“You missed a stash inside the radio console.”
“Huh.”
They kept walking, footsteps punctuated by Gabby’s ragged breath.
“We used to drive out here to picnic on the cliff when my wife and I first got married,” Bay said. “There were always turtles trying to cross. We would stop and help them, because there were teenagers around who thought driving over them was a sport. Now if I saw a turtle I’d probably have to think about eating it.”
“I’ve never eaten a turtle.”
“Me neither. Haven’t seen one in years.”
Gabby stopped. “You know, I have no clue when I last saw a turtle. At a zoo? No clue at all. I wonder if they’re gone. Funny how you don’t realize the last time you see something is going to be the last time.”
Bay didn’t say anything.
The rock star held Deb’s guitar up to her chest, started picking out a repetitive tune as she walked. Same lick over and over, like it was keeping her going, driving her feet. “So when you said you traded things like aluminum foil and people, you were lying to me, right? You don’t trade anything.”
Bay shook her head. “Nobody to trade with.”
“So you’ve been here all alone? You said something about your wife.”
Bay kicked a stone down the road in front of her, kicked it again when she caught up with it.
The rock star handed her the guitar and dropped to the ground. She took off her left shoe, then peeled the sock off. A huge blister was rising on her big toe. “Fuck.”
Bay sighed. “You can use some of the stuffing from your vest to build some space around it.”
Gabby bent to pick a seam.
“No need. There’s a tear in the back. Anyhow, maybe it’s time to stop for the night.”
“Sorry. I saw the tear when you first gave me the vest, but I forgot about it. How far have we traveled?”
“Hard to say. We’re still on the park road.”
“Park road?”
“This is a protected wilderness area. Or it was. Once we hit asphalt, we’re halfway there. Then a little farther to a junction. Left at the T used to be vacation homes, but a hurricane took them twenty years ago. Right takes you to the city.”
Gabby groaned. She squinted at the setting sun. “Not even halfway.”
“But you’re still alive, and you’re complaining about a blister, not the cough or the sunburn.”
“I didn’t complain.”
“I don’t see you walking any farther, either.” Bay dropped her knapsack and untied a sleeping bag from the bottom.
“I don’t suppose you have two?”
Bay gave Gabby her most withering look. What kind of fool set out on this walk sick and unprepared? Then again, she had been the one who had driven the woman out, too afraid to interact with an actual person instead of the ghosts in her head.
“We’ll both fit,” she said. “Body heat’ll keep us warm, too.”
It was warmer than if they hadn’t shared, lying back to back squeezed into the sleeping bag. Not as warm as home, if she hadn’t set out to follow. The cold still seeped into her. Bay felt every inch of her left side, as if the bones themselves were in contact with the ground. Aware, too, of her back against the other woman, of the fact that she couldn’t remember the last time she had come in physical contact with a living person. The heat of Gabby’s fever burned through the layers of clothing, but she still shivered.
“Why are you living out there all alone?” Gabby asked.
Bay considered pretending she was asleep, but then she wanted to answer. “I said already we used to picnic out here, my wife and I. We always said this was where we’d spend our old age. I’d get a job as a ranger, we’d live out our days in the ranger’s cabin. I pictured having electricity, mind.”
She paused. She felt the tension in the other woman’s back as she suppressed a cough. “Debra was in California on a business trip when everything started going bad at a faster rate than it’d been going bad before. We never even found out what it was that messed up the electronics. Things just stopped working. We’d been living in a high-rise. I couldn’t stay in our building with no heat or water, but we couldn’t contact each other, and I wanted to be someplace Debra would find me. So when I didn’t hear from her for three months, I packed what I thought I might need into some kid’s wagon I found in the lobby and started walking. I knew she’d know to find me out here if she could.”
“How bad was it? The cities? We were already on the ship.”
