Sleepyhead Thorne 1

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Sleepyhead Thorne 1 Page 14

by Mark Billingham


  'I can't help myself sometimes. I do love a little verbal sparring.'

  'As long as you keep it verbal, sir.'

  Bishop laughed. He didn't have a filling in his mouth. Thorne shifted the briefcase to the other hand. 'I had a good time too, which is sort of why I thought I could be a bit pushy and ask you an enormous favour.' Bishop looked at him, waiting. 'I've been to see somebody just round the corner from you, on a totally different case coincidentally, and my constable needed to rush off because his girlfriend's had some sort of accident...'

  'Nothing serious?'

  'I don't think so, trapped her hand in a door or something, but anyway I'm a bit stranded. I've got another interview to do and I'm running late, and as you were only round the corner and seeing as we've-already had dinner together...'

  Bishop stepped forward past Thorne, bent down and began to pull the brown leaves from a large pot on the driveway. 'Ask away.'

  'Could I ponce a lift to the station?'

  Bishop looked up and stared at him for a few seconds. Thorne could sense that he saw through the lie and was looking to see if it was there in his face. He'd be amazed if it wasn't. Thorne broke the stare and turned his attention to the dying flowers. 'They look as if they were probably lovely a few weeks ago.'

  'I'm going to plant evergreens next year I think. Dwarf conifers and Ivies. This is such a lot of work for something that dies so quickly.' He crumpled the dead leaves into his hand and stood up. 'I'm actually going into town. Is that any good to you?'

  'Yes. Fantastic. Thanks a lot.'

  'I've just got to grab my keys and stuff. Come in for a minute.'

  Thorne followed Bishop into the house and stood waiting in the hall. Bishop shouted to him from the kitchen,'There was a photographer hanging about round here yesterday. Bloody nuisance. I wondered if you knew anything about it.'

  So the son had obviously come straight inside and told him about Bethell lurking in the undergrowth or wherever he'd been hiding himself.

  'Probably the press just sniffing around. They've been getting worked up since the Helen Doyle reconstruction. Did you see that?'

  'No.' Had Thorne detected the hint of a pause before he'd answered? 'I didn't know they'd made any connection to the attack on Alison Willetts.'

  They hadn't.

  'No, but somebody may have leaked a list of people we'd interviewed or something. These things happen, unfortunately. I'll look into it if you like.'

  Bishop came striding up the hall pulling on a sports jacket. He grabbed his keys from the hall table. 'I wouldn't like to see myself splashed across the front page of the Sun.' He opened the front door and ushered Thorne out.

  'Mind you,' he shut the door behind him and put a hand on "Thorne's shoulder as they walked towards the car, 'a discreet photo on page three of the Daily Telegraph is a different matter. Might impress a few young nurses.'

  Bishop climbed into the car and Thorne walked round towards the passenger side. He stopped behind the car and held up the briefcase. 'Can I chuck this in the boot?' He saw Bishop glance into his rear-view mirror and smiled as he heard the clunk of the boot being opened from the inside.

  As the Volvo cruised along the Albert Embankment, Bishop slid a CD into the player. The sound system was certainly a step up from the tinny rattlebox in Thorne's Mondeo. Some people probably thought country music sounded better that way. Bishop glanced across at him.

  'Not a classical man?'

  'Not really. This is fine, though. What is it?'

  'Mahler. Kindertotenlieder :

  Thorne waited for the translation - which, amazingly, didn't come. The car was immaculately clean. It still smelt new. When they stopped at lights, Bishop drummed on the wooden gear lever, his wedding ring clicking against the walnut.

  'You've known Anne a long time, then?'

  'God, for ever. We were pushing beds around the streets together when we were undergraduates. Me and Anne, Sarah and David.' He laughed. 'I'm sure that's why hospitals are so short of beds. They all get pushed into rivers by high-spirited students.'

  'She told me about your wife. I'm sorry.'

  Bishop nodded, checking his wing mirror although there was nobody behind them.

  'I can't believe the time has gone so quickly, to be honest. Ten years ago next month, actually.'

