"This lady's daughter," I said. Walker inclined his head to Joanna again.
"And your gift leads you to believe she's in Blaiston Street?"
"Yes."
"And you have reason to believe she was called there?"
"Not necessarily against her will."
Walker made a vague dismissive gesture with one elegant hand. "Then you have twelve hours, Taylor, to discover the secrets of Blaiston Street and do whatever is necessary to re-establish the status quo. Should you fail, I will have no choice but to fall back on my original plan, and destroy the whole damned street, and everything in it, now and forever."
"You can't do that!" said Joanna. "Not while my Cathy's still in there!"
"Oh yes he can," I said. "He's done it before. Walker's always been a great admirer of the scorched earth option. And it wouldn't bother him in the least if he had to sacrifice a few innocents along the way. Walker doesn't believe anyone's innocent. Plus, by involving me he doesn't have to put one of his own people at risk."
"Exactly," said Walker. He rose gracefully to his feet, checking the time on an old-fashioned gold fob watch from his waistcoat pocket. "Twelve hours, Taylor, and not a minute more." He put the watch away and looked at me thoughtfully. "A final warning. Remember… that nothing is ever what it seems, in the Nightside. I'd hate to think you've been away so long that you've forgotten such a basic fact of life here."
He hesitated, and for a moment I thought he might be about to say something more, but then our waitress came trotting back with my freshly laundered trench coat, and the moment passed. Walker smiled tolerantly as the waitress displayed the spotless coat for my approval.
"Very nice, Taylor. Very retro. I must be off now, about my business. So much to do, and so many to be doing it to. Welcome back, Taylor. Don't screw up."
He was already turning away to leave when I stopped him with my voice. "Walker, you were my father's friend."
He looked back at me. "Yes, John, I was."
"Did you ever find out what my mother was?"
"No," he said. "I never did. But if I ever do find her, I'll make her tell me. Before I kill her."
He smiled briefly, touched his fingertips to the brim of his bowler hat, and left the café. No-one actually watched him go, but the general murmur of voices rose significantly once the door was safely shut behind him.
"Just what is it with you and him?" Joanna said finally. "Why did you let him talk to you like that?"
"Walker? Hell, I'd let him shit on my shoes if he wanted to."
"I haven't seen you back down to anyone since we got here," said Joanna. "What makes him so special?"
"Walker's different," I said. "Everyone gives Walker plenty of space. Not for who he is, but for what he represents."
"The Authorities?"
"Got it in one. Some questions are all the scarier for having no answer."
"But who watches the watchmen?" said Joanna. "Who keeps the Authorities honest?"
"We are drifting into decidedly murky philosophical waters," I said. "And we really don't have the time. Finish your nice Coke, and we'll go pay Blaiston Street a visit."
"About time!" said Joanna. And she gulped down the last of her icy Coke so fast it must have given her a headache.
NINE — A House on Blaiston Street
Blaiston Street butts onto the back end of nowhere. Shabby houses on a shabby street, where all the street-lights have been smashed, because the inhabitants feel more at home in the dark. Perhaps so they won't have to see how far they've fallen. I could practically feel the rats running for cover as I led Joanna down the street, but otherwise it was almost unnaturally still and quiet. Litter was piled everywhere in great festering heaps, and every inch of the dirty stone walls was covered in obscene graffiti. The whole place stank of decay — material, emotional and spiritual. All down the street, windows were missing, patched up with cardboard or paper or nothing at all.
Filth everywhere, from animals marking their territory, or from people who just didn't care any more. The houses were two rows of ancient tenements, neglected and despised, that would probably have fallen down if they hadn't been propping each other up.
Maybe Walker was right. A good bomb here could do millions of pounds of civic improvements.
And yet… something was wrong here. More than usually wrong. The street was strangely empty deserted, abandoned. There were no homeless huddled in doorways, or under sagging fire-escapes. No beggars or muggers, no desperate souls looking to buy or sell; not even a single pale face peering from a window. Blaiston Street usually seethed with life like maggots in an open wound. I could hear the sounds of traffic and people from adjoining streets, but the sound was muted, strangely far away, as though from another world.
"Where the hell is everybody?" said Joanna quietly.
"Good question," I said. "And I don't think we're going to like the answer, when we find it. I'd like to think everyone just ran away, but… I'm beginning to suspect they weren't that lucky. I don't think anyone here got out alive. Something bad happened here. And it's still happening."
Joanna looked around her, and shuddered. "What in sweet Jesus' name could have summoned Cathy to a place like this?"
"Let's find out," I said, and calling up my gift I opened my private eye again. My gift was getting weaker, and so was I, but I was so close now it was just strong enough to show me Cathy's ghost prancing down the street, lit up from within by her own blazing emotions. I'd never seen anyone look so happy. She came to one particular house, that looked no different from any of the others, and stopped before it, studying it with solemn, child-wide eyes. The door opened slowly before her, and she ran up the stone steps and disappeared into the darkness beyond the door, smiling widely all the time, as though she was going to the best party in all the world. The door closed behind her, and that was that. I'd come to the end of the trail. For whatever reason, she'd never left that house again. I took Joanna by the hand and replayed the ghost so she could see it too.
