The Woman in the Photo
Page 31
6. How many similarities between Elizabeth Haberlin and Lee Parker can you name?
7. Did Clara Barton become the historical figure she became because of her upbringing or in spite of it?
8. How did the confines of class affect the Haberlin family?
9. In a society where men held all the positions of power, in what ways did the women of this story make a difference?
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More from Mary Hogan
TWO SISTERS
* * *
One family, two sisters, a lifetime of secrets . . .
The third child in a family that wanted only two, Muriel Sullivant has always been an outsider. Short, dark-haired, and round, she worships her beautiful blond sister, Pia, and envies the close bond she shares with their mother, Lidia. Growing up in their shadow, Muriel believes that if she keeps all their secrets—and she knows plenty, outsiders always do—they will love her, too.
But that was a long time ago. Now an adult, Muriel has accepted the disappointments in her life. With her fourth-floor walk-up apartment and entry-level New York City job, she never will measure up to Pia and her wealthy husband, their daughter, and their suburban Connecticut dream home. Muriel would like nothing better than to avoid her judgmental family altogether. One thing she does quite well.
Until the day Pia shows up to visit and share devastating news that Muriel knows she cannot tell—a secret that will force her to come to terms with the past and help her see her life and her family in unexpected new ways.
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ALSO BY MARY HOGAN
The Woman in the Photo
Two Sisters
Young Adult novels:
The Serious Kiss
Perfect Girl
Pretty Face
Susanna Sees Stars
Susanna Hits Hollywood
Susanna Covers the Catwalk
Susanna Loves London
CREDITS
Cover design by Black Kat Design
Cover photograph © David Ridley / Arcangel
COPYRIGHT
Photos courtesy of the Johnstown Flood Museum Archives, Johnstown Area Heritage Association and courtesy of the National Railroad Museum.
This book is a work of fiction. References to real people, events, establishments, organizations, or locales are intended only to provide a sense of authenticity, and are used fictitiously. All other characters, and all incidents and dialogue, are drawn from the author’s imagination and are not to be construed as real.
THE WOMAN IN THE PHOTO. Copyright © 2016 by Mary Hogan. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereafter invented, without the express written permission of HarperCollins e-books.
FIRST EDITION
EPub Edition May 2016 ISBN 9780062386946
ISBN 978-0-06-238693-9
16 17 18 19 20 OV/RRD 10 9 8 7 6 5 4 3 2 1
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