Sally. Hannibal could find out from the girls in the Swamp, if he asked enough of them. Possibly even Shaw would be able to track her down, once January had told him.
Told him what? he thought bitterly. That a white Creole lady might know something, when Angelique's father can see a perfectly good man of color to convict of the crime to satisfy Euphrasies vengeance on the world?
He supposed the gentlemanly thing to do was to keep silent about whatever his suspicions were, to help Madeleine Trepagier cover whatever her guilty secret was. But he knew he'd have to find it and twist her with it; he'd have to threaten to tell to force her to give him whatever answers she could.
He felt like a swine, a swine running squealing from the hammer and the rope.
He kicked hard against the drag of the water around him, struggling with waning human might against the King of Rivers. Weariness already burned in his muscles, weighted his bones.
He could flee he supposed. Ironic, that Xavier Peralta had offered him exactly what he'd been planning to save his money for. Pere Eugenius always xlid say, Be careful what you pray for.
Not that Uhrquahr would let the chance of $1,500 clear profit slip out of his hands so easily.
He was a surgeon, and there were surgical hospitals in London, Vienna, Rome...
Cities where he knew no one, where there was no one. He wasn't sure exactly when his feeling had changed, or how. Perhaps it was Catherine Clisson's smile of welcome, an old friend glad to see him, or the voices of the workers singing in the fields. He understood that he had been lonely in Paris, until he'd met Ayasha. He had been a stranger on the face of the earth, in every place but New Orleans, where his family was and his home.
In New Orleans he was a man of color, an uneasy sojourner in a world increasingly American, hostile, and white. But he was what he was. At twenty-four he'd been strong enough, whole enough, to seek a new life. At forty, he didn't know.
He'd spoken to Angelique in order to help Mme. Trepagier, Madeleine, his student of other years, trying to play the part of the honorable man. Trying to reestablish his links with that old life. And this was his reward.
The water rolled against him, a wave like a solid wall, his leaden limbs fighting, driving him across the currents toward the shore. His two cold stars watched him, disinterested, as the moon dipped away toward the tangled west.
There was nothing of this in Bach, he thought, his mind striving to throw off the creeping weight of exhaustion, the growing insistence that even on the breast of the river, what was best for him now was sleep. Skirls of music flitted through his mind, Herr Kovald's light touch on the piano keys, Mozart, Haydn, the Water Music...
Swimming against the river's might, struggling with exhaustion and the heavy smells of the mud and the night-fleeing injustice and servitude toward a town where those things passed under other names-the only songs that came to his mind were those of his childhood, the dark wailing music of the African lands. Those spoke in his muscles and his bones, as he pulled against the current and kept his eye on his guardian stars.
He reached the far bank aching but knew he dared not stop. Plantations stretched in an almost uniform forty arpents inland-two or three miles-before petering out in a wilderness of bayou, cypress swamp, and pine wood. He climbed the levee on his hands and knees, like an animal, and lay on the top, panting, staring at the dark water, all sparkling with the silver of the sinking moon. It was early spring, the world very silent but for the lap of the river below. Inland all creation breathed one damp cold breath of turned earth, where a new crop of sugar was being prepared for, trenches chopped like bridal beds in the long dirt hills. He knew it wouldn't be many hours before the slaves would be out again.
He ate some bread, which was wet in his pack, and drank as much of the rum as he dared spare, knowing he'd need it for his hand, and got to his feet again. His legs felt like rubber.
Daddy, wherever you are, he thought, for no particular reason, your son s thinking of you.
He traveled like this for two days, and a little more.
He struck the chain off his arm as soon as he was far enough from habitation that the hard clang of the mattock head on the shackle wouldn't be heard-or he hoped it wouldn't be heard-and carried the iron half of Friday before he decided the drain on his strength wasn't worth the possibility that he might need it. He buried it under a hollow log.
