through the corner of a legend, or a tragic myth, maybe, which I do not understand. . . .”
“Yes,” said the curator, clearing his throat. “I wonder . . . I wonder what her name is.”
Semley the Fair, Semley the Golden, Semley of the Necklace. The Clayfolk had bent to her will, and so had even the Starlords in that terrible place where the Clayfolk had taken her, the city at the end of the night. They had bowed to her, and given her gladly her treasure from amongst their own.
But she could not yet shake off the feeling of those caverns about her where rock lowered overhead, where you could not tell who spoke or what they did, where voices boomed and grey hands reached out— Enough of that. She had paid for the necklace; very well. Now it was hers. The price was paid, the past was the past.
Her windsteed had crept out of some kind of box, with his eyes filmy and his fur rimed with ice, and at first when they had left the caves of the Gdemiar he would not fly. Now he seemed all right again, riding a smooth south wind through the bright sky toward Hallan. “Go quick, go quick,” she told him, beginning to laugh as the wind cleared away her mind’s darkness. “I want to see Durhal soon, soon. . . .”
And swiftly they flew, coming to Hallan by dusk of the second day. Now the caves of the Clayfolk seemed no more than last year’s nightmare, as the steed swooped with her up the thousand steps of Hallan and across the Chasmbridge where the forests fell away for a thousand feet. In the gold light of evening in the flightcourt she dismounted and walked up the last steps between the stiff carven figures of heroes and the two gatewards, who bowed to her, staring at the beautiful, fiery thing around her neck.
In the Forehall she stopped a passing girl, a very pretty girl, by her looks one of Durhal’s close kin, though Semley could not call to mind her name. “Do you know me, maiden? I am Semley, Durhal’s wife. Will you go tell the Lady Durossa that I have come back?”
For she was afraid to go on in and perhaps face Durhal at once, alone; she wanted Durossa’s support.
The girl was gazing at her, her face very strange. But she murmured, “Yes, Lady,” and darted off toward the Tower.
Semley stood waiting in the gilt, ruinous hall. No one came by; were they all at table in the Revel-hall? The silence was uneasy. After a minute Semley started toward the stairs to the Tower. But an old woman was coming to her across the stone floor, holding her arms out, weeping.
“O Semley, Semley!”
She had never seen the grey-haired woman, and shrank back.
“But Lady, who are you?”
“I am Durossa, Semley.”
She was quiet and still, all the time that Durossa embraced her and wept, and asked if it were true the Clayfolk had captured her and kept her under a spell all these long years, or had it been the Fiia with their strange arts? Then, drawing back a little, Durossa ceased to weep.
“You’re still young, Semley. Young as the day you left here. And you wear round your neck the necklace. . . .”
“I have brought my gift to my husband Durhal. Where is he?”
“Durhal is dead.”
Semley stood unmoving.
“Your husband, my brother, Durhal Hallanlord was killed seven years ago in battle. Nine years you had been gone. The Starlords came no more. We fell to warring with the Eastern Halls, with the Angyar of Log and Hul-Orren. Durhal, fighting, was killed by a midman’s spear, for he had little armor for his body, and none at all for his spirit. He lies buried in the fields above Orren Marsh.”
Semley turned away. “I wil
l go to him, then,” she said, putting her hand on the gold chain that weighed down her neck. “I will give him my gift.”
“Wait, Semley! Durhal’s daughter, your daughter, see her now, Haldre the Beautiful!”
It was the girl she had first spoken to and sent to Durossa, a girl of nineteen or so, with eyes like Durhal’s eyes, dark blue. She stood beside Durossa, gazing with those steady eyes at this woman Semley who was her mother and was her own age. Their age was the same, and their gold hair, and their beauty. Only Semley was a little taller, and wore the blue stone on her breast.
“Take it, take it. It was for Durhal and Haldre that I brought it from the end of the long night!” Semley cried this aloud, twisting and bowing her head to get the heavy chain off, dropping the necklace so it fell on the stones with a cold, liquid clash. “O take it, Haldre!” she cried again, and then, weeping aloud, turned and ran from Hallan, over the bridge and down the long, broad steps, and, darting off eastward into the forest of the mountainside like some wild thing escaping, was gone.
