by Janet Fox
Two weeks later, in a flurry of inspiration, I’d written the first forty pages of what would become this novel. My first thanks go to Dotti for sharing, and for handing me this story. (You can find a picture of the chatelaine in the front of this book.)
At one point in drafting I felt discouraged about everything in my writing life, including the early draft of Charmed Children. Kathi Appelt generously offered to read my draft, offering not only critical suggestions but also the kind of encouragement that writers need. This novel—indeed, my career—would not be alive without Kathi’s feedback and heart. Thank you, Kathi.
I have the finest critique group in the world, not only because they are smart and thorough and honest, but also because they willingly read draft after draft. Thank you, Kiri Jorgensen, Bailey Jorgensen, Maurene Hinds, Sandra Brug, Kent Davis, and Linda Knox. And thank you also to Michele Corriel, SCBWIers, the YA Binders and WOMG, and my Vermont College of Fine Arts family. A village isn’t enough: it takes a whole city.
I’ve visited Scotland a number of times, but the trip we took in fall 2014 was critical for confirming my memories and deepening my research. Thank you to the many fine hostelries we visited along the way, especially the Golspie Inn, and thanks to our hosts and knowledgeable historians and willing participants in the journey, Nella Opperman and Joe and Helen Cann.
My agent Erin Murphy is the best—the best editor, the best shoulder to lean on, the best agent to rep my work. She's also a wonderful person. I am eternally grateful to Erin for welcoming me into her agency family; it's one of the most important things to have happened in my writing life. Thank you also to Tara Gonzalez and Dennis Stephens and many, many thanks to the EMUs. EMLA rocks!
Everyone told me that my editor, Kendra Levin, was tops and that I’d love her, and they were right. Kendra, you are gentle but firm, and thank you not only for seeing the potential in the raw threads of the story, but for helping me weave those threads into silk. Thank you, Kendra and the entire Viking team: Ken Wright, Joanna Cardenas (who gave excellent feedback), Kate Hurley, Janet Pascal (detail-oriented production editor), Abigail Powers, Jim Hoover (who did the wonderful design), and Greg Ruth (who created one of the most gorgeous covers ever).
And last but never, ever least, thanks to my husband, Jeff, and son Kevin. Kevin, you have the makings of a fine writer (and you give me the best ideas), and Jeff, you forever have my heart.
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