by Ayn Rand
"Why?"
"We haven't any spiritual goals or qualities. All we're after is material things. That's all we care for."
She looked at him, unable to understand. But he was looking past her, straight ahead, at the crane in the distance. She wished he had not said it. The accusation did not trouble her, she never thought of herself in such terms and she was completely incapable of experiencing a feeling of fundamental guilt. But she felt a vague apprehension which she could not define, the suggestion that there was something of grave consequence in whatever had made him say it, something dangerous to him. He had not said it casually. But there had been no feeling in his voice, neither plea nor shame. He had said it indifferently, as a statement of fact.
Then, as she watched him, the apprehension vanished He was looking at his mills beyond the window; there was no guilt in his face, no doubt, nothing but the calm of an inviolate self-confidence.
"Dagny" he said, "whatever we are, it's we who move the world and it's we who'll pull it through."
CHAPTER V
THE CLIMAX OF THE D'ANCONIAS
The newspaper was the first thing she noticed. It was clutched tightly in Eddie's hand, as he entered her office. She glanced up at his face: it was tense and bewildered.
"Dagny, are you very busy?"
"Why?"
"I know that you don't like to talk about him. But there's something here I think you ought to see."
She extended her hand silently for the newspaper.
The story on the front page announced that upon taking over the San Sebastian Mines, the government of the People's State of Mexico had discovered that they were worthless--blatantly, totally, hopelessly worthless. There was nothing to justify the five years of work and the millions spent; nothing but empty excavations, laboriously cut. The few traces of copper were not worth the effort of extracting them. No great deposits of metal existed or could be expected to exist there, and there were no indications that could have permitted anyone to be deluded. The government of the People's State of Mexico was holding emergency sessions about their discovery, in an uproar of indignation; they felt that they had been cheated.
Watching her, Eddie knew that Dagny sat looking at the newspaper long after she had finished reading. He knew that he had been right to feel a hint of fear, even though he could not tell what frightened him about that story.
He waited. She raised her head. She did not look at him. Her eyes were fixed, intent in concentration, as if trying to discern something at a great distance.
He said, his voice low, "Francisco is not a fool. Whatever else he may be, no matter what depravity he's sunk to--and I've given up trying to figure out why--he is not a fool. He couldn't have made a mistake of this kind. It is not possible. I don't understand it."
"I'm beginning to."
She sat up, jolted upright by a sudden movement that ran through her body like a shudder. She said:
"Phone him at the Wayne-Falkland and tell the bastard that I want to see him."
"Dagny," he said sadly, reproachfully, "it's Frisco d'Anconia."
"It was."
She walked through the early twilight of the city streets to the Wayne-Falkland Hotel. "He says, any time you wish," Eddie had told her. The first lights appeared in a few windows high under the clouds. The skyscrapers looked like abandoned lighthouses sending feeble, dying signals out into an empty sea where no ships moved any longer. A few snowflakes came down, past the dark windows of empty stores, to melt in the mud of the sidewalks. A string of red lanterns cut the street, going off into the murky distance.
She wondered why she felt that she wanted to run, that she should be running; no, not down this street; down a green hillside in the blazing sun to the road on the edge of the Hudson, at the foot of the Taggart estate. That was the way she always ran when Eddie yelled, "It's Frisco d'Anconia!" and they both flew down the hill to the car approaching on the road below.
He was the only guest whose arrival was an event in their childhood, their biggest event. The running to meet him had become part of a contest among the three of them. There was a birch tree on the hillside, halfway between the road and the house; Dagny and Eddie tried to get past the tree, before Francisco could race up the hill to meet them. On all the many days of his arrivals, in all the many summers, they never reached the birch tree; Francisco reached it first and stopped them when he was way past it. Francisco always won, as he always won everything.
His parents were old friends of the Taggart family. He was an only son and he was being brought up all over the world; his father, it was said, wanted him to consider the world as his future domain. Dagny and Eddie could never be certain of where he would spend his winter; but once a year, every summer, a stern South American tutor brought him for a month to the Taggart estate.
