Hogfather tds-20

Home > Other > Hogfather tds-20 > Page 9
Hogfather tds-20 Page 9

by Terry David John Pratchett


  There was something of a pause, because even Ridcully had to adjust his mind around this.

  The late (or at least severely delayed) Bergholt Stuttley Johnson was generally recognized as the worst inventor in the world, yet in a very specialized sense. Merely bad inventors made things that failed to operate. He wasn't among these small fry. Any fool could make something that did absolutely nothing when you pressed the button. He scorned such fumble-fingered amateurs. Everything he built worked. It just didn't do what it said on the box. If you wanted a small ground-to-air missile, you asked Johnson to design an ornamental fountain. It amounted to pretty much the same thing. But this never discouraged him, or the morbid curiosity of his clients. Music, landscape gardening, architecture — there was no start to his talents.

  Nevertheless, it was a little bit surprising to find that Bloody Stupid had turned to bathroom design. But, as Ridcully said, it was known that he had designed and built several large musical organs and, when you got right down to it, it was all just plumbing, wasn't it?

  The other wizards, who'd been there longer than the Archchancellor, took the view that if Bloody Stupid Johnson had built a fully functional bathroom he'd actually meant it to be something else.

  ‘Y'know, I've always felt that Mr Johnson was a much maligned man,’ said Ridcully, eventually.

  ‘Well, yes, of course he was,’ said the Lecturer in Recent Runes, clearly exasperated. ‘That's like saying that jam attracts wasps, you see.’

  ‘Not everything he made worked badly,’ said Ridcully stoutly, flourishing his scrubbing brush. ‘Look at that thing they use down in the kitchens for peelin' the potatoes, for example.’

  ‘Ah, you mean the thing with the brass plate on it saying “Improved Manicure Device”, Archchancellor?’

  ‘Listen, it's just water,’ snapped Ridcully. ‘Even Johnson couldn't do much harm with water. Modo, open the sluices!’

  The rest of the wizards backed away as the gardener turned a couple of ornate brass wheels.

  ‘I'm fed up with groping around for the soap like you fellows!’ shouted the Archchancellor, as water gushed through hidden channels. ‘Hygiene. That's the ticket!’

  ‘Don't say we didn't warn you,’ said the Dean, shutting the door.

  ‘Er, I still haven't worked out where all the pipes lead, sir,’ Modo ventured.

  ‘We'll find out, never you fear,’ said Ridcully happily. He removed his hat and put on a shower cap of his own design. In deference to his profession, it was pointy. He picked up a yellow rubber duck.

  ‘Man the pumps, Mr Modo. Or dwarf them, of course, in your case.’

  ‘Yes, Archchancellor.’

  Modo hauled on a lever. The pipes started a hammering noise and steam leaked out of a few joints.

  Ridcully took a last look around the bathroom.

  It was a hidden treasure, no doubt about it. Say what you like, old Johnson must sometimes have got it right, even if it was only by accident. The entire room, including the floor and ceiling, had been tiled in white, blue and green. In the centre, under its crown of pipes, was Johnson's Patent ‘Typhoon’ Superior Indoor Ablutorium with Automatic Soap Dish, a sanitary poem in mahogany, rosewood and copper.

  He'd got Modo to polish every pipe and brass tap until they gleamed. It had taken ages.

  Ridcully shut the frosted door behind him.

  The inventor of the ablutionary marvel had decided to make a mere shower a fully controllable experience, and one wall of the large cubicle held a marvellous panel covered with brass taps cast in the shape of mermaids and shells and, for some reason, pomegranates. There were separate feeds for salt water, hard water and soft water and huge wheels for accurate control of temperature. Ridcully inspected them with care.

  Then he stood back, looked around at the tiles and sang, ‘Mi, mi, mi!’

  His voice reverberated back at him.

  ‘A perfect echo!’ said Ridcully, one of nature's bathroom baritones.

  He picked up a speaking tube that had been installed to allow the bather to communicate with the engineer.

  ‘All cisterns go, Mr Modo!’

  ‘Aye, aye, sir!’

  Ridcully opened the tap marked ‘Spray’ and leapt aside, because part of him was still well aware that Johnson's inventiveness didn't just push the edge of the envelope but often went across the room and out through the wall of the sorting office.

  A gentle shower of warm water, almost a caressing mist, enveloped him.

  ‘My word!’ he exclaimed, and tried another tap.

