When she was a young woman, Ida, for many years, had worn a tight bun held together by three celluloid hairpins. Martin, her husband, who was later to fall dead of a heart attack, liked buns and topknots. “They are sane yet sexy,” he said. Ida wore her bun until she began to lose hair in her mid-forties. She noticed the hair coming loose when she brushed it with her ivory-topped brush. One day the increasing number of long hairs left in the comb frightened her. And when she examined her hairline in the mirror, it seemed to Ida that her temples were practically bare.
“I think the tight bun contributes to my loss of hair,” she told Martin. “Maybe I ought to get rid of it?”
“Nonsense,” he had said. “If anything, the cause would be hormonal.”
“So what would you advise me to do?” Ida looked up at him uneasily. He was a wiry man with wavy, graying hair and a strong neck.
“In the first place, don’t wash it so often. You wash it too often.”
“My hair has always been oily. I have to shampoo it at least twice a week.”
“Less often,” Martin advised, “take my tip.”
“Martin, I am very afraid.”
“You don’t have to be,” he said, “it’s a common occurrence.”
One day, while walking on Third Avenue, Ida had passed a wigmaker’s shop and peered into the window. There were men’s and women’s wigs on abstract, elegant wooden heads. One or two were reasonably attractive; most were not.
How artificial they are, Ida thought. I could never wear such a thing.
She felt for the wigs a mild hatred she tied up with the fear of losing her hair. If I buy a wig, people will know why. It’s none of their business.
Ida continued her brisk walk on Third Avenue. Although it was midsummer, she stepped into a hat shop and bought herself a fall hat, a wide-brimmed felt with a narrow, bright green ribbon. Amy had green eyes.
One morning after Ida had washed her hair in the bathroom sink, and a wet, coiled mass of it slid down the drain, she was shocked and felt faint. After she had dried her hair, as she gently combed it, close to the mirror, she was greatly concerned by the sight of her pink scalp more than ever visible on top of her head. But Martin, after inspecting it, had doubted it was all that noticeable. Of course her hair was thinner than it had been—whose wasn’t?—but he said he noticed nothing unusual, especially now that she had cut her hair and was wearing bangs. Ida wore a short, swirled haircut. She shampooed her hair less frequently.
And she went to a dermatologist, who prescribed an emulsion he had concocted, with alcohol, distilled water, and some drops of castor oil, which she was to shake well before applying. He instructed her to rub the mixture into her scalp with a piece of cotton. “That’ll stir it up.” The dermatologist had first suggested an estrogen salve applied topically, but Ida said she didn’t care for estrogen.
“This salve does no harm to women,” the doctor said, “although I understand it might shrink a man’s testicles.”
“If it can shrink a man’s testicles, I’d rather not try it,” she said. He gave her the emulsion.
Ida would part a strand of hair and gently brush her scalp with the emulsion-soaked cotton; then she would part another strand and gently brush there. Whatever she tried didn’t do much good, and her scalp shone through her thinning hair like a dim moon in a stringy dark cloud. She hated to look at herself, she hated to think.
“Martin, if I lose my hair I will lose my femininity.”
“Since when?”
“What shall I do?” she begged.
Martin thought. “Why don’t you consider another doctor? This guy is too much a salesman. I still think it could be caused by a scalp ailment or some such condition. Cure the scalp and it slows down the loss of hair.”
“No matter how I treat the scalp, with or without medication, nothing gets better.”
“What do you think caused it?” Martin said. “Some kind of trauma either psychic or physical?”
“It could be hereditary,” Ida answered. “I might have my father’s scalp.”
“Your father had a full head of hair when I first met him—a shock of hair, I would call it.”
“Not when he was my age, he was already losing it.”
“He was catting around at that age,” Martin said. “He was some boy. Nothing could stop him, hair or no hair.”
“I’ll bet you envy him,” Ida said, “or you wouldn’t bring that up at this particular time.”
