The woman who returned to the front door, where Gib watched with a cat's apprehensive interest, was hideous old Jael Bettiss, whom all the village knew and avoided.
"He's trapped," she shrilled triumphantly. "That penny, the one I soaked for three hours in a love-philtre, trapped him the moment he touched it!" She stumped to the table, and patted the book as though it were a living, lovable thing.
"You taught me," she crooned to it. "You're winning me the love of John Frey!" She paused, and her voice grew harsh again. "Why not? I'm old and ugly and queer, but I can love, and John Frey is the handsomest man in the village!"
The next day she went to the store again, in her new and dazzling person as a dark, beautiful girl. Gib, left alone in the hollow, turned over in his mind the things that he had heard.
The new gift of human speech had brought with it, of necessity, a human quality of reasoning; but his viewpoint and his logic were as strongly feline as ever.
Jael Bettiss' dark love that lured John Frey promised no good to Gib. There would be plenty of trouble, he was inclined to think, and trouble was something that all sensible cats avoided. He was wise now, but he was weak. What could he do against danger? And his desires, as they had been since kittenhood, were food and warmth and a cozy sleeping-place, and a little respectful affection. Just now he was getting none of the four.
He thought also of Ivy Hill. She liked Gib, and often had shown it. If she won John Frey despite the witch's plan, the two would build a house all full of creature comforts-cushions, open fires, probably fish and chopped liver. Gib's tongue caressed his soot-stained lips at the savory thought. It would be good to have a home with Ivy Hill and John Frey, if once he was quit of Jael Bettiss. . . .
But he put the thought from him. The witch had never held his love and loyalty. That went to the house in the hollow, his home since the month that he was born. Even magic had not taught him how to be rid of that cat-instinctive obsession for his own proper dwelling-place. The sinister, strife-sodden hovel would always call and claim him, would draw him back from the warmest fire, the softest bed, the most savory food in the world. Only John Howard Payne could have appreciated Gib's yearnings to the full, and he died long ago, in exile from the home he loved.
When Jael Bettiss returned, she was in a fine trembling rage. Her real self shone through the glamor of her disguise, like murky fire through a thin porcelain screen.
Gib was on the doorstep again, and tried to dodge away as she came up, but her enchantments, or something else, had made Jael Bettiss too quick even for a cat. She darted out a hand and caught him by the scruff of the neck.
"Listen to me," she said, in a voice as deadly as the trickle of poisoned water. "You understand human words. You can talk, and you can hear what I say. You can do what I say, too." She shook him, by way of emphasis. "Can't you do what I say?"
"Yes," said Gib weakly, convulsed with fear.
"All right, I have a job for you. And mind you do it well, or else——" She broke off and shook him again, letting him imagine what would happen if he disobeyed.
"Yes," said Gib again, panting for breath in her tight grip. "What's it about?"
"It's about that little fool, Ivy Hill. She's not quite out of his heart. . . . Go to the village tonight," ordered Jael Bettiss, "and to the house of the marshal. Steal something that belongs to Ivy Hill."
"Steal something?"
"Don't echo me, as if you were a silly parrot." She let go of him, and hurried back to the book that was her constant study. "Bring me something that Ivy Hill owns and touches—and be back here with it before dawn."
Gib carried out her orders. Shortly after sundown he crept through the deepened dusk to the home of Marshal Hill. Doubly black with the soot habitually smeared upon him by Jael Bettiss, he would have been almost invisible, even had anyone been on guard against his coming. But nobody watched; the genial old man sat on the front steps, talking to his daughter.
"Say," the father teased, "isn't young Johnny Frey coming over here tonight, as usual?"
"I don't know, daddy," said Ivy Hill wretchedly.
"What's that daughter?" The marshal sounded surprised. "Is there anything gone wrong between you two young 'uns?"
"Perhaps not, but—oh, daddy, there's a new girl come to town——"
And Ivy Hill burst into tears, groping dolefully on the step beside her for her little wadded handkerchief. But she could not find it.
For Gib, stealing near, had caught it up in his mouth and was scampering away toward the edge of town, and beyond to the house in the hollow.
