The Moth Catcher

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The Moth Catcher Page 18

by Ann Cleeves


  The cousins saw that she wasn’t listening to their plans for a big night out and they shut up. The other room-mate was older. She had school-age kids. She’d worked in a care home and had started nicking things from the old people. Money and jewellery. In one room she’d found a credit card, the PIN jotted down on a scrap of paper in the same drawer. The man she’d stolen from had been dying. ‘He wasn’t going to use it, was he?’ Rose had said. ‘And his relatives never visited, and they only lived south of the river. Why did they have more right to his cash than me? I wiped his bum and washed his face. I made him smile.’

  Lizzie hadn’t had an answer to that. She wondered whether she’d visit her parents if they didn’t recognize her any more.

  The room fell quiet then, so she supposed the others were sleeping. She started thinking about Shirley Hewarth. When they’d first met, Lizzie had thought Shirley was as tough as her. There was something steely about her, a refusal to be conned. Lizzie had tried to lie about the offence and her relationship with Jason, and Shirley had tilted her head to one side and said, ‘Well, I don’t think that’s entirely true, is it?’ She’d peeled back Lizzie’s pretences until Lizzie felt raw, exposed. She’d found herself confiding in Shirley. Making herself vulnerable. She hadn’t even allowed herself that luxury with Jason.

  Now Lizzie wasn’t sure that Shirley was as hard as she seemed. They might share the same secret, but they had different interests. The thought worried her. It was one of the reasons she was scared about leaving prison: that Shirley might land her in the shit, big time.

  Chapter Twenty-Six

  Friday evening. Friday was party night for the retired hedonists at Valley Farm and usually at this time Annie would be getting ready to be social. She’d be lying in a deep bath and deciding what she was going to wear. She wasn’t usually competitive about how she looked, but Lorraine formed a kind of challenge. Annie had seen the way John O’Kane looked at Lorraine Lucas and wondered if Sam was attracted to the woman too.

  This evening, though, she was in the spare room preparing it for Lizzie’s return. Lizzie had never spent very long in the house. She’d stayed a couple of days when they’d first moved in, but she’d made it clear that she was bored out of her skull and soon moved back to the town, to the flat they’d rented for her. And soon after Lizzie had been charged with assault and remanded in custody. Even when she’d got bail she’d preferred to keep away.

  Annie opened the window to air the place. It was almost dark, but still unseasonably warm. No wind at all. She heard a car drive up the valley and watched as it pulled up outside the farmhouse. Nigel and Lorraine, obviously already in party mood. They could see the light in the bedroom and the open window, and Nigel shouted up to her.

  ‘See you soon! We just popped into The Lamb for a quick one, but we’ll be ready in half an hour or so.’

  Now the last thing Annie wanted was to go into the big house, to drink too much wine. She knew exactly how it would be: John O’Kane, brooding but somehow predatory. Janet, who became girlish and giggly after a few drinks, so the age seemed to fall away from her and she was an irresponsible student again. Nigel full of good cheer, bad jokes and stories from his past. Lorraine dreamy and distant as if her mind was somewhere else altogether. Annie wondered sometimes if Lorraine had a lover. Not the professor – that would be too obvious – but a younger man outside the valley, to distract her when Nigel became too boring.

  ‘I’m not sure. We might give it a miss this evening. You know what Sam is like, and we’re not feeling very sociable.’ Annie was thinking of Lorraine’s chilly response to the news that Lizzie would be coming home. She wasn’t sure they’d really be welcome.

  ‘Come on! Don’t be a spoilsport.’ Lorraine was right under the window now, her eyes glittering like a cat’s in the light that spilled out from the bedroom. ‘Come out to play. It’s Friday night.’

  Annie couldn’t say no. She’d never been very good at saying no, and Lorraine’s personality was so fierce and she seemed so used to getting her own way that Annie couldn’t stand up to her. ‘Give us half an hour. I need to jump into the shower, and Sam has been in the garden most of the day.’ It occurred to her that Lorraine was almost as manipulative as Lizzie.