“I can only speak for the one I was living in, but it wasn’t like those scare movies where everyone turns on one another. People helped each other. We got some electricity up and running again in a couple weeks’ time, on a much smaller scale. If anything, I’d say we had more community than we’d ever had. But it didn’t feel right for me. I didn’t want other people; I wanted Deb.”
“They told us people were rioting and looting. Breaking into mansions, moving dozens of people in.”
“Would you blame them? Your passengers redirected all the gas to their ships and abandoned perfectly good houses. But again, I can only speak to what I saw, which was folks figuring out the new order and making it work as best they could.”
Gabby stayed silent for a while, and Bay started to drift. Then one more question. “Did Debra ever find you? I mean I’m guessing no, but . . .”
“No. Now let me sleep.”
• • • •
Inside the Music: Tell us what happened.
Gabby Robbins: You know what happened. There is no you anymore. No reality television, no celebrity gossip, no music industry. Only an echo playing itself out on the ships and in the heads of those of us who can’t quite let it go.
• • • •
Bay was already out of the sleeping bag when I woke. She sat on a rock playing a simple fingerpicking pattern on her guitar.
“I thought you didn’t play,” I called to her.
“Never said that. Said I’m a lousy singer, but didn’t say anything about playing the guitar. We should get moving. I’d rather get to the city earlier than late.”
I stood up and stretched, letting the sleeping bag pool around my feet. The sun had only just risen, low and red. I could hear water lapping on both sides now, beyond a thick growth of brush. I coughed so deep it bent me in two.
“Why are you in a hurry?” I asked when I could speak.
She gave me a look that probably could have killed me at closer range. “Because I didn’t bring enough food to feed both of us for much longer, and you didn’t bring any. Because I haven’t been there in years and I don’t know if they shoot strangers who ride in at night.”
“Oh.” There wasn’t much to say to that, but I tried anyway. “So basically you’re putting yourself in danger because I put myself in danger because you made me think I was in danger.”
“You put yourself in danger in the first place by jumping off your damn boat.”
True. I sat back down on the sleeping bag and inspected my foot. The blister looked awful. I nearly wept as I packed vest-stuffing around it.
I stood again to indicate my readiness, and she walked back over. She handed me the guitar, then shook out the sleeping bag, rolled it and tied it to her pack. She produced two vaguely edible-looking sticks from somewhere on her person. I took the one offered to me.
I sniffed it. “Fish jerky?”
She nodded.
“I really would’ve starved out here on my own.”
“You’re welcome.”
“Thank you. I mean it. I’d never have guessed I’d have to walk so long without finding anything to eat.”
“There’s plenty to eat, but you don’t know where to look. You could fish if you had gear. You might find another crab. And there are bugs. Berries and plants, too, in better seasons, if you knew what to look for.”
As we walked she meandered off the road to show me what was edible. Cattail roots, watercress. Neither tasted fantastic raw, but c
hewing took time and gave an excuse to walk slower.
“I’m guessing you were a city kid?” she asked.
“Yeah. Grew up in Detroit. Ran away when I was sixteen to Pittsburgh because everyone else ran away to New York. Put together a decent band, got noticed. When you’re a good bass player, people take you out. I’d release an album with my band, tour that, then tour with Gaga or Trillium or some flavor of the month.”
I realized that was more than she had asked for, but she hadn’t told me to shut up yet, so I kept going. “The funny thing about being on a ship with all those celebrities and debutantes is how much attention they need. They throw parties or they stage big collapses and recoveries. They produce documentaries about themselves, upload to the ship entertainment systems. They act as audience for each other, taking turns with their dramas.
“I thought they’d treat me as a peer, but then I realized I was just a hired gun and they all thought they were bigger deals than me. There were a few other entertainers who realized the same thing and dropped down to the working decks to teach rich kids to dance or sing or whatever. I hung onto the idea longer than most that my music still meant something. I still kinda hope so.”
A coughing spell turned me inside out.
“That’s why you took my guitar?” Bay asked when I stopped gagging.
“Yeah. They must still need music out here, right?”
“I’d like to think so.”