Meanwhile, Jael Bettiss worked hard at a certain project of wax-modeling. Any witch, or student of witchcraft, would have known at once why she did this.
After several tries, she achieved something quite interesting and even clever—a little female figure, that actually resembled Ivy Hill.
Jael Bettiss used the wax of three candles to give it enough substance and proportion. To make it more realistic, she got some fresh, pale-gold hemp, and of this made hair, like the wig of a blond doll, for the wax head. Drops of blue ink served for eyes, and a blob of berry-juice for the red mouth. All the while she worked, Jael Bettiss was muttering and mumbling words and phrases she had gleaned from the rearward pages of her book.
When Gib brought in the handkerchief, Jael Bettiss snatched it from his mouth, with a grunt by way of thanks. With rusty scissors and coarse white thread, she fashioned for the wax figure a little dress. It happened that the handkerchief was of gingham, and so the garment made all the more striking the puppet's resemblance to Ivy Hill.
"You're a fine one!" tittered the witch, propping her finished figure against the lamp. "You'd better be scared!"
For it happened that she had worked into the waxen face an expression of terror. The blue ink of the eyes made wide round blotches, a stare of agonized fear; and the berry-juice mouth seemed to tremble, to plead shakily for mercy.
Again Jael Bettiss refreshed her memory of goetic spells by poring over the back of the book, and after that she dug from the bottom of an old pasteboard box a handful of rusty pins. She chuckled over them, so that one would think triumph already hers. Laying the puppet on its back, so that the lamplight fell full upon it, she began to recite a spell.
"I have made my wish before," she said in measured tones. "I will make it now. And there was never a day that I did not see my wish fulfilled." Simple, vague—but how many have died because those words were spoken in a certain way over images of them?
The witch thrust a pin into the breast of the little wax figure, und drove it all the way in, with a murderous pressure of her thumb. Another pin she pushed into the head, another into an arm, another into a leg; and so on, until the gingham-clad puppet was fairly studded with transfixing pins.
"Now," she said, "we shall see what we shall see."
Morning dawned, as clear and golden as though wickedness had never been born into the world. The mysterious new paragon of beauty—not a young man of the village but mooned over her, even though she was the reputed niece and namesake of that unsavory old vagabond, Jael Bettiss—walked into the general store to make purchases. One delicate pink ear turned to the gossip of the housewives.
Wasn't it awful, they were agreeing, how poor little Ivy Hill was suddenly sick almost to death—she didn't seem to know her father or her friends. Not even Doctor Melcher could find out what was the matter with her. Strange that John Frey was not interested in her troubles; but John Frey sat behind the counter, slumped on his stool like a mud idol, and his eyes lighted up only when they spied lovely young Jael Bettiss with her market basket.
When she had heard enough, the witch left the store and went straight to the town marshal's house. There she spoke gravely and sorrowfully about how she feared for the sick girl, and was allowed to visit Ivy Hill in her bedroom. To the father and the doctor, it seemed that the patient grew stronger and felt less pain while Jael Bettiss remained to wish her a quick recovery; but, not long
after this new acquaintance departed, Ivy Hill grew worse. She fainted, and recovered only to vomit.
And she vomited—pins, rusty pins. Something like that happened in old Salem Village, and earlier still in Scotland, before the grisly cult of North Berwick was literally burned out. But Doctor Melcher, a more modern scholar, had never seen or heard of anything remotely resembling Ivy Hill's disorder.
So it went, for three full days. Gib, too, heard the doleful gossip as he slunk around the village to hunt for food and to avoid Jael Bettiss, who did not like him near when she did magic. Ivy Hill was dying, and he mourned her, as for the boons of fish and fire and cushions and petting that might have been his. He knew, too, that he was responsible for her doom and his loss—that handkerchief that he had stolen had helped Jael Bettiss to direct her spells.
But philosophy came again to his aid. If Ivy Hill died, she died. Anyway, he had never been given the chance to live as her pensioner and pet. He was not even sure that he would have taken the chance—thinking of it, he felt strong, accustomed clamps upon his heart. The house in the hollow was his home forever. Elsewhere he'd be an exile.