Francisco found it natural that the Taggart children should be chosen as his companions: they were the crown heirs of Taggart Transcontinental, as he was of d'Anconia Copper. "We are the only aristocracy left in the world--the aristocracy of money," he said to Dagny once, when he was fourteen. "It's the only real aristocracy, if people understood what it means, which they don't."
He had a caste system of his own: to him, the Taggart children were not Jim and Dagny, but Dagny and Eddie. He seldom volunteered to notice Jim's existence. Eddie asked him once, "Francisco, you're some kind of very high nobility, aren't you?" He answered, "Not yet. The reason my family has lasted for such a long time is that none of us has ever been permitted to think he is born a d'Anconia. We are expected to become one." He pronounced his name as if he wished his listeners to be struck in the face and knighted by the sound of it.
Sebastian d'Anconia, his ancestor, had left Spain many centuries ago, at a time when Spain was the most powerful country on earth and his was one of Spain's proudest figures. He left, because the lord of the Inquisition did not approve of his manner of thinking and suggested, at a court banquet, that he change it. Sebastian d'Anconia threw the contents of his wine glass at the face of the lord of the Inquisition, and escaped before he could be seized. He left behind him his fortune, his estate, his marble palace and the girl he loved--and he sailed to a new world.
His first estate in Argentina was a wooden shack in the foothills of the Andes. The sun blazed like a beacon on the silver coat-of-arms of the d'Anconias, nailed over the door of the shack, while Sebastian d'Anconia dug for the copper of his first mine. He spent years, pickax in hand, breaking rock from sunrise till darkness, with the help of a few stray derelicts: deserters from the armies of his countrymen, escaped convicts, starving Indians.
Fifteen years after he left Spain, Sebastian d'Anconia sent for the girl he loved; she had waited for him. When she arrived, she found the silver coat-of-arms above the entrance of a marble palace, the gardens of a great estate, and mountains slashed by pits of red ore in the distance. He carried her in his arms across the threshold of his home. He looked younger than when she had seen him last.
"My ancestor and yours," Francisco told Dagny, "would have liked each other."
Through the years of her childhood, Dagny lived in the future--in the world she expected to find, where she would not have to feel contempt or boredom. But for one month each year, she was free. For one month, she could live in the present. When she raced down the hill to meet Francisco d'Anconia, it was a release from prison.
"Hi, Slug!"
"Hi, Frisco!"
They had both resented the nicknames, at first. She had asked him angrily, "What do you think you mean?" He had answered, "In case you don't know it, 'Slug' means a great fire in a locomotive firebox." "Where did you pick that up?" "From the gentlemen along the Taggart iron." He spoke five languages, and he spoke English without a trace of accent, a precise, cultured English deliberately mixed with slang. She had retaliated by calling him Frisco. He had laughed, amused and annoyed. "If you barbarians had to degrade the name of a great city of yours, you could at least refrain from doing it to me." But they had grown to like
the nicknames.
It had started in the days of their second summer together, when he was twelve years old and she was ten. That summer, Francisco began vanishing every morning for some purpose nobody could discover. He went off on his bicycle before dawn, and returned in time to appear at the white and crystal table set for lunch on the terrace, his manner courteously punctual and a little too innocent. He laughed, refusing to answer, when Dagny and Eddie questioned him. They tried to follow him once, through the cold, pre-morning darkness, but they gave it up; no one could track him when he did not want to be tracked.
After a while, Mrs. Taggart began to worry and decided to investigate. She never learned how he had managed to by-pass all the child-labor laws, but she found Francisco working--by an unofficial deal with the dispatcher--as a call boy for Taggart Transcontinental, at a division point ten miles away. The dispatcher was stupefied by her personal visit; he had no idea that his call boy was a house guest of the Taggarts. The boy was known to the local railroad crews as Frankie, and Mrs. Taggart preferred not to enlighten them about his full name. She merely explained that he was working without his parents' permission and had to quit at once. The dispatcher was sorry to lose him; Frankie, he said, was the best call boy they had ever had. "I'd sure like to keep him on. Maybe we could make a deal with his parents?" he suggested. "I'm afraid not," said Mrs. Taggart faintly.
