But Mr. Underhill’s door stayed shut.
There was only one man aboard the boat. Old Seacaptain Fogeno, when they told him that, drew down a bristle of white brows over his unseeing eyes. “There’s only one kind of man,” he said, “that sails the Outer Reach alone. A wizard, or a warlock, or a Mage . . .”
So the villagers were breathless hoping to see for once in their lives a Mage, one of the mighty White Magicians of the rich, towered, crowded inner islands of the Archipelago. They were disappointed, for the voyager was quite young, a handsome black-bearded fellow who hailed them cheerfully from his boat, and leaped ashore like any sailor glad to have made port. He introduced himself at once as a sea-peddlar. But when they told Seacaptain Fogeno that he carried an oaken walking-stick around with him, the old man nodded. “Two wizards in one town,” he said. “Bad!” And his mouth snapped shut like an old carp’s.
As the stranger could not give them his name, they gave him one right away: Blackbeard. And they gave him plenty of attendon. He had a small mixed cargo of cloth and sandals and piswi feathers for trimming cloaks and cheap incense and levity stones and fine herbs and great glass beads from Venway—the usual peddlar’s lot. Everyone on Sattins Island came to look, to chat with the voyager, and perhaps to buy something—“Just to remember him by!” cackled Goody Guld, who like all the women and girls of the village was smitten with Blackbeard’s bold good looks. All the boys hung round him too, to hear him tell of his voyages to far, strange islands of the Reach or describe the great rich islands of the Archipelago, the Inner Lanes, the roadsteads white with ships, and the golden roofs of Havnor. The men willingly listened to his tales; but some of them wondered why a trader should sail alone, and kept their eyes thoughtfully upon his oaken staff.
But all this time Mr. Underhill stayed under his hill.
“This is the first island I’ve ever seen that had no wizard,” said Blackbeard one evening to Goody Guld, who had invited him and her nephew and Palani in for a cup of rushwash tea. “What do you do when you get a toothache, or the cow goes dry?”
“Why, we’ve got Mr. Underhill!” said the old woman.
“For what that’s worth,” muttered her nephew Birt, and then blushed purple and spilled his tea. Birt was a fisherman, a large, brave, wordless young man. He loved the schoolmistress, but the nearest he had come to telling her of his love was to give baskets of fresh mackerel to her father’s cook.
“Oh, you do have a wizard?” Blackbeard asked. “Is he invisible?”
“No, he’s just very shy,” said Palani. “You’ve only been here a week, you know, and we see so few strangers here. . . .” She also blushed a little, but did not spill her tea.
Blackbeard smiled at her. “He’s a good Sattinsman, then, eh?”
“No,” said Goody Guld, “no more than you are. Another cup, nevvy? keep it in the cup this time. No, my dear, he came in a little bit of a boat, four years ago was it? just a day after the end of the shad run, I recall, for they was taking up the nets over in East Creek, and Pondi Cowherd broke his leg that very morning—five years ago it must be. No, four. No, five it is, ’twas the year the garlic didn’t sprout. So he sails in on a bit of a sloop loaded full up with great chests and boxes and says to Seacaptain Fogeno, who wasn’t blind then, though old enough goodness knows to be blind twice over, ‘I hear tell,’ he says, ‘you’ve got no wizard nor warlock at all, might you be wanting one?’ ‘Indeed, if the magic’s white!’ says the Captain, and before you could say cuttlefish Mr. Underhill had settled down in the cave under the hill and was charming the mange off Goody Beltow’s cat. Though the fur grew in grey, and ’twas an orange cat. Queer-looking thing it was after that. It died last winter in the cold spell. Goody Beltow took on so at that cat’s death, poor thing, worse than when her man was drowned on the Long Banks, the year of the long herring-runs, when nevvy Birt here was but a babe in petticoats.” Here Birt spilled his tea again, and Blackbeard grinned, but Goody Guld proceeded undismayed, and talked on till nightfall.
Next day Blackbeard was down at the pier, seeing after the sprung board in his boat which he seemed to take a long time fixing, and as usual drawing the taciturn Sattinsmen into talk. “Now which of these is your wizard’s craft?” he asked. “Or has he got one of those the Mages fold up into a walnut shell when they’re not using it?”
