Burial of Ghosts

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by Ann Cleeves


  ‘It’ll have been a shock for Joanna, that. She thought she had them charmed.’

  ‘She thought she had me charmed.’ Farrier looked up at me then and grinned to show that he was only human and he’d enjoyed the flattery. I bet Joanna took him the back way into the house too. She’ll have sat him at the kitchen table, offered him tea or wine.

  ‘But you weren’t taken in.’ In the distance there was a police siren. You hear them all the time in Newbiggin. Or it could have been a fire engine. It was the summer holidays and bored kids are always setting fires on the mound. ‘I didn’t realize all that was going on.’

  ‘It was a murder investigation. We don’t just sit on our hands.’ He smiled to show he wasn’t offended that I thought so little of him. He was wearing a sports jacket which had no shape at all, a blue shirt, a shiny tie which looked as if it had been pressed with too hot an iron.

  I thought if I cried he’d put his arm around me to comfort me, but I couldn’t bring myself to do it. I’ve told you I’ve got a thing about older men. This wasn’t the time, though. Everything was complicated enough.

  ‘You won’t need me to stick around for the court case?’

  ‘Na. Like I said, we’ve plenty of evidence. You don’t need to put yourself through that. Take yourself away.’

  So I did. I bought a cheap flight with a charter company to Agadir, then took the bus to Taroudannt and spent the last of Philip’s money on a week in the Palais Salaam. There’s satellite television in my room, but I don’t watch it. I don’t want to see any English news.

  I still find Morocco stunning. It’s something to do with the intense light and the smells. The colours don’t explode in my head any more, but I don’t mind that. This way is more restful. I can lie by the pool in the Palais Salaam and watch the bulbuls flitting under the tall trees and still think I’m in paradise. If I slide into the water and ease the tension from my muscles, I can almost forget about Dickon.

  His paradise has been sold to pay off Joanna’s debts. She hadn’t stolen nearly enough, it seems. Wintrylaw will be a country club and there’s already talk of felling trees where the bluebells grow. A golf course is essential, according to the managing director of the development company. I saw him on Look North. He had an expensive toupee and he’d been ripped off by his dentist; his false teeth moved as he spoke. So there’ll be no more badger watching or building dens or wading through the surf towards the sun. No more Swallows and Amazons for Dickon.

  And should I really care? All those kids in the unit, and the kids I worked with in placement, they didn’t have the chance of one week of that sort of life. They lived in shitty high-rise blocks and their adventures had to do with keeping out of the way of smack-heads and joyriders, so why should I weep for Dickon and not for them?

  Tomorrow I’m going home. Jess is getting married and they want me to be bridesmaid. Ray asked me. He blushed and stammered and talked about what an honour it would be. At first I didn’t know what he was going on about. I had to say yes. He looked at me with his pleading bloodhound eyes and I couldn’t refuse. They’re being done in St Bartholomew’s. The vicar’s agreed, though Ray was married before. It’ll be weird, walking up the aisle behind Jess. I’ve even got a cheesy dress. We bought it from the Hospice Shop in Jesmond for twenty-five quid. As Jess says, you get really good second-hand stuff in Jesmond.

  They won’t have any more bad boys in Sea View. Ray put his foot down. They’re going to take over that bit of the house again, and turn Jessie’s rooms in the roof into a self-contained flat. They say they’ll need the rent. It’s mine if I want it. I expect they’re just being kind. Jess won’t want to think she’s turned me out onto the street. I’ve told them I’ll think about it.

  Praise for Ann Cleeves

  ‘Ann Cleeves is a gifted recruit to the traditional detective novel and on her current form will continue to command attention. At her best she is already exceptional’

  Twentieth-Century Crime and Mystery Writers

  ‘Cleeves again excels in her sense of place . . . A cleverly plotted psychological thriller’

  The Times

  ‘A strong, dark crime novel, distinguished by its intelligent, spiky characterization’

  Andrew Taylor, Tangled Web

  ‘Puts Ms Cleeves in the Rendell class’

  Peterborough Evening Telegraph

  ‘Perceptive, convincing and quietly compelling’

  Marcel Berlins, The Times

  ‘An intriguing and cleverly plotted novel, this places Ann Cleeves at the forefront of British crime writers’

  The Newcastle Journal

  ‘Excellent’

  Spectator

  Burial of Ghosts

  Ann Cleeves lives in West Yorkshire with her husband and their two daughters. As a member of the ‘Murder Squad’, she works with other Northern writers to promote crime fiction.

  In addition to Burial of Ghosts, Ann has written two novels of psychological suspense: The Crow Trap and The Sleeping and the Dead. She is also the author of the Inspector Ramsay novels, set in the Northumberland she knows so well.

  By the same author

  A Bird in the Hand

  Come Death and High Water

  Murder in Paradise

  A Prey to Murder

  A Lesson in Dying

  Murder in my Backyard

  A Day in the Death of Dorothea Cassidy

  Another Man’s Poison

  Killjoy

  The Man on the Shore

  Sea Fever

  The Healers

  High Island Blues

  The Baby-Snatcher

  The Crow Trap

  The Sleeping and the Dead

  First published 2003 by Macmillan

  This edition published 2004 by Pan Books

  This electronic edition published 2011 by Pan Books

  an imprint of Pan Macmillan, a division of Macmillan Publishers Limited

  Pan Macmillan, 20 New Wharf Road, London N1 9RR

  Basingstoke and Oxford

  Associated companies throughout the world

  www.panmacmillan.com

  ISBN 978-0-330-54049-0 EPUB

  Copyright © Ann Cleeves 2003

  The right of Ann Cleeves to be identified as the author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988.

  You may not copy, store, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or by any means (electronic, digital, optical, mechanical, photocopying, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages.

  A CIP catalogue record for this book is available from the British Library.

  Visit www.panmacmillan.com to read more about all our books and to buy them. You will also find features, author interviews and news of any author events, and you can sign up for e-newsletters so that you’re always first to hear about our new releases.

 

 

 


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