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14 Horace. Ars Poetica. 173.
15 Guinness, Alec. A Positively Final Appearance. London: Penguin, 2000, p. 98.
16 Watts, Isaac. First published in Psalms of David (1719).
17 Larkin, Collected Poems, p. 58.
18 Falkner, John Meade. ‘Christmas Day: The Family Sitting’. In: The Oxford Book of Twentieth Century Verse, Oxford University Press, 1973, p. 42.
19 Cupitt, Don. Ethics in the Last Days of Humanity. California: Polebridge Press, 2016, p. 6.
20 Pascal, Blaise quoted in F.C. Burkitt, Speculum Religionis, 1929, p.150.
21 Lewis, C. Day. ‘Christmas Eve’. In: The Complete Poems. London: Sinclair Stevenson, 1992, p. 517.
22 Letter of John Keats to George and Tom Keats, 1817 (No. 45).
23 Larkin, Collected Poems, p. 58.
24 MacNeice, Louis. Collected Poems. London: Faber & Faber, 1979, p. 195.
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27 Kierkegaard, Søren. Notebook IV A.
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29 Shakespeare, William. Macbeth. Act V, sc. i.
30 Warnock, Mary. Green College Lecture, 1996: http://www.bmj.com/content/bmj/304/6833/1045.full.pdf
31 Romans 7:15–20.
32 Romans 8:28.
33 Calvin, Rev. John. Institutes of the Christian Religion. Book 3, Chapter 21.
34 In: Smart, Ninian and Richard D. Hecht, Sacred Texts of the World: A Universal Anthology. London: Quercus, 2007, pp. 163–64.
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37 Jeremiah 31:29.
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46 Hopkins, Poems, p. 107.
47 Heidegger, Martin. Being and Time. Part 2.
48 Extract appears in Allott, Kenneth. Contemporary Verse. London: Penguin, 1950.
49 Lichfield, Gordon. ‘The Science of Near-Death Experiences’. In: The Atlantic Monthly, April 2015.
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53 Surah 56, ‘On the Day of Judgement’, the Qur’an.
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55 Aquinas, Thomas. Summa Theologiae.
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66 Auden, W.H. ‘Funeral Blues’. In: Collected Shorter Poems 1927–1957. London: Faber & Faber, 1966, p. 92.
67 2 Samuel 18:33.
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78 MacNeice, Collected Poems, p. 30.
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80 Larkin, Collected Poems, p. 190.
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83 Luke 22:19.
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98 Donaghy, Collected Poems, p. 216.
99 Hebrews 13:2.
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We are grateful to the following for permission to reproduce copyright material: ‘The Dog Beneath the Skin’ copyright © 1935 and ‘Funeral Blues’ copyright © 1938 by W.H. Auden, renewed reprinted by permission of Curtis Brown, Ltd; ‘The B
urning of the Leaves’ by Laurence Binyon reproduced by permission of The Society of Authors as the Literary Representative of the Estate of Laurence Binyon; ‘Departure and Departure and . . .’ by George Bruce from Today Tomorrow: The Collected Poems of George Bruce, 1933–2000, ed. Lucina Prestige (Polygon, 2001) reproduced by permission of Renaissance Press, renaissancepress.co.uk; excerpt from Slouching Towards Bethlehem copyright © 1966, 1968, renewed 1996 by Joan Didion, reprinted by permission of Farrar, Straus and Giroux; excerpt from ‘Little Gidding’ from Four Quartets by T.S. Eliot copyright © 1942 by T.S. Eliot, renewed 1970 by Esme Valerie Eliot, reprinted by permission of Houghton Mifflin Harcourt Publishing Company, all rights reserved; extract from A Positively Final Appearance by Alec Guinness (Hamish Hamilton, 1999), reproduced by permission of David Higham Associates Ltd; extract from The Line of Beauty by Alan Hollinghurst (Picador, 1993), reproduced by permission of Picador; extract from Instead of a Poet and other poems by Francis Hope (Bodley Head, 1965) reprinted by permission of The Random House Group Ltd © 1965; excerpts from ‘Church Going’ and ‘Lines on a Young Lady’s Photograph Album’ from Collected Poems by Philip Larkin copyright © 1988, 2003 by the Estate of Philip Larkin reprinted by permission of Farrar, Straus and Giroux; ‘Mutations’ and ‘Snow’ from Collected Poems by Louis MacNeice (Faber & Faber, 1979) reproduced by permission of David Higham Associates Ltd; extract from If This Were Real by Gerda Stevenson (Smokestack Books, 2013), reproduced by permission of the author; extract from A.S.J. Tessimond, Collected Poems, ed. Hubert Nicholson (Bloodaxe Books, 2010) reproduced by permission of Bloodaxe Books; ‘Do not go gentle into that good night’ © The Trustees for the Copyrights of Dylan Thomas, published in The Collected Poems of Dylan Thomas: The Centenary Edition, ed. John Goodby (Weidenfeld & Nicolson, 2014); excerpt from ‘Love After Love’ from Collected Poems copyright © 1986 by Derek Walcott, reprinted by permission of Farrar, Straus and Giroux.
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