  ‘Shower’ turned out to be a little more invigorating. ‘Torrent’ made him gasp for breath and ‘Deluge’ sent him groping to the panel because the top of his head felt that it was being removed. ‘Wave’ sloshed a wall of warm salt water from one side of the cubicle to the other before it disappeared into the grating that was set into the middle of the floor.

  ‘Are you all right, sir?’ Modo called out.

  ‘Marvellous! And there's a dozen knobs I haven't tried yet!’

  Modo nodded, and tapped a valve. Ridcully's voice, raised in what he considered to be song, boomed out through the thick clouds of steam.

  ‘Oh, IIIIIII knew a… er… an agricultural worker of some description, possibly a thatcher, And I knew him well, and he — he was a farmer, now I come to think of it — and he had a daughter and her name I can't recall at the moment,

  And… Where was P Ah yes. Chorus:

  Something something, a humorously shaped vegetable, a turnip, I believe, something something and the sweet nightingaleeeeaarggooooooh-ARGHH oh oh oh—’

  The song shut off suddenly. All Modo could hear was a ferocious gushing noise.

  ‘Archchancellor?’

  After a moment a voice answered from near the ceiling. It sounded somewhat high and hesitant.

  ‘Er… I wonder if you would be so very good as to shut the water off from out there, my dear chap? Er… quite gently, if you wouldn't mind…’

  Modo carefully spun a wheel. The gushing sound gradually subsided.

  ‘Ah. Well done,’ said the voice, but now from somewhere nearer floor level. ‘Well. Jolly good job. I think we can definitely call it a success. Yes, indeed. Er. I wonder if you could help me walk for a moment. I inexplicably feel a little unsteady on my feet… ’

  Modo pushed open the door and helped Ridcully out and onto a bench. He looked rather pale.

  ‘Yes, indeed,’ said the Archchancellor, his eyes a little glazed. ‘Astoundingly successful. Er. Just a minor point, Modo—’

  ‘Yes, sir?’

  ‘There's a tap in there we perhaps should leave alone for now,’ said Ridcully. ‘I'd esteem it a service if you could go and make a little sign to hang on it.’

  ‘Yes, sir?’

  ‘Saying “Do not touch at all”, or something like that.’

  ‘Right, sir.’

  ‘Hang it on the one marked “Old Faithful”.’

  ‘Yes, sir.’

  ‘No need to mention it to the other fellows.’

  ‘Yes, sir.’

  ‘Ye gods, I've never felt so clean.’

  From a vantage point among some ornamental tilework near the ceiling a small gnome in a bowler hat watched Ridcully carefully.

  When Modo had gone the Archchancellor slowly began to dry himself on a big fluffy towel. As he got his composure back, so another song wormed its way under his breath.

  ‘On the second day of Hogswatch I… sent my true love back

  A nasty little letter, hah, yes indeed, and a partridge in a pear tree—’

  The gnome slid down onto the tiles and crept up behind the briskly shaking shape.

  Ridcully, after a few more trial runs, settled on a song which evolves somewhere on every planet where there are winters. It's often dragooned into the service of some local religion and a few words are changed, but it's really about things that have to do with gods only in the same way that roots have to do with leaves.

  ‘—the rising of the
sun, and the running of the deer—’

  Ridcully spun. A corner of wet towel caught the gnome on the ear and flicked it onto its back.

  ‘I saw you creeping up!’ roared the Archchancellor. ‘What's the game, then? Small-time thief, are you?’

  The gnome slid backwards on the soapy surface.

  ‘' ere, what's your game, mister, you ain't supposed to be able to see me!’

  ‘I'm a wizard! We can see things that are really there, you know,’ said Ridcully. ‘And in the case of the Bursar, things that aren't there, too. What's in this bag?’

  ‘You don't wanna open the bag, mister! You really don't wanna open the bag!’

  ‘Why? What have you got in it?’

  The gnome sagged. ‘It ain't what's in it, mister. It's what'll come out. I has to let 'em out one at a time, no knowin' what'd happen if they all gets out at once!’

  Ridcully looked interested, and started to undo the string.

  ‘You'll really wish you hadn't, mister!’ the gnome pleaded.

  ‘Will I? What're you doing here, young man?’

  The gnome gave up.

  ‘Well… you know the Tooth Fairy?’

  ‘Yes. Of course,’ said Ridcully.

  ‘Well… I ain't her. But… it's sort of like the same business…’

  ‘What? You take things away?’