“Who I envy or don’t envy let’s not talk about,” he replied. “Let’s not get into that realm of experience, or it becomes a different card game.”
“I bet you wish you were in that realm of experience. I sometimes feel you envy Amy her odd life.”
“Let’s not get into that either,” Martin insisted. “It doesn’t pay.”
“What can we talk about?” Ida complained.
“We talk about your hair, don’t we?”
“I would rather not,” she said.
The next day she visited another skin man, who advised her to give up brushing her hair or rubbing anything into her scalp. “Don’t stress your hair,” he advised. “At the most, you could have it puffed up once in a while, or maybe take a permanent to give it body, but don’t as a rule stress it. Also put away your brush and use only a wide-toothed comb, and I will prescribe some moderate doses of vitamins that might help. I can’t guarantee it.”
“I doubt if that’s going to do much good,” Ida said when she arrived home.
“How would you know until you’ve tried it?” Amy asked.
“Nobody has to try everything,” Ida said. “Some things you know about without having to try them. You have common sense.”
“Look,” said Martin, “let’s not kid ourselves. If the vitamins don’t do anything for you, then you ought to have yourself fitted for a wig or wiglet. It’s no sin. They’re popular with a lot of people nowadays. If I can wear false teeth, you can wear a wig.”
“I hate to,” she confessed. “I’ve tried some on and they burden my head.”
“You burden your head,” Amy said.
“Amy,” said her mother, “if nothing else, then at least mercy.”
Amy wandered out of the room, stopping first at the mirror to look at herself.
Martin, that evening, fell dead of a heart attack. He died on the kitchen floor. Ida wailed. Amy made choked noises of grief. Both women mourned him deeply.
For weeks after the funeral, Ida thought of herself vaguely. Her mind was befogged. Alternatively, she reflected intensely on her life, her eyes stinging, thinking of herself as a widow of fifty. “I am terribly worried about my life,” she said aloud. Amy was not present. Ida knew she was staying in her room. “What have I done to that child?”
One morning, after studying herself in the full-length looking glass, she hurried to the wigmaker’s on Third Avenue. Ida walked with dignity along the busy, sunlit street. The wig shop was called Norman: Perukier. She examined the window, wig by wig, then went determinedly inside. The wigmaker had seen her before and greeted her casually.
“Might I try on a wig or two?”
“Suit yourself.”
Ida pointed to a blond wig in the window and to another, chestnut brown, on a dummy’s head on a shelf, and Norman brought both to her as she sat at a three-paneled mirror.
Ida’s breathing was audible. She tried on the first wig, a light, frizzy, young one. Norman fitted it on her head as if he were drawing on a cloche hat. “There,” he said, stepping back. He drew a light blue comb out of his inside pocket and touched the wig here and there before stopping to admire it. “It’s a charming wig.”
“It feels like a tight hat,” Ida said.
“It’s not at all tight,” Norman said. “But try this.”
He handed her the other wig, a brown affair that looked like a haircut Amy used to wear before she had adopted a modified afro in college.
Norman flicked his comb at the wig, then stepped back. He too was breathi
ng heavily, his eyes intent on hers, but Ida would not let his catch hers in the mirror; she kept her gaze on the wig.
“What is the material of this wig?” Ida asked. “It doesn’t seem human hair.”
“Not this particular one. It’s made of Dynel fiber and doesn’t frizz in heat or humidity.”
“How does a person take care of it?”
“She can wash it with a mild soap in warm water and then either let it dry or blow it dry. Or if she prefers, she can give it to her hairdresser, who will wash, dry, and style it.”
“Will my head perspire?”
“Not in this wig.”
Ida removed the wig. “What about that black one?” she asked hesitantly. “I like the style of it.”
“It’s made of Korean hair.”
“Real hair?”
“Yes.”
“Oh,” said Ida. “I don’t think I’d care for Oriental hair.”
“Why not, if I may ask?” Norman said.
“I can’t really explain it, but I think I would feel like a stranger to myself.”