Nothing would ever root it out of his feline soul.
On the evening of the third day, witch and cat faced each other across the table-top in the old house in the hollow.
"They've talked loud enough to make his dull ears hear," grumbled the fearful old woman—with none but Gib to see her, she had washed away the disguising enchantment that, though so full of lure, seemed to be a burden upon her. "John Frey has agreed to take Ivy Hill out in his automobile. The doctor thinks that the fresh air, and John Frey's company, will make her feel better—but it won't. It's too late. She'll never return from that drive."
She took up the pin-pierced wax image of her rival, rose and started toward the kitchen.
"What are you going to do?" Gib forced himself to ask.
"Do?" repeated Jael Bettiss, smiling murderously. "I'm going to put an end to that baby-faced chit—but why are you so curious? Get out, with your prying!"
And, snarling curses and striking with her claw-like hands, she made him spring down from his chair and run out of the house. The door slammed, and he crouched in some brambles and watched. No sound, and at the half-blinded windows no movement; but, after a time, smoke began to coil upward from the chimney. Its first puffs were dark and greasy-looking. Then it turned dull gray, then white, then blue as indigo. Finally it vanished altogether.
When Jael Bettiss opened the door and came out, she was once more in the semblance of a beautiful dark girl. Yet Gib recognized a greater terror about her than ever before.
"You be gone from here when I get back," she said to him.
"Gone?" stammered Gib, his little heart turning cold. "What do you mean?"
She stooped above him, like a threatening bird of prey.
"You be gone," she repeated. "If I ever see you again, I'll kill you—or I'll make my new husband kill you."
He still could not believe her. He shrank back, and his eyes turned mournfully to the old house that was the only thing he loved.
"You're the only witness to the things I've done," Jael Bettiss continued. "Nobody would believe their ears if a cat started telling tales, but anyway, I don't want any trace of you around. If you leave, they'll forget that I used to be a witch. So run!"
She turned away. Her mutterings were now only her thoughts aloud:
"If my magic works—and it always works—that car will find itself idling around through the hill road to the other side of the quarry. John Frey will stop there. And so will Ivy Hill—forever."
Drawing her cloak around her, she stalked purposefully toward the old quarry behind the house.
Left by himself, Gib lowered his lids and let his yellow eyes grow dim and deep with thought. His shrewd beast's mind pawed and probed at this final wonder and danger that faced him and John Frey and Ivy Hill.
He must run away if he would live. The witch's house in the hollow, that had never welcomed him, now threatened him. No more basking on the doorstep, no more ambushing wood-mice among the brambles, no more dozing by the kitchen fire. Nothing for Gib henceforth but strange, forbidding wilderness, and scavenger's food, and no shelter, not on the coldest night. The village? But his only two friends, John Frey and Ivy Hill, were being taken from him by the magic of Jael Bettiss and her book. . . .
That book had done this. That book must undo it. There was no time to lose.
The door was not quite latched, and he nosed it open, despite the groans of its hinges. Hurrying in, he sprang up on the table.
It was gloomy in that tree-invested house, even for Gib's sharp eyes. Therefore, in a trembling fear almost too big for his little body, he spoke a word that Jael Bettiss had spoken, on her first night of power. As had happened then, so it happened now; the dark lamp glowed alight.
Gib pawed at the closed book, and contrived to lift its cover. Pressing it open with one front foot, with the other he painstakingly turned leaves, more leaves, and more yet. Finally he came to the page he wanted.
Not that he could read; and, in any case, the characters were strange in their shapes and combinations. Yet, if one looked long enough and levelly enough—even though one were a cat, and afraid—they made sense, conveyed intelligence.
And so into the mind of Gib, beating down his fears, there stole a phrase:
Beware of mirrors. . . .
So that was why Jael Bettiss never kept a mirror—not even now, when she could assume such dazzling beauty.
Beware of mirrors, the book said to Gib, for they declare the truth, and truth is fatal to sorcery. Beware, also, of crosses, which defeat all spells. . . .