He kept close enough to the rear of the plantations to follow the line they made, the line of the river that would lead him eventually back to town, but it terrified him. He guessed Peralta would be offering a large reward for his capture-Big black buck, it would say. Runaway. And there were always patrols. In older times there'd always been coming and going between the plantations and little colonies of runaways-marrons-in the woods, but heavier settlement and the death of the rebel leader Saint-Malo had put a stop to that. Sometimes he heard riders in the woods and hid himself in the thickets of hackberry and elder, wondering if he'd been sufficiently careful about keeping to hard ground, wondering if he'd left some sign. He was surprised how much of his childhood woodcraft came back to him, but he knew himself incapable of navigating, once he got out of sight of the thinning in the trees that marked the fields to his left.
In the afternoons the singing of the work-gangs in the fields came to him, and as it had on the breast of the river the music took him by the bones. Lying in the thickets with the gnats dense around his head, drawn by the scent of the rum on his hand as he bandaged it, and of his sweat, he listened to those voices and thought, This is the music of my home.
"Ana-qut, an'o'bia,
Bia'tail-la, Que-re-qut,
Nal-le oua, Au-Monctt,
Au-tap-o-tf, Au-tap-o-tt,
Au-qut-rt-que, Bo."
African words, not even understandable by those who sang them anymore, but the rhythm of them warmed his tired blood. He wondered if Madeleine Trepagier's girl Sally had felt anything like this, running from her mistress-running to New Orleans.
Probably not, he thought. She'd fled with a man and had had his promises to reassure her: his gifts and his sex to keep her from thinking too much about whether he'd keep his word, from wondering why a white man would suddenly get so enamored of a slave.
If she hadn't been in the Swamp three days ago, he thought-with the tired anger that seemed to have become a part of his flesh-she would be soon.
On the Saturday he met Lucius Lacrtme.
He heard the tut of hooves, the rustle and creak of saddle leather, at some distance, but the woods were thin. He turned and headed inland, not fast but as fast as he dared, seeking any kind of cover that he could.
Thin with pines on the weak soil, the woods here seemed as bare of cover as the ballroom of the Salle d'Orleans.
The hooves were near and he knew they'd see him for sure if he kept moving. He crouched behind the roots of the biggest tree he could find, wadding his big body down flat and small to the earth and tucking the dwindling bundle of blanket and food between belly and knees. He'd feel a fool if they saw him, hiding like a child behind a tree.
As if, he thought, feeling a fool was the worst thing that would happen then.
"... Wench over to the Boyle place." American voices, quiet. "Cooks a treat, but ugly as a pig."
"Put a bag over her head, then. Christ, what you want for a- You there! You, nigger!"
Every muscle galvanized as if touched with a scientist's electrical spark, but he forced stillness. A trick, a trap...
Then another voice said in bad English skewed by worse French, "You talkin' to me, Michie?"
"Yeah, I'm talkin' to you. You see any other niggers hereabouts? Lemme see your pass."
"That ain't him, Theo, that's just old Lucius Lacrime. Got a place hereabouts." The hooves were still. January heard the chink of bridle hardware as one of the horses tossed its head. "You seen a big black buck, Looch? Headin' toward the city, maybe?"
"Not headin' toward the city, no, sir." Lucius Lacrime had an old man's
voice, thin and slow and almost sing-song, a broken glass scritching on a rock. "Big man? My nephew he say there somebody holed up someplace along Bayou Desole. Big man by his track, and black my nephew say, but wearin' boots like a white man. That be him?"
The woods were so still January could hear the far-off boom of the steamboats on the river, four miles away, and the ringing of an ax. Bridle hardware jingled again, this time sharply, and a horse blew.
"That'll be him," said the man who was fastidious about the appearance of cooks. "You know Bayou Desol6, Furman?"
"I know where it lies. Bad country, peters out in a swamp. Just the place a runaway'd hole up, I guess."
The hooves retreated. The voices faded into the mottled buffs and blacks of the early spring woods. January didn't raise his head, knowing in his bones that Lucius Lacrime still stood where he'd been.
In time the old voice said in English, "You can come out, son. They gone." There was a stillness, January not moving. Then, in French, "You're safe, my son. I won't harm you." He barely heard a rustle, until the old man got almost on top of his hiding place. Then he stood up.