  'I lost my mother eighteen months ago.'

  Bishop nodded. 'But it wasn't your fault, was it?'

  Thorne clenched his teeth. 'I'm sorry?'

  'The crash was my fault, you see. I was pissed.'

  Anne hadn't mentioned that. Thorne stared at him.

  'Don't worry, Inspector, I wasn't driving, there's no case to reopen. But Sarah was tired, and she was driving because I'd had one too many. I have to live with that, I'm afraid.'

  You must live with a lot of things.

  'It must have been hard bringing up two kids, though?

  They can't have been very old.'

  'Rebecca was sixteen and James was fourteen and, no, it was a bloody nightmare actually. Thank God I was already doing quite well by then.' He stepped on the brakes sharply as the car in front decided against jumping a red light. Thorne jolted back in his seat. Bishop looked across at him, a strange expression on his face. 'Her chest was completely crushed.'

  They sat in silence until the lights changed. Why should I feel sorry for you?

  'I saw Alison yesterday. Anne was testing out a communications device. I'm sure she'll tell you all about it...'

  And then small-talk across Waterloo Bridge and into the West End.

  Bishop stuck his hazards on as he pulled over on Long Acre to let Thorne jump out. 'How's that?'

  'That's perfect. Thanks again.'

  'No problem. I'm sure we'll run into one another soon.'

  Thorne slammed the door. The electric window slid down.

  'Don't forget your briefcase...'

  He drove slowly through Covent Garden, up to Holborn, then doubled back towards Soho. Cutting through small streets lined with newly opened shops, their chrome cluttered interiors bathed in the glow of lava lamps.

  'Scouting for locations', he believed this was called in the film world. Locations where he might find the next one. There were many to choose from and he'd have a better selection once it was dark, but he was just getting the feel of things.

  He tightened his grip on the steering-wheel. He was still unsure what game Thorne was playing. He was making it all so easy for him and still things were far from satisfactory. The one thing he hadn't bargained for was ineptitude. He should have. He knew what was going on most of the time, and the control he felt at those moments was what would keep everything moving towards the correct and proper outcome. But there were seconds of doubt too. Then he felt as if the unexpected might be round the corner and come rushing at him and send everything spinning into confusion. He did not like surprises.

  He hadn't liked them for years.

  He'd decided to stick to roughly the same pattern but he fancied a bit of a change. Pubs had proved successful and, of course, the discotheque in south London, but he wanted to adjust the demographics. Perhaps he'd move up market a little. Somewhere beset with lacquered wood and polished steel, where decibels inhibited conversation to bellowed sound bites. Set about treating some young thing full of pills and alcopops. Half the job would be done for him already.

  All he'd need to do would be to cruise along behind the night bus...

  Yes, she would probably be very young. Younger than Helen, even. And so much luckier. Success would mean relief from many more years of struggle and stretch marks. He would get this one right, like Alison. If her heart had the strength, even near death, to keep pumping the blood around the body, then she would be cared for. He looked around at the other drivers drowning in their cars, the pedestrians choking, the shop workers being slowly suffocated. All of them dying a little, day by day. He couldn't help all of them, but one was going to be given a fighting chance very soon.

  Then Thorne migh
t start doing his job properly. The kiss, when Anne opened the door to her office, felt awkward. The smiles were genuine and unprofessional. They both wanted more. They'd have to wait. The blackboard stood against the wall. Thorne took a step towards it. 'This would be the communications device that Jeremy was telling me about?'

  She looked stunned. 'You've seen him?'

  He shrugged. 'He gave me a lift into town this morning.'

  Now he had one or two bits and pieces in his briefcase.

  'Oh.' She walked over and self-consciously rubbed out some of the scrawlier chalk marks. Now, under the lines of letters, there were two small arrows, one pointing forwards, the other backwards.

  'It's... evolving. I'm hopeful.'

  He wished he'd made a move on her that night after dinner. For all sorts of reasons. Now things were so difficult.

  'I got one of the blokes at work to have a look on the Internet for me,' he said. 'There were all sorts of... gizmos.'