  ‘Er not take away, as such. More sort of… bring…’

  ‘Ah… like new teeth?’

  ‘Er… like new verrucas,’ said the gnome.

  Death threw the sack into the back of the sledge and climbed in after it.

  ‘You're doing well, master,’ said Albert.

  THIS CUSHION IS STILL UNCOMFORTABLE, said Death, hitching his belt. I AM NOT USED TO A BIG FAT STOMACH.

  ‘Just a stomach's the best I could do, master. You're starting off with a handicap, sort of thing.’

  Albert unscrewed the top off a bottle of cold tea. All the sherry had made him thirsty.

  ‘Doing well, master,’ he repeated, taking a pull. ‘All the soot in the fireplace, the footprints, them swigged sherries, the sleigh tracks all over the roofs… it's got to work.’

  YOU THINK SO?

  ‘Sure.’

  AND I MADE SURE SOME OF THEM SAW ME. I KNOW IF THEY ARE PEEPING, Death added proudly.

  ‘Well done, sir.’

  YES.

  ‘Though here's a tip, though. Just “Ho. Ho. Ho,” — will do. Don't say, “Cower, brief mortals” unless you want them to grow up to be moneylenders or some such.’

  HO. HO. HO.

  ‘Yes, you're really getting the hang of it.’ Albert looked down hurriedly at his notebook so that Death wouldn't see his face. ‘Now, I got to tell you, master, what'll really do some good is a public appearance. Really.’

  OH. I DON'T NORMALLY DO THEM.

  ‘The Hogfather's more've a public figure, master. And one good public appearance'll do more good than any amount of letting kids see you by accident. Good for the old belief muscles.’

  REALLY? HO. HO. HO.

  ‘Right, right, that's really good, master. Where was I… yes… the shops'll be open late. Lots of kiddies get taken to see the Hogfather, you see. Not the real one, of course, just some ole geezer with a pillow up his jumper, saving yer presence, master.’

  NOT REAL? HO. HO. HO.

  ‘Oh, no. And you don't need—’

  THE CHILDREN KNOW THIS? HO. HO. HO.

  Albert scratched his nose. ‘S'pose so, master.’

  THIS SHOULD NOT BE. NO WONDER THERE HAS BEEN… THIS DIFFICULTY. BELIEF WAS COMPROMISED? HO. HO. HO.

  ‘Could be, master. Er, the “ho, ho—”’

  WHERE DOES THIS TRAVESTY TAKE PLACE? HO. HO. HO.

  Albert gave up. ‘Well, Crumley's in The Maul, for one. Very popular, the Hogfather Grotto. They always have a good Hogfather, apparently.’

  LET'S GET THERE AND SLEIGH THEM. HO. HO. HO.

  ‘Right you are, master.’

  THAT WAS A PUNE OR PLAY ON WORDS, ALBERT. I DON'T KNOW IF YOU NOTICED.

  ‘I'm laughing like hell deep down, sir.’

  HO. HO. HO.

  Archchancellor Ridcully grinned.

  He often grinned. He was one of those men who grinned even when they were annoyed, but right now he grinned because he was proud. A little sore still, perhaps, but still proud.

  ‘Amazing bathroom, ain't it?’ he said. ‘They had it walled up, you know. Damn silly thing to do. I mean, perhaps there were a few teething troubles,’ he shifted gingerly, ‘but that's only to be expected. It's got everything, d'you see? Foot baths in the shape of clam shells, look. A whole wardrobe for dressing gowns. And that tub over there's got a big blower thingy so's you get bubbly water without even havin' to eat starchy food. And this thingy here with the mermaids holdin' it up's a special pot for your toenail clippings. It's got everything, this place.’

  ‘A special pot for nail clippings?’ said the Verruca Gnome.

  ‘Oh, can't be too careful,’ said Ridcully, lifting the lid of an ornate jar marked BATH SALTS and pulling out a bottle of wine. ‘Get hold of something like someone's nail clipping and you've got ' em under your control. That's real old magic. Dawn of time stuff.’

  He held the wine bottle up to the light.

  ‘Should be cooled nicely by now,’ he said, extracting the cork. ‘Verrucas, eh?’

  ‘Wish I knew why,’ said the gnome.

  ‘You mean you don't know?’

  ‘Nope. Suddenly I wake up and I'm the Verruca Gnome.’