“I think you are a stranger to yourself,” said the wigmaker, as though he was determined to say it. “I also don’t think you are interested in a wig at all. This is the third time you’ve come into this shop, and you make it an ordeal for all concerned. Buying a wig isn’t exactly like shopping for a coffin, don’t you know? Some people take a good deal of pleasure in selecting a wig, as if they were choosing a beautiful garment or a piece of jewelry.”
“I am not a stranger to myself,” Ida replied irritably. “All we’re concerned about is a wig. I didn’t come here for an amateur psychoanalysis of my personality.” Her color had heightened.
“Frankly, I’d rather not do business with you,” said the wigmaker. “I wouldn’t care for you among my clientele.”
“Tant pis pour vous,” Ida said, walking out of Norman’s shop.
In the street she was deeply angered. It took her five minutes to begin walking. Although the day was not cool she knotted a kerchief on her head. Ida entered a hat shop close by and bought a fuzzy purple hat.
That evening she and Amy quarreled. Amy said, as they were eating fish at supper, that she had met this guy and would be moving out in a week or two, when he returned from California.
“What guy?” snapped Ida. “Somebody that you picked up in a bar?”
“I happened to meet this man in the importing office where I work, if you must know.”
Ida’s voice grew softer. “Mustn’t I know?”
Amy was staring above her mother’s head, although there was nothing on the wall to stare at, the whites of her eyes intensely white. Ida knew this sign of Amy’s disaffection but continued talking.
“Why don’t you find an apartment of your own? You earn a good salary, and your father left you five thousand dollars.”
“I want to save that in case of emergency.”
“Tell me, Amy, what sort of future do you foresee for yourself?”
“The usual. Neither black nor white.”
“How will you protect yourself alone?”
“Not necessarily by getting married. I will protect myself, myself.”
“Do you ever expect to marry?”
“When it becomes a viable option.”
“What do you mean option, don’t you want to have children?”
“I may someday want to.”
“You are now twenty-eight. How much longer have you got?”
“I’m twenty-eight and should have at least ten years. Some women bear children at forty.”
“I hope,” said Ida, “I hope you have ten years, Amy, I am afraid for you. My heart eats me up.”
“After you it eats me up. It’s an eating heart.”
Ida called her daughter a nasty name, and Amy, rising, her face grim, quickly left the room. Ida felt like chasing after her with a stick, or fainting. She went to her room, her head aching, and lay on the double bed. For a while she wept.
She lay there, at length wanting to forget their quarrel. Ida rose and looked in an old photograph album to try to forget how bad she felt. Here was a picture of Martin as a young father, with a black mustache, tossing Amy as a baby in the air. Here she was as a pudgy girl of twelve, never out of jeans. Yet not till she was eighteen had she wanted her long hair cut.
Among these photographs Ida found a picture of her own mother, Mrs. Feitelson, surely no more than forty then, in her horsehair sheitel. The wig looked like a round loaf of dark bread lying on her head. Once a man had tried to mug her on the street. In the scuffle he had pulled her wig off and, when he saw her fuzzy skull, had run of without her purse. They wore those wigs, the Orthodox women, once they were married, not to attract, or distract, men other than their husbands. Sometimes they had trouble attracting their husbands.
Oh, Mama, Ida thought, did I know you? Did you know me?
What am I afraid of? she asked herself, and she thought, I am a widow and losing my looks. I am afraid of the future.
After a while she went barefoot to Amy’s room and knocked on her door. I will tell her that my hair has made me very nervous. When there was no answer she opened the door a crack and said she would like to apologize. Though Amy did not respond, the light was on and Ida entered the room.
Her daughter, a slender woman in long green pajamas, lay in bed reading in the light of the wall lamp. Ida wanted to sit on the bed but felt she had no right to.
“Good night, dear Amy.”
Amy did not lower her book. Ida, standing by the bedside looking at Amy, saw something she long ago had put out of her mind: that the girl’s hair on top of her head was thinning and a fairly large circle of cobwebbed scalp was visible.