  She smiled. 'Oh, there are. If Alison ever recovers significant movement there are power chairs that are incredibly sophisticated. Even as she is now there's the Eyegaze system, which can be operated by the tiniest eye movement. She could maneuver a mouse and type into a computer with vocaliser software. She could speak. She could control virtually any element within her immediate environment.'

  'All horribly expensive, I suppose?'

  'Believe me, I was lucky to get the blackboard. Do you want a coffee?'

  Thorne wanted all manner of disgusting things. Right there on her desk. He wanted to be pushed backwards across it scattering notes on to the floor. He wanted to unzip himself and watch as she walked towards him smiling, hitching up her skirt...

  'I'd really like to go and see Alison.'

  'Well, you go on up and I'll grab us a couple of coffees from the canteen. You remember where it is, don't you?'

  The room was not so cluttered with. hardware as the last time he'd seen it. It still felt as if he'd taken the lift to the basement and stumbled into the generating room, but there was a lot less of it. Alison seemed less attached. There were fresh flowers - from her boyfriend, he supposed. It suddenly struck him that he'd never met Tim Hinnegan.

  He had no idea what he looked like, what he did for a living. He'd ask Holland.

  Fuck that. He'd ask Alison. When he had time. He needed a piss and hurriedly availed himself of Alison's en-suite facilities. A low metal pan, a sink, a sharps bin. Handles screwed at a variety of heights and angles into the insipid yellow walls. He flushed the toilet and splashed cold water on to his face.

  Thorne sat in the chair nearest the bed and looked at her. Her eyes were wide open, the right eye flickering. The smallest movement but seemingly constant. It was incredibly difficult to maintain eye-contact with her. There was a challenge in that unflinching stare - he was imagining it, he knew, but he still felt embarrassed. How long did you ever hold eye-contact with anyone? Even someone with whom you were intimate? A few seconds? Alison would look deep into his eyes for as long as he was comfortable with it. He quickly realised, with something like shame, that this wasn't very long.

  He took her hand and held it tight against the blanket. To have lifted it clear of the bedclothes would have felt like.., taking advantage.

  'Hi, Alison. It's Detective Inspector Thorne.' He reddened, remembering that she'd just been staring at him for nearly a minute. He was starting to sweat. He shuffled the chair a little closer to the bed and squeezed her hand.

  'You must be sick of people being as stupid as me.'

  Alison blinked. The sluggishness of the eyelid's downward movement was probably normal but, to Thorne, it implied a weary amusement in her answer. He thought he felt a split-second tremor in her fingers and looked into her eyes for confirmation. There was none. How many of her friends had sat where he was and felt the same things?

  How many had shouted for a nurse and gone home feeling stupid?

  He was actually starting to feel genuinely relaxed. The low hum of the machines was soothing and soporific. It wasn't unlike being pissed. There was an enjoyable conversation to be had. But he knew that Anne would arrive with the coffee at any time and there was one question he couldn't ask with her in the room.

  Letting go of the small, warm hand was difficult but he needed to open the briefcase. From the stiff-backed manila envelope he produced the ten-by-eight black-and white photo, and held it down by his side wondering how best to phrase the question.

  She'd recognise Bishop, of course she would. He'd been in the room with Anne the day before, hadn't he? He wasn't really looking for anything like an identification. He just hoped he might learn something else. Get a sense of something else. A recognition beyond the one he knew would be there anyway.

  He knew that nothing that happened in this room would ever be admissible as evidence. He also knew instinctively that he couldn't ask her straight out if the face she was about to see belonged .to the man who'd put her here. Christ alone knew how fragile she was feeling. She was almost certainly confused, disoriented, even now. He'd have to take it slowly.

  Much as he wanted this, he couldn't hurt her.

  'Alison, I'm going to show you a picture.' He held up the photo. For a moment he said nothing. There was just the relentless hum. 'You've seen this man before, haven't you?'

  His eyes didn't shift from hers for an instant. She blinked.

  His phone rang.