  ‘Puzzling, that,’ said Ridcully. ‘My dad used to say the Verruca Gnome turned up if you walked around in bare feet but I never knew you existed. I thought he just made it up. I mean, tooth fairies, yes, and them little buggers that live in flowers, used to collect 'em myself as a lad, but can't recall anything about verrucas.’ He drank thoughtfully. ‘Got a distant cousin called Verruca, as a matter of fact. It's quite a nice sound, when you come to think of it.’

  He looked at the gnome over the top of his glass.

  You didn't become Archchancellor without a feeling for subtle wrongness in a situation. Well, that wasn't quite true. It was more accurate to say that you didn't remain Archchancellor for very long.

  ‘Good job, is it?’ he said thoughtfully.

  ‘Dandruff'd be better,’ said the gnome. ‘At least I'd be out in the fresh air.’

  ‘I think we'd better check up on this,’ said Ridcully. ‘Of course, it might be nothing.’

  ‘Oh, thank you,’ said the Verruca Gnome, gloomily.

  It was a magnificent Grotto this year, Vernon Crumley told himself. The staff had worked really hard. The Hogfather's sleigh was a work of art in itself, and the pigs looked really real and a wonderful shade of pink.

  The Grotto took up nearly all of the first floor. One of the pixies had been Disciplined for smoking behind the Magic Tinkling Waterfall and the clockwork Dolls of All Nations showing how We Could All Get Along were a bit jerky and giving trouble but all in all, he told himself, it was a display to Delight the Hearts of Kiddies everywhere.

  The kiddies were queueing up with their parents and watching the display owlishly.

  And the money was coming in. Oh, how the money was coming in.

  So that the staff would not be Tempted, Mr Crumley had set up an arrangement of overhead wires across the ceilings of the store. In the middle of each floor was a cashier in a little cage. Staff took money from customers, put it in a little clockwork cable car, sent it whizzing overhead to the cashier, who'd make change and start it rattling back again. Thus there was no possibility of Temptation, and the little trolleys were shooting back and forth like fireworks.

  Mr Crumley loved Hogswatch. It was for… the Kiddies, after all.

  He tucked his fingers in the pockets of his waistcoat and beamed.

  ‘Everything going well, Miss Harding?’

  ‘Yes, Mr Crumley,’ said the cashier, meekly.

  ‘Jolly good.’ He looked at the pile of coins.
>
  A bright little zig-zag crackled off them and earthed itself on the metal grille.

  Mr Crumley blinked. In front of him sparks flashed off the steel rims of Miss Harding's spectacles.

  The Grotto display changed. For just a fraction of a second Mr Crumley had the sensation of speed, as though what appeared had screeched to a halt. Which was ridiculous.

  The four pink papier-mache pigs exploded. A cardboard snout bounced off Mr Crumley's head.

  There, sweating and grunting in the place where the little piggies had been, were… well, he assumed they were pigs, because hippopotamuses didn't have pointy ears and rings through their noses. But the creatures were huge and grey and bristly and a cloud of acrid mist hung over each one.

  And they didn't look sweet. There was nothing charming about them. One turned to look at him with small, red eyes, and didn't go ‘oink’, which was the sound that Mr Crumley, born and raised in the city, had always associated with pigs.

  It went ‘Ghnaaarrrwnnkh?’

  The sleigh had changed, too. He'd been very pleased with that sleigh. It had delicate silver curly bits on it. He'd personally supervised the gluing on of every twinkling star. But the splendour of it was lying in glittering shards around a sledge that looked as though it had been built of crudely sawn tree trunks laid on two massive wooden runners. It looked ancient and there were faces carved on the wood, nasty crude grinning faces that looked quite out of place.

  Parents were yelling and trying to pull their children away, but they weren't having much luck. The children were gravitating towards it like flies to jam.

  Mr Crumley ran towards the terrible thing, waving his hands.

  ‘Stop that! Stop that!’ he screamed. ‘You'll frighten the Kiddies!’

  He heard a small boy behind him say, ‘They 've got tusks! Cool!’

  His sister said, ‘Hey, look, that one's doing a wee!’ A tremendous cloud of yellow steam arose. ‘Look, it's going all the way to the stairs! All those who can't swim hold onto the banisters!’

  ‘They eat you if you're bad, you know,’ said a small girl with obvious approval. ‘All up. Even the bones. They crunch them.’

  Another, older, child opined: ‘Don't be childish. They're not real. They've just got a wizard in to do the magic. Or it's all done by clockwork. Everyone knows they're not really r—’

 

‹ Prev