"Francisco," she asked, when she brought him home, "what would your father say about this, if he knew?"
"My father would ask whether I was good at the job or not. That's all he'd want to know."
"Come now, I'm serious."
Francisco was looking at her politely, his courteous manner suggesting centuries of breeding and drawing rooms; but something in his eyes made her feel uncertain about the politeness. "Last winter," he answered, "I shipped out as cabin boy on a cargo steamer that carried d'Anconia copper. My father looked for me for three months, but that's all he asked me when I came back."
"So that's how you spend your winters?" said Jim Taggart. Jim's smile had a touch of triumph, the triumph of finding cause to feel contempt.
"That was last winter," Francisco answered pleasantly, with no change in the innocent, casual tone of his voice. "The winter before last I spent in Madrid, at the home of the Duke of Alba."
"Why did you want to work on a railroad?" asked Dagny.
They stood looking at each other: hers was a glance of admiration, his of mockery; but it was not the mockery of malice--it was the laughter of a salute.
"To learn what it's like, Slug," he answered, "and to tell you that I've had a job with Taggart Transcontinental before you did."
Dagny and Eddie spent their winters trying to master some new skill, in order to astonish Francisco and beat him, for once. They never succeeded. When they showed him how to hit a ball with a bat, a game he had never played before, he watched them for a few minutes, then said, "I think I get the idea. Let me try." He took the bat and sent the ball flying over a line of oak trees far at the end of the field.
When Jim was given a motorboat for his birthday, they all stood on the river landing, watching the lesson, while an instructor showed Jim how to run it. None of them had ever driven a motorboat before. The sparkling white craft, shaped like a bullet, kept staggering clumsily across the water, its wake a long record of shivering, its motor choking with hiccoughs, while the instructor, seated beside him, kept seizing the wheel out of Jim's hands. For no apparent reason, Jim raised his head suddenly and yelled at Francisco, "Do you think you can do it any better?" "I can do it." "Try it!"
When the boat came back and its two occupants stepped out, Francisco slipped behind the wheel. "Wait a moment," he said to the instructor, who remained on the landing. "Let me take a look at this." Then, before the instructor had time to move, the boat shot out to the middle of the river, as if fired from a gun. It was streaking away before they grasped what they were seeing. As it went shrinking into the distance and sunlight, Dagny's picture of it was three straight lines: its wake, the long shriek of its motor, and the aim of the driver at its wheel.
She noticed the strange expression of her father's face as he looked at the vanishing speedboat. He said nothing; he just stood looking. She remembered that she had seen him look that way once before. It was when he inspected a complex system of pulleys which Francisco, aged twelve, had erected to make an elevator to the top of a rock; he was teaching Dagny and Eddie to dive from the rock into the Hudson. Francisco's notes of calculation were still scattered about on the ground; her father picked them up, looked at them, then asked, "Francisco, how many years of algebra have you had?" "Two years." "Who taught you to do this?" "Oh, that's just something I figured out." She did not know that what her father held on the crumpled sheets of paper was the crude version of a differential equation.
The heirs of Sebastian d'Anconia had been an unbroken line of first sons, who knew how to bear his name. It was a tradition of the family that the man to disgrace them would be the heir who died, leaving the d'Anconia fortune no greater than he had received it. Throughout the generations, that disgrace had not come. An Argentinian legend said that the hand of a d'Anconia had the miraculous power of the saints--only it was not the power to heal, but the power to produce.
The d'Anconia heirs had been men of unusual ability, but none of them could match what Francisco d'Anconia promised to become. It was as if the centuries had sifted the family's qualities through a fine mesh, had discarded the irrelevant, the inconsequential, the weak, and had let nothing through except pure talent; as if chance, for once, had achieved an entity devoid of the accidental.
Francisco could do anything he undertook, he could do it better than anyone else, and he did it without effort. There was no boasting in his manner and consciousness, no thought of comparison. His attitude was not: "I can do it better than you," but simply: "I can do it." What he meant by doing was doing superlatively.