I had something else to say, but a change in the landscape up ahead distracted me. Two white towers jutted into the sky, one vertical, the other at a deep curve. “That’s a weird looking bridge.”
Bay picked up her pace. I limped after her. As we got closer, I saw the bridge wasn’t purposefully skewed. The tower on the near end still stood, but the road between the two had crumbled into the water. Heavy cables trailed from the far tower like hair. We walked to the edge, looked down at the concrete bergs below us, then out at the long gap to the other side. Bay sat down, her feet dangling over the edge.
I tried to keep things light. “I didn’t realize we were on an island.”
“Your grasp of geography hasn’t proven to be outstanding.”
“How long do you think it’s been out?”
“How the hell should I know?” she snapped.
I left her to herself and went exploring. When I returned, the tears that smudged her face looked dry.
“It must’ve been one of the hurricanes. I haven’t been out here in years.” Her tone was dry and impersonal again. “Just goes to show, sooner or later everything falls into the sea.”
“She didn’t give up on you,” I said.
“You don’t know that.”
“No.”
I was quiet a minute. Tried to see it all from her eyes. “Anyway, I walked around. You can climb down the embankment. It doesn’t look like there’s much current. Maybe a mile’s swim?”
She looked up at me. “A mile’s swim, in clothes, in winter, with a guitar. Then we still have to walk the rest of the way, dripping wet. You’re joking.”
“I’m not joking. I’m only trying to help.”
“There’s no way. Not now. Maybe when the water and the air are both warmer.”
She was probably right. She’d been right about everything else. I sat down next to her and looked at the twisted tower. I tried to imagine what Detroit or Pittsburgh was like now, if they were all twisted towers and broken bridges, or if newer, better communities had grown, like the one Bay had left.
“I’ve got a boat,” I said. “There’s no fuel but you have an oar on your wall. We can line it full of snacks when the weather is better, and come around the coast instead of over land.”
“If I don’t kill you before then. You talk an awful lot.”
“But I can play decent guitar,” I said. “And I found a crab once, so I’m not entirely useless.”
“Not entirely,” she said.
• • • •
Inside the Music: Tell us what happened.
Gabby Robbins: I was nearly lost, out on the ocean, but somebody rescued me. It’s a different life, a smaller life. I’m writing again. People seem to like my new stuff.
• • • •
Bay took a while getting to her feet. She slung her bag over her shoulder, and waited while Gabby picked up Deb’s guitar. She played as they walked back toward Bay’s cottage, some little riff Bay didn’t recognize. Bay made up her own words to it in her head, about how sooner or later everything falls into the sea, but some things crawl back out again and turn into something new.
* * *
Sarah Pinsker is the author of the novelette In Joy, Knowing the Abyss Behind, winner of the 2014 Sturgeon Award and 2013 Nebula Award finalist, and 2014 Nebula finalist, A Stretch of Highway Two Lanes Wide. Her fiction has appeared in Asimov’s, Strange Horizons, Fantasy & Science Fiction, and Lightspeed, and in anthologies including Long Hidden, Fierce Family, and The Future Embodied. She is also a singer/songwriter and has toured nationally behind three albums; a fourth is forthcoming. In the best of all timelines, she lives with her wife and dog in Baltimore, Maryland. She can be found online at sarahpinsker.com and on Twitter @sarahpinsker.
A Dead Djinn in Cairo
by P. Djèlí Clark
Fatma el-Sha’arawi, special investigator with the Egyptian Ministry of Alchemy, Enchantments, and Supernatural Entities, stood gazing through a pair of spectral goggles at the body slumped atop the mammoth divan.
A djinn.
An Old One, at that—near twice the size of a man, with fingers that ended in curved talons, long as knives. His skin was a sheath of aquamarine scales that shifted to turquoise beneath the glare of flickering gas lamps. He sat unclothed between tasseled cushions of lavender and burgundy, his muscular arms and legs spread wide and leaving nothing to the imagination.