APRIL IN PARIS
This is the first story I ever got paid for; the second story I ever got published; and maybe the thirtieth or fortieth story I wrote. I had been writing poetry and fiction ever since my brother Ted, tired of having an illiterate five-year-old sister around, taught me to read. At about twenty I began sending things off to publishers. Some of the poetry got printed, but I didn’t get systematic about sending out the fiction till I was getting on to thirty. It kept systematically coming back.
“April in Paris” was the first “genre” piece—recognizably fantasy or science fiction—that I had written since 1942, when I wrote an Origin-of-Life-on-Earth story for Astounding, which for some inconceivable reason rejected it (I never did synch with John Campbell). At age twelve I was very pleased to get a genuine printed rejection slip, but by age thirty-two I was very pleased to get a check. “Professionalism” is no virtue; a professional is simply one who gets paid for doing what an amateur does for love. But in a money economy, the fact of being paid means your work is going to be circulated, is going to be read; it’s the means to communication, which is the artist’s goal. Cele Goldsmith Lalli, who bought this story in 1962, was as enterprising and perceptive an editor as the science fiction magazines have ever had, and I am grateful to her for opening the door to me.
Professor Barry Pennywither sat in a cold, shadowy garret and stared at the table in front of him, on which lay a book and a breadcrust. The bread had been his dinner, the book had been his lifework. Both were dry. Dr. Pennywither sighed, and then shivered. Though the lower-floor apartments of the old house were quite elegant, the heat was turned off on April 1st, come what may; it was now April 2nd, and sleeting. If Dr. Pennywither raised his head a little he could see from his window the two square towers of Notre Dame de Paris, vague and soaring in the dusk, almost near enough to touch: for the Island of Saint-Louis, where he lived, is like a little barge being towed downstream behind the Island of the City, where Notre Dame stands. But he did not raise his head. He was too cold.
The great towers sank into darkness. Dr. Pennywither sank into gloom. He stared with loathing at his book. It had won him a year in Paris—publish or perish, said the Dean of Faculties, and he had published, and been rewarded with a year’s leave from teaching, without pay. Munson College could not afford to pay unteaching teachers. So on his scraped-up savings he had come back to Paris, to live again as a student in a garret, to read fifteenth-century manuscripts at the Library, to see the chestnuts flower along the avenues. But it hadn’t worked. He was forty, too old for lonely garrets. The sleet would blight the budding chestnut flowers. And he was sick of his work. Who cared about his theory, the Pennywither Theory, concerning the mysterious disappearance of the poet François Villon in 1463? Nobody. For after all his Theory about poor Villon, the greatest juvenile delinquent of all time, was only a theory and could never be proved, not across the gulf of five hundred years. Nothing could be proved. And besides, what did it matter if Villon died on Montfaucon gallows or (as Pennywither thought) in a Lyons brothel on the way to Italy? Nobody cared. Nobody else loved Villon enough. Nobody loved Dr. Pennywither, either; not even Dr. Pennywither. Why should he? An unsocial, unmarried, underpaid pedant, sitting here alone in an unheated attic in an unrestored tenement trying to write another unreadable book. “I’m unrealistic,” he said aloud with another sigh and another shiver. He got up and took the blanket off his bed, wrapped himself in it, sat down thus bundled at the table, and tried to light a Gauloise Bleue. His lighter snapped vainly. He sighed once more, got up, fetched a can of vile-smelling French lighter fluid, sat down, rewrapped his cocoon, filled the lighter, and snapped it. The fluid had spilled around a good bit. The lighter lit, so did Dr. Pennywither, from the wrists down. “Oh hell!” he cried, blue flames leaping from his knuckles, and jumped up batting his arms wildly, shouting “Hell!” and raging against Destiny. Nothing ever went right. What was the use? It was then 8:12 on the night of April 2nd, 1961.