  In the end Sam didn’t take too much persuading. ‘We’ve all been a bit uptight,’ he said. ‘These murders on the doorstep. Lizzie coming home. Perhaps it’d do us good. And it is Friday night.’ He fetched a bottle of wine from the pantry and a flan that he’d made the day before. Annie went upstairs again to have a shower. The water on her body seemed to clear her mind, but later, sitting at her dressing table to do her make-up, she found her hand was shaking as she tried to apply the mascara. She saw that she was as tense and nervous as she’d been all day. Perhaps Sam was right and they needed an evening with their friends to unwind. Perhaps she needed a couple of drinks too.

  They could hear the music from the farmhouse as soon as they went out of their door. The Who singing about their generation. Inside Lorraine was moving across the room with a glass in her hand. She’d thrown her shoes into a corner and was barefoot, dancing with an invisible partner. Nigel had pushed the table back against the wall and was setting out plates, a cheeseboard and glasses. It seemed to Annie now that he never dressed like someone from their generation, but as someone much older. He could be a character in a Noël Coward play in his blazer. All he needed was a cravat.

  Sam stepped aside to let Annie in first. They’d tapped at the door and then gone straight in. Lorraine came up to greet them, hugging them and kissing them on both cheeks. Sam, who was usually very careful about his personal space, didn’t seem to mind the hug. And almost immediately Jan and John were there too, appearing through the back door as if by magic. Jan wore a white cotton tunic over wide linen trousers, long silver earrings and actually looked rather glamorous. John was in a collarless shirt over jeans. Today these details seemed very clear and sharp. The background music, the clothes, the food on the table were all branded into her mind. Tonight, Annie thought, they’d all become caricatures of themselves.

  Nigel was pouring drinks. He’d made a jug of some sort of cocktail and insisted that they try that first. It was syrupy and very alcoholic. She drank it too quickly and already the room appeared to spin. Everyone seemed to be talking too quickly and laughing too loud. John O’Kane came up behind her and pulled her into a dance. The music was slower now. One of the soppier Beatles numbers. She found herself enjoying the touch of his hand on her back and realized she must be even drunker than she’d thought. There was something flattering about his attention. Usually he talked about himself, his book, his work. Today he asked about her, murmuring so that she could just catch his words over the music.

  ‘Are you okay?’

  ‘Yeah,’ she said. ‘Yeah.’

  He moved his hand from her back to her neck. The sensation of bare skin on bare skin, even here, in front of all these people, thrilled her. She glanced at Sam, who sitting next to Jan on the sofa. They seemed to be engaged in an intense conversation. Annie wondered if it was about Lizzie or if there was a sexual attraction there too, if Sam felt so relaxed with Jan, who was competent and easy to speak to, that he wanted to pull her towards him and kiss her.

  We’re all getting old and desperate. We can’t believe we’re no longer attractive.

  She pulled away gently from John. ‘I need some food to soak up some of the booze.’ She walked over to the table and cut herself some French bread and cheese. John followed her.

  ‘Is Jan okay?’ Because, looking at Janet more closely, Annie thought she looked tired and tense. She was still listening to Sam and giving him her full attention, but she’d been holding the same drink for the past hour and the fingers clutching the glass were rigid. Annie thought they all took Jan for granted. They all went to her with their troubles. Perhaps she needed someone to listen to her.

  The professor shrugged. ‘She’s been moody for the last few days. When I ask her, she says it’
s the murders. Something about being aware of her own mortality.’

  The music changed again and Nigel and Lorraine were on their feet doing some elaborate jive, twisting and swinging, until Lorraine stumbled and they ended up in a giggling heap on the floor.

  We’re too old to behave like this, Annie thought. We should have more dignity. We’re bad for each other. It’ll be good for us to have Lizzie at home. Someone younger to put our lives into proper perspective. All evening people seemed to come and go, swinging into her line of sight and then out of it, disappearing from the room and coming back with no explanation.

  It was late. The music had stopped and nobody had bothered to put on a new CD. The room was lit by candles. Nigel had made coffee and they were drinking it with his malt whisky, beyond caring about the next morning’s hangover. Only Janet seemed relatively sober. She got to her feet and said she’d have to let the Carswell dogs out.