Amy turned a page and went on reading.
Ida, although tormented by the sight of Amy’s thinning hair, did not speak of it. In the morning she left the house early and bought herself an attractive wig.
1980
Zora’s Noise
HERE’S THIS UNHAPPY NOISE that upsets Zora.
She had once been Sarah. Dworkin, when he married her not long after the death of Ella, his first wife, had talked her into changing her name. She eventually forgave him. Now she felt she had always been Zora.
“Zora, we have to hurry.”
“I’m coming, for godsake. I am looking for my brown gloves.”
He was fifty-one, she ten years younger, an energetic, plump person with an engaging laugh and a tendency to diet unsuccessfully. She called him Dworky: an animated, reflective man, impassioned cellist—and, on inspiration, composer—with an arthritic left shoulder. He referred to it as “the shoulder I hurt when I fell in the cellar.” When she was angry with him, or feeling insecure, she called him Zworkin.
I hear something, whatever do I hear? Zora blew her nose and listened to her ear. Is my bad ear worse? If it isn’t, what are those nagging noises I’ve been hearing all spring? Because I listen, I hear. But what makes me listen?
The really bothersome noise had begun in April when the storm windows came off and the screens went up; yet it seemed to Zora she hadn’t become conscious of its relentless quality until June, after being two months on a diet that didn’t work. She was heavier than she cared to be. She had never had children and held that against herself too.
Zora settled on the day after her forty-first birthday, at the end of June, as the time when the noise began seriously to affect her. Maybe I wasn’t listening with both my ears up to then. I had my mind elsewhere. They say the universe exploded and we still hear the roar and hiss of all that gas. She asked Dworky about that, forgetting to notice—Oh, my God—that he was practicing his cello, a darkly varnished, mellow Montagnana, “the best thing that ever happened to me,” he had once said.
No response from him but an expression of despair: as though he had said, “I practice in the living room to keep you company, and the next thing I know you’re interfering with my music.” “Please pardon me,” Zora said.
“The cello,�
�� he had defined it shortly after they met, “is an independent small Jewish animal.” And Zora had laughed as though her heart were broken. There were two streams to her laughter—a full-blown humorous response, plus something reserved. You expected one and maybe got the other. Sometimes you weren’t sure what she was laughing at, if laughing. Dworkin, as he seesawed his rosin-scented bow across the four steel strings, sometimes sang to his cello, and the cello throatily responded. Zora and Dworkin had met many years ago after a concert in L.A., the night he was the guest of the Los Angeles Philharmonic.
“My cello deepens me,” he had told her.
“In that case I’ll marry you both.”
That was how she had proposed, he told friends at their dinner table, and everyone laughed.
“Do you hear that grating, sickening sound?” she had asked as they were undressing late one summer’s night in their high-ceilinged bedroom. The wallpaper was Zora’s, spread through with white cosmos pasted over the thickly woven cerise paper selected by Ella many years ago when she and Dworkin had first moved into this spacious, comfortable house. “Do you like it?” he had asked Zora. “Love it.” She immediately had the upstairs sun deck built, and the French doors leading to it, giving her, she said, “access to the sky.”
“What sickening sound?” he asked.
“You don’t hear it?”
“Not as of right now.”
“Well, it isn’t exactly the music of the spheres,” Zora responded. She had in her twenties worked in a chemistry laboratory, though her other interests tended to be artistic.
Zora was plump, in high heels about Dworkin’s height; she had firm features and almost a contralto speaking voice. She had once, at his suggestion, taken singing lessons that hadn’t come to much. She was not very musical, though she loved to listen and had her own record collection. When they were first married she had worked in an art gallery in Stockbridge. They lived in Elmsville, a nearby town, in a clapboard house painted iron-gray, with marine-blue shutters. The colors were Zora’s own good colors. For Ella it had been a white house with black shutters. They were both effective with their colors.
The People Page 24