“Nay,” said a stolid fisherman. “She’s oop in his cave, under hill.”
“He carried the boat he came in up to his cave?”
“Aye. Clear oop. I helped. Heavier as lead she was. Full oop with great boxes, and they full oop with books o’ spells, he says. Heavier as lead she was.” And the stolid fisherman turned his back, sighing stolidly. Goody Guld’s nephew, mending a net nearby, looked up from his work and asked with equal stolidity, “Would ye like to meet Mr. Underhill, maybe?”
Blackbeard returned Birt’s look. Clever black eyes met candid blue ones for a long moment; then Blackbeard smiled and said, “Yes. Will you take me up to the hill, Birt?”
“Aye, when I’m done with this,” said the fisherman. And when the net was mended, he and the Archipelagan set off up the village street towards the high green hill above it. But as they crossed the common Blackbeard said, “Hold on a while, friend Birt. I have a tale to tell you, before we meet your wizard.”
“Tell away,” says Birt, sitting down in the shade of a live-oak.
“It’s a story that started a hundred years ago, and isn’t finished yet—though it soon will be, very soon. . . . In the very heart of the Archipelago, where the islands crowd thick as flies on honey, there’s a little isle called Pendor. The sealords of Pendor were mighty men, in the old days of war before the League. Loot and ransom and tribute came pouring into Pendor, and they gathered a great treasure there, long ago. Then from somewhere away out in the West Reach, where dragons breed on the lava isles, came one day a very mighty dragon. Not one of those overgrown lizards most of you Outer Reach folk call dragons, but a big, black, winged, wise, cunning monster, full of strength and subtlety, and like all dragons loving gold and precious stones above all things. He killed the Sealord and his soldiers, and the people of Pendor fled in their ships by night. They all fled away and left the dragon coiled up in Pendor Towers. And there he stayed for a hundred years, dragging his scaly belly over the emeralds and sapphires and coins of gold, coming forth only once in a year or two when he must eat. He’d raid nearby islands for his food. You know what dragons eat?”
Birt nodded and said in a whisper, “Maidens.”
“Right,” said Blackbeard. “Well, that couldn’t be endured forever, nor the thought of him sitting on all that treasure. So after the League grew strong, and the Archipelago wasn’t so busy with wars and piracy, it was decided to attack Pendor, drive out the dragon, and get the gold and jewels for the treasury of the League. They’re forever wanting money, the League is. So a huge fleet gathered from fifty islands, and seven Mages stood in the prows of the seven strongest ships, and they sailed towards Pendor. . . . They got there. They landed. Nothing stirred. The houses all stood empty, the dishes on the tables full of a hundred years’ dust. The bones of the old Sealord and his men lay about in the castle courts and on the stairs. And the Tower rooms reeked of dragon. But there was no dragon. And no treasure, not a diamond the size of a poppyseed, not a single silver bead . . . Knowing that he couldn’t stand up to seven Mages, the dragon had skipped out. They tracked him, and found he’d flown to a deserted island up north called Udrath; they followed his trail there, and what did they find? Bones again. His bones—the dragon’s. But no treasure. A wizard, some unknown wizard from somewhere, must have met him single-handed, and defeated him—and then made off with the treasure, right under the League’s nose!”
The fisherman listened, attentive and expressionless.
“Now that must have been a powerful wizard and a clever one, first to kill a dragon, and second to get off without leaving a trace. The lords and Mages of the Archipelago couldn’t tra
ck him at all, neither where he’d come from nor where he’d made off to. They were about to give up. That was last spring; I’d been off on a three-year voyage up in the North Reach, and got back about that time. And they asked me to help them find the unknown wizard. That was clever of them. Because I’m not only a wizard myself, as I think some of the oafs here have guessed, but I am also a descendant of the Lords of Pendor. That treasure is mine. It’s mine, and knows that it’s mine. Those fools of the League couldn’t find it, because it’s not theirs. It belongs to the House of Pendor, and the great emerald, the star of the hoard, Inalkil the Greenstone, knows its master. Behold!” Blackbeard raised his oaken staff and cried aloud, “Inalkil!” The tip of the staff began to glow green, a fiery green radiance, a dazzling haze the color of April grass, and at the same moment the staff tipped in the wizard’s hand, leaning, slanting till it pointed straight at the side of the hill above them.
