With respect and admiration,
Sincerely yours,
(signed)
Jean De Daumier-Smith
Staff Instructor
Les Amis Des Vieux Maîtres
P.S. In my last letter I casually asked if the young lady in the blue outfit in the foreground of your religious picture was Mary Magdalene, the sinner. If you have not as yet replied to my letter, please go on refraining. It is possible that I was mistaken and I do not willfully invite any disillusions at this point in my life. I am willing to stay in the dark.
Even today, as late as now, I have a tendency to wince when I remember that I brought a dinner suit up to Les Amis with me. But bring one I did, and after I’d finished my letter to Sister Irma, I put it on. The whole affair seemed to call out for my getting drunk, and since I had never in my life been drunk (for fear that excessive drinking would shake the hand that painted the pictures that copped the three first prizes, etc.), I felt compelled to dress for the tragic occasion.
While the Yoshotos were still in the kitchen, I slipped downstairs and telephoned the Windsor Hotel—which Bobby’s friend, Mrs. X, had recommended to me before I’d left New York. I reserved a table for one, for eight o’clock.
Around seven-thirty, dressed and slicked up, I stuck my head outside my door to see if either of the Yoshotos were on the prowl. I didn’t want them to see me in my dinner jacket, for some reason. They weren’t in sight, and I hurried down to the street and began to look for a cab. My letter to Sister Irma was in the inside pocket of my jacket. I intended to read it over at dinner, preferably by candlelight.
I walked block after block without so much as seeing a cab at all, let alone an empty one. It was rough going. The Verdun section of Montreal was in no sense a dressy neighborhood, and I was convinced that every passer-by was giving me a second, basically censorious look. When, finally, I came to the lunch bar where I’d bolted the “Coney Island Red-Hots” on Monday, I decided to let my reservation at the Hotel Windsor go by the board. I went into the lunch bar, sat down in an end booth, and kept my left hand over my black tie while I ordered soup, rolls and black coffee. I hoped that the other patrons would think I was a waiter on his way to work.
While I was on my second cup of coffee, I took out my unmailed letter to Sister Irma and reread it. The substance of it seemed to me a trifle thin, and I decided to hurry back to Les Amis and touch it up a bit. I also thought over my plans to visit Sister Irma, and wondered if it might not be a good idea to pick up my train reservations later that same evening. With those two thoughts in mind—neither of which really gave me the sort of lift I needed—I left the lunch bar and walked rapidly back to school.
Something extremely out of the way happened to me some fifteen minutes later. A statement, I’m aware, that has all the unpleasant earmarks of a build-up, but quite the contrary is true. I’m about to touch on an extraordinary experience, one that still strikes me as having been quite transcendent, and I’d like, if possible, to avoid seeming to pass it off as a case, or even a borderline case, of genuine mysticism. (To do otherwise, I feel, would be tantamount to implying or stating that the difference in spiritual sorties between St. Francis and the average, highstrung, Sunday leper-kisser is only a vertical one.)
In the nine o’clock twilight, as I approached the school building from across the street, there was a light on in the orthopedic appliances shop. I was startled to see a live person in the shopcase, a hefty girl of about thirty, in a green, yellow and lavender chiffon dress. She was changing the truss on the wooden dummy. As I came up to the show window, she had evidently just taken off the old truss; it was under her left arm (her right “profile” was toward me), and she was lacing up the new one on the dummy. I stood watching her, fascinated, till suddenly she sensed, then saw, that she was being watched. I quickly smiled—to show her that this was a nonhostile figure in the tuxedo in the twilight on the other side of the glass—but it did no good. The girl’s confusion was out of all normal proportion. She blushed, she dropped the removed truss, she stepped back on a stack of irrigation basins—and her feet went out from under her. I reached out to her instantly, hitting the tips of my fingers on the glass. She landed heavily on her bottom, like a skater. She immediately got to her feet without looking at me. Her face still flushed, she pushed her hair back with one hand, and resumed lacing up the truss on the dummy. It was just then that I had my Experience. Suddenly (and I say this, I believe, with all due self-consciousness), the sun came up and sped toward the bridge of my nose at the rate of ninety-three million miles a second. Blinded and very frightened—I had to put my hand on the glass to keep my balance. The thing lasted for no more than a few seconds. When I got my sight back, the girl had gone from the window, leaving behind her a shimmering field of exquisite, twice-blessed, enamel flowers.