"Thank you, grandfather." He nodded to the flattened weeds behind the cypress knees. "There's not much cover here."
"They're searching, all around the woods." Dark eyes like clear coffee considered him from within an eon of wrinkles, like the eyes of a tortoise on a log. He was a middle-size man who looked as if he'd been knotted out of grass a thousand years ago, dry and frail and clean. Tribal scars like Uncle Bichet's made shiny bumps in the ashy stubble of his beard.
"They say they look for a runaway field hand, but no field hand wears boots or needs them." He held out an arthritic claw and took January's left hand, turned and touched the powerful fingers, the raw welt that the rope had left when they'd bound him. "What they think you pick for them, flowers?"
January closed his hand. "No dealer in Natchez is gonna ask about why a field hand's got no calluses, if the price is cheap. Thank you for sending them on." He reached down for his bundle, but the old man caught his right hand with its crusted wad of wrappings, and turned it over in his bony fingers.
"And what's this, p'tit? Do they know you hurt? They'll spot you by it."
January shook his head. "I don't think they know."
The old man brought the bandage up to his nose and sniffed, then pushed at the edges, where the shackle had chafed raw the skin of his wrist. He nodded a few times, and said, "You a lucky child, p'tit. Old Limba, he look out for you. But headin' on back to town, that the first place they look. Stay in the bayous, down the southwest across the river, or back in the swamps. You can trap, fish, hunt... They never find you." His grin was bright, like sun flecking off dark water. "They never found me."
"They'll never look" January settled his weight against the tug of Lacrtme's hand. "Not so long as I'm out of their way. Not so long as I don't come back to the city. So long as I don't come forward as a free man, claiming what's mine, they don't care if I'm dead or a slave or on a ship heading back to Europe. Just so long as I don't bother them. And I'm not going to give them that."
It was the first time he'd said it; the first time he'd expressed to himself exactly what it was that had carried him against the current of the river, that had kept him moving through the long exhaustion of the previous days and nights.
The songs in the field. The blue bead on his ankle. The twisted steel cross in his pocket. They were verses in a bigger song, and suddenly he was aware of what the song was about. And it wasn't just about his family, his friends, and his own sore heart.
Lacrime peered up at him with those tortoise eyes. "They who, p'tit?"
An old man who figured an innocent black man's life was worth less to him than the life of the son whom he believed to be a murderer. The boy who hadn't the guts to go against his father's will.
The woman he'd taught to play Beethoven, all those years ago.
And whoever it was that she would lead him to.
"White men," he said. "I'm going on to town. Is there a path you can point me out to get there?"
Lacrime took him by way of the swamp tracks, the game trails, the twisty ways through the marsh country that lay back of the river, toward the tangled shores of Lake Pont-chartrain. They were old tracks, from the days when networks of marron settlements had laced the boscages. The old man looked fragile, crabbed up with arthritis and age, but like a cypress root he was tough as iron. He scrambled with bobcat agility through thickets, bogs, and low-lying mud that sucked and dragged at January's boots and seemed to pull the strength out of him.
"T'cha, you get soft in this country," the old man chided, when January stopped to lean against a tree to rest. "Soft and tame. The boss men all ask for a man bred in this country, a criolo, instead of one who came across the sea. They all uppity, they say, princes and kings and warriors. When we fought the Dahomies, we'd run this much and more, through the bottomlands by the river, and woe on any man who let the enemy hear him. He'd be lucky if he lived to be brought to the beach and the white man's ships."
"Were you?" asked January. They stood knee-deep in water, skimmed over in an emerald velvet whisper of duckweed, the woods around them gray-silent, hung with silver moss, dark leaves, and stillness. More rain had fallen earlier and the world smelled of it, and of wood-smoke from some distant squatter's shack. Maybe bandits, and maybe others like Lacrime.
"Ah." The old man spat and turned to lead him once again along the silent traces in the woods. "They took our village, filthy Dahomies. We twelve, we young men, came back from hunting to find it all gone.