“It wasn’t so bright a glow, far away in Havnor,” Blackbeard murmured, “but the staff pointed true. Inalkil answered when I called. The jewel knows its master. And I know the thief, and I shall conquer him. He’s a mighty wizard, who could overcome a dragon. But I am mightier. Do you want to know why, oaf? Because I know his name!”
As Blackbeard’s tone got more arrogant, Birt had looked duller and duller, blanker and blanker; but at this he gave a twitch, shut his mouth, and stared at the Archipelagan. “How did you . . . learn it?” he asked very slowly.
Blackbeard grinned, and did not answer.
“Black magic?”
“How else?”
Birt looked pale, and said nothing.
“I am the Sealord of Pendor, oaf, and I will have the gold my fathers won, and the jewels my mothers wore, and the Greenstone! For they are mine. —Now, you can tell your village boobies the whole story after I have defeated this wizard and gone. Wait here. Or you can come and watch, if you’re not afraid. You’ll never get the chance again to see a great wizard in all his power.” Blackbeard turned, and without a backward glance strode off up the hill towards the entrance to the cave.
Very slowly, Birt followed. A good distance from the cave he stopped, sat down under a hawthorn tree, and watched. The Archipelagan had stopped; a stiff, dark figure alone on the green swell of the hill before the gaping cave-mouth, he stood perfectly still. All at once he swung his staff up over his head, and the emerald radiance shone about him as he shouted, “Thief, thief of the Hoard of Pendor, come forth!”
There was a crash, as of dropped crockery, from inside the cave, and a lot of dust came spewing out. Scared, Birt ducked. When he looked again he saw Blackbeard still standing motionless, and at the mouth of the cave, dusty and dishevelled, stood Mr. Underhill. He looked small and pitiful, with his toes turned in as usual, and his little bowlegs in black tights, and no staff—he never had had one, Birt suddenly thought. Mr. Underhill spoke. “Who are you?” he said in his husky little voice.
“I am the Sealord of Pendor, thief, come to claim my treasure!”
At that, Mr. Underhill slowly turned pink, as he always did when people were rude to him. But he then turned something else. He turned yellow. His hair bristled out, he gave a coughing roar—and was a yellow lion leaping down the hill at Blackbeard, white fangs gleaming.
But Blackbeard no longer stood there. A gigantic tiger, color of night and lightning, bounded to meet the lion. . . .
The lion was gone. Below the cave all of a sudden stood a high grove of trees, black in the winter sunshine. The tiger, checking himself in mid-leap just before he entered the shadow of the trees, caught fire in the air, became a tongue of flame lashing out at the dry black branches. . . .
But where the trees had stood a sudden cataract leaped from the hillside, an arch of silvery crashing water, thundering down upon the fire. But the fire was gone. . . .
For just a moment before the fisherman’s staring eyes two hills rose—the green one he knew, and a new one, a bare, brown hillock ready to drink up the rushing waterfall. That passed so quickly it made Birt blink, and after blinking he blinked again, and moaned, for what he saw now was a great deal worse. Where the cataract had been there hovered a dragon. Black wings darkened all the hill, steel claws reached groping, and from the dark, scaly, gaping lips fire and steam shot out.
Beneath the monstrous creature stood Blackbeard, laughing.
“Take any shape you please, little Mr. Underhill!” he taunted. “I can match you. But the game grows tiresome. I want to look upon my treasure, upon Inalkil. Now, big dragon, little wizard, take your true shape. I command you by the power of your true name—Yevaud!”
Birt could not move at all, not even to blink. He cowered, staring whether he would or not. He saw the black dragon hang there in the air above Blackbeard. He saw the fire lick like many tongues from the scaly mouth, the steam jet from the red nostrils. He saw Blackbeard’s face grow white, white as chalk, and the beard-fringed lips trembling.
“Your name is Yevaud!”
“Yes,” said a great, husky, hissing voice. “My truename is Yevaud, and my true shape is this shape.”
“But the dragon was killed—they found dragon-bones on Udrath Island—”
“That was another dragon,” said the dragon, and then stooped like a hawk, talons outstretched. And Birt shut his eyes.
When he opened them the sky was clear, the hillside empty, except for a reddish-blackish trampled spot, and a few talon-marks in the grass.