I backed away from the window and walked around the block twice, till my knees stopped buckling. Then, without daring to venture another look into the shop window, I went upstairs to my room and lay down on my bed. Some minutes, or hours later, I made, in French, the following brief entry in my diary: “I am giving Sister Irma her freedom to follow her own destiny. Everybody is a nun.” (Tout le monde est une nonne. )
Before going to bed for the night, I wrote letters to my four just-expelled students, reinstating them. I said a mistake had been made in the administration department. Actually, the letters seemed to write themselves. It may have had something to do with the fact that, before sitting down to write, I’d brought a chair up from downstairs.
It seems altogether anticlimactic to mention it, but Les Amis Des Vieux Maîtres closed down less than a week later, for being improperly licensed (for not being licensed at all, as a matter of fact). I packed up and joined Bobby, my stepfather, in Rhode Island, where I spent the next six or eight weeks, till art school reopened, investigating that most interesting of all summer-active animals, the American Girl in Shorts.
Right or wrong, I never again got in touch with Sister Irma.
Occasionally, I still hear from Bambi Kramer, though. The last I heard, she’d branched over into designing her own Christmas cards. They’ll be something to see, if she hasn’t lost her touch.
* * *
Teddy
* * *
“I’ll exquisite day you, buddy, if you don’t get down off that bag this minute. And I mean it,” Mr. McArdle said. He was speaking from the inside twin bed—the bed farther away from the porthole. Viciously, with more of a whimper than a sigh, he foot-pushed his top sheet clear of his ankles, as though any kind of coverlet was suddenly too much for his sunburned, debilitated-looking body to bear. He was lying supine, in just the trousers of his pajamas, a lighted cigarette in his right hand. His head was propped up just enough to rest uncomfortably, almost masochistically, against the very base of the headboard. His pillow and ashtray were both on the floor, between his and Mrs. McArdle’s bed. Without raising his body, he reached out a nude, inflamed-pink, right arm and flicked his ashes in the general direction of the night table. “October, for God’s sake,” he said. “If this is October weather, gimme August.” He turned his head to the right again, toward Teddy, looking for trouble. “C’mon,” he said. “What the hell do you think I’m talking for? My health? Get down off there, please.”
Teddy was standing on the broadside of a new looking cowhide Gladstone, the better to see out of his parents’ open porthole. He was wearing extremely dirty, white ankle-sneakers, no socks, seersucker shorts that were both too long for him and at least a size too large in the seat, an overly laundered T shirt that had a hole the size of a dime in the right shoulder, and an incongruously handsome, black alligator belt. He needed a haircut—especially at the nape of the neck—the worst way, as only a small boy with an almost full-grown head and a reedlike neck can need one.
“Teddy, did you hear me?”
Teddy was not leaning out of the porthole quite so far or so precariously as s
mall boys are apt to lean out of open portholes—both his feet, in fact, were flat on the surface of the Gladstone—but neither was he just conservatively well-tipped; his face was considerably more outside than inside the cabin. Nonetheless, he was well within hearing of his father’s voice—his father’s voice, that is, most singularly. Mr. McArdle played leading roles on no fewer than three daytime radio serials when he was in New York, and he had what might be called a third-class leading man’s speaking voice: narcissistically deep and resonant, functionally prepared at a moment’s notice to outmale anyone in the same room with it, if necessary even a small boy. When it was on vacation from its professional chores, it fell, as a rule, alternately in love with sheer volume and a theatrical brand of quietness-steadiness. Right now, volume was in order.
“Teddy. God damn it—did you hear me?”