“Now that’s impressive,” a voice came. Fatma glanced back at the figure hovering just over her shoulder. Two long graying whiskers fashioned in the style of some antiquated Janissary twitched on a plump face. It belonged to a man in a khaki uniform that fit his thick frame a bit too tightly, particularly around the belly. He jutted a shaved round chin at the dead djinn’s naked penis: a midnight-blue thing that hung near to the knee. “I’ve seen full-grown cobras that were smaller. A man can’t help but feel jealous, with that staring him in the face.”
Fatma returned to her work, not deigning to reply. Inspector Aasim Sharif was a member of the local constabulary who served as a police liaison with the Ministry. Not a bad sort. Just vulgar. Cairene men, despite their professed modernity, were still uncomfortable working alongside a woman. And they expressed their unease in peculiar, awkward ways. It was shocking enough to them that the Ministry had tapped some sun-dark backwater Sa’idi for a position in Cairo. But one so young, and who dressed in foreign garb—they’d never quite gotten used to her.
Today she’d chosen a light gray suit, complete with a matching vest, chartreuse tie, and a red-on-white pinstriped shirt. She had picked it up in the English District, and had it specially tailored to fit her small frame. The accompanying walking cane—a sturdy length of black steel capped by a silver pommel, a lion’s head—was admittedly a bit much. But it added a flair of extravagance to the ensemble. And her father always said if people were going to stare, you should give them a show.
“Exsanguination,” she declared. Fatma pulled off the copper-plated goggles and handed them over to a waiting boilerplate eunuch. The machine-man grasped the instrument between tactile metal fingers, folding it away with mechanical precision into a leather casing. She caught her reflection in its featureless brass countenance: dark oval eyes and a fleshy nose set against russet-brown skin on a slender face. Some might have called it boyish, if not for a set of full, bold lips passed on by her mother. As the boilerplate eunuch stepped away, she used her fingers to smooth back a mop of cropped black curls and turned to the constable. Aasim stared as if she’d just spoken Farsi.
“Those markin
gs.” She tapped the floor with her cane, where curving white script engulfed the divan in a circle. “It’s an exsanguination spell.” Seeing Aasim’s blank look, she reached down to her waist to pull her janbiya free and placed the tip of the knife at the djinn’s thigh before sliding it beneath a scale. It came back out clean. “No blood. Not a drop. He’s been drained.”
The inspector blinked, catching on. “But where did it . . . the blood . . . go?”
Fatma fingered the dry edge of her blade. That was a good question. She slid the knife back into a silver-worked sheath fitted onto a broad leather belt. The janbiya had been given to her by a visiting Azd dignitary—a present for banishing a particularly nasty nasnas troubling his clan. It had been one of her first assignments at the Ministry. The half-blind old man had called her “pretty, for a young man, so brave to take on a half-djinn.” She hadn’t corrected him. And she’d kept the knife.
“Do you think it might have been . . .” Aasim grimaced, cupping his well-coiffed moustache before almost whispering the word: “. . . . ghuls?” The man hated talking about the undead. Then again, Fatma supposed everyone did. Ghul attacks were up in the city; three separate incidents had been reported in the past week. The Ministry suspected a radical cell of anarchist-necromancers, though no one had come up with any leads.
She crouched down to inspect the markings. “Not likely. Ghuls wouldn’t stop with feeding on just blood.” Aasim made a face. “And they don’t practice magic. This script is Old Marid. Djinn sorcery.” She frowned, pointing with her cane. “These, however, are unfamiliar.”
They were four glyphs, arranged equidistant around the circle. One looked like a set of curved horns. The second was a sickle. The third was an odd axe with a hooked blade. The fourth was larger than the rest, a half-circle like a moon, shrouded in twisting vines.
Aasim bent to look. “Never seen them before. Some sorcerer’s sigil?”
“Maybe.” She ran a finger along one of the glyphs, as if touching it might provide an answer.
The Long List Anthology Volume 3 Page 26