That was definite inspiration. He moved back from the book, and let it snap shut. Then, pushing with head and paws, he coaxed it to the edge of the table and let it fall. Jumping down after it, he caught a corner of the book in his teeth and dragged it to the door, more like a retriever than a cat. When he got it into the yard, into a place where the earth was soft, he dug furiously until he had made a hole big enough to contain the volume. Then, thrusting it in, he covered it up.
Nor was that all his effort, so far as the book was concerned. He trotted a little way off to where lay some dry, tough twigs under the cypress trees. To the little grave he bore first one, then another of these, and laid them across each other, in the form of an X. He pressed them well into the earth, so that they would be hard to disturb. Perhaps he would keep an eye on that spot henceforth, after he had done the rest of the things in his mind, to see that the cross remained. And, though he acted thus only by chance reasoning, all the demonologists, even the Reverend Montague Summers, would have nodded approval. Is this not the way to foil the black wisdom of the Grand Albert? Did not Prospero thus inter his grimoires, in the fifth act of The Tempest?
Now back to the house once more, and into the kitchen. It was even darker than the parlor, but Gib could make out a basin on a stool by the moldy wall, and smelled an ugly pungency—Jael Bettiss had left her mixture of powdered water after last washing away her burden of false beauty.
Gil's feline nature rebelled at a wetting; his experience of witchcraft bade him be wary, but he rose on his hind legs and with his forepaws dragged at the basin's edge. It tipped and toppled. The noisome fluid drenched him. Wheeling, he ran back into the parlor, but paused on the doorstep. He spoke two more words that he remembered from Jael Bettiss. The lamp went out again.
And now he dashed around the house and through the brambles and to the quarry beyond.
It lay amid uninhabited wooded hills, a wide excavation from which had once been quarried all the stones for the village houses and pavements. Now it was full of water, from many thaws and torrents. Almost at its lip was parked John Frey's touring-car, with the top down, and beside it he lolled, slack-faced and dreamy. At his side, cloak-draped and enigmatically queenly, was Jael Bettiss, her back to the quarry, never more terrible or handsome. John Frey's eyes were fixed dreamily upon he
r, and her eyes were fixed commandingly on the figure in the front seat of the car—a slumped, defeated figure, hard to recognize as poor sick Ivy Hill.
"Can you think of no way to end all this pain, Miss Ivy?" the witch was asking. Though she did not stir, nor glance behind her, it was as though she had gestured toward the great quarry-pit, full to unknown depths with black, still water. The sun, at the very point of setting, made angry red lights on the surface of that stagnant pond.
"Go away," sobbed Ivy Hill, afraid without knowing why. "Please, please!"
"I'm only trying to help," said Jael Bettiss. "Isn't that so, John?"
"That's so, Ivy," agreed John, like a little boy who is prompted to an unfamiliar recitation. "She's only trying to help."
Gib, moving silently as fate, crept to the back of the car. None of the three human beings, so intent upon each other, saw him.
"Get out of the car," persisted Jael Bettiss. "Get out, and look into the water. You will forget your pain."
"Yes, yes," chimed in John Frey, mechanically. "You will forget your pain."
Gib scrambled stealthily to the runningboard, then over the side of the car and into the rear seat. He found what he had hoped to find. Ivy Hill's purse—and open.
He pushed his nose into it. Tucked into a little side-pocket was a hard, flat rectangle, about the size and shape of a visiting-card. All normal girls carry mirrors in their purses—all mirrors show the truth. Gib clamped the edge with his mouth, and struggled to drag the thing free.
"Miss Ivy," Jael Bettiss was commanding, "get out of this car, and come and look into the water of the quarry."
No doubt what would happen if once Ivy Hill should gaze into that shiny black abyss; but she bowed her head, in agreement or defeat, and began slowly to push aside the catch of the door.
Now or never, thought Gib. He made a little noise in his throat, and sprang up on the side of the car next to Jael Bettiss. His black-stained face and yellow eyes were not a foot from her.
MAGICATS! Page 20