  Anne didn't want the coffee to go cold and had tried to keep the conversation with the administrator as brief as possible. He'd collared her at the till and even the few fragments of his monologue that had got through to her had bored her rigid instantly. He was a pathologically dull individual who, were he ever to become a hospital visitor, could set back the treatment of coma patients by decades. She'd smiled and nodded. God knows what she'd actually agreed to.

  Now, as she walked towards Alison's room, she wondered if Thorne felt as she did - as though this was some sort of bizarre date, sharing a cup of coffee with Alison as a chaperone.

  It was kind of him to have looked into Alison's condition on the Internet. She'd have to check it out for herself. She was well briefed, of course, on all the technological advancements that were making the lives of those with permanent disabilities easier - at least, those with a substantial private income. Things were moving quickly, though, and she was likely to be better informed by the Net than she would be by current medical literature.

  She had no idea whether Or not Thorne was good at what he did. It as obvious that he cared, that he got involved. As far as his job was concerned, caring might not necessarily be a good thing. She knew what Jeremy would say about it.

  Holding a cup in each hand she pushed open the door to Alison's room with her backside and nudged it shut with her hip. She turned to see Thorne standing by the window, staring into space. She looked at the empty chair by Alison's bed and knew instantly that something was wrong.

  'Tom?'

  She could see the tension in his jaw. His face was the colour of a corpse.

  'Someone has contacted my office.., my former office, anonymously.'

  He turned his head slowly towards Alison, but Anne could see that he was looking at a space on the back wall, above her head; His eyes dropped to the girl's face and stayed there for a second or two before he turned and walked slowly out of the room.

  Anne put the coffee on the table next to Alison's bed and followed him. He was waiting outside the door. The moment the door was closed, he took a small step towards her and spoke calmly, the fury just held in check.

  'I have been accused of molesting Alison.'

  The screaming, hypnotic pulse of the music had focused Thorne's mind and steered his thoughts into the dark places in his head that were usually best avoided. He was sitting on the floor, his back resting against the sofa, the beer can cool against his cheek.

  Keable had tried to set his mind at rest. 'Don't worry, Tom, it's obviously nothing. Just some nutter who claimed to have heard it from
somebody in the hospital. Nobody's taking it seriously - it's not like he could have heard it from Alison Willetts, is it?'

  Insensitive to the last, but Thorne was relieved that he couldn't argue with the reasoning. He let his head fall back on to the sofa cushion and stared at the ceiling.

  He thought about touching Alison.

  He thought about hearing Jeremy Bishop beg. The doorbell rang. He got slowly to his feet. He opened the door and went straight back to his spot on the floor by the sofa. Formalities seemed pointless. Anne walked in and stood by the fireplace. She dropped her bag, took off the thin raincoat and spent five seconds taking in the room. The first thing she noticed was the beer. 'Can I?'

  She walked over, smoothing down her long black skirt. Thorne handed her a can of lager from the broken four pack by his side. 'Not a brand I'm familiar with.'

  'I know. Expensive wine and cheap, piss-weak lager. Don't ask me why.'

  'So you can enjoy the drinking without the sensation of being drunk.'

  'That's definitely not the reason.'

  She sat down on the sofa behind and to his right. 'Tom, that phone call. It's just a crank.'

  He half crushed his empty can then stopped and put it down gently next to the others. 'I know exactly who it is.'

  'Well, it's stupid to let it upset you.'

  He turned and looked at her over his shoulder. 'No. Not upset.'

  Anne could see in his eyes that the nice side of him, the side that bought Alison flowers, was far from being the whole story. Though it was difficult to contemplate such a thing, she would not want this man as an enemy.

  She took a long swig of beer and gestured towards the stereo. 'Who's this?'

  'Leftfield. The track's called "Open Up".'

  She listened for a minute. Hated it.

  'That's John Lydon doing the vocal,' Thorne said, as if it made a difference.

  'Right...'

  'Johnny Rotten... the Sex Pistols?'

  'Sadly, I was a little too. old even for them. What are you, then? Forty?'

  'Forty a few months ago. I was seventeen when "God Save The Queen" came out.'

  'God. I was already a third-year reed student.'

  'I know. Pushing beds into rivers.'

 

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