Birt the fisherman got to his feet and ran. He ran across the common, scattering sheep to right and left, and straight down the village street to Palani’s father’s house. Palani was out in the garden weeding the nasturtiums. “Come with me!” Birt gasped. She stared. He grabbed her wrist and dragged her with him. She screeched a little, but did not resist. He ran with her straight to the pier, pushed her into his fishing-sloop the Queenie, untied the painter, took up the oars and set off rowing like a demon. The last that Sattins Island saw of him and Palani was the Queenie’s sail vanishing in the direction of the nearest island westward.
The villagers thought they would never stop talking about it, how Goody Guld’s nephew Birt had lost his mind and sailed off with the schoolmistress on the very same day that the peddlar Blackbeard disappeared without a trace, leaving all his feathers and beads behind. But they did stop talking about it, three days later. They had other things to talk about, when Mr. Underhill finally came out of his cave.
Mr. Underhill had decided that since his truename was no longer a secret, he might as well drop his disguise. Walking was a lot harder than flying, and besides, it was a long, long time since he had had a real meal.
WINTER’S KING
When I wrote this story, a year before I began the novel The Left Hand of Darkness, I did not know that the inhabitants of the planet Winter or Gethen were androgynes. By the time the story came out in print, I did, but too late to emend such usages as “son,” “mother,” and so on.
Many feminists have been grieved or aggrieved by The Left Hand of Darkness because the androgynes in it are called “he” throughout. In the third person singular, the English generic pronoun is the same as the masculine pronoun. A fact worth reflecting upon. And it’s a trap, with no way out, because the exclusion of the feminine (she) and the neuter (it) from the generic/masculine (he) makes the use of either of them more specific, more unjust, as it were, than the use of “he.” And I find made-up pronouns, “te” and “heshe” and so on, dreary and annoying.
In revising the story for this edition, I saw a chance to redress that injustice slightly. In this version, I use the feminine pronoun for all Gethenians—while preserving certain masculine titles such as King and Lord, just to remind one of the ambiguity. This may drive some nonfeminists mad, but that’s only fair.
The androgyny of the characters has little to do with the events of this story, but the pronoun change does make it clear that the central, paradoxical relationship of parent and child is not, as it may have seemed in the other vers
ion, a kind of reverse Oedipus twist, but something less familiar and more ambiguous. Evidently my unconscious mind knew about the Gethenians long before it saw fit to inform me. It’s always doing things like that.
When whirlpools appear in the onward run of time and history seems to swirl around a snag, as in the curious matter of the Succession of Karhide, then pictures come in handy: snapshots, which may be taken up and matched to compare the parent to the child, the young king to the old, and which may also be rearranged and shuffled till the years run straight. For despite the tricks played by instantaneous interstellar communication and just-sub-lightspeed interstellar travel, time (as the Plenipotentiary Axt remarked) does not reverse itself; nor is death mocked.
Thus, although the best-known picture is that dark image of a young king standing above an old king who lies dead in a corridor lit only by mirror-reflections of a burning city, set it aside a while. Look first at the young king, a nation’s pride, as bright and fortunate a soul as ever lived to the age of twenty-two; but when this picture was taken the young king had her back against a wall. She was filthy, she was trembling, and her face was blank and mad, for she had lost that minimal confidence in the world which is called sanity. Inside her head she repeated, as she had been repeating for hours or years, over and over, “I will abdicate. I will abdicate. I will abdicate.” Inside her eyes she saw the red-walled rooms of the Palace, the towers and streets of Erhenrang in falling snow, the lovely plains of the West Fall, the white summits of the Kargav, and she renounced them all, her kingdom. “I will abdicate,” she said not aloud and then, aloud, screamed as once again the person dressed in red and white approached her saying, “Majesty! A plot against your life has been discovered in the Artisan School,” and the humming noise began, softly. She hid her head in her arms and whispered, “Stop it, please stop it,” but the humming whine grew higher and louder and nearer, relentless, until it was so high and loud that it entered her flesh, tore the nerves from their channels and made her bones dance and jangle, hopping to its tune. She hopped and twitched, bare bones strung on thin white threads, and wept dry tears, and shouted, “Have them— Have them— They must— Executed— Stopped— Stop!”
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