Teddy turned around at the waist, without changing the vigilant position of his feet on the Gladstone, and gave his father a look of inquiry, whole and pure. His eyes, which were pale brown in color, and not at all large, were slightly crossed—the left eye more than the right. They were not crossed enough to be disfiguring, or even to be necessarily noticeable at first glance. They were crossed just enough to be mentioned, and only in context with the fact that one might have thought long and seriously before wishing them straighter, or deeper, or browner, or wider set. His face, just as it was, carried the impact, however oblique and slow-travelling, of real beauty.
“I want you to get down off that bag, now. How many times do you want me to tell you?” Mr. McArdle said.
“Stay exactly where you are, darling,” said Mrs. McArdle, who evidently had a little trouble with her sinuses early in the morning. Her eyes were open, but only just. “Don’t move the tiniest part of an inch.” She was lying on her right side, her face, on the pillow, turned left, toward Teddy and the porthole, her back to her husband. Her second sheet was drawn tight over her very probably nude body, enclosing her, arms and all, up to the chin. “Jump up and down,” she said, and closed her eyes. “Crush Daddy’s bag.”
“That’s a Jesus-brilliant thing to say,” Mr. McArdle said quietly-steadily, addressing the back of his wife’s head. “I pay twenty-two pounds for a bag, and I ask the boy civilly not to stand on it, and you tell him to jump up and down on it. What’s that supposed to be? Funny?”
“If that bag can’t support a ten-year-old boy, who’s thirteen pounds underweight for his age, I don’t want it in my cabin,” Mrs. McArdle said, without opening her eyes.
“You know what I’d like to do?” Mr. McArdle said. “I’d like to kick your goddam head open.”
“Why don’t you?”
Mr. McArdle abruptly propped himself up on one elbow and squashed out his cigarette stub on the glass top of the night table. “One of these days—” he began grimly.
“One of these days, you’re going to have a tragic, tragic heart attack,” Mrs. McArdle said, with a minimum of energy. Without bringing her arms into the open, she drew her top sheet more tightly around and under her body. “There’ll be a small, tasteful funeral, and everybody’s going to ask who that attractive woman in the red dress is, sitting there in the first row, flirting with the organist and making a holy—”
“You’re so goddam funny it isn’t even funny,” Mr. McArdle said, lying inertly on his back again.
During this little exchange, Teddy had faced around and resumed looking out of the porthole. “We passed the Queen Mary at three-thirty-two this morning, going the other way, if anybody’s interested,” he said slowly. “Which I doubt.” His voice was oddly and beautifully rough cut, as some small boys’ voices are. Each of his phrasings was rather like a little ancient island, inundated by a miniature sea of whiskey. “That deck steward Booper despises had it on his blackboard.”
“I’ll Queen Mary you, buddy, if you don’t get off that bag this minute,” his father said. He turned his head toward Teddy. “Get down from there, now. Go get yourself a haircut or something.” He looked at the back of his wife’s head again. “He looks precocious, for God’s sake.”
“I haven’t any money,” Teddy said. He placed his hands more securely on the sill of the porthole, and lowered his chin onto the backs of his fingers. “Mother. You know that man who sits right next to us in the dining room? Not the very thin one. The other one, at the same table. Right next to where our waiter puts his tray down.”
“Mm-hmm,” Mrs. McArdle said. “Teddy. Darling. Let Mother sleep just five minutes more, like a sweet boy.”
“Wait just a second. This is quite interesting,” Teddy said, without raising his chin from its resting place and without taking his eyes off the ocean. “He was in the gym a little while ago, while Sven was weighing me. He came up and started talking to me. He heard that last tape I made. Not the one in April. The one in May. He was at a party in Boston just before he went to Europe, and somebody at the party knew somebody in the Leidekker examining group—he didn’t say who—and they borrowed that last tape I made and played it at the party. He seems very interested in it. He’s a friend of Professor Babcock’s. Apparently he’s a teacher himself. He said he was at Trinity College in Dublin, all summer.”
“Oh?” said Mrs. McArdle. “At a party they played it?” She lay gazing sleepily at the backs of Teddy’s legs.
“I guess so,” Teddy said. “He told Sven quite a bit about me, right while I was standing there. It was rather embarrassing.”
