by Tom Dolby
“I need to show you something,” Nick said. “Both of you. Genie, you may have seen it, but Patch, I’m not sure if you have. It’s a memorial marker for your father, for Patch, Jr., on the beach.”
“I’ve seen it,” Genie said. “But I think Patch should see it as well.”
“I don’t ever want to go back to that house again,” Patch said. “I’m sorry, Nick. I just feel weird about it, after everything your father has done.”
“I understand,” Nick said. “I’m feeling pretty ambivalent myself.”
“Genie, I want to know more about my mother,” Patch said. “Before she went crazy.”
Genie sighed. “Patch, I feel like it’s not for me to tell you these stories. You never heard back from Esmé, did you?” Patch had left her a message but received no response.
“That’s right,” Patch said.
“I think we need to visit her,” Genie said. “I know you don’t want to, but it’s something we need to do. She was always so fearful that you would find out. I think having her know that you have learned about Parker, and that you understand—or at least, that you understand as best you can—I think it might help her.”
“Do you think she’ll ever be able to come home?” Patch asked.
Genie looked uncertain. “I don’t know,” she said. “I guess we’ll see. But the first step is for us to go see her. I think we should do that more often, together. I’ve tried to protect you from it all these years, but you’re getting older, and it’s time that we try to make this work. You need to have some kind of relationship with your mother, fractured as it might be.”
“When should we go?” Patch asked. “Today?”
“I think we’ve had enough excitement for today,” Genie said, frowning. “Let’s take a break. How about tomorrow? Let’s do it tomorrow.”
Patch nodded. As he sat there with his grandmother and his half brother in the warmth of the Petrie Court, he started to feel that maybe, just maybe, the disparate threads of his life were coming together.
Chapter Sixty-One
Nick, Patch, and Genie stepped out of the museum. It was nearing closing time, and tourists were gathered on the sidewalk in front of the Met. The strange, sweet smell of pretzels, kabobs, and roasted chestnuts was in the air.
“You both go ahead,” Nick said. “I want to stay here for a minute.” He sat down on the steps as he watched Patch lead Genie across the street to the building where they all lived.
Nick wondered if he could go back home or if he would have to live at Patch’s for now. He had almost forgotten, but he was scheduled to leave town in a few days. Months ago, before any of this had happened, Nick’s mother had booked him on a college tour, twelve schools in seven days. He should have been excited for this fresh start, but at this moment he wanted to start putting back together the pieces of his life before he embarked on something new. More than anything, Nick longed to buy a ticket to the West Coast, to go and seek out Phoebe. After thinking about everything they had been through, he understood now how much pain she had been in, and how she had spoken honestly, even in the kitchen in Southampton, even when she had said those hurtful things. She had been right: he had put his family ahead of everyone else, ahead of her, and he never wanted to do that again. As much as he wanted to run after her, he understood that he needed to give her the time she deserved to figure things out. He trusted that Lauren would call her, and eventually, she would come back home.
He glanced across the street at his apartment building. The landmarked building had always been an emblem of all that he thought the Bell family represented: strength, tradition, security. Ever since he had learned about the Society, however, and all that it stood for, it had seemed false. Would anything ever seem real again, or would it all seem as flimsy as those Society rituals, cheap theatrical tricks designed to scare people?
His grandfather’s legacy, too, felt false. Palmer had built up a dubious empire, respected by so many, and yet, what was it? Was it anything more than lying, conspiracy, thievery?
Nick walked across the street, carefully taking the crosswalk. As he approached the building, his brother Benjamin stepped out of a black town car. Nick hadn’t realized that he was in town.
“Ben!” he called. “I thought you were in Florida.” He was supposed to be on spring break with some of his college friends.
“I had some business I needed to attend to,” Ben said. This was unlike his brother. His main business in life seemed to be partying with his friends.
“Did you hear about what happened?” Nick figured he could talk about it to his brother. What could they possibly do to him?
“I did, Nick.” He seemed downcast, but not in the odd, selfishly disappointed way that the mentors had. This look was different, a genuine sadness.
“What’s wrong?”
Ben looked at him. “There’s something Palmer always used to say, and now Dad says it as well. It’s a Latin phrase: Alea jacta est. ‘The die is cast.’”
“What do you mean by that?”
Ben glanced anxiously at the building’s doors, as if to make sure that no one could overhear.
“Nick, you may think you’re out of the Society, but you never really will be.”
His brother opened the back door of the town car and got in, shutting it behind him. Nick stood on the sidewalk, speechless, as the car pulled away from the building and merged into the river of traffic going down Fifth Avenue.
Acknowledgments
I am extremely grateful to my friends, colleagues, and mentors for their support during this novel’s creation.
To my agent, Kate Lee, and her assistant, Larissa Silva, at ICM.
To my editor, Sarah Shumway, and my publisher, Katherine Tegen.
To the entire HarperTeen publicity, marketing, design, and sales team.
To my assistant, Susanne Filkins.
To my friend and fellow novelist, Melissa de la Cruz.
And of course, to my husband, Drew Frist, who was there for the entire ride.
I also had the privilege, during the research for this novel, of experiencing two tours that would impress even the most jaded Egyptologist. The first was with Dr. Catharine Roehrig, curator in the Department of Egyptian Art at the Metropolitan Museum in New York, who answered all my questions about the museum’s collection. The second was with Dr. Renée Dreyfus, curator of Ancient Art at the de Young Museum in San Francisco, who guided me through its Tutankhamun and the Golden Age of the Pharoahs exhibit. Both were invaluable in helping me learn more about Egyptian culture, which provided a rich background for the mythology of the Society. Any flights of fancy or inaccuracies relating to Egyptian art in this novel are entirely my own.
Finally, I am grateful for the following works of nonfiction, which helped inform this story: The Metropolitan Museum of Art Bulletin: The Temple of Dendur, by Cyril Aldred; Rogues’ Gallery: The Secret History of the Moguls and the Money That Made the Metropolitan Museum, by Michael Gross; The Gardner Heist: The True Story of the World’s Largest Unsolved Art Theft, by Ulrich Boser; Confessions of a Master Jewel Thief, by Bill Mason with Lee Gruenfeld; and Egyptian Revival Jewelry & Design, by Dale Reeves Nicholls with Shelly Foote and Robin Allison.
Copyright
This book is a work of fiction. Names, characters, places, and incidents either are products of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.
The Trust: A Secret Society Novel
Text copyright © 2011 by Tom Dolby
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mec
hanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
* * *
Library of Congress Cataloging-in-Publication Data
Dolby, Tom.
The trust: a secret Society novel/by Tom Dolby.—1st ed.
p. cm.
Summary: Four wealthy Manhattan teenagers who have been initiated into a secret society that promises to fulfill their every wish must now try to extricate themselves from the dangerous and corrupt Society.
ISBN 978-0-06-172164-9
[1. Secret societies—Fiction. 2. Wealth—Fiction. 3. Interpersonal relations—Fiction. 4. New York (N.Y.)—Fiction.] I. Title.
Pz7.D7003Tr 2011
[Fic]—dc22
2010009495
CIP
AC
* * *
First Edition
EPub Edition © 2011 ISBN: 9780062069603
11 12 13 14 15 CG/RRDB 10 9 8 7 6 5 4 3 2 1
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