No matter what discipline was required of him by his father's exacting plan for his education, no matter what subject he was ordered to study, Francisco mastered it with effortless amusement. His father adored him, but concealed it carefully, as he concealed the pride of knowing that he was bringing up the most brilliant phenomenon of a brilliant family line. Francisco, it was said, was to be the climax of the d'Anconias.
"I don't know what sort of motto the d'Anconias have on their family crest," Mrs. Taggart said once, "but I'm sure that Francisco will change it to 'What for?' " It was the first question he asked about any activity proposed to him--and nothing would make him act, if he found no valid answer. He flew through the days of his summer month like a rocket, but if one stopped him in mid-flight, he could always name the purpose of his every random moment. Two things were impossible to him: to stand still or to move aimlessly.
"Let's find out" was the motive he gave to Dagny and Eddie for anything he undertook, or "Let's make it." These were his only forms of enjoyment.
"I can do it," he said, when he was building his elevator, clinging to the side of a cliff, driving metal wedges into rock, his arms moving with an expert's rhythm, drops of blood slipping, unnoticed, from under a bandage on his wrist. "No, we can't take turns, Eddie, you're not big enough yet to handle a hammer. Just cart the weeds off and keep the way clear for me, I'll do the rest.... What blood? Oh, that's nothing, just a cut I got yesterday. Dagny, run to the house and bring me a clean bandage."
Jim watched them. They left him alone, but they often saw him standing in the distance, watching Francisco with a peculiar kind of intensity.
He seldom spoke in Francisco's presence. But he would corner Dagny and he would smile derisively, saying, "All those airs you put on, pretending that you're an iron woman with a mind of her own! You're a spineless dishrag, that's all you are. It's disgusting, the way you let that conceited punk order you about. He can twist you around his little finger. You haven't any pride at all. The way you run when he whistles and wait on him! Why don't you shine his shoes?" "Beca
use he hasn't told me to," she answered.
Francisco could win any game in any local contest. He never entered contests. He could have ruled the junior country club. He never came within sight of their clubhouse, ignoring their eager attempts to enroll the most famous heir in the world. Dagny and Eddie were his only friends. They could not tell whether they owned him or were owned by him completely; it made no difference: either concept made them happy.
The three of them set out every morning on adventures of their own kind. Once, an elderly professor of literature, Mrs. Taggart's friend, saw them on top of a pile in a junk yard, dismantling the carcass of an automobile. He stopped, shook his head and said to Francisco, "A young man of your position ought to spend his time in libraries, absorbing the culture of the world." "What do you think I'm doing?" asked Francisco.
There were no factories in the neighborhood, but Francisco taught Dagny and Eddie to steal rides on Taggart trains to distant towns, where they climbed fences into mill yards or hung on window sills, watching machinery as other children watched movies. "When I run Taggart Transcontinental ..." Dagny would say at times. "When I run d'Anconia Copper ..." said Francisco. They never had to explain the rest to each other; they knew each other's goal and motive.
Railroad conductors caught them, once in a while. Then a stationmaster a hundred miles away would telephone Mrs. Taggart: "We've got three young tramps here who say that they are--" "Yes," Mrs. Taggart would sigh, "they are. Please send them back."
"Francisco," Eddie asked him once, as they stood by the tracks of the Taggart station, "you've been just about everywhere in the world. What's the most important thing on earth?" "This," answered Francisco, pointing to the emblem TT on the front of an engine. He added, "I wish I could have met Nat Taggart."
He noticed Dagny's glance at him. He said nothing else. But minutes later, when they went on through the woods, down a narrow path of damp earth, ferns and sunlight, he said, "Dagny, I'll always bow to a coat-of-arms. I'll always worship the symbols of nobility. Am I not supposed to be an aristocrat? Only I don't give a damn for moth-eaten turrets and tenth-hand unicorns. The coats-of-arms of our day are to be found on billboards and in the ads of popular magazines." "What do you mean?" asked Eddie. "Industrial trademarks, Eddie," he answered. Francisco was fifteen years old, that summer.