"We've found her!" said Joanna, her hand clamping down on mine so hard it hurt. "She's here!"
"She was here," I said, pulling my hand free. "Let me check the house out before we go any further, see what my gift can tell us about the house's past and present occupants."
We walked right up to the house, and stopped at the foot of the dirty stone steps that led up to the paint-peeling door. Old bricks and mortar, smeared windows, and no signs of life anywhere. The door looked flimsy enough. I didn't think it could keep me out if I decided I wanted in, but this was the Nightside, so you never knew… I raised my gift and concentrated on the house, and despite myself I made a sudden, startled sound. There was no house before me. No history, no emotions, no memories, not even a simple sense of presence. As far as my gift was concerned, I was standing before a vacant lot. There was no house here, and never had been.
I grabbed Joanna's hand again, so she could see what I wasn't seeing, and she jumped too.
"I don't understand. Where did the house go?"
"It didn't go anywhere," I said. "As far as I can tell, there's never been any kind of house here."
I let go her hand and dropped my gift, and there was the house again, right in front of me. Large as life and twice as ugly.
"Is it another ghost?" said Joanna. "Like the café?"
"No. I'd recognise that. This is solid. It has a physical presence. We saw Cathy go into it. Something here… is playing games with us. Disguising its true nature."
"Something inside the house?"
"Presumably. Which means the only way we're going to get any answers is to force our way in, and see for ourselves. A house… that isn't just a house. I wonder what it is?"
"I don't give a damn what it is," Joanna said hotly. "All that matters is finding my Cathy, and getting her the hell out of here."
I grabbed her by the arm to stop her from charging up the steps. Her face was flushed with emotion at coming so close to the end of the chase, and her arm
trembled under my hand. She looked at me angrily as I stopped her, and I made myself speak calmly and soothingly.
"We can't help Cathy by plunging headlong into traps. I don't believe in charging blindly into strange situations."
"Just as well I'm here then, isn't it?" said Suzie Shooter.
I looked round sharply, and there she was in the street behind me; Shotgun Suzie, smiling just a little smugly, the stock of her holstered pump-action shotgun peering at me over her leather-clad shoulder. I gave her my best glare.
"First Walker, and now you. I can remember when people weren't able to sneak up on me all the time."
"Getting old, Taylor," said Suzie. "Getting soft. Found anything for me to shoot yet?"
"Maybe," I said. I gestured at the house before us. "Our runaway is in there. Only my gift says there's something decidedly unnatural about this place."
Suzie sniffed. "Doesn't look like much. Let's do it. I'll lead the way, if you're worried."
"Not this time, Suzie," I said. "I have a really bad feeling about this house."
"You're always having bad feelings."
"And I'm usually right."
"True."
I made my way slowly up the stone steps. There still wasn't anyone around, but I could feel the pressure of watching eyes. Suzie moved in beside me like I'd never been away, like she belonged there, her shotgun already in her hands. Joanna brought up the rear, looking a little upset at being pushed into the background by Suzie's presence. The sound of our feet on the stone steps seemed unusually loud and carrying, but it didn't matter. Whatever was waiting for us inside the house that wasn't just a house, it knew we were there. I stopped before the door. There was no bell. No knocker or letter-box, either. I rapped on the door with my fist, and the wood seemed to give slightly under each blow, as though it was rotten. The sound of my knocking was eerily soft, muffled. There was no response from within.
"Want me to blow the lock out?" said Suzie.
I tried the door-handle, and it turned easily in my grasp. The discoloured metal of the door-knob was unpleasantly warm and moist to the touch. I rubbed my hand roughly on the side of my coat, and pushed the door open with the tip of my shoe. It fell back easily. Inside, there was only an impenetrable darkness, and not a sound anywhere. Joanna pushed in beside me, staring eagerly into the dark. She opened her mouth as though to call out to Cathy, but I stopped her. She glared at me again. There was an urgency in her now. I could feel it. Suzie produced a flashlight from some hidden pocket, turned it on and handed it to me. I nodded my thanks, and played the bright beam back and forth across the hallway before me. Hardly anything showed outside the beam, but the hall seemed long and wide and empty. I moved slowly forward, and Joanna and Suzie came with me. Once we were safely inside, the door closed behind us of its own volition, and none of us were a bit surprised.
TEN — In the Belly of the Beast
The house was dark and empty, utterly quiet and almost unnaturally still. It was like walking into a hole in the world. It felt like something was holding its breath, while it waited to see what we would do next. My back and stomach muscles tensed as I walked slowly down the wide hallway, anticipating an attack that somehow never came. There was danger all around me, but I couldn't put a name to it, couldn't even tell what direction it might come from. I hadn't felt this nervous in the future Timeslip. But some traps you just have to walk into to get to where you're going.
Shadows danced jerkily around me as I played the beam of my flashlight back and forth. For all its brightness, the beam didn't make much of an impression on the dark. I could make out the hall before me, two doors leading off to the right, and a stairway to my left that led up to the next floor. Ordinary, everyday sights made somehow sinister by the atmosphere they were generating. This was not a healthy place. Not for three small humans, wandering blindly in the dark. The air was thick and oppressive, hot and moist, like the artificial heat of a greenhouse, where great fleshy things are forced into life that could not normally survive. Suzie moved silently along beside me, glaring about her. She hefted her shotgun and sniffed heavily.