Big stuff, the stuff of great tales. We followed them through the jungle, along the rivers, through the heat and the black night. And they left what traces they could, our parents, our sisters, our little brothers, and the girls we were courting. It would have been a great tale if we'd taken them back. A great song, sung all down the years."
He shook his head, with a wry mouth that such innocence could have been. "Maybe we sang a verse or two of it to each other, just to try it out, to hear how it would be.
"But there was no tale. Not even with my own village was I put in a ship, but with a bunch of people- Hausa from up by the great lake, Fulbe and Ibos-whose language I didn't even know. Young men are stupid."
He glanced back over his shoulder at January, laboring behind him.
"Nobody will give you justice, p'tit, no matter how much truth you shove down their throats. I'd been better to go north with my friends and look for another tribe of the Ewe, who at least knew the names of my gods."
"Did you ever find them again?" asked January. "Your own people, your family-those who spoke your tongue, who knew the names of your gods?"
The Ewe shook his head. "Never."
January followed in silence, as twilight settled deep over the green-gray land, then night.
They traveled on through night, sleeping only little. The food was gone and the rum January had been putting on his hand to keep infection at bay. He checked the wound whenever they stopped, which wasn't often, until daylight failed; the mess of the raw flesh was ugly, but looked clean, as far as he could tell, and he felt no fever. He was weary, however, weary beyond anything he'd ever known, even working in the fields-even the weariness after fighting, hiding in trees and blasting away with a rifle at the advancing red-coated troops with the expectation of losing his own life any minute, hadn't been like this. He guessed this was one effect of the wound, but the knowledge didn't help him much. He wanted only to sleep.
"Not safe to sleep, Compair Rabbit," the old man said, shaking January out of his doze where they'd stopped to rest by the foot of a tree. "Bouki the hyena, he's out riding the tracks. Used to be there was farms in the boscage, villages like in Africa. We'd live like we did, and they couldn't find us. When they came, we'd just melt away in the woods. Now Bouki and his hyenas, they ride the trails, hire Americans from up the river. Compair Rabbit better not sleep now when Bouki's out hunting."
T
hey found a pirogue on the tangled banks of the long bayou that stretched from the lake in toward the town and hugged the bottomless shadows of its banks where the moonlight didn't touch. In time they followed in the waters of the canal toward the grubby scatter of wooden cottages, mud and stucco houses that made up the Faubourg Treme, the newer French suburb. Though it was long after curfew, Orion and his hunting dogs sinking west toward their home beyond the trackless deserts of Mexico, January was conscious of lamps burning, ochre slits behind louvered shutters, threads of amber outlining shut doors. All around him, as Lucius Lacrime drew the small boat close to a floating wooden stage and led the way up and into the rough gaggle of unpaved and unguttered streets that smelled of outhouses, January sensed a kind of movement in the dark, a certain life flitting in the dense black of the alleyways. Once he heard, dim as a drift of smoke, a woman singing something that had naught to do with Mozart or Rossini, with polkas or ballads or the loves and griefs of whites.
Lacrfme led him around the back of a whitewashed cottage whose stucco was chipped and falling and
badly in need of repair. Tobacco smoke rode over the stink of the privies in the dark of the yard. There was a gleam of gold, like Polyphemus's brooding eye, halfway up the outside stair to the attic.
"Hey, Compair Jon," breathed Lacrfme-though January had no idea how he could have seen or recognized anyone in the density of the shadows.
"Hey, Compair Lacrime," replied a soft voice from above. The smell of smoke increased as the man took his cigar from his mouth and blew a cloud.
"There room up there for my friend to sleep?"
"Being he got no objection to featherbeds and lullabies, and beautiful girls bringing him cocoa in bed when he wakes."
"You got any objection to that, Compair Rabbit?"
January looked up at the glowing coal. "You just tell them girls that cocoa better not have skin on it, and make sure those lullabies are by Schubert and not Rossini -leastwise not anything Rossini's written lately."
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