“Why should it be embarrassing?”
Teddy hesitated. “I said ‘rather’ embarrassing. I qualified it.”
“I’ll qualify you, buddy, if you don’t get the hell off that bag,” Mr. McArdle said. He had just lit a fresh cigarette. “I’m going to count three. One, God damn it . . . Two . . .”
“What time is it?” Mrs. McArdle suddenly asked the backs of Teddy’s legs. “Don’t you and Booper have a swimming lesson at ten-thirty?”
“We have time,” Teddy said. “—Vloom!” He suddenly thrust his whole head out of the porthole, kept it there a few seconds, then brought it in just long enough to report, “Someone just dumped a whole garbage can of orange peels out the window.”
“Out the window. Out the window,” Mr. McArdle said sarcastically, flicking his ashes. “Out the porthole, buddy, out the porthole.” He glanced over at his wife. “Call Boston. Quick, get the Leidekker examining group on the phone.”
“Oh, you’re such a brilliant wit,” Mrs. McArdle said. “Why do you try?”
Teddy took in most of his head. “They float very nicely,” he said without turning around. “That’s interesting.”
“Teddy. For the last time. I’m going to count three, and then I’m—”
“I don’t mean it’s interesting that they float,” Teddy said. “It’s interesting that I know about them being there. If I hadn’t seen them, then I wouldn’t know they were there, and if I didn’t know they were there, I wouldn’t be able to say that they even exist. That’s a very nice, perfect example of the way—”
“Teddy,” Mrs. McArdle interrupted, without visibly stirring under her top sheet. “Go find Booper for me. Where is she? I don’t want her lolling around in that sun again today, with that bum.”
“She’s adequately covered. I made her wear her dungarees,” Teddy said. “Some of them are starting to sink now. In a few minutes, the only place they’ll still be floating will be inside my mind. That’s quite interesting, because if you look at it a certain way, that’s where they started floating in the first place. If I’d never been standing here at all, or if somebody’d come along and sort of chopped my head off right while I was—”
“Where is she now?” Mrs. McArdle asked. “Look at Mother a minute, Teddy.”
Teddy turned and looked at his mother. “What?” he said.
“Where’s Booper now? I don’t want her meandering all around the deck chairs again, bothering people. If that awful man—”
“Sh
e’s all right. I gave her the camera.”
Mr. McArdle lurched up on one arm. “You gave her the cameral” he said. “What the hell’s the idea? My goddam Leica! I’m not going to have a six-year-old child gallivanting all over—”
“I showed her how to hold it so she won’t drop it,” Teddy said. “And I took the film out, naturally.”
“I want that camera, Teddy. You hear me? I want you to get down off that bag this minute, and I want that camera back in this room in five minutes—or there’s going to be one little genius among the missing. Is that clear?”
Teddy turned his feet around on the Gladstone, and stepped down. He bent over and tied the lace of his left sneaker while his father, still raised up on one elbow, watched him like a monitor.
“Tell Booper I want her,” Mrs. McArdle said. “And give Mother a kiss.”
Finished tying his sneaker lace, Teddy perfunctorily gave his mother a kiss on the cheek. She in turn brought her left arm out from under the sheet, as if bent on encircling Teddy’s waist with it, but by the time she had got it out from under, Teddy had moved on. He had come around the other side and entered the space between the two beds. He stooped, and stood up with his father’s pillow under his left arm and the glass ashtray that belonged on the night table in his right hand. Switching the ashtray over to his left hand, he went up to the night table and, with the edge of his right hand, swept his father’s cigarette stubs and ashes into the ashtray. Then, before putting the ashtray back where it belonged, he used the under side of his forearm to wipe off the filmy wake of ashes from the glass top of the table. He wiped off his forearm on his seersucker shorts. Then he placed the ashtray on the glass top, with a world of care, as if he believed an ashtray should be dead-centered on the surface of a night table or not placed at all. At that point, his father, who had been watching him, abruptly gave up watching him. “Don’t you want your pillow?” Teddy asked him.
For Esmé, With Love and Squalor Page 15