"Damp in here. Like the tropics. And the smell… I think it's decay…"
"It's an old place," I said. "No-one's looked after it in years."
"Not that kind of decay. Smells more like… rotting meat."
We exchanged a look, and then carried on down the hallway. Our slow footsteps echoed hollowly back from the bare plaster walls. No furniture, no fittings; no carpets or comforts of any kind. No decorations, no posters or paintings or even calendars on the walls. Nothing to show that anyone had ever lived here. That thought seemed significant, though I couldn't for the moment see how. We were, after all, in Blaiston Street. This wasn't a place where people came to live like people…
"Have you noticed the floor?" Suzie said quietly.
"What in particular?" I said.
"It's sticky."
"Oh, thanks a bunch," said Joanna. "I really didn't need to know that, thank you. The moment I get out of here I'm going to have to burn my shoes. This whole place is diseased."
She was right back at my side again, staring almost twitchily about her. But she seemed more… impatient, than anything else. She didn't like the house, but it was clear the setting wasn't disturbing her anywhere near as much as it was getting to Suzie and me. Which was… curious. I assumed being this close to finding Cathy at last had driven all other thoughts aside. We stopped in the middle of the hall and looked around us. Suzie lowered her shotgun a little, having no-one to point it at.
"Looks like the last occupants of this dump did a moonlight flit, and took everything with them that wasn't actually nailed down."
I just nodded. I didn't trust myself to say anything sane and sensible, for the moment. I was feeling increasingly jumpy. There was an overwhelming sense of being watched, by unseen, unfriendly eyes. I kept wanting to look back over my shoulder, convinced I'd find something awful crouching there, waiting to spring; but I didn't. There was no-one there. Suzie would have known. And you don't last long in the Nightside if you can't learn to control your own instincts.
A mirror on the wall beside me caught my attention. It took me a moment to figure out what was wrong with it. The mirror wasn't showing any reflection. It was just a piece of clear glass in a wooden frame. It wasn't a mirror at all.
There were two doors to my right, leading to rooms beyond. Ordinary, unremarkable doors. I moved slowly over to the nearest, and immediately Suzie was right there with me, shotgun at the ready. Joanna hung back a little. I listened carefully at the first door, but all I could hear was my own breathing. I turned the handle slowly. It was wet in my hand, dripping moisture, like it was sweating from the heat. I wiped my palm on the side of my coat, and then pushed the door open. Come into my parlour, said the spider to the fly.
The door swung easily open. The hinges didn't make a sound. The room beyond was completely dark. I stayed just inside the doorway and flashed my light around the room. The darkness seemed to suck up the light. Still no furnishings or fittings, no personal signs or touches. It looked more like a film set than anything someone might call home. I stepped back into the hall and moved down to the next door. The second room was just like the first.
"Whatever was going on here, I think we missed it," said Suzie. "Someone must have told them I was coming."
"No," I said. "That's not it. Something's still here. It's just hiding from us."
I walked over to the foot of the staircase. Bare wooden boards, simple banisters. No frills or fancies. No scuff marks or traces of wear, either. It could have been old or new or anything in between. Almost as though untouched by humans hands… I raised my voice in a carrying call.
"Hello! Anybody home?"
The close air flattened my voice, making it sound small and weak. And then from somewhere up on the next floor came the sound of a single door, slamming shut. Suzie and Joanna moved quickly over to join me at the foot of the stairs. And the door ba
nged shut again, and again, and again. There was a horrid deliberateness to the sound, almost taunting, an open violence that was both a threat and an invitation. Come up and see, if you dare. I put my foot on the first step, and the banging door stopped immediately. Somehow, it knew. I looked at Suzie, and then at Joanna.
"Someone's home."
Joanna surged forward, and would have gone running blindly up the stairs, if I hadn't grabbed her by the arm and made her stop. She pulled fiercely away, fighting to be free, not even looking back at me, and I had to use all my strength to hang on to her. I said her name over and over, increasingly loudly, until finally she spun on me, breathing hard. Her face was hot and red and angry, almost furious.
"Let go of me, you bastard! Cathy's up there! I can feel it!"
"Joanna, we don't know what's up there…"
"I know! I have to go to her, she needs me! Let go of my arm, you…"
When she found she couldn't pull or twist her arm out of my grasp, Joanna went for my face with her other hand. Her fingers were like claws. Suzie interrupted the blow easily, catching Joanna's wrist in a grip so hard it had to hurt her. Joanna snarled, and fought against her. Suzie applied pressure, forcing the wrist back against itself, and Joanna gasped, and stopped struggling. She glared at Suzie, who looked coldly back at her.
"No-one gets to hit John but me, Mrs. Barrett. Now behave yourself; or you can listen to the bones in your wrist breaking, one by one."
"Easy, Suzie," I said. "She's new to the Nightside. She doesn't understand the kind of dangers we could be facing."
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