  ‘Shall I come with you?’ Sam, not John. John was slumped on the floor next to Annie, his head so close to her shoulder that she could smell his shampoo.

  ‘No,’ Janet said. ‘I won’t go far. Just down the track a little way.’

  Sam started to get to his feet.

  ‘Really, I’m fine.’ Janet already had her hand on the door handle. ‘I could do with some time on my own. Send out a search party if I’m not back in quarter of an hour.’

  They all laughed, but Annie made a note of the time on the clock on the wall. If Janet wasn’t back, she’d go and look for the woman herself.

  Ten minutes had passed when they heard the scream. Distant, but clearly audible through the open window. There was no music in the room now and the noise cut through the silence. They were on their feet, running outside. There was the sound of their footsteps on the gravel, they were calling out Janet’s name and it was impossible to tell where the scream had come from. By now it was quite dark. No moon and no street lights.

  ‘Be quiet!’ It was the professor yelling over the chaos. Suddenly they were all still, listening.

  Annie could hear the water in the burn below them. Then there was another sound. A dog barking. And footsteps on the track. The light of a small torch, moving in rhythm as the person holding it walked towards them.

  ‘Janet!’ The professor again.

  ‘Come here,’ she shouted. ‘You have to come here.’

  Then they were all in motion again, tumbling down the track, stumbling like children racing down a grassy bank. Annie thought it was like a nightmare. The scream had sobered them a little, but not enough for this to make any sense.

  When they reached her Janet was standing still. She had the dogs beside her. John put his arm around her. Annie thought it was the first time that the couple had had physical contact all evening. ‘Are you okay? I thought something dreadful had happened.’

  ‘It has.’ A pause. ‘At least I think it has. Perhaps I imagined it. Come with me and check.’

  She walked back down the track a little way and shone her torch along the footpath that branched from it and led to the hill. Something was lying across the path. A sack of rubbish, Annie thought at first. Fly-tipping wasn’t unknown here in the valley.

  ‘We’d better stay here,’ Janet leaned forward as far as she could reach without losing balance. ‘I suppose the police will find things difficult if we all get too close, though the dogs have been there. They found her.’ The torchlight showed a woman. She’d been slashed by a knife. Over and over. There was blood all over her clothes. One of the shoes had fallen off and rested at a distance from her feet.

  ‘Who is she?’ Nigel seemed calm, almost detached. ‘I don’t recognize her from the village.’

  Annie pushed her way to the front of the group so that she could get a better view. The clothes were familiar. The patent-leather shoe with its small heel. She felt suddenly bereft, as if a relative had died. ‘I know her. That’s Shirley Hewarth. She’s the social worker who’s been visiting our Lizzie.’

  Chapter Twenty-Seven

  Holly had been asleep for an hour when she got the call. She recognized Joe Ashworth’s voice immediately, even before she looked at the caller ID, and was awake and alert. She’d switched on the bedside lamp. Her bedroom was mostly white. White linen, white walls. Pale-green blinds at the window. One ex-lover had called it antiseptic. Like living in a hospital.

  She always kept a notebook at the side of her bed and she was writing as she pulled clothes out of the drawer with one hand. The name of the victim brought her up short. ‘Who?’

  ‘Shirley Hewarth. The woman from Hope NorthEast.’

  Holly was thinking fast now, making connections. ‘Martin Benton’s boss.’

  ‘Aye, and supervising the daughter of one of the Valley Farm families.’

  ‘But no link to Patrick Randle.’

  ‘Not as far as we know.’ Joe spoke slowly, but she thought he was running through the possibilities in his head too.

  ‘I don’t suppose she’s a moth expert?’

  He gave a little laugh. ‘The boss wants us all out there to talk to the witnesses. She doesn’t want to leave it until the morning.’

  Of course not. That would be far too easy.

  ‘Who found the body?’ Holly held the phone between her ear and her shoulder so that she could pull on a pair of jeans. The great thing about women was their ability to multi-task. Sometimes she thought that was Vera’s only feminine attribute.

