A Brief History of Male Nudes in America

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A Brief History of Male Nudes in America Page 14

by Dianne Nelson


  Wade splashes after-shave on his face and the sweet layers of pine hit Rocky like a gut punch. “French,” he tells his father, not even really knowing the word in that moment or why he says it.

  As Wade and Ellen hurry to get ready, Rocky glides once through their room, and the car keys are there on the nightstand waiting for him—flashing, metallic, calling to him in the way that jewelry or a lighter calls to the solitary shoplifter. When he drops the keys quietly into his pocket, he feels nothing. He tells his father and Ellen he’s going to his room to look at TV.

  Instead, he goes down the elevator and out the side door of the hotel. He walks down the sidewalk and feels his skin shrinking, the keys pressing his leg each time he moves. The sun will dip behind the long, purple belt of mountains soon, though it is still unbearably hot outside. A group of older women in stretchy floral swimming suits at a nearby cocktail table wave bright Chinese fans before their faces, which send their blue-gray hair fluttering.

  No real plan opens itself to Rocky. Instead, it is the dense oleanders and privets decorating the outside wall of the hotel that open to him—a large shadowy parting between branches. He bends quickly and crawls forward. Close to the ground and with the greenery shrouding him, he is surprised at how comfortable and right this place feels. The leaves turn to him and kindle tiny bursts of the last bits of sunlight. Slowly, the noise of the bushes takes over—the locusts, the lizards, the low pulsing of sap. Rocky stretches out and rubs his cheek in the cool soothing dirt. One of his hands closes over damp leaves and the other takes hold of a ball of dried roots.

  Finally, in the thin mauve twilight, out on the sidewalk that stretches big as a runway from where he is hidden, Rocky spots his father’s shoes—a worried pair of white canvas topsiders pacing back and forth, then halting, then moving into the grass.

  Rocky reaches down and checks to see that the keys are still in his pocket, curls up, tucks a foot under the opposite thigh, then closes his eyes. He listens to his name being called again and again—a frantic singsong message that drifts away toward the pool and then farther: to rocks and weeds and moonlight and beyond—but in the darkness of a summer’s night, there is no boy left to answer.

  The Flannery O’Connao Award For Shaort Fiction

  David Walton, Evening Out

  Leigh Allison Wilson, From the Bottom Up

  Sandra Thompson, Close-Ups

  Susan Neville, The Invention of Flight

  Mary Hood, How Far She Went

  François Camoin, Why Men Are Afraid of Women

  Molly Giles, Rough Translations

  Daniel Curley, Living with Snakes

  Peter Meinke, The Piano Tuner

  Tony Ardizzone, The Evening News

  Salvatore La Puma, The Boys of Bensonhurst

  Melissa Pritchard, Spirit Seizures

  Philip F. Deaver, Silent Retreats

  Gail Galloway Adams, The Purchase of Order

  Carole L. Glickfeld, Useful Gifts

  Antonya Nelson, The Expendables

  Nancy Zafris, The People I Know

  Debra Monroe, The Source of Trouble

  Robert H. Abel, Ghost Traps

  T. M. McNally, Low Flying Aircraft

  Alfred DePew, The Melancholy of Departure

  Dennis Hathaway, The Consequences of Desire

  Rita Ciresi, Mother Rocket

  Dianne Nelson, A Brief History of Male Nudes in America

  Christopher Mcllroy All My Relations

  Alyce Miller, The Nature of Longing

  Carol Lee Lorenzo, Nervous Dancer

  C. M. Mayo, Shy over El Nido

  Wendy Brenner, Large Animals in Everyday Life

  Paul Rawlins, No Lie Like Love

  Harvey Grossinger, The Quarry

  Ha Jin, Under the Red Flag

  Andy Plattner, Winter Money

  Frank Soos, Unified Field Theory

  Mary Clyde, Survival Rates

  Hester Kaplan, The Edge of Marriage

  Darrell Spencer, CAUTION Men in Trees

  Robert Anderson, Ice Age

  Bill Roorbach, Big Bend

  Dana Johnson, Break Any Woman Down

  Gina Ochsner, The Necessary Grace to Fall

  Kellie Wells, Compression Scars

  Eric Shade, Eyesores

  Catherine Brady, Curled in the Bed of Love

  Ed Allen, Ate It Anyway

  Gary Fincke, Sorry I Worried You

  Barbara Sutton, The Send-Away Girl

  David Crouse, Copy Cats

  Randy F. Nelson, The Imaginary Lives of Mechanical Men

  Greg Downs, Spit Baths

  Peter LaSalle, Tell Borges If You See Him: Tales of Contemporary Somnambulism

  Anne Panning, Super America

  Margot Singer, The Pale of Settlement

  Andrew Porter, The Theory of Light and Matter

  Peter Selgin, Drowning Lessons

  Geoffrey Becker, Black Elvis

  Lori Ostlund, The Bigness of the World

  Linda LeGarde Grover, The Dance Boots

  Jessica Treadway Please Come Back to Me

  Amina Gautier, At-Risk

  Melinda Moustakis, Bear Down, Bear North

 

 

 


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