A man sat hunched at a table in a cold, high room. Through the window behind him the two square towers of Notre Dame loomed in the Spring dusk. In front of him on the table lay a hunk of cheese and a huge, iron-latched, handwritten book. The book was called (in Latin) On the Primacy of the Element Fire over the Other Three Elements. Its author stared at it with loathing. Nearby on a small iron stove a small alembic simmered. Jehan Lenoir mechanically inched his chair nearer the stove now and then, for warmth, but his thoughts were on deeper problems. “Hell!” he said finally (in Late Mediaeval French), slammed the book shut, and got up. What if his theory was wrong? What if water were the primal element? How could you prove these things? There must be some way—some method—so that one could be sure, absolutely sure, of one single fact! But each fact led into others, a monstrous tangle, and the Authorities conflicted, and anyway no one would read his book, not even the wretched pedants at the Sorbonne. They smelled heresy. What was the use? What good this life spent in poverty and alone, when he had learned nothing, merely guessed and theorized? He strode about the garret, raging, and then stood still. “All right!” he said to Destiny. “Very good! You’ve given me nothing, so I’ll take what I want!” He went to one of the stacks of books that covered most of the floor-space, yanked out a bottom volume (scarring the leather and bruising his knuckles when the overlying folios avalanched), slapped it on the table and began to study one page of it Then, still with a set cold look of rebellion, he got things ready: sulfur, silver, chalk. . . . Though the room was dusty and littered, his little workbench was neatly and handily arranged. He was soon ready. Then he paused. “This is ridiculous,” he muttered, glancing out the window into the darkness where now one could only guess at the two square towers. A watchman passed below calling out the hour, eight o’clock of a cold clear night. It was so still he could hear the lapping of the Seine. He shrugged, frowned, took up the chalk and drew a neat pentagram on the floor near his table, then took up the book and began to read in a clear but self-conscious voice: “Haere, haere, audi me . . .” It was a long spell, and mostly nonsense. His voice sank. He stood bored and embarrassed. He hurried through the last words, shut the book, and then fell backwards against the door, gap-mouthed, staring at the enormous, shapeless figure that stood within the pentagram, lit only by the blue flicker of its waving, fiery claws.
Barry Pennywither finally got control of himself and put out the fire by burying his hands in the folds of the blanket wrapped around him. Unburned but upset, he sat down again. He looked at his book. Then he stared at it. It was no longer thin and grey and titled The Last Years of Villon: an Investigation of Possibilities. It was thick and brown and tided Incantatoria Magna. On his table? A priceless manuscript dating from 1407 of which the only extant undamaged copy was in the Ambrosian Library in Milan. He looked slowly around. His mouth dropped slowly open. He observed a stove, a chemist’s workbench, two or three dozen heaps of unbelievable leatherbound books, the window, the door
. His window, his door. But crouching against his door was a little creature, black and shapeless, from which came a dry rattling sound.
Barry Pennywither was not a very brave man, but he was radonal. He thought he had lost his mind, and so he said quite steadily, “Are you the Devil?”
The creature shuddered and rattled.
Experimentally, with a glance at invisible Notre Dame, the professor made the sign of the Cross.
At this the creature twitched; not a flinch, a twitch. Then it said something, feebly, but in perfectly good English—no, in perfectly good French—no, in rather odd French: “Mais vous estes de Dieu,” it said.
Barry got up and peered at it. “Who are you?” he demanded, and it lifted up a quite human face and answered meekly, “Jehan Lenoir.”
“What are you doing in my room?”
There was a pause. Lenoir got up from his knees and stood straight, all five foot two of him. “This is my room,” he said at last, though very politely.
Barry looked around at the books and alembics. There was another pause. “Then how did I get here?”
“I brought you.”
“Are you a doctor?”
Lenoir nodded, with pride. His whole air had changed. “Yes, I’m a doctor,” he said. “Yes, I brought you here. If Nature will yield me no knowledge, then I can conquer Nature herself, I can work a miracle! To the Devil with science, then. I was a scientist—” he glared at Barry. “No longer! They call me a fool, a heretic, well by God I’m worse! I’m a sorcerer, a black magician, Jehan the’ Black! Magic works, does it? Then science is a waste of time. Ha!” he said, but he did not really look triumphant. “I wish it hadn’t worked,” he said more quietly, pacing up and down between folios.
“So do I,” said the guest.
“Who are you?” Lenoir looked up challengingly at Barry, though there was nearly a foot difference in their heights.
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