  ‘Janet O’Kane. She was walking the Carswells’ dogs last thing. The body was just off the track, lying across the footpath that leads to the hill.’

  ‘Not hidden then.’ She put the phone on the bed while she pulled a jersey over her head. ‘Sorry, I missed that.’

  ‘Hewarth was close enough to the track to have been dumped from a car,’ Joe said. ‘Billy Cartwright and Paul Keating are on their way. No information yet about whether she was murdered where she was found.’

  ‘Where are you?’

  ‘Outside the boss’s house. She asked me to pick her up on the way to the scene. I think she had a few drinks last night. With her neighbours.’ Joe’s disapproval was obvious. He disliked the couple who farmed the smallholding next to Vera’s house. He thought they were feckless and that they led Vera astray.

  ‘I’ll see you there then.’ Holly was going to add: Race you. But Joe would have disapproved of that too. She’d never before met a police officer who was so law-abiding.

  When she arrived at the scene Vera and Joe had just arrived. Vera was wearing strange baggy trousers tucked into wellington boots and looked even less like a senior detective than usual. Holly wondered if they might be pyjama bottoms, because she couldn’t believe Vera owned a tracksuit. All the cars had been directed to park next to the Valley Farm development. Big arc lights had already been set up where the footpath joined the track and the crime-scene team were just erecting a scene tent over the body. Everything was in monochrome, with sharp shadows and black silhouettes, all the officers and CSIs in their white suits and masks. It looked like a film set. For a horror movie perhaps. Something about a deadly virus infecting the world.

  Vera was struggling to get into the scene suit, moaning as she always did that they were never big enough. ‘Do they think all police officers are bairns? Or anorexic?’

  Holly followed her through the cordon and into the tent. She recognized the victim from her clothes and the little pearl earrings, but thought Shirley Hewarth looked older in death than she remembered, when they’d talked in the charity’s office.

  ‘Will anyone be waiting for her at home?’ Vera’s words were muffled by the mask.

  Joe shook his head. ‘I don’t think so. I’m not sure why, though. Perhaps she said. She lived in Cullercoats. I checked the actual address, because I was curious to know what sort of place it was.’

  ‘And?’

  ‘A Tyneside flat close to the sea front. Nothing flash. It doesn’t sound like a family home.’

  ‘She’s not wearing a wedding ring.’ Billy
Cartwright was squatting next to the body. ‘Not that that means anything.’

  Vera turned suddenly. ‘Hol, would you go? Better you than some plod knocking on the door, if there is anyone in the place. You’d met her at least. She’s of an age to have grown-up kids and they seem to bounce back these days, don’t they? The boomerang generation.’ A pause. ‘So even if she doesn’t have a partner, there might be someone at home who needs to know what’s happened to her, before they read it in the press. See if you can get into the house, even if it’s empty. It’d be good to get your opinion of the place before we get a search team in. Anything that might tell us what she was doing out here tonight.’ Vera paused again. ‘Or why she was dumped here.’

  So Holly found herself back in her car, driving towards the coast, along the empty night-time roads.

  The flat was in a quiet street, narrow and tree-lined. At the end of it was the main road that led along the coast, and beyond that the sea. There were no lights in any of the houses. It was early morning, so everyone was asleep. Classic Tyneside flat-layout: it looked like a standard 1930s terrace, but with two doors side by side at each house. One led to the ground-floor flat, and one to steps and the second flat upstairs. Shirley Hewarth lived on the first floor. Holly rang the bell. No answer.

  There was a small window open at the front of the flat, but that wouldn’t help her get in, unless she was prepared to climb the drainpipe in full view of any passer-by. And it wasn’t long until dawn now. There’d be joggers and dog-walkers making their way to the sea front. She felt along the lintel of the door. No key. The small front garden would be the responsibility of the ground-floor flat. It was overgrown. Rubbish had blown into the borders and the grass was almost knee-high. There were no curtains at the window and there was enough light from the street lamp to see that the place was empty. No furniture. Perhaps it had just been sold or